Awesome sound! I can see how that could become a really floaty but hard-hitting bass. it still needs a bit glue though. i could hear the "layer-ness" before you mentioned it
Nice. In Vital you can set the Lfo to Keytrack and then choose the relationship to the played note (e.g. -12 semitones) So those are even more comfortable
@@adrenakrohm yeah i hope so. To compensate, i made a wavetable with same triangle mwith sweeping height and set the osc mod to fm. However, the sound was totally different from FMing with the lfo. any idea why? Octave setting was the same
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Thanks.
The bass sound, though! Very satisfying growl.
Thanks, it's part of my Dream Drops pack for Serum:
adrenakrohm.com/dream-drops-vol-1
Awesome sound! I can see how that could become a really floaty but hard-hitting bass. it still needs a bit glue though. i could hear the "layer-ness" before you mentioned it
Yes a bit of compression to keep it under control and away you go.
Ya, good stuff mang. I use a similar method in renoise for dark FM leads.
🤘👽🌌
Nice. Renoise is pretty cool.
@@adrenakrohm yeah, it's dope and definitely slept on, but has a lot of special potentials and a super fun and efficient compositional workflow.
More sound-design tutorials
They're coming 😀
Nice one bro 🔥🙏🏻
Thanks man!
Nice. In Vital you can set the Lfo to Keytrack and then choose the relationship to the played note (e.g. -12 semitones) So those are even more comfortable
Yes I've been playing around in Vital this week actually.
@@adrenakrohm Yeah but it`s sadly not possible to modulate the lfo points in vital... damn
Unfortunately not, no. Maybe in a future update, fingers crossed.
@@adrenakrohm yeah i hope so. To compensate, i made a wavetable with same triangle mwith sweeping height and set the osc mod to fm. However, the sound was totally different from FMing with the lfo. any idea why? Octave setting was the same