What a superb lesson. Explained so easily and beautifully. I have struggles to get the altered concepts in my head. Have taken so many lessons buy no one has explained like you. Thanks again.
Dear Jamey, I've been a self taught guitar player for about 40 years, Only recently approaching jazz theory and vocabulary. I really appreciate the way you explain complex concepts making them essy to understand. Great work! Keep om, and thank you! 💪💪🎸🙏
Jamey another great lesson, always looking forward to every one you create. Love the G7b9 because you can move it up like a diminished chord same shape.
I’ve watched other videos but this one has got me completely hooked on the understanding of altered chords. Thanks. Feels good when confusions got kicked out of my mind.
Good explanation, thank you. Can I use Alt-Chords only on Dominant7 chord positions or are there also other possibilities to use them? In what other progressions beside 2 5 1?
b13 is the same thing as the #5. To get nitpicky, when it’s called a b13 it implies there could still be a natural 5th in the chord whereas a #5 indicates the only fifth in the chord is sharped.
this is the most straight to the point and complete explanation for altered stuff
this is the definitive lesson for guitarists starting out with the altered scale and chords. bravo.
That was really helpful! I'm surprised I didn't know this stuff before. You made it really easy to understand.
Glad it was helpful!
What a superb lesson. Explained so easily and beautifully. I have struggles to get the altered concepts in my head. Have taken so many lessons buy no one has explained like you. Thanks again.
Thank you! Glad it was helpful!
Dear Jamey, I've been a self taught guitar player for about 40 years, Only recently approaching jazz theory and vocabulary. I really appreciate the way you explain complex concepts making them essy to understand. Great work! Keep om, and thank you! 💪💪🎸🙏
Thank you so much, and you’re welcome! So glad these lessons have been helpful.
Superb lesson. I learnt more from those seven minutes than I have from much much longer content. Greatly appreciated.
Thanks for the concise and to the point explanation! This is really helpful.
You’re welcome! Glad it was helpful.
Jamey another great lesson, always looking forward to every one you create. Love the G7b9 because you can move it up like a diminished chord same shape.
Thank you! Yeah, the G7b9 symmetrical shape is a great one to slide up and get to a higher part of the fretboard.
Great lesson. Very clear and concise.
Thanks!
Great lesson! Thank you so much. I’ve been trying to hear that scale for 30 years and this is the first time it made sense! Awesome
Thanks and you're welcome!
I’ve watched other videos but this one has got me completely hooked on the understanding of altered chords.
Thanks. Feels good when confusions got kicked out of my mind.
Awesome! Glad it was helpful.
Thank you for this great explanation
You are welcome!
This was super helpful ..thanks boss!
You’re welcome! Glad it was helpful.
Thanks for the clear and complete explanation. And chord symbols become meaningful and reason based !!!😊
You’re welcome!
Incredibly helpful, thanks so much for this video Jamie!
You’re welcome! Glad it was helpful.
Thanks a lot Jamey, great lesson. Here Daniel from Lima, Perú.
Thanks, Daniel!
Great lesson. Thanks a lot Jamey!!! 🎸
You’re welcome!
Very good lesson
awesome...great lesson
Thanks!
Great stuff, Jamey! Got some Jens Larsen vibes in that line!
New loyal follower here. Thanks for the great content!
Thank you and you’re welcome!
Thank you 🙏🏼
the Juice !
Good explanation, thank you. Can I use Alt-Chords only on Dominant7 chord positions or are there also other possibilities to use them? In what other progressions beside 2 5 1?
What about a flat 13 ?oh wait that’s the same as a sharp 5 I guess.right?im confusing myself lol
b13 is the same thing as the #5. To get nitpicky, when it’s called a b13 it implies there could still be a natural 5th in the chord whereas a #5 indicates the only fifth in the chord is sharped.
@JameyArent oh,okay.i got you.thanks.never thought about it that way.makes sense