Wedding DJ from Quebec/Canada here. I always find it weird when you guys from other countries talk about ending before midnight. I can't believe it's a thing elsewhere. Here the dance starts at 8-9PM and rave till 3AM sometimes 4AM. We get a lot of drunk people I mean a looooooooooooooooot of stories like yours 😛
@@AaronStrawn I know right. Most of the times it's more like 18-19h wedding if you include the ceremony because we start as early as 10AM sometimes. It is killing you. But: You get to see a lot of people nice and not nice which bring a lot of interresting stories! Later
The maui 44's have 4 high emitters, really strong ones, then 12-13 mid range in the column. I recommend the Curve 500 TS's if you want a more traditional looking portable speaker setup with similar sonic qualities of the Maui line. The electronics in many of LD's speakers practically eliminate any and all distortion from the signal, the maui 44 that I use I can have input signal in the red and speaker at full volume with little or no discernable clipping/distortion. They really do a great job.
I picked up a pair of the G3's myself and have used them at a few gigs so far. Definitely impressed by the overall clarity of sound and the design certainly gets people's attention!
I like these G3’s and only wish they did like Bose does with a kinda sub match cable and an extension sub unit only. One cable twist and go for extended bass in bigger rooms. You wouldn’t need the 44 then really… which i guess is there aim 😂🙈
Loving the G3's so far. The first wedding I did with them I was a little sceptical, so I added a Yamaha 15" sub underneath my table. I'd say it was a good combo, but most likely wasn't needed. Thanks for your update on them!
One time I did the grand entrance so poorly mixing up names that I was thinking about quitting weddings. I was going to fire myself. But then I thought about it and realized that I had done more than 300 correctly and this was the one screw up. I talked to the video folks and they agreed to only save my 2nd take where I got the names correct. So things got fixed ..
Play for your clients and music based on your expertise. Don’t play for drunks. Waiting for my Maui 28 G3 to arrive. Sound great and heard them at NAMM 2023. Can’t wait to put them on the road.
Hey man, great videos you have here. Could you please let me know if it’s worth sticking with the Maui 28 G2 now that the G3 is available? I already own a G2 and am planning to buy a second one for an acoustic gig to get more power. I’m not sure if it’s worth investing in a G3 and using it alongside the G2 at the gig. Is the G3 significantly better than the G2, and is it a good idea to mix them in this way? Thanks!
Install those BNC jacks on the side of your booth - it'll look so much cleaner and won't take any console top real estate. That's what I did for mine and it's been AWESOME. Also, simply spray painting the half waves white fixes the awkward look.
@@AaronStrawn Yeah dude. I just drilled holes (I'll check the exact size, but they weren't big) and now they just extend up on the sides. No obstructions and no worries. Hardest part was making sure they were symmetrical on both sides. Then I run the BNC cables together into a basic (non-powered) combiner, then a single to each jack. Easy peasy fat ass squeezy. Happy to help, man! OH! Seal the paint with a laquer or something else to prevent it from coming off. Not a big deal to respray, but it's annoying to need to. Poly coat or whatever. You could probably plasti-dip them, too.
i play in a duo with backing tracks. and we like to rock and the LD 28 3 sounds great like you said we blink the light to, and it sounds loud and clear and vocals are clear.you can hear low mids mid mids highs. and my bubby and i have been playing together for over 30 years and we are very picky about our sound they are build like a tank.
I typically run the 18 subs and 15 tops but after watching your videos, decided to try out the Maui 28’s…first gig was a small venue but for some reason the room sucked up any and all bass. I was lucky to have brought an extra sub because it was definitely needed. The next two outings went fairly well but just having a hard time getting used to the lack of output. Additionally, they smell like hot electrical after each event so unless that’s part of the break in period, I think I’m probably running them too hard. I’m likely going to return them which sucks because they are sexy and so much easier to tote than the 110 lbs subs and 60 lbs tops.
I think if I had been used to your original setup with 18s/15s these would let me down too. For sure you are not melting testicles on the dance floor with the 12" subs. I totally agree with that, and when I walk around, I'm sure it could sound better with a bigger system. But...I still feel like my parties are a success. People are dancing, having a blast and I still have my back lol. Thanks for the response!
44G2’s are great. Such a quick setup and elegant look (Bought them Jan 2022). Just wish they were 10% louder. I just need more volume even if the crowd count isn’t huge. Luckily I just bring out my RCF nxl24’s over 8004 subs. I replaced the 44g2s with RCF tt515 over tt15subs but thought the tops were harsh when pushed and sent the whole setup back to the dealer. Back to the 44g2 as my smaller setup.
We have 4 of the Maui 28 G3's (2 sets) and I love the sound and the bass has been Soooooo enhanced... BUT.. what is up with the limiter light. Anything above cocktail level and it starts blinking, When you get to dance program volume it is on more than off. I returned one but the replacement does the same thing. In 40+ years as a DJ, I have never had a speaker where when playing at normal level the limiter light is on.. and that includes the G2's. I had a mix of a g2 and g3 while waiting for replacement. G2 playing fine with great full range sound and 8 ft away the G3 is at lower volume (because of the limiter light freaking me out) with the limiter light on like 75% of the time. G2 never peaked once.??? That light is supposed to be your guard and notice to dial it back.. If blinking more than off, to me that is a problem as I can not tell if there is really a problem?
It's hella frustrating to have expensive DJ speakers that seem to really peak at low SPLs, especially when they are advertised to hit in the high 128s. From what I've read and done, seeing the limit blink is ok. Mine never stays solid. If a certain song is keeping it solid longer, I will pull the gain back a bit on my controller. I do a walk-a-round the dance floor every hour or so to get the vibe and sometimes I feel like it could come down too. In all reality bro, when I see a packed dance floor and people having a great time, that's all I care about. Mobile DJs have that challenge of providing big sound but also be portable. So far so good with these
@@AaronStrawn totally with you.. I have been on the less is more kick for a long time. NEVER carried an 18" subwoofer except for proms. Too old for those now, LOL! Mine never go solid either, but still scares me when they are blinking all the time.. I do not think it is peaking, I think that light is set wrong. Like I said , I am like 12 or 13 years with these things from the original to g2 to now G3. The older models if it peaked you turn down the sub or dial back your bass on your board. now if it peaks you are dialing back your mids. This speaker is crazy nice bass for a 12". I tested them beside my partner's EV Evolve E50's and I think the G3 is better.
Hey, Aaron, seems like no matter what you do you always get that one person, and believe me it won’t be the last time… by the way are the new Maui’s destroying the RCF J8,s? I’d like to know your thoughts on that.
I cut out another story where the guest was even worse lol. Drunk idiots is part of the gig. So far, I really like the 28s. The look alone sets them apart, setting up is quicker and the top horns are so crisp for speeches.
Hey Aaron - Andy, new subscriber here in Maryland but since I've been shopping for a new column PA, your videos have been super helpful so thanks. Solo acoustic guitar, vocals here so a bit of a different application than DJ - typcially small to medium rooms and larger outdoor wineries are my main gigs where people are listening/talking vs. dancing. I've had one of those OG Bose L1s with the big ass horseshoe base and 2 subs for almost 20 years but looking for something new - love the EV mixers included with the 30m and I wish the Maui 28s had that option. You mentioned in another video using an S1 pro as an extension speaker. Can that be accomplished with the Bluetooth connection on either the EV30m or the Mauis? Thanks again - great work! -A
Thanks for watching bro- glad my vids have been helping. Ok- for columns, the 28s might be your jam. If you wait till early next year, they are releasing a mixer version with 6 channels. BT won't work as an extension- you need to use an IEM or one of those Xvive's
Man, I was looking for this review all over the UA-cam and finally you did it. I am right now RCF J8 lover and I am planning to get these white one G3 soon. the issue was to know if they are capable to cover up 300 Plus people. and I just saw that and its looks amazing to me. Maui 44 G2 is the best but heavy. and I have a question does these compete with 15'' Standard 2-way speakers with 18'' Subwoofer, my mostly work is not wedding but Live events where mostly speeches and at the end some kind of music band live performance. I am thinking to get the Mackie SRM215 with 18'' Sub but that setup too bulky. What do you think about?
Thanks for stopping by! Ok- so I would say sound wise and crowd wise they are similar if not a bit better than the J8s. They do not compare to a 15" top and 18" sub. That system might suit you better. When I say 300, I mean mostly for speeches. When the dance starts, there is usually about 20-30% of the crowd on the floor and these can handle that. For a live band, I would either do the traditional tops/subs or the Maui 44 G2s. Those have a 15" sub and I've heard great things about them
@@AaronStrawn Thank you. So I will keep my J8 and Invest on separate 15+18 setup for Live Band kind of stuff. I am not a DJ so My work mostly events where speeches and then at the end music. I know that live band kind of setup bands ask to much stuff and I am not going in that business. you said they are same like J8. means I keep my RCF. I love the look and portability of LD 28 G3.
This was the first time EVER in 5 years I've had that issue. I was at the same venue last night and while testing..same thing. So I pulled out my backup wireless system, set it on my DJ table and it worked fine. I just got the antenna extenders and installed them in my booth. We'll see how that goes
@@AaronStrawn So I’m looking at the 44’s and the Evox 12’s … which do you prefer.. seems like the 12’s have a better sound on the low end .. your thoughts?
@@AaronStrawn cut outs are my mortal enemy. I have the $2k Sennheiser setup now, but guess what they still send antenna shorter than my limp dick. For long event halls I use a cheaper MiPro setup that has John Holmes long antennas, the mic sucks and plosives are a real issue, but that mf'er does not cut out, EVER.
Amazing you did a 300 person wedding with these in a room of that size. I would have been reluctant. The sound and acoustics in that room sounded well projected in the video. Waiting for my Maui 28s to arrive. One question do you connect directly from your controller or do you use a mixer or any external DSP processing unit? I’m planning to use a mixer, and an external processing unit for equalization since they do not have equalization.
I was nervous too until I heard how great the acoustics were in that room. That makes so much difference. I use the QSC Touchmix 8. Run everything through that and LOVE that mixer
Awesome video. I would like to know if when using the Bluetooth function can you link both speakers via Bluetooth wirelessly or is it a case of blue toothing one side and then system linking via a cable to the other side ???? Both Maui’s do show up on a Bluetooth search and also lets you connect to both. However sound only comes out of one side. Would love to know if this can be done. 🙏
I don't play past 11 PM usually. I just turned down a job that was scheduled to go until 1 AM. My church just got two of the Maui 28 G3's. Used them once so far and got compliments from attendees with hearing aids. *That* is a compliment.
The majority of these system are really good but 300 people is pushing it. I have ran several events with the evolve 50 I won’t do in event no more than 100 people and I run a sub in the back to give it the extra punch it needs. Those system ones you start throwing body’s at them they start getting fatigued really quick if you don’t run them with a sub.
How are these g3 for rejecting feedback, I am thinking about replacing my Bose pro 32 they’re horrible at rejecting feedback. Using these for Karaoke system, the singer will be in front of the speakers the way the set up is set.
They have some built in feedback suppression. I run them through my Touchmix which also does this. So I rarely get feedback unless I get a mousy speaker and I gotta crank it lol
Nice videos, I am new to this so I have a question, I do karaoke parties for 50 to 150 people, what’s the best speakers do u recommend? It should have echo and reverb options… thank you
These don't have a built in mixer for reverb. I'd look at the Bose L1 16s. They have a 3 channel mixer plus an app to add effects. Just make sure the speaker is in front of the singer. With the 180 degree dispersion, they can have feedback issues. Just my thoughts!
Hi Aaron, love your videos but I am sure you should not be hitting limit all night once you get into the dance period. You arr fatiguing your speakers mainly your subs. It may take a while but something is going to crap out could be a capacitor or something because in the amp area it's getting hot. If I where you ans this is setting I did with my setup is bring a small sub either a 12 or 15 and test it out at home at first and see how much headroom you have before your limit light comes on. Maybe you won't need those 44g's.😂
Great video. I love how real you are. I'm a single op as well and purchased the JbL Eon 1 Mk 2 based on your review. Absolutly love it for my wedding and background system. With regards to the L shaped room, maybe set up your wedding system near the head table for speeches only? If possible, run a long XLR to that speaker for music and your announcements. Or get one of those wireless things. Also, Try raising your camera aperture to a higher number so your background doesn't go in and out of focus. Unless it's my bandwidth.
@@AaronStrawn neither are impressive loud. If you consider the weight and the price this maui 28 isn't the evox j8 killer... The main problem is the fixed column,if 10 people stands in front of the speker you will loose a lot of output. The evox is cheaper and 35% lighter. With 34 kg you can get db technologies es1203, dual 12 " in semi horn loaded wood cabinet, 3 channel amplifier so you can split the tops in 2 part and set the onboard mixer dsp to play in dual mono or stereo output. It has also digital steering.. 1450 euro
Not 300 on the dance floor. During the event it typically never has that happen. These handled everything I needed to do- cocktail/dinner/speeches/ and the 50-75 people on the dance floor at a time
I literally thought about messaging you today to make sure you were okay. I hadn't had the opportunity to type your name in all caps very aggressively in what seems like forever
UGH another boring video of your feels......you should take the words gig log out of all your titles and replace them with "My Feels".....dont remember the last time you actually put out a gig log. I'm unsubscribing if you keep talking about your feels, giving you one more chance.
Wedding DJ from Quebec/Canada here. I always find it weird when you guys from other countries talk about ending before midnight. I can't believe it's a thing elsewhere. Here the dance starts at 8-9PM and rave till 3AM sometimes 4AM. We get a lot of drunk people I mean a looooooooooooooooot of stories like yours 😛
Bro, that’s CRAZY, how do you do a 14 hour wedding!
@@AaronStrawn I know right. Most of the times it's more like 18-19h wedding if you include the ceremony because we start as early as 10AM sometimes. It is killing you. But: You get to see a lot of people nice and not nice which bring a lot of interresting stories!
Later
Yes over here in MTL wedding are way too long lol im moving to nj lol
@@pierredelux2319 I may join you there 😂
From Calgary. We rarely get done before 1 am. Ceremonies at around 1 pm. It's all day all night
The maui 44's have 4 high emitters, really strong ones, then 12-13 mid range in the column. I recommend the Curve 500 TS's if you want a more traditional looking portable speaker setup with similar sonic qualities of the Maui line.
The electronics in many of LD's speakers practically eliminate any and all distortion from the signal, the maui 44 that I use I can have input signal in the red and speaker at full volume with little or no discernable clipping/distortion. They really do a great job.
I have the Curvs, the G3s are way more portable! The Curvs are for 150 and up.
props for how you handled the mic cutout! I'd say that's a great way to do it
Might as well own it right?
I picked up a pair of the G3's myself and have used them at a few gigs so far. Definitely impressed by the overall clarity of sound and the design certainly gets people's attention!
I think they're the best looking column out there. Glad you're digging them
@@AaronStrawn I agree. I own the RCF J8's but definitely have these g3s on my next to buy list
@@radientproductions9799 get white ones!
I like these G3’s and only wish they did like Bose does with a kinda sub match cable and an extension sub unit only. One cable twist and go for extended bass in bigger rooms. You wouldn’t need the 44 then really… which i guess is there aim 😂🙈
@@DjCraighowarth They do have Sub Outs so you can hook up another sub if you want. I don't see the need at my weddings. Everyone is having a blast
Loving the G3's so far. The first wedding I did with them I was a little sceptical, so I added a Yamaha 15" sub underneath my table. I'd say it was a good combo, but most likely wasn't needed. Thanks for your update on them!
How many 28g3 you have one or two
These G3 are studs you don’t need more sub unless you have way more people…
I just bought G3s. Haven’t taken them out yet because I have to get bags. But the sound is Great 👍
This is by far the best Pa review channel. V funny / good info , kudos bro
Thanks!
One time I did the grand entrance so poorly mixing up names that I was thinking about quitting weddings. I was going to fire myself. But then I thought about it and realized that I had done more than 300 correctly and this was the one screw up. I talked to the video folks and they agreed to only save my 2nd take where I got the names correct. So things got fixed ..
Love watching your videos Aaron! You have a great sense of humor!
Thanks bro!
Play for your clients and music based on your expertise. Don’t play for drunks. Waiting for my Maui 28 G3 to arrive. Sound great and heard them at NAMM 2023. Can’t wait to put them on the road.
Hey man, great videos you have here. Could you please let me know if it’s worth sticking with the Maui 28 G2 now that the G3 is available? I already own a G2 and am planning to buy a second one for an acoustic gig to get more power. I’m not sure if it’s worth investing in a G3 and using it alongside the G2 at the gig. Is the G3 significantly better than the G2, and is it a good idea to mix them in this way? Thanks!
The systems shoud clip around 80% power output. On most systems it's a soft clip. It's generally a warning that you should not push more harder.
Yeah, I usually run in the red blinks all night. No problem
Install those BNC jacks on the side of your booth - it'll look so much cleaner and won't take any console top real estate. That's what I did for mine and it's been AWESOME.
Also, simply spray painting the half waves white fixes the awkward look.
Did you just drill holes in the sides to do this? Not a bad idea. I love the spray painting them white tip!
@@AaronStrawn Yeah dude. I just drilled holes (I'll check the exact size, but they weren't big) and now they just extend up on the sides. No obstructions and no worries. Hardest part was making sure they were symmetrical on both sides.
Then I run the BNC cables together into a basic (non-powered) combiner, then a single to each jack. Easy peasy fat ass squeezy.
Happy to help, man!
OH! Seal the paint with a laquer or something else to prevent it from coming off. Not a big deal to respray, but it's annoying to need to. Poly coat or whatever. You could probably plasti-dip them, too.
The G3s are fantastic, looking forward to the mix version next year. Thanks for the shout-out! 😎
Same, I hope they do a update on the 44s too. You got it, thanks for your support!
"Tingle in the dingle".....HAHAHAHAHAHAHA, too funny
I live my life based on that concept
i play in a duo with backing tracks. and we like to rock and the LD 28 3 sounds great like you said we blink the light to, and it sounds loud and clear and vocals are clear.you can hear low mids mid mids highs. and my bubby and i have been playing together for over 30 years and we are very picky about our sound they are build like a tank.
It has speakers in both top and bottom columns and that’s where it beats the evolve 50s
I love that it has speakers all the way through it
I typically run the 18 subs and 15 tops but after watching your videos, decided to try out the Maui 28’s…first gig was a small venue but for some reason the room sucked up any and all bass. I was lucky to have brought an extra sub because it was definitely needed. The next two outings went fairly well but just having a hard time getting used to the lack of output. Additionally, they smell like hot electrical after each event so unless that’s part of the break in period, I think I’m probably running them too hard. I’m likely going to return them which sucks because they are sexy and so much easier to tote than the 110 lbs subs and 60 lbs tops.
I think if I had been used to your original setup with 18s/15s these would let me down too. For sure you are not melting testicles on the dance floor with the 12" subs. I totally agree with that, and when I walk around, I'm sure it could sound better with a bigger system. But...I still feel like my parties are a success. People are dancing, having a blast and I still have my back lol. Thanks for the response!
Lmao I literally just said to myself, I haven't seen a video from Aaron in a while. I'm still waiting on my G3s 😫
I heard ya and decided to drop one lol
The 44 G2's will blow you away, LOL heavy but worth it if you want that night club sound at your weddings
44G2’s are great. Such a quick setup and elegant look (Bought them Jan 2022). Just wish they were 10% louder. I just need more volume even if the crowd count isn’t huge. Luckily I just bring out my RCF nxl24’s over 8004 subs. I replaced the 44g2s with RCF tt515 over tt15subs but thought the tops were harsh when pushed and sent the whole setup back to the dealer. Back to the 44g2 as my smaller setup.
I'm gonna wait and see if the do a G3, maybe lighter!
Hopefully if there are any new 44's announcements it will be at NAMM 24 or whenever they debut the 28g3 mixer version@@AaronStrawn
@@DJLazyKid I’m waiting for this. Hoping for a lighter 44 G3
We have 4 of the Maui 28 G3's (2 sets) and I love the sound and the bass has been Soooooo enhanced... BUT.. what is up with the limiter light. Anything above cocktail level and it starts blinking, When you get to dance program volume it is on more than off. I returned one but the replacement does the same thing. In 40+ years as a DJ, I have never had a speaker where when playing at normal level the limiter light is on.. and that includes the G2's. I had a mix of a g2 and g3 while waiting for replacement. G2 playing fine with great full range sound and 8 ft away the G3 is at lower volume (because of the limiter light freaking me out) with the limiter light on like 75% of the time. G2 never peaked once.??? That light is supposed to be your guard and notice to dial it back.. If blinking more than off, to me that is a problem as I can not tell if there is really a problem?
It's hella frustrating to have expensive DJ speakers that seem to really peak at low SPLs, especially when they are advertised to hit in the high 128s. From what I've read and done, seeing the limit blink is ok. Mine never stays solid. If a certain song is keeping it solid longer, I will pull the gain back a bit on my controller. I do a walk-a-round the dance floor every hour or so to get the vibe and sometimes I feel like it could come down too. In all reality bro, when I see a packed dance floor and people having a great time, that's all I care about. Mobile DJs have that challenge of providing big sound but also be portable. So far so good with these
@@AaronStrawn totally with you.. I have been on the less is more kick for a long time. NEVER carried an 18" subwoofer except for proms. Too old for those now, LOL! Mine never go solid either, but still scares me when they are blinking all the time.. I do not think it is peaking, I think that light is set wrong. Like I said , I am like 12 or 13 years with these things from the original to g2 to now G3. The older models if it peaked you turn down the sub or dial back your bass on your board. now if it peaks you are dialing back your mids. This speaker is crazy nice bass for a 12". I tested them beside my partner's EV Evolve E50's and I think the G3 is better.
Awesome review! How would the Maui 28 G3 compared to Bose L1 Pro 32?
Hey, Aaron, seems like no matter what you do you always get that one person, and believe me it won’t be the last time… by the way are the new Maui’s destroying the RCF J8,s? I’d like to know your thoughts on that.
I cut out another story where the guest was even worse lol. Drunk idiots is part of the gig. So far, I really like the 28s. The look alone sets them apart, setting up is quicker and the top horns are so crisp for speeches.
Hey Aaron - Andy, new subscriber here in Maryland but since I've been shopping for a new column PA, your videos have been super helpful so thanks. Solo acoustic guitar, vocals here so a bit of a different application than DJ - typcially small to medium rooms and larger outdoor wineries are my main gigs where people are listening/talking vs. dancing. I've had one of those OG Bose L1s with the big ass horseshoe base and 2 subs for almost 20 years but looking for something new - love the EV mixers included with the 30m and I wish the Maui 28s had that option. You mentioned in another video using an S1 pro as an extension speaker. Can that be accomplished with the Bluetooth connection on either the EV30m or the Mauis? Thanks again - great work! -A
Thanks for watching bro- glad my vids have been helping.
Ok- for columns, the 28s might be your jam. If you wait till early next year, they are releasing a mixer version with 6 channels. BT won't work as an extension- you need to use an IEM or one of those Xvive's
❤thanks. I was hoping to hear that LD was going to add a mixer to the G3s - guess I’ll wait til after NAMM.
Man, I was looking for this review all over the UA-cam and finally you did it. I am right now RCF J8 lover and I am planning to get these white one G3 soon. the issue was to know if they are capable to cover up 300 Plus people. and I just saw that and its looks amazing to me. Maui 44 G2 is the best but heavy. and I have a question does these compete with 15'' Standard 2-way speakers with 18'' Subwoofer, my mostly work is not wedding but Live events where mostly speeches and at the end some kind of music band live performance. I am thinking to get the Mackie SRM215 with 18'' Sub but that setup too bulky. What do you think about?
Thanks for stopping by! Ok- so I would say sound wise and crowd wise they are similar if not a bit better than the J8s. They do not compare to a 15" top and 18" sub. That system might suit you better. When I say 300, I mean mostly for speeches. When the dance starts, there is usually about 20-30% of the crowd on the floor and these can handle that. For a live band, I would either do the traditional tops/subs or the Maui 44 G2s. Those have a 15" sub and I've heard great things about them
@@AaronStrawn Thank you. So I will keep my J8 and Invest on separate 15+18 setup for Live Band kind of stuff. I am not a DJ so My work mostly events where speeches and then at the end music. I know that live band kind of setup bands ask to much stuff and I am not going in that business. you said they are same like J8. means I keep my RCF. I love the look and portability of LD 28 G3.
the mic issue is very common, my guests always hold it that way and make the sound drop
Makes me more aware to warn speakers not to hold it this way. Lesson learned for sure!
I've recently been having cut out issues with my Sennheiser EW-D and EW 100. I've been pretty frustrated- ready to move back to Shure.
This was the first time EVER in 5 years I've had that issue. I was at the same venue last night and while testing..same thing. So I pulled out my backup wireless system, set it on my DJ table and it worked fine. I just got the antenna extenders and installed them in my booth. We'll see how that goes
How do the 28g3’s compare to the Bose L1 16 pro’s ?
Haven't compared them, but I bet they are close. The Bose has a bigger sub but I have really been digging the sound of these Maui's
@@AaronStrawn
So I’m looking at the 44’s and the Evox 12’s … which do you prefer.. seems like the 12’s have a better sound on the low end .. your thoughts?
Use tidal you will never said again i don't have that song...😅😅😅😅
Bro..I have tidal, this is just my way of getting out of a shitty song request lol
My daughters would like to hear the Barney song. Can you do it now? I’ll wait.
Si te pido la canción 🎶 de Barbie, No me la pondrías.....jajajajaja
Cut outs can and do happen. Sometime without rhyme or reason. I use the sennheiser g4 setup, halfwave
So true, it SUCKS when it happens. No one knows that I spent setup time working the room and getting the signal right. Wireless is still a gamble
@@AaronStrawn cut outs are my mortal enemy. I have the $2k Sennheiser setup now, but guess what they still send antenna shorter than my limp dick. For long event halls I use a cheaper MiPro setup that has John Holmes long antennas, the mic sucks and plosives are a real issue, but that mf'er does not cut out, EVER.
Amazing you did a 300 person wedding with these in a room of that size. I would have been reluctant. The sound and acoustics in that room sounded well projected in the video. Waiting for my Maui 28s to arrive. One question do you connect directly from your controller or do you use a mixer or any external DSP processing unit? I’m planning to use a mixer, and an external processing unit for equalization since they do not have equalization.
I was nervous too until I heard how great the acoustics were in that room. That makes so much difference. I use the QSC Touchmix 8. Run everything through that and LOVE that mixer
Thanks!
Thanks bro!
Go all in on LD bro.
I think I am
Awesome video. I would like to know if when using the Bluetooth function can you link both speakers via Bluetooth wirelessly or is it a case of blue toothing one side and then system linking via a cable to the other side ???? Both Maui’s do show up on a Bluetooth search and also lets you connect to both. However sound only comes out of one side. Would love to know if this can be done. 🙏
This system doesn’t do that. The Maui 44 G2s can do this
I am looking at getting the Max table too. What are the covers you use to cover your cords out to your speakers?
Those are stair mats I bought at Home Depot
@@AaronStrawn heck yeah
Be honest, you brought the radio shack mics out?
Just grabbed a bullhorn and handed it to the MOH
@@AaronStrawn 😂I’m picturing myself unwinding 50-100ft of xlr cable!
@@chromemusic4401 I’m picturing it too and already exhausted watching it lol
@@AaronStrawn 🤣
Love your videos. You got a link to those antennas extension that screw into your furniture?
Here ya go!
amzn.to/472l4N9
Where did you get that $100 facade? I love the idea of using it for covers.
Right here: amzn.to/3rG2BFT
Grand March. Was that in the new Jason Aldean song?😅
😂
Hello Aaron, what is your desk please ? Thanks from France
LOL be careful with apologies you might end up with money back
Curious did you do a mic check before the start over where they made their speeches at?
Yep. I even did the intros over there and the dinner prayer was there too. That’s why I’m thinking he was holding it and covering the mic antenna
Good video!
Thanks A-A-Ron
I’m in the process of getting a new set of speakers. How do these compare to the Evolve 50’s?
Very similar. These are newer and have speakers all the way down to the sub.
Have you compared the 28 G3s to the Bose Pro 16s?
Also, another UA-camr mentioned that a videographer blew one of his 28 G3s.
haven't but with the Bose 32, I prefer the sound of the 28s
I always say I’ll play it if I have it. And if they ask me to download it then i say I don’t have wifi
During the night, for me, most requests that come in are just garbage and clear the floor.
What are you using to hide cables to your speakers?
Those are floor mats I got at Home Depot
I don't play past 11 PM usually. I just turned down a job that was scheduled to go until 1 AM. My church just got two of the Maui 28 G3's. Used them once so far and got compliments from attendees with hearing aids. *That* is a compliment.
I hear you. My contract ends at midnight otherwise, I feel like a hostage lol
The majority of these system are really good but 300 people is pushing it. I have ran several events with the evolve 50 I won’t do in event no more than 100 people and I run a sub in the back to give it the extra punch it needs. Those system ones you start throwing body’s at them they start getting fatigued really quick if you don’t run them with a sub.
Extra sub is a great idea
Always tough when you have those L shaped events. You did exactly what you should have done, apologize and move on. Props!
I feel it’s just best to own it, let everyone know that you know you effed up. Thanks bro!
How are these g3 for rejecting feedback, I am thinking about replacing my Bose pro 32 they’re horrible at rejecting feedback.
Using these for Karaoke system, the singer will be in front of the speakers the way the set up is set.
They have some built in feedback suppression. I run them through my Touchmix which also does this. So I rarely get feedback unless I get a mousy speaker and I gotta crank it lol
Nice videos, I am new to this so I have a question, I do karaoke parties for 50 to 150 people, what’s the best speakers do u recommend? It should have echo and reverb options… thank you
Also what are best wireless microphones? I just bought Shure blx288/beta58a , I have 30 days to return/exchange
These don't have a built in mixer for reverb. I'd look at the Bose L1 16s. They have a 3 channel mixer plus an app to add effects. Just make sure the speaker is in front of the singer. With the 180 degree dispersion, they can have feedback issues. Just my thoughts!
Return those. BLX are basics. I'd go up a model if you want shures or get Sennheiser Digitals
@@AaronStrawn sennheiser XSW I 835?
On which position do you put main and sub knobs?
This has been taking some tweaking. During dinner I keep the sub at 11 or 12 and main almost at 3. The dance, I bring the sub up to 1-2.
Hi Aaron, love your videos but I am sure you should not be hitting limit all night once you get into the dance period. You arr fatiguing your speakers mainly your subs. It may take a while but something is going to crap out could be a capacitor or something because in the amp area it's getting hot. If I where you ans this is setting I did with my setup is bring a small sub either a 12 or 15 and test it out at home at first and see how much headroom you have before your limit light comes on. Maybe you won't need those 44g's.😂
Funny you say that! I got rid of my TT System and bought the Maui 28 G3's and the Maui 44 G2's. It's been amazing!!!!
Lol, it’s goin around. I’m for sure gonna do this. Might wait and see if they do a 44 G3
I hear the 44s are killer and KILLER HEAVY
Do these G3's match the volume of the J8's?
I think so, and they're not as harsh at higher volumes
Yo I’m guessing you like the G 3s better than pro32?
Yep. I took the 32s out to a private party recently, they have a place for sure in my arsenal of columns lol. But for weddings, these are my go to
Great video. I love how real you are. I'm a single op as well and purchased the JbL Eon 1 Mk 2 based on your review. Absolutly love it for my wedding and background system. With regards to the L shaped room, maybe set up your wedding system near the head table for speeches only? If possible, run a long XLR to that speaker for music and your announcements. Or get one of those wireless things. Also, Try raising your camera aperture to a higher number so your background doesn't go in and out of focus. Unless it's my bandwidth.
Thanks bro! Great tips and thank you for the solve for the background going in and out. It annoys the hell out of me!
Where’s the gig log ? You fooled me I just watch the entire video no gig log
I do them differently
How do g3 compare to bose pro 32
That video is comin!
The question is, are 2 28g3 better than 2 evox j8?
That is THE question. Here's a sh*tty answer...it's subjective. For me....yes they are better for sound and bass. I really like them
@@AaronStrawn neither are impressive loud. If you consider the weight and the price this maui 28 isn't the evox j8 killer...
The main problem is the fixed column,if 10 people stands in front of the speker you will loose a lot of output. The evox is cheaper and 35% lighter.
With 34 kg you can get db technologies es1203, dual 12 " in semi horn loaded wood cabinet, 3 channel amplifier so you can split the tops in 2 part and set the onboard mixer dsp to play in dual mono or stereo output.
It has also digital steering.. 1450 euro
28g3 vs Evolve 50s?
Such a close comparison. I think they're neck n neck, but I'd go with the 28s cause the bass cabinet is wood and I like the look better
Hello! How the G3 compared sound wise with the Bose L1 pro 32?
Haven't set them both up yet to hear. That's the next video I think!
@@AaronStrawn thanks! That would be great!
I have a set, probably the max is 150. You were able to handle 300?
Not 300 on the dance floor. During the event it typically never has that happen. These handled everything I needed to do- cocktail/dinner/speeches/ and the 50-75 people on the dance floor at a time
How do you like the white set up?
I would never address the crowd if my mic dropped out. Fix it and keep going…
That's a way to do it as well. I felt like, let's just address it, apologize, move on and crush the rest of the night
I literally thought about messaging you today to make sure you were okay. I hadn't had the opportunity to type your name in all caps very aggressively in what seems like forever
It's good to know that if I disappear I have a team of DJs that will come look for me lol
UGH another boring video of your feels......you should take the words gig log out of all your titles and replace them with "My Feels".....dont remember the last time you actually put out a gig log. I'm unsubscribing if you keep talking about your feels, giving you one more chance.
lol..Jesus...