How To Use Licks! - My Contribution to Music Is Win's Lick Compilation!
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- Опубліковано 25 лип 2024
- In this lesson on How To Use Licks, I'll show you the lick I submitted to Music Is Win's compilation video. I'll show you how I might use the lick over different styles and explain my concept!
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I found this more helpful than other arpeggios lessons I’ve seen. Including yours. After learning arpeggios the harder part is tying in to an interesting lick. So this was perfect. Thanks.
so nice to watch you playing guita all the time
This “teach” a man to fish” approach is exactly how I want to learn these days.
Thanks for throwing a “fish” our way as well! 😉
My pleasure!
Dude yesterday I did a lesson with you that finally helped me understand the scale…. A lightbulb took 30+ years to go on
Another fantastic lesson. Thanks Corey
Excelent, Thanks Corey!!
Another great lesson....you’re the best my man!
and another excellent concept, amazingly useful...You make me want to practice :)
The Best !! Awesome Master class! Thank you so much!
I love this concept. Miss hanging with you and the crew on thursdays...
Thank you Cory. Best teacher and a Great guitarist. God bless you.
Thank you!
I have been waiting for this video
Sweet!!! Hope you dig!
Great exercise on phrasing! Love this lick, I saved the clip of you playing it off the livestream to learn and now I have this video as well!
Ah nice! that’s why I did the vid!
Awesome lick and explanation behind it. Thank you!
My pleasure!
More excellent stuff from you Corey...thanks mate!!
Glad you enjoyed it
GREAT STUFF AS ALWAYS, THANKS COREY
Thx Jack!
The piece about using the arpeggio more musically was super helpful! Thanks. Ah, and phrasing...
Great!
Thanks for the awesome lesson Corey🙏🙏🙏
Thx for watching!
Thank Corey. Nice lesson and great suggestions!
My pleasure!
Very cool 👍
Integrating the arpeggio with the pentatonic scale was informative and what I need to target, thank you again Corey. I find your courses to be clear, concise, and loaded with insightful information. I look forward to your livestreams, let me know when you plan to continue them, Best.
Thx Sam! The next vid will go into this even further!
I really enjoy the lessons you provide. Thank you.
Great thx!
Your lessons are superb. Subscribed! Thank for posting 👍👍👍
Thx for subscribing!
What a brilliant lesson! I love your groove so much. Greetings Corey. Mordi.
Thx Mordi!
One lick, many styles and once again a realistic and intelligent way of learning from small amounts enabling you at the same time to develop it as far as you will, one of the best teachers out there without a doubt !
Thx so much!
These are great lessons. Love that you came back to the E7 Arp and worked it into a lick. Something about going up in a Arp and down in pentatonic really works.
Glad you enjoyed!
Perfect just charted all the dom 7 notes and was trying to come up with patterns to solo..thanks corey
Sweet!
👍🏽👍🏽 mon ami! ... & bflat for the win 😀 the best guitar key 🙂
Thanks for the video Corey! Just finished your "Intermediate Blues Rhythm" course that incorporated lots of aspects to fit these kind of licks. To include dominant sevent arpeggios to soloing/licks sounds so cool on that courses backing tracks.
My pleasure!
Welcome back, its been a while. great lesson
Haha thx!
Amazing job! Best regards from Brazil man.
Many thx!
Brilliant. Your gift for teaching is unmatched my friend. Stellar player, Great Guy. Thanks Corey
Thx man! Hardly a gift though! I worked hard to develop it and continue to. Used to really suck at it!
@@coreycongilio I believe you have to hone your gifts and hard work is how it's done. It's effortless now in our eyes.
Awesome lick C!
Thx!
Arpeggios are so awesome they are a bit tough to get under your fingers and visualize especially if you reverse them or start from the 5th or 3rd rather than the root. Corey you are such a great player so musical and tasty. I think you and G Trapp are my favorite players on UA-cam just to listen to. I love how you help us all get out if the box and hear other sounds
Thx for that!
Thanks Cory ... you just make stuff make sense. Great playing, great teaching.
That’s great to hear
Also ... since for me, right hand is always a question, I see you are doing down, up, up. That works really well. I’m not sure what rule is when determining whether to use alternate picking or not. Also, what would there be the hybrid alternative? Thanks, Cory!
@@fpetras No rule really however, alternate is always my starting point.
I can’t stop playing this!
Awesome!
Great lesson per usual Corey! Watched it while eating lunch and headed straight for my guitar now. I’ve got a request for ya that fits into this 1 chord groove concept and utilizing arpeggios. We play cissy strut often as a set opener to set the stage and I’ve become tired of my approach (Cm pentatonic). Wondering what your thought process is when improvising over the cissy strut vamp.
Combine the minor with major pent, Dom 7 arpeggios and lots more!
Thanks, this is helpful.
Especially helpful for me was you showed how to develop a lick from a CAGED shape (C7) up the neck.
I'm interested how you would work with the remaining AGED shapes.
Wow. Didn’t know I did that. I really don’t know the CAGED thing.
@@coreycongilio Many of us start out learning open campfire chords. Moving up the neck with bars, shapes & licks comes later. For me, that's why it helps to relate to your lesson. The order for learning for me was Chord Shape, then Find the Root up the neck, then learn licks, boxes & scales. I'll bet I'm not alone in that.
Great videos Corey!
I already subscribed and I am practicing some concepts from your lessons.
I wonder how is the action of your guitars... it seems to be pretty low... do your guitar strings' buzz when hearing them without the amp? I have a PRS Silver Sky and it is very hard to have low action without buzzing... and I am the type of player that can't play with the strings buzzing... :(
Thank you and congratulations for your YT channel!
Action is about medium. Definitely higher than factory set ups
which model is the epiphone semi- hollowbody? i really love the sound of this epiphone
Casino which is actually fully hollow!
Thanks @coreycongilio for this video! Why circle of fourths and not fifths?
mainly that you’ll often encounter chord progressions that move in 4ths often in compositions. Doesn’t really matter which way you go but, 4ths is my preference
@@coreycongilio Thanks so much! That makes perfect sense!
Killer Corey
Character building stuff !
Mr Congilio, you are picking on the Chiking Soo hard here! 2:09 Well it probably auta be illegal!!? Ha!
¯\_(ツ)_/¯
Love that chicken picking for sure.
That was cool. Thanks man, but you should have gone into some detail about the "perfect pick drop". Something we all could use.
Ha! I’ll work on it. Thx for watching!
👍🏻
Hi Corey, I've been enjoying your videos. I'm curious why you always refer to the 2nd degree of the scale as the 9th? I understand they're the same notes. But you do it even when you refer to the next degree as the 3rd. Maybe because when that note is added to a chord its usually an octave up? But then why do they say "sus2"? Its a technical question, likely needing a long answer. Peerhaps if it comes up naturally in a future video you could address it. Thanks!
Good question! I'll refer to said note as the 9th when there is a dominant chord involved. This means that there is a 3rd already in the chord and the make up of it provides a dom7 sound. There are no Dom7add2 chords to my knowledge! You can have a 7sus but, there's no 3rd in the chord. Typically a Sus chord does not contain 3rd hence, the suspension. You can also have a Cadd9 for instance which does have major 3rd. However, a C9 contains a 1,3,5,b7,9...not 2. Hope that helps!
@@coreycongilio thanks! Yes it’s helpful...somewhat. I Might need to discuss it with my teacher I think. Thanks for taking the time, cheers
Isnt this a B7 over an E Major pent?
Mmm...not sure about that as there is no D# which would imply a B7 chord