Boehm - Grand Polonaise, op. 16
Вставка
- Опубліковано 5 бер 2016
- Matthew Ross, Flute
Kseniia Polstiankina, Piano
Theobald Böhm (1794-1881)
Grand Polonaise, Op. 16
March 1, 2016
Robert J. Werner Recital Hall
University of Cincinnati
Theobald Böhm is undoubtedly one of the most famous names in the history of the flute, as a result of his revolutionary redevelopment of the instrument’s design, which had an enormous impact on not just the flute, but all other woodwind instruments. His work creating the 1832 and 1847 model flutes is well documented, not least in his book The Flute and Flute Playing, as well as in numerous texts dealing with the history and development of the flute. This work alone was enough to secure Böhm’s place in history, but although enormously significant, his work as a flute maker was only one facet of Böhm’s life. The 37 numbered works (with just Opus 15 still lost) show a fascinating chronology of flute history. Opus 1-18 become all the more spectacular once it becomes known that they were written for the simple system conical wood flute. These pieces include the variations on Nel Cor Piu, a number of fantasies and variations, and the challenging Grande Polonaise. These are demanding works, both in terms of duration (many of them are over ten minutes long) and technique, and are stylistically aligned with the salon music that was popular at the time. It is likely that in performing these works, Böhm developed a strong sense of where improvements could be made to the flute, and Böhm’s imagination and abilities as a composer undoubtedly will have contributed to his work as a flute maker.
Maravilhosa harmonia e vivacidade nesse Boehm op. 16, magnífico!
厉害！！
This is very impressive- awesome endurance !
very nicely done.
great performance~!
Absolutely beautiful. I still prefer a boulder more sonorous sound. But this AWESOME.
You and the accompanist are not smoothly in sync but you you're great
You're fantastic. You're squeezing off your sound and the whole part of the note isn't coming out. It's a pretty sound, and it needs to open up. You've got all the temperament and strength in the world. Great
the tempo little slower /