I'm so late to this, but the fact that Rory's vocals sound fire before mixing is incredible. He's easily one of the top vocalists in the scene right now.
I love deceptively simple songs like this. You hear it the first time and think it's pretty basic, but then all the work under the hood proves it's a beast
So cool to see actual work on the real stems - I love this inside look and hearing the song in different ways. It always makes it cool going back to just listen to the song :) thanks team for doin this
Quad tracking is amazing for building a bigger sound. I feel the key is to have different tones and also to use the tone switches for which ever guitar you are using. Or even a different guitar If you have the option. Filling in the under belly with a lower more thick tone, and then pulling out the highs and mids with a more distorted, and twangy and “pingy” tone. But honestly in most cases it’s only needed for like choruses and parts in the song you want to elevate just have that wall of guitar in your face.
They mentioned it was mixed down stems just so those were available to those that felt overwhelmed by the amount of vocal tracks otherwise. They played the stems.
That’s cause they’re only doing the mix, these tracks were already cleaned up, tuned, time corrected during the engineering phase which happens before the mix. Most mix engineers at this level (if they’re not doing it themselves) have assistants that prepare the files for them so all they have to think about is the mix.
@@EthanRom and either way, cleaning up tracks, tuning and correcting vocals are all parts of the production/Recording phase anyways. The mix engineer should ideally never have to do those things. I know that’s not how it happens a lot of the time but that’s another story lol
@@gulfmediacollective2249 Well for the big bois they have an intern do it for them. For most solo producers, they may have to do it all on their own. It's why I usually have three saves. The tracking, edit and mix sessions are all separated from each other
![BRING ME THE HORIZON "Chelsea Smile" RAW MULTI-TRACKS [Unboxing]](http://i.ytimg.com/vi/YrwTlPjqD7s/mqdefault.jpg)
![BRING ME THE HORIZON "Chelsea Smile" RAW MULTI-TRACKS [Unboxing]](/img/tr.png)
I'm so late to this, but the fact that Rory's vocals sound fire before mixing is incredible. He's easily one of the top vocalists in the scene right now.
I love deceptively simple songs like this. You hear it the first time and think it's pretty basic, but then all the work under the hood proves it's a beast
This fucking guy can sing man
Rory is incredible
Great insights. Exciting to hear melodies and instruments which became veeery subtle in the mix and master.
This song rules.
Man, I could have REALLY used this before recording my vocal cover of "Sleeptalk"
Well, not really since you can't use the multis anywhere outside of URM content
@@brendangibson8200 I was referring to being able to hear all of the vocal stacks so it was more accurate. Check out the video on my channel.
@@CoverBandConfidential ohhhh, gotcha lol. My b
This song is my favourite from last year bar none
You need to do the last Architects album. The mix is incredible
agreeed
Would love to hear the raw vocal tracks 😁.
Nah… they sound awful in new albums
oh yeah! been waiting for this. dudeeee this is sooo good!
dayseeker/spiritbox engineer is so fucking good
@@GLUTENX *nod* *nod* *nod*
I love this song so much and to hear it in it’s pure rawness is so comforting. ❤️
This is sick, great work.
So cool to see actual work on the real stems - I love this inside look and hearing the song in different ways. It always makes it cool going back to just listen to the song :) thanks team for doin this
This is sick! 🤘🏼
Can't wait to mix it
You should break down some Dance Gavin Dance
Quad tracking is amazing for building a bigger sound. I feel the key is to have different tones and also to use the tone switches for which ever guitar you are using. Or even a different guitar If you have the option. Filling in the under belly with a lower more thick tone, and then pulling out the highs and mids with a more distorted, and twangy and “pingy” tone. But honestly in most cases it’s only needed for like choruses and parts in the song you want to elevate just have that wall of guitar in your face.
Got to meet the dialtune guys just before Covid hit. Great guys
where can we find the remixes?
Wow...
Why is there 2 layers for Bass?
One for Low end and the other for the Grit.
Finally
This a really cool concept but this doesn't sound raw at all, vocals are like super processed, or is that the whole point?
They mentioned it was mixed down stems just so those were available to those that felt overwhelmed by the amount of vocal tracks otherwise. They played the stems.
That makes sense!
That’s cause they’re only doing the mix, these tracks were already cleaned up, tuned, time corrected during the engineering phase which happens before the mix. Most mix engineers at this level (if they’re not doing it themselves) have assistants that prepare the files for them so all they have to think about is the mix.
@@EthanRom and either way, cleaning up tracks, tuning and correcting vocals are all parts of the production/Recording phase anyways. The mix engineer should ideally never have to do those things.
I know that’s not how it happens a lot of the time but that’s another story lol
@@gulfmediacollective2249 Well for the big bois they have an intern do it for them. For most solo producers, they may have to do it all on their own. It's why I usually have three saves. The tracking, edit and mix sessions are all separated from each other