My opinion is purely subjective. Usually, when I turn on the movie, I somehow get a feeling - it catches or not. If it catches from the first frame, I watch the movie until the end. Sometimes I rewatch a movie from a certain place, sometimes from the very beginning. The main thing when watching a movie , I shouldn 't see the actors . And God forbid - the game. Such films have a certain list for me - unnecessary. As for this film, I don't see a single actor here. I look and see a panorama, history, culture, events. I watch and empathize, cry, rejoice, hate, regret. Then I rewind and watch it again. But no matter how hard I strain my eyes at the end , I don 't see any actors . This is the director's aerobatics! Shinsuke Sato is a genius!!!! . Yes, there is a lot of speculation and fiction in historical cinema today. But this film reflects the formation of the state itself, Japan itself - this is important.To see the origins , to penetrate the feeling that Japan is not a fairy tale , but ,musical arrangement . This is generally a separate topic for conversation. Unimaginably, harmoniously, sensually, from the first beat, from the first note, from the first chord.Music in unison with the characters , with the events .Unbelievably.. I sincerely thank the composer - Yutaka Yamada. .There is no limit to admiration .It is music that is able to emphasize , draw an invisible line in the feeling .A real pleasure.The cast , the costumes - it seems that someone has returned to the past to borrow those clothes , those very people . And they agreed to borrow it, so that they would be remembered. The film - from beginning to end in one breath❤️👌🏻🏵️💎
こんな顔綺麗だけど、ちゃんと演技上手くてすごい……
吉沢亮 山崎賢人 超イケメンすぎ 出汁 凄すぎ
お亮の40~50代の容姿、演技もめちゃくちゃ楽しみ。変わらず最高の俳優だと確信してる
🎉
すつつっごい分かる！
もう見慣れたけど最強の顔面が並んでる
楊端和謹製の肩パッドww
キングダム今度4回目観に行きます笑笑完全にハマりすぎてやばいです。いまアニメも観進めてます！3、楽しみにしてます！舞台挨拶当ててやります！！笑
がんばれ💪💪💪
いつ頃までやってそうですかね…？
なんだこの中華統一出来そうな顔面３つは
顔面強
けんけんとお亮がカップルにしか見えない(⑉ˊo̴̶̷̤ ̫o̴̶̷̤ˋ⑉)好きです尊いです!!
上手い役者は顔の筋肉すら操れるのか😮
My opinion is purely subjective. Usually, when I turn on the movie, I somehow get a feeling - it catches or not. If it catches from the first frame, I watch the movie until the end. Sometimes I rewatch a movie from a certain place, sometimes from the very beginning. The main thing when watching a movie , I shouldn 't see the actors . And God forbid - the game. Such films have a certain list for me - unnecessary. As for this film, I don't see a single actor here. I look and see a panorama, history, culture, events. I watch and empathize, cry, rejoice, hate, regret. Then I rewind and watch it again. But no matter how hard I strain my eyes at the end , I don 't see any actors . This is the director's aerobatics! Shinsuke Sato is a genius!!!! . Yes, there is a lot of speculation and fiction in historical cinema today. But this film reflects the formation of the state itself, Japan itself - this is important.To see the origins , to penetrate the feeling that Japan is not a fairy tale , but ,musical arrangement . This is generally a separate topic for conversation. Unimaginably, harmoniously, sensually, from the first beat, from the first note, from the first chord.Music in unison with the characters , with the events .Unbelievably.. I sincerely thank the composer - Yutaka Yamada. .There is no limit to admiration .It is music that is able to emphasize , draw an invisible line in the feeling .A real pleasure.The cast , the costumes - it seems that someone has returned to the past to borrow those clothes , those very people . And they agreed to borrow it, so that they would be remembered. The film - from beginning to end in one breath❤️👌🏻🏵️💎
えたよねさん時から大丈夫👌かな
やっぱ国産は国産で仕上げていってほしいよね。
ハリウッドは確かにPS5ほどのハード市場だけど、ファミコン機でも数々の名作は生んでいるし。
「くじらから見ればマグロは小魚にすぎない」現代人は比較対象を見誤っている。
マグロの大きさは同じマグロで比較すべきなのだよｗ
お～い吉沢さん？目ぇ死んじゃってますよ～
ハイライトハイライto(殴殴
よしざわ髪型にあってねえな
吉沢亮はセンターパート似合わないですよね