Super nice. I usually go through same process with keytops and acetone (minus the shellac spray) but my colleague told me about B-72 and you’ve inspired me to make the change. I received my bag of pellets today and even got a hydrometer as per your video on it. Thanks for sharing all of this.
4:33 Franz Mohr said in his book that you should only ever use lacquer on the shoulders of the hammer, never on the strike zone, as that would ruin the hammer. I guess that's not even close to being true, judging from what you did?
Keep in mind that at Steinway the process of voicing up the tone on has been evolving since its inception. Frank Mohr wasn’t wrong then it’s just that the techniques have just evolved.
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Super nice. I usually go through same process with keytops and acetone (minus the shellac spray) but my colleague told me about B-72 and you’ve inspired me to make the change. I received my bag of pellets today and even got a hydrometer as per your video on it. Thanks for sharing all of this.
Thanks for sharing
Wow, you did an excellent job making those notes in the bass and treble sound consistent. Thanks for the video!
Great lesson, thank you!
Can't believe you added B72 and two shellacings to the bass. Were these super soft Ronsen hammers?
4:33 Franz Mohr said in his book that you should only ever use lacquer on the shoulders of the hammer, never on the strike zone, as that would ruin the hammer. I guess that's not even close to being true, judging from what you did?
Keep in mind that at Steinway the process of voicing up the tone on has been evolving since its inception. Frank Mohr wasn’t wrong then it’s just that the techniques have just evolved.