Good video. There’s a lot of vids out there that are exquisitely boring but Quincy tears it up, he displays supreme confidence but he is not cocky, Quincy, thank you for your videos. I’ve been playing drums a long time now and I always enjoy watching and listening to other drummers who are truly better than I. You are the man bro. Happy drumming!
I’m a pianist, not a drummer. And this makes my piano playing better. I hope you can receive some of the positivity just like you give out. Thank you for sharing your insights - uplifting and helpful.
Congrats to Simon, Pierre Borel and Alexander for winning the FREE GIVEAWAY:) Amazing job transcribing my solos!!! Your 100% OFF discount code to my Digital Download Store (Qsdigitaldownloads.sellfy.store/) has been sent to you. And thank you to all who participated and sent me transcriptions including Toby Miller, Walid Mounzer, David Richards and Dimitrios Kosmidis. I have a sent a sort of consolation prize to you for a free download to 1 of the play alongs in my download store.
Funy, this is exactly where I am ! Some of my solo phrases are ugly and it's because you can't really hear (=transcribe) them. The thing is, if it's clear in your head (very important), then you must work the quality of your execution (the articulations).
An excellent drummer once told me that the rudiments are a means of embellishment, and that the underlying rhythm and feel are what are more important. When you put the rudiments first, you can lose sight of the other two.
That’s definitely something to keep in mind for sure. We shouldn’t be bound by rudiments but I think it’s extremely important to practice them, especially improvising using them. Practicing them will allow us to build a strong foundation then, forget them when we perform retaining the clarity and technique needed execute them. Thanks for the comment brother Roland!
@@drumqtips I am basically a pipe band drummer, and our music is heavily based on rudiments so am well practiced on rudiments after 50 years of playing this style. He was a drum set player as well as a pipe band drummer and had an interesting and more musical perspective than I had, so that was helpful for me. Even though I don't play drum set, I really enjoy your content. Never too old to learn new things.
Oh my... Once again a brilliant video Mr Davis: well explained and demonstrated with clarity and of course humour. I'm personally just beginning with regard to soloing which is being informed by some personal observations that I'd like to run by you. There's an abundance of videos for and against 'busy' lightening-fast 'chops' - they're seen as either the best thing going, or else self-indulgent show-off fuel. I don't agree with either pole. Rather I think in terms of a graph: on the horizontal (X) axis is 'technicality' (i.e. can I play a healthy selection of rudiments cleanly; do I have consistent time; can I play with good and consistent use of dynamics; are my drums in tune with each other? etc.) On the vertical axis (Y) is 'musicality' (i.e. do the rhythms I play compliment and enhance the overall; am I playing too many / too few notes; is there enough 'feel' / interest value in the above; am I playing 'in the pocket'? etc.) When I think about these two axis I find I want to ideally occupy what on a graph would be the middle ascending ground on the 45 degree - equity between technicality and musicality. Sorry if this is too long / boring / irrelevant / weird..! Greeting once again from the UK - you are a huge blessing.
Thanks so much, I appreciate the love! I really like your approach to balancing technicality and musicality-keeping that middle ground on a 45-degree angle is spot-on. Dapsto you from across the pond!
Qunicy, I suck at soloing. To the point where I often experience anxiety when I know I have to solo on something (which in turn blocks me from doing anything!). But lately, I've been thinking: What if I DID compose my solos and charted them out for any given piece of music that required it? Granted, it may go against all improvisational conventions. But maybe if I started with the framework for a solo, transcribed it, and then moved on from there as if I were adding a cadenza (improvisation) to the framework of the solo. I'm a chart writing nut, so I found your ideas and concepts on this subject very helpful. Thank you so much. ☮️
That's an awesome idea that indeed could help you get over your anxiety of soloing by giving you a solid place to start. Glad this lesson resonated with you Paulie!
Immensely helpful! One of the biggest roadblocks is always mindset when it comes to soloing or even comping and sounding more musical on the kit. I really like the way you break it down. Thanks Quincy!
Dear Mr. Quincy Davis, I admire your kindness by giving away informations about drumming which must have the value of about thousends of dollars. I can see more and more what the art of drumming is really about. I'm looking forward to spend my Money to you! yours sincerely, J.
Like listening to the old masters❤️ Succinctly played and executed Quincy.Appreciate your valuable time.I have other channels I watch 90/20,Rob Brown,some Drumeo all great.But yours is the go to for wisdom and humour and knowledge.I'm not much for transcribing as I'm not practiced enough.But admire people that can.I have been playing in bands many styles for years.Rock,Hard rock,Reggae, Punk rock,Indy rock,Blues...Not jazz but have followed it and been a fan since I was a child.I love the word mindset🥁
The only problem I find with that concept is, everything can be transcribed wrong.or right. The basic concept maybe is how to make sense while playing jazz within the traditional jazz narrative...for me as latín player living in central América is the phrasing, spanish sounds in 16th notes and english sounds swing triplet... Traditional jazz licks are somewhat easy but the deep construcción is what I find very challenging... Great vídeo!! Thanks for sharing.
The nuances of languages are the hardest to understand and capture effectively. I understand your challenges. Keep pushing and gracias for watching Anibal!
Wonderful as usual Quincy! Do you think it's good to play solo ideas to a tune or little jazz diddy thing in your head? I do that a lot. Hey the Creeper is one I'm working on! Thank you for all you do Quincy!
You definitely do not have to transcribe EVERYTHING. Just do it as an exercise for 8 or 16 measures. It will get you thinking about what you play very differently Valerio.
Quincy, what bass drum pedal are you using? is it a dyna- sync and if so how are finding it compared to anything else you have tried? I am looking for a new pedal after using an iron cobra for years and I am on the fence between the speed cobra and the dyna- sync. Great work as usual.
absolute world class intro solo. dammit. and the tip really is good, but hard. transcribing as we know it is one thing, but ask Earl Palmer about transcribing Elvin Jones. he didn't just transcribe a piece of music. it was a drum solo. an Elvin Jones drum solo. and he sank it all up in audio while watching a silent video of Elvin playing the solo. today we call that pro Tools and CGI. again i say, dammit. another excellent video, Q. thank you.
Hey Quincy, excellent lesson as always, thank you! Any advice for someone that can't get to the kit to practice as often as they'd like? Do you think the drum pad and rudiment practice is the only go to, to keep sharp? Thanks
This is true. Definitely no guarantee that transcribing your own playing will result in a good sounding solo, but it’s more of a mind set that we want to try and play ideas we are hearing as clear and clean as possible. No self transcribing necessary. That mind set could help. Thanks for the comment!
My teacher told me that if you will think what to play and how to play, you won't be able to play and improvise. Like a boxer, who would think whether he should lean to the right or to the left when a punch is coming.
That certainly applies to situations when we are actually performing, however, I believe that when we are practicing, we should absolutely be thinking about what we're are playing. Thanks for watching Brent!
I’d love to see you solo on a standard tuned 5 piece kit
Noted. Maybe that’ll be a future video if there’s enough interest. Thanks for watching!
Yes good idea! I'm interested Mr Davis
“If you’re not using your rudiments; what are you doing?” LOVE IT!!
Thanks for watching Creo!
Good video. There’s a lot of vids out there that are exquisitely boring but Quincy tears it up, he displays supreme confidence but he is not cocky, Quincy, thank you for your videos. I’ve been playing drums a long time now and I always enjoy watching and listening to other drummers who are truly better than I. You are the man bro. Happy drumming!
I appreciate the über kind words Augustine🙏🏾
I’m a pianist, not a drummer. And this makes my piano playing better. I hope you can receive some of the positivity just like you give out. Thank you for sharing your insights - uplifting and helpful.
I appreciate that Aaron. This can definitely be applied to any instrument for sure. Cheers!
You teach in a game changing way
Too kind Benji!
Congrats to Simon, Pierre Borel and Alexander for winning the FREE GIVEAWAY:) Amazing job transcribing my solos!!! Your 100% OFF discount code to my Digital Download Store (Qsdigitaldownloads.sellfy.store/) has been sent to you.
And thank you to all who participated and sent me transcriptions including Toby Miller, Walid Mounzer, David Richards and Dimitrios Kosmidis. I have a sent a sort of consolation prize to you for a free download to 1 of the play alongs in my download store.
Nice lesson breaking down ways to transcribe music 🎼🎵🎶🥁👍🏾👍🏾
Thanks for watching Warren!
Funy, this is exactly where I am ! Some of my solo phrases are ugly and it's because you can't really hear (=transcribe) them. The thing is, if it's clear in your head (very important), then you must work the quality of your execution (the articulations).
"be able to sing it back" that's it !
Absolutely Nicholas! You got the idea👍🏾
Love the sound of your kit.
Thanks to Tama:) Cheers Carl!
Transcriptions delivered! Hugs
My man Klemens!
Nice my friend...good times alweyes...
Thank YOU my friend:)
An excellent drummer once told me that the rudiments are a means of embellishment, and that the underlying rhythm and feel are what are more important. When you put the rudiments first, you can lose sight of the other two.
That’s definitely something to keep in mind for sure. We shouldn’t be bound by rudiments but I think it’s extremely important to practice them, especially improvising using them. Practicing them will allow us to build a strong foundation then, forget them when we perform retaining the clarity and technique needed execute them. Thanks for the comment brother Roland!
@@drumqtips I am basically a pipe band drummer, and our music is heavily based on rudiments so am well practiced on rudiments after 50 years of playing this style. He was a drum set player as well as a pipe band drummer and had an interesting and more musical perspective than I had, so that was helpful for me. Even though I don't play drum set, I really enjoy your content. Never too old to learn new things.
@@cm-jz8qr No. Although I do know that Jim did both as a drummer. So for those wondering why you might ask, now you know.
I just received your signed vic firth drumsticks. Nice balance of weight and thickness. Thank you.
Awesome! Thanks for checking out the sticks Chris.
Thanks Prof, !!!
My pleasure AD👊
These videos make you THINK! Great stuff as always, Quincy…
Glad you like them Mikey! Thanks as always my friend:)
Oh my... Once again a brilliant video Mr Davis: well explained and demonstrated with clarity and of course humour. I'm personally just beginning with regard to soloing which is being informed by some personal observations that I'd like to run by you.
There's an abundance of videos for and against 'busy' lightening-fast 'chops' - they're seen as either the best thing going, or else self-indulgent show-off fuel. I don't agree with either pole. Rather I think in terms of a graph: on the horizontal (X) axis is 'technicality' (i.e. can I play a healthy selection of rudiments cleanly; do I have consistent time; can I play with good and consistent use of dynamics; are my drums in tune with each other? etc.)
On the vertical axis (Y) is 'musicality' (i.e. do the rhythms I play compliment and enhance the overall; am I playing too many / too few notes; is there enough 'feel' / interest value in the above; am I playing 'in the pocket'? etc.)
When I think about these two axis I find I want to ideally occupy what on a graph would be the middle ascending ground on the 45 degree - equity between technicality and musicality.
Sorry if this is too long / boring / irrelevant / weird..!
Greeting once again from the UK - you are a huge blessing.
Thanks so much, I appreciate the love! I really like your approach to balancing technicality and musicality-keeping that middle ground on a 45-degree angle is spot-on. Dapsto you from across the pond!
Qunicy, I suck at soloing. To the point where I often experience anxiety when I know I have to solo on something (which in turn blocks me from doing anything!). But lately, I've been thinking: What if I DID compose my solos and charted them out for any given piece of music that required it? Granted, it may go against all improvisational conventions. But maybe if I started with the framework for a solo, transcribed it, and then moved on from there as if I were adding a cadenza (improvisation) to the framework of the solo. I'm a chart writing nut, so I found your ideas and concepts on this subject very helpful. Thank you so much. ☮️
That's an awesome idea that indeed could help you get over your anxiety of soloing by giving you a solid place to start. Glad this lesson resonated with you Paulie!
Immensely helpful! One of the biggest roadblocks is always mindset when it comes to soloing or even comping and sounding more musical on the kit. I really like the way you break it down. Thanks Quincy!
I appreciate that Daniel!
Dear Mr. Quincy Davis, I admire your kindness by giving away informations about drumming which must have the value of about thousends of dollars. I can see more and more what the art of drumming is really about. I'm looking forward to spend my Money to you! yours sincerely, J.
I appreciate that very much Atsi!
Like listening to the old masters❤️ Succinctly played and executed Quincy.Appreciate your valuable time.I have other channels I watch 90/20,Rob Brown,some Drumeo all great.But yours is the go to for wisdom and humour and knowledge.I'm not much for transcribing as I'm not practiced enough.But admire people that can.I have been playing in bands many styles for years.Rock,Hard rock,Reggae, Punk rock,Indy rock,Blues...Not jazz but have followed it and been a fan since I was a child.I love the word mindset🥁
I meant 80/20 🤔
90/20, 80/20, 70/20. Who's counting? 😂 Those are all great channels and players. Thanks as always for your thoughts Peter!
I've used your download store. Great material, Q! Thanks again for the lesson.
Awesome Tom! Glad you like them.
Very nice. Great thoughts as usual Q. As always thanks for your musical knowledge & sharing with us 👌🏽🎶🥁
As always, thanks for watching TD!
Another great and informative video, thank you Professor Davis!
My pleasure Smacks!
The only problem I find with that concept is, everything can be transcribed wrong.or right.
The basic concept maybe is how to make sense while playing jazz within the traditional jazz narrative...for me as latín player living in central América is the phrasing, spanish sounds in 16th notes and english sounds swing triplet...
Traditional jazz licks are somewhat easy but the deep construcción is what I find very challenging...
Great vídeo!! Thanks for sharing.
The nuances of languages are the hardest to understand and capture effectively. I understand your challenges. Keep pushing and gracias for watching Anibal!
These are Q - tips that SHOULD be put in your ears!
Lol!! You might regret that Matt🤣
@@drumqtips 😂
Wonderful as usual Quincy! Do you think it's good to play solo ideas to a tune or little jazz diddy thing in your head? I do that a lot. Hey the Creeper is one I'm working on! Thank you for all you do Quincy!
I think both are beneficial Rita:) The Creeper is one of my favs! Glad you like it☺️
@@drumqtips Love the Creeper!!
nº 2 Quincy ✌🏽
👊🏾 Rodrigo!
2:23 "Think more aQtely". That's how I heard it anyways🤠
Ha! I didn't think of that one Eyevin:)
I just send you a transcription for option 1 :-D
Received. I’ll check it out shortly Simon!
The transcription :
ua-cam.com/video/6JbudreublY/v-deo.html
HELLO, BUT IS IT IMPORTANT TO TRANSCRIBE EVERYTHING WE PLAY, OR JUST THE RHYTHMIC IDEA YOU LIKE, AND THEN WE WORK ON THAT FREELY BUILDING THE SOLO?
You definitely do not have to transcribe EVERYTHING. Just do it as an exercise for 8 or 16 measures. It will get you thinking about what you play very differently Valerio.
@@drumqtips Thank’s
Hey Q, what are you using for miking the drums? Great lesson as always.
Dimitrije
2 overheads and one bas drum microphone. Check out this video: ua-cam.com/video/j4w-Au_qWyE/v-deo.html.
Have 3 transcribed already? I'll do it tonight if I have time!
My subscribers are very fast unfortunately Eyevin:)
80/20 drummer, who is also a fan of your channel, suggests to play as creatively as possible within a given subdivission.
That’s a good idea! Nate is the man!!
Quincy, what bass drum pedal are you using? is it a dyna- sync and if so how are finding it compared to anything else you have tried? I am looking for a new pedal after using an iron cobra for years and I am on the fence between the speed cobra and the dyna- sync. Great work as usual.
Love my Dyna-sync. Very smooth and responsive. I think it’s my favorite pedal I’ve played. Thanks Billy!
HI, WHERE IS THE TRANSCRIPTION OF THIS LESSON?
The assignment was for the viewers to transcribe my solo. Therefore there is no transcription of this lesson. Sorry Valerio!
absolute world class intro solo. dammit. and the tip really is good, but hard. transcribing as we know it is one thing, but ask Earl Palmer about transcribing Elvin Jones. he didn't just transcribe a piece of music. it was a drum solo. an Elvin Jones drum solo. and he sank it all up in audio while watching a silent video of Elvin playing the solo. today we call that pro Tools and CGI. again i say, dammit.
another excellent video, Q. thank you.
Thanks for your awesome words Ocho!
Hey Quincy, excellent lesson as always, thank you!
Any advice for someone that can't get to the kit to practice as often as they'd like? Do you think the drum pad and rudiment practice is the only go to, to keep sharp? Thanks
Rudiments on a pad and lots of listening! You can also practice your ride cymbal beat on the pad.
Great point. Guess your never too mature to learn. 👍🏽
Never!!! Thanks for watching Fitz👊🏾
Me : "wait, why isn't there more views on this video ??!" also me : "Ah... It got posted today..."
First commenter! Thanks for watching and I’m glad you like the lesson:)
Whelp... Can't read music ☹️
You can still try and learn it by ear Neilson:)
Just sent you my transcription of your option 1 solo to your email. Thanks for the great content!
sure it's useful to know what you're playing but is no guarantee for a nice solo , once you see notes when you are soloing it means the magic is gone
This is true. Definitely no guarantee that transcribing your own playing will result in a good sounding solo, but it’s more of a mind set that we want to try and play ideas we are hearing as clear and clean as possible. No self transcribing necessary. That mind set could help. Thanks for the comment!
My teacher told me that if you will think what to play and how to play, you won't be able to play and improvise. Like a boxer, who would think whether he should lean to the right or to the left when a punch is coming.
That certainly applies to situations when we are actually performing, however, I believe that when we are practicing, we should absolutely be thinking about what we're are playing. Thanks for watching Brent!
Play off the melody of the song. Job done.
Thank you!