That hammering and pull off is so clear and overall tone is just superb, I think this piece sounds very emotional. Very beautiful melody, great resonance and low notes.
Whenever I find a piece of music I feel I might want to learn, I look to see whether Tavi Jinariu has made a video of it. I never expect to play as well as him, but his interpretations are perfect for understanding the musical structure of the piece; and although he's fast, his videos are shot to give you a clear view off his hands, which can really help by comparing against the sheet music. This is an astounding interpretation! It remains to be seen whether I can play this half as well.
I am so glad you enjoyed the piece Rick! Keep up the good work. The Rodriguez is an amazing guitar that really helped bring out the musicality of this wonderful Albeniz piece.
Thank you so much maestro,I will defenitly look that up. I just started working on the piece and so far I have looked at M. Gangis transcription and also an old pianoscore. Greetings from Sweden!
@@TaviJinariuGuitarist Some parts look slightly different than my Parkening transcription, like the beginning and the ending. Did you take a few liberties or is it a different transcription?
Heh. Cordoba gets to advertise its instruments and I get to listen to a phenomenal guitarist play repertoire favorites with polish and brilliance. Win-win!
'Voicing' does not pertain to how a musician plays. It refers to how the composer treated the 2, 3, 4, sometimes 5 part harmony or counter point; which note he wants, and where.
Bravo- your mentor Maestro Parkening has taught you well. Can definitely see the right hand influences. Very reminiscent of “In the Spanish Style” recording on Angel records I bought back in the 70’s...
I take it that Tavi is happy with the cordoba he is playing. With the restriction of the sound quality the guitars range does feel very good..the playabillity by just watching Tavi looks outstanding. Overall I think cordoba constructed a winner here..
After hearing this magnificent playing I want to throw my guitar in my wood stove! lol! That was beautiful! Not enough hours in the day to listen! Blessings!
@@mariano.campos I was talking about the video, since this is a video site. I won't attempt this piece myself because it is very difficult to play. I'm sure there are good scores for it out there tho.
I’m working on this song now. The written music is not quite what gets played. I’ve never seen someone use an anchor figure when doing slurs. Very nice version! Pepe Romero uses a lot of rasqueados in the middle part.
wow...convincing...bravo! pleasure to listen to.....did it take you long to do that 3rd finger anchor on the legatos' or did that just come naturally....i do it free...but i like the nice hard definition you get...nice 'n crisp!
Hi Leon, this is a trick I learned from Christopher Parkening. It really helps with the crispness and the cleanliness of those runs. Thanks for watching this so intently; most would have simply glossed over that seemingly unimportant detail.
Yes but its not the end product that is desirable its the pleasure of getting there. Otherwise its wasted hours of your life if you cannot enjoy the practice. Break up a small piece and learn just that and make it beautiful then learn the next bit. I once met an islander man with a small brain disability and he could only play one song. But that one song was fantastic and beautiful. He knew that one song 3 different positions on guitar, knew how to strum it perfectly. Sounded like a professional. And yet it was the only song he knew. It was a lesson for me that just because your a beginner its no excuse to sound bad.
very good playing , Hello I bought a guitar cordoba c3m and c5 From a site in Morocco,both I did not like with manufacturing defects I think they sell defective products without declaring them, do you know a classic brand much better than that
Toute l'histoire qu'elle raconte à disparue la manière est froide précipité en gagnant beaucoup pour résumer les passages les plus importants qui ont été soit raccourci ou allongés en note sonore continue dans l'ensemble ok mais sa sera mécanique Merci de changer de méthode pour l'avenir merci je suis guitariste arabe
+Danny Rw I think I'm about your level. That means I cant tell you. I think it was Segovia that went to war and couldn't play for a couple of years. Anyway he developed some exercises that he could do in 20 minutes a day. We he finally got out of the services and started playing for real again he was better then when he went in. The exercise for those high speed parts of this song would be to... Pluck the D string then hammer on with each finger, index, middle, ring and pinky, on each fret 1 through 4, keeping each finger on the string. Then pull off in reverse. When you pull off with the pinky it should be towards and be stopped by the G string. Then the same all the way down. The D string will be ringing from the last pull off with the index so you just hammer it back down and do the same thing over and over getting faster and smoother. Keep it the same volume and robotic. Your fingers should get strong and fast. I don't know if I answered your question at all. There was a book I saw on these exercises. The spider exercise is another good one. These pro guitarists are amazing. They all grew up with a guitar in their hands. I'll never be that good, but I am good at what I can play. Better to play simpler songs beautifully then advanced songs terribly. A good way to work your way up or just enjoy playing music without getting to intense about it is get the books I play from some, "Popular Classics of the Great Composers". The songs are progressive from easy to a little advanced. They come with a CD too. I think the "Carcassi Method" might be able to get someone up to playing real good. And 2 method books by Julio S. Sagreras are real good and more modern. Sagreras was a student of Tarrega. You might be better at the guitar for all I know, but if you have any questions about classical guitar playing I'll tell you if I can. Good luck.
wow man thank you so much for your help. I'm practising the method you told me im getting faster now thanks! I'm also gonna try the cascassi method , thanks again ;)
+Danny Rw You made my day! I took classical guitar lessons. I think I was about 35 years old when I started. I wanted to play like Stevie Ray Vaughan. I figured that starting from the beginning would be good, that learning to read music and getting some discipline would be a good path. I got to class early one day and the teacher was in the lesson room with the door closed and I could hear so much music, it was amazing and beautiful, so many notes being played so fast that I thought he was in the room playing with an advanced student. After a couple minutes the door opened and the teacher looked at me and asked, "What are you doing out here, I was waiting for you". I decided I wanted to learn how to do that, amaze people. As a raw beginner the book I was taught from was called, "First book for classical guitar" by Frederic Noad. About 4 months with that book and the teacher said I was ready for "The Carcassi Method". I was a good student and honestly practiced hard, the teacher said that it is usually about a year before a student is ready for the Carcassi method. I recommend about 6 months of lessons, after that you can kinda teach yourself. That Carcassi Method book has all the information you would need to become a master, and it is not really a beginner book. There is a lot of detail in getting to play well, rest strokes to emphasize a certain note while other notes dance around it. And that book on exercises is good, when you learn the exercises by heart you can do them while watching TV. See how that one exercise has helped you, there is about 15 exercises that will get your fingers ready, get the fingers working, able to do the things you need to do to play any song. I'm going to try to describe how to do the "Spider Exercise", a left hand (I assume you are a righty) exercise that is actually a mental exercise. You do not pick any strings with this exercise, it is a quiet one. Spider Exercise Place your left hand index finger on the first string at the 7th fret. Hold that string down, then place your middle on the 8th fret, first string, then your ring finger on the 9th fret first string, then your pinky on the 10th fret first string. Simple, your fingers are lined up in a row from the 7th fret to the 10th fret on the first string. Now for your fingers to creep across the fret board towards you like a spider. Lift your index finger and place it on the second string 7th fret, then your ring finger on the second string 9th fret, then your middle finger on the 9th fret second string, then your pinky on the 10th fret second string. Just work your way across the fret board in that fashion to the 6th string then backwards to the first and back and forth like that. You will probably feel like your fingers are spastic at first but soon enough you will be able to do it fast and without thinking. After you get this down you can start to lift, lets say, the index and middle finger at the same time. Then you can really start to mix it up, index and ring from first string to second string then middle and ring to third and across the fret board in this fashion. These exercises might be on youtube, the spider exercise might be the only one with a name. So, let me know how the spider exercise goes. Good luck, LOL. you will know why I LOL when you try it.
+nobody, the I think I read the story in my Christopher Parkening Method book, he didn't say who put the exercises together, only that the guitarist is famous. Danny Rw is looking for guitar playing tips if you got any.
Ibra, you are what is wrong with the 'music world'.....this sounds great ....technique who cares...and I have played this piece for years...different yes but this is great...
Superb musicality and technical dexterity at the same time. I am so jealous!
by far the best rendition i've ever heard
That hammering and pull off is so clear and overall tone is just superb, I think this piece sounds very emotional. Very beautiful melody, great resonance and low notes.
Emotional is the way it sounds for sure, but makes one feel emotional as well don't you think???
Whenever I find a piece of music I feel I might want to learn, I look to see whether Tavi Jinariu has made a video of it. I never expect to play as well as him, but his interpretations are perfect for understanding the musical structure of the piece; and although he's fast, his videos are shot to give you a clear view off his hands, which can really help by comparing against the sheet music.
This is an astounding interpretation! It remains to be seen whether I can play this half as well.
This is one of the most difficult malaguenas
Try it; here is the tutorial: www.eliteguitaristclassical.com/programs/rumoresdelacaleta?categoryId=4759
Absolutely phenomenal fret board technique, especially with the ornaments. Aggressive tempo and passionate virtuosity - - BRAVO!
I am so glad you enjoyed the piece Rick! Keep up the good work. The Rodriguez is an amazing guitar that really helped bring out the musicality of this wonderful Albeniz piece.
+TaviJinariuGuitarist Thank you for sharing this Mr Jinariu. May I ask if it´s your own transcription?
It is the Christopher Parkening transcription.
Thank you so much maestro,I will defenitly look that up. I just started working on the piece and so far I have looked at M. Gangis transcription and also an old pianoscore.
Greetings from Sweden!
@@TaviJinariuGuitarist Some parts look slightly different than my Parkening transcription, like the beginning and the ending. Did you take a few liberties or is it a different transcription?
Hermoso tema. De Albeniz. Excelente y sentida interpreracion
Buena versión de esta obra, ejecutada por este guitarrista joven que yo no había escuchado. Muy buen intérprete.
Genial !!!! Isaac Albéniz a vraiment apporte beaucoup pour la guitare et l'a sublimée.....
By far one of the best classical guitarists I've ever seen, excellent job sir
Heh. Cordoba gets to advertise its instruments and I get to listen to a phenomenal guitarist play repertoire favorites with polish and brilliance. Win-win!
That's why I love my C10 !...
Very good sound and performance, technique and all of that. Bravo!
I love Isaac Albeniz guitar music - it's so evocative!
Wow, flawless!! Fantastic voicing! :) thank you very much for sharing Tavi, your technique seems one of a kind and everything you play is great.
Keep up the good work Jared! Cheers.
'Voicing' does not pertain to how a musician plays. It refers to how the composer treated the 2, 3, 4, sometimes 5 part harmony or counter point; which note he wants, and where.
¡¡HERMOSA INTERPRETACION!! ¡¡FELICITACIONES!!
Magnificent! Thank you for brightening my day.
Bravo Maestro- definitely the torch bearer for the Segovia- Parkening legacy. Great to see their art up close via the next generation!!!
This such a magnificent sound, and such classy playing.
Beautifully played on a beautiful instrument.
Amazing guitarist.
Excellent playing
Absolutely beautiful and great technique and virtuosity !!!
Enjoyed from Australia
qué bueno... limpio y muy matizado... genial, me gustó mucho, lo veo muy sentío
Magnifique. Rien à redire.
Bravo- your mentor Maestro Parkening has taught you well. Can definitely see the right hand influences. Very reminiscent of “In the Spanish Style” recording on Angel records I bought back in the 70’s...
Wonderful. Skillfully played.
This particular guitar is made in the USA - for pricing to Mexico, please contact our distributor, Cuerdas Por Correo!
Does your distributor sell overseas?
Is it that some Cordoba guitars are made in China, some in the U S and some in Spain?
Perfect, beautiful …. Wow
A real professional guitarist.
I have this guitar! It's a great guitar!
I take it that Tavi is happy with the cordoba he is playing. With the restriction of the sound quality the guitars range does feel very good..the playabillity by just watching Tavi looks outstanding. Overall I think cordoba constructed a winner here..
Muy buena técnica Sr. Tavi.
Wonderful, thank you!
Just amazing! Bravissimo! Muhteşem!
muy bien!!! muy bien tocado,muchas gracias!
excelente interpretación
Woow está pieza siempre la oía en piano... Pero en guitarra se puede apresiar mas su origen Español... Facinante!
Great sound wow
everyday i listen to this amazing piece
Tc MoMo
no you don't
I still do
@@the7skulls Man, you still do.
Now i can play it ❤
Wonderful player.
Show off.......
(just kidding (and envious of your dexterity and interpretation of one of my favorites by Isaac),
I really like this interpretation.
Love this one ❤️
Muy buena grabación e interpretación.
Hermosa versión para guitarra!!
c'est perfecto...Bravo!
After hearing this magnificent playing I want to throw my guitar in my wood stove! lol! That was beautiful! Not enough hours in the day to listen! Blessings!
Give it to someone who will to play it!!!
Bravo maestro.
Beautifully idiomatic performance with spotless passagework and tasteful use of right-hand tonal color changes, Tavi!
excellent...!!!
Great job!
Hard to find a good version of this piece, but I found it!
can you post it? i cant find a good version
@@mariano.campos What's bad about this one? I think it's well done.
@@christopherd6399 this version is excellent. I was talking about a good pdf score
@@mariano.campos I was talking about the video, since this is a video site. I won't attempt this piece myself because it is very difficult to play. I'm sure there are good scores for it out there tho.
HERMOSO SOLO
Amazing
Puedo ver la playa de La Caleta, escuchar el rumor de las olas y sentir el olor a mar .
excellent.
Wow!!!!!!!!! 🤯🤯🤯🤯
maestro!
Just brillant
I’m working on this song now. The written music is not quite what gets played. I’ve never seen someone use an anchor figure when doing slurs. Very nice version! Pepe Romero uses a lot of rasqueados in the middle part.
I copied him and used the anchor finger. It really helped.
wow...convincing...bravo! pleasure to listen to.....did it take you long to do that 3rd finger anchor on the legatos' or did that just come naturally....i do it free...but i like the nice hard definition you get...nice 'n crisp!
Hi Leon, this is a trick I learned from Christopher Parkening. It really helps with the crispness and the cleanliness of those runs. Thanks for watching this so intently; most would have simply glossed over that seemingly unimportant detail.
Thumb up and inscribed
I have the Solista. I want this one too.
strange technique, but it's fantastic!!!!!!!!!!!
I can afford the guitar, but the talent is unavailable at any price...
Practice has more value than talent
Yes but its not the end product that is desirable its the pleasure of getting there. Otherwise its wasted hours of your life if you cannot enjoy the practice. Break up a small piece and learn just that and make it beautiful then learn the next bit. I once met an islander man with a small brain disability and he could only play one song. But that one song was fantastic and beautiful. He knew that one song 3 different positions on guitar, knew how to strum it perfectly. Sounded like a professional. And yet it was the only song he knew. It was a lesson for me that just because your a beginner its no excuse to sound bad.
very good playing , Hello I bought a guitar cordoba c3m and c5 From a site in Morocco,both I did not like with manufacturing defects I think they sell defective products without declaring them, do you know a classic brand much better than that
please make a tutorial. its amazing
Here it is: www.eliteguitaristclassical.com/programs/rumoresdelacaleta?categoryId=4759
That is one of the guitars.
Magistral
Not a big fan of the guitar, but the player was simply amazing. Great players make any guitar sing.
Could you please write down who transcribed the piece you play in the video so I can find the same one? Thank you.
❤
Hi, i'd like to know which transcription is played here. Thanks
Disculpa que modelos de guitarra son los hechos en españa? Y otra cosa tienen envio a mexico ? Gracias de antemano
Arab fantasia overflowing the misty mountainous
Muy buenos ligados
¡Olé!
Anybody has this transcription in sheet music?
Is Rumores de la Caleta a piano or guitar-intended piece?
It’s supposed to be a classical guitar piece
it was written and initially intended for the piano although the guitar arrangement seems much more prominent
@@trestanner9579 Albeniz himself was a great pianist and composer..
What strings does this guitar has?
+Shinji K Nylon, classical guitar strings.
Shinji K nylon strings for a full-sized acoustic guitar
Rumors of the creek
Rumors of the Docks as in Shipping Docks.
La Oradea , pana in 13 iunie 2018,
Has anybody the sheet music of this arrangament?
Xhoni Xhavari I have a full score for 3 parts... I can create 1 document, if you want
Xavier Rolston send me an email at xhonixhavari227@gmail.com
Xhoni Xhavari I did
looking for tabs
spend that time looking for tabs on something productive like learning to read music
marshall C notes will do also
marshall C You can learn to read music in the time it takes to find one tablature? Wow thanks for telling everyone
ur welcome )
Toute l'histoire qu'elle raconte à disparue la manière est froide précipité en gagnant beaucoup pour résumer les passages les plus importants qui ont été soit raccourci ou allongés en note sonore continue dans l'ensemble ok mais sa sera mécanique Merci de changer de méthode pour l'avenir merci je suis guitariste arabe
shame on me that me also play guitar !
Not at all! We are all on a musical journey. Keep up the good work!
Thanks for your humility and encouragements, such positive thoughts is gold.
man.. how do you learn these arpeggios I think they're called? I have a hard time doing the beginning of capricho arabe, but this is another level
+Danny Rw I think I'm about your level. That means I cant tell you.
I think it was Segovia that went to war and couldn't play for a couple of years. Anyway he developed some exercises that he could do in 20 minutes a day. We he finally got out of the services and started playing for real again he was better then when he went in.
The exercise for those high speed parts of this song would be to...
Pluck the D string then hammer on with each finger, index, middle, ring and pinky, on each fret 1 through 4, keeping each finger on the string.
Then pull off in reverse. When you pull off with the pinky it should be towards and be stopped by the G string. Then the same all the way down.
The D string will be ringing from the last pull off with the index so you just hammer it back down and do the same thing over and over getting faster and smoother. Keep it the same volume and robotic. Your fingers should get strong and fast.
I don't know if I answered your question at all. There was a book I saw on these exercises. The spider exercise is another good one.
These pro guitarists are amazing. They all grew up with a guitar in their hands. I'll never be that good, but I am good at what I can play. Better to play simpler songs beautifully then advanced songs terribly.
A good way to work your way up or just enjoy playing music without getting to intense about it is get the books I play from some, "Popular Classics of the Great Composers". The songs are progressive from easy to a little advanced. They come with a CD too.
I think the "Carcassi Method" might be able to get someone up to playing real good. And 2 method books by Julio S. Sagreras are real good and more modern. Sagreras was a student of Tarrega.
You might be better at the guitar for all I know, but if you have any questions about classical guitar playing I'll tell you if I can. Good luck.
wow man thank you so much for your help. I'm practising the method you told me im getting faster now thanks! I'm also gonna try the cascassi method , thanks again ;)
+Danny Rw You made my day! I took classical guitar lessons. I think I was about 35 years old when I started. I wanted to play like Stevie Ray Vaughan. I figured that starting from the beginning would be good, that learning to read music and getting some discipline would be a good path. I got to class early one day and the teacher was in the lesson room with the door closed and I could hear so much music, it was amazing and beautiful, so many notes being played so fast that I thought he was in the room playing with an advanced student. After a couple minutes the door opened and the teacher looked at me and asked, "What are you doing out here, I was waiting for you". I decided I wanted to learn how to do that, amaze people.
As a raw beginner the book I was taught from was called, "First book for classical guitar" by Frederic Noad. About 4 months with that book and the teacher said I was ready for "The Carcassi Method". I was a good student and honestly practiced hard, the teacher said that it is usually about a year before a student is ready for the Carcassi method.
I recommend about 6 months of lessons, after that you can kinda teach yourself. That Carcassi Method book has all the information you would need to become a master, and it is not really a beginner book. There is a lot of detail in getting to play well, rest strokes to emphasize a certain note while other notes dance around it.
And that book on exercises is good, when you learn the exercises by heart you can do them while watching TV. See how that one exercise has helped you, there is about 15 exercises that will get your fingers ready, get the fingers working, able to do the things you need to do to play any song.
I'm going to try to describe how to do the "Spider Exercise", a left hand (I assume you are a righty) exercise that is actually a mental exercise. You do not pick any strings with this exercise, it is a quiet one.
Spider Exercise
Place your left hand index finger on the first string at the 7th fret.
Hold that string down, then place your middle on the 8th fret, first string, then your ring finger on the 9th fret first string, then your pinky on the 10th fret first string. Simple, your fingers are lined up in a row from the 7th fret to the 10th fret on the first string.
Now for your fingers to creep across the fret board towards you like a spider. Lift your index finger and place it on the second string 7th fret, then your ring finger on the second string 9th fret, then your middle finger on the 9th fret second string, then your pinky on the 10th fret second string. Just work your way across the fret board in that fashion to the 6th string then backwards to the first and back and forth like that.
You will probably feel like your fingers are spastic at first but soon enough you will be able to do it fast and without thinking. After you get this down you can start to lift, lets say, the index and middle finger at the same time. Then you can really start to mix it up, index and ring from first string to second string then middle and ring to third and across the fret board in this fashion.
These exercises might be on youtube, the spider exercise might be the only one with a name.
So, let me know how the spider exercise goes. Good luck, LOL.
you will know why I LOL when you try it.
+NELSON X It wasn't Segovia but that is a famous story that I likely read on my sheet music somewhere. Can't remember a name.
+nobody, the I think I read the story in my Christopher Parkening Method book, he didn't say who put the exercises together, only that the guitarist is famous. Danny Rw is looking for guitar playing tips if you got any.
piatto
POV you want the most liked comment
I thought I had speed x2
Terrifying legato... fretting hand must be like steel.
pésima técnica para este estilo, lo único bueno es el sonido de resto la obra sobrevive por si sola por lo mismo virtuosa que es.
¿Su técnica es mejor que la de Jinariu? ¿Es usted guitarrista?
claudia lorena rodriguez valencia can you elaborate, bit by bit, on what is exactly wrong with his technique?
I thought these guitars were made in China.
You thought WRONG
The Master Series is made entirely in California.
I hate the way he plays this piece. takes it too seriously. doesnt even feel spanish
+Andrew Stevenson Can´t sound more spanish than this..
+Andrew Stevenson Then, make a video of yourself playing it and show everyone the right way to play it with Spanish feeling.
You have a point
Although I do know this piece, I doubt I know it like this guy
Narcisso Yepes version is very nice too. I like his staccatto on the base notes in the first part.
Oh dude, terrible technique!
Lets hear your version of this....
Right.....Tavi is known for his bad technique.......go away, troll.
Ibra, you are what is wrong with the 'music world'.....this sounds great ....technique who cares...and I have played this piece for years...different yes but this is great...
I think Hassan says terrible In the meaning of impressive
Hassan, I think I hear the sarcasm. What he meant was perfect technique.
Pezzo, interpretazione e chitarra superbi.
3:34 he kinda fucks up there
I don’t think so tho
¡Olé!