How to Nail the Jazzy Notes by Mixing 7th Arpeggios in Your Solos! Guitar Lesson w/ Carter Arrington
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- Опубліковано 9 чер 2024
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Chapters:
00:00 - Lesson Intro and Overview
01:11 - Lesson with Carter Arrington Begins
04:52 - Gary and his Dog Present Follow up Lesson and Jam
05:50 - Gary's Example "Workshopping" Jam
07:11 - One Minute Jam Track Section
08:10 - Foundational Theory Lesson Begins
09:00 - Comparing Dorian, Aeolian, Phrygian
09:42 - Understanding the Chords in a Key and Relative Modes
13:05 - Scale Approach vs. Arpeggio Approach to a Key
14:20 - Applying the Concept to a Cmaj7 Chord
16:50 - Applying the Concept over a Chord Progression
18:30 - Lesson Summary and fretLIVE Fretboard Mastery Program
21:28 - THANK YOU POW MUSIC PATRONS!!!
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#guitarlesson #georgebenson #arpeggios
I hope you have as much fun as I've been having with this lesson! Here are the chapters:
0:00 - Lesson Intro and Overview
1:11 - Lesson with Carter Arrington Begins
4:52 - Gary and his Dog Present Follow up Lesson and Jam
5:50 - Gary's Example "Workshopping" Jam
7:11 - One Minute Jam Track Section
8:10 - Foundational Theory Lesson Begins
9:00 - Comparing Dorian, Aeolian, Phrygian
9:42 - Understanding the Chords in a Key and Relative Modes
13:05 - Scale Approach vs. Arpeggio Approach to a Key
14:20 - Applying the Concept to a Cmaj7 Chord
16:50 - Applying the Concept over a Chord Progression
18:30 - Lesson Summary and fretLIVE Fretboard Mastery Program
21:28 - THANK YOU POW MUSIC PATRONS!!!
OMG, this is the sound i hear in my head for long times. Thanks
Pow to bring them out in visual.
Love this channel, this is such a cool concept, presented very clearly - thank you ! Been practicing arpeggios lately, so this was so cool to add into the practice
YES!!!!!! Best guitar channel i swear!
Thank you!
Great video/lesson - Thanks!
Love this style of playing! Thanks for this video!
Awesome lesson
Fantastic Lesson!
Thank you pow music ❤ You are a gem for us self taught guitar players
I really love to watch you teaching us the 7 modes and there patterns that will be awesome 😎
This is awesome!
At about 4 1/2 minutes I stopped the video to see if I got it...I did! I understood where to play to get that sound! I love it. Now to watch the rest of the video & learn the theory....
(BTW, beautiful guitar, I love the dots!)
I liked the description of your class. Usually I prefer the self-paced method, so I can go as fast as I want... maybe this time, I'll do the live class version...! (It seems to move plenty fast!)
👍 👌
That’s great to hear! Thanks, yeah, this is a really cool guitar. I love the blue body with the pink dots too :-)
That’s really useful, cheers Gary, and Carter. Tim
subscribed! this i what i have been looking for
Your method makes things understandable that would otherwise be confusing. The lesson with Carter is interesting but complex. Then when you do your lesson with illustrations, it clarifies what was previously obscured by the jazz haziness of it all. I watch you play it and then I think, "hey, maybe i COULD do that too!"
That’s great to hear. Thanks!
great stuff
Gary you r number one sir
Good stuff!
There are a lot of guitar channels out there, and each one has it's own flavor.
If I had to pick one, I will choose yours Gary, every time.
Pow Music is the vanilla flavor of guitar channels 😂
Great job sir, thanks again for your work
Favorite comment in a long time! Thank you sir!
thank you :)
Smooth 👌
❤❤ thanks 🙏
I love your dog.
Me too!
Bob Ross of guitar lessons has struck again 🤲🏾
This is the joose!
You and your guest are an awesome team and im a better player and much better Benson imitator as well
Which is fantastic
Cheers
Where can I get the fretLIVE software from? It looks amazing
This is very timely for me. Just last night, I was drawing fretboard diagrams to try to work some of this stuff out. I guess I have two questions. Everything shown here involves STARTING on a chord tone. Does it also work to play arpeggios that finish with one or more chord tones? For example, let's say the I chord that you are playing over is C major. Would an Am7 or Fmaj7 or even Dm7 arpeggio potentially work over that (so that the chord tones are at the end rather than beginning of the arpeggio). And then also, does the harmonic function usually stay with the chord itself rather than the arpeggio. For instance, in C, if you play a Dm7 (DFAC) or Fmaj7 (FACE) arpeggio over G7 (GBDF), would it still feel satisfying to resolve to a C chord?
Once I get my Freeze pedal up and running, it will be a little easier to work some of this out myself, empirically. Anyway, thanks. I really enjoy your lessons and appreciate the thought and effort you seem to put into crafting them. Hope to sign up at some point for the Mastering the Fretboard course.
I want to see Bear shred over changes
This is huuuge
So basically Fmaj7 can be seen as a rootless chord 1st inversion of Dm7?Nice stuff!
Or a rootless Dm9! :D Glad you enjoyed it!
Very nice !!! Do you use dava pick? Thank you
Yes! Love the Dava picks
@@PowMusic Thank you for the answer. I find that the dava don't have a good sound, but on your videos, they sound good...I don't have to know how to use them..
@@loumat62there are a few different materials. I think the ones I like are “Delrin” Dava Control.
This is the shit!!
18:14 is there a way to have the moving dot here?
Is Carter using some sort of freeze/sustain pedal?
I actually added a frozen D minor seven chord to those few segments in post production just to help hear how those arpeggios sound over that chord!
@@PowMusic Brilliant; thank you.
How can I get this units ...
Ok....I want the magic key to soloing. And I have to say this checks off a lot of the boxes. When I listen to you and others it sounds so greasy and low down smooth and nasty cool. When I solo....it just sounds nasty. So my question......if I'm totally diggin this video not only getting a ton out of it but really wanting to start making my Dm7th music vocabulary.....would I want to buy your 47 dollars how to solo course?
more bear, please. thank you.
Bear says thank you for the recognition!! 🐶
So like, the concept is that basically you can solo with arpeggios?
No, it’s that you can super impose other 7th chord arpeggios - the ones built off the other chord tones, instead of the root note. This gives you the sound of the upper extensions in thirds - 7th,9th,11th,13th - different flavors over the same chord
Ohh thanks!!! It makes sense now. Can you do a video about how Chord Substitution works and how to do them?@@PowMusic
What notes CANT you play 😅
Barry Harris been saying this all along.... Rather than thinking modes.
😕 Promo'SM