Bach Cello Suite No 4 in E-flat major, BWV 1010 Mischa Maisky
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- Опубліковано 20 вер 2024
- ヨハン・セバスチャン・バッハ
Johann Sebastian Bach
無伴奏チェロ組曲第四番変ホ長調BWV 1010
Cello Suite No 4 in E-flat major, BWV 1010
ミーシャ・マイスキー
Mischa Maisky
00:23 1.Praeludium
05:33 2.Allemande
10:10 3.Courante
14:11 4.Sarabande
18:52 5.Bourree (I/II)
25:15 6.Gigue
1991年6月4日 東京・上野 東京文化会館小ホール
June 5th, 1991 Tokyo Bunka Kaikan Recital Hall, Tokyo
=Bach Cello Suite no.4 in E-flat major=
•Prelúde• (0:26)
•Allemande• (5:40)
•Courante• (10:18)
•Sarabande• (14:16)
•Bourée l & ll• (18:53)
•Gigue• (25:20)
Do grande mestre Mischa Maisky.
I've watched Maisky's performance of Suite 1 in G about a thousand times, now he's my favorite cellist, y'all go check out Suite 1
I'm so addicted to listening to him.
He's style of play feels like life.
I let it fill my empty house.
22:01
What power and control. An amazing piece played amazingly!
you don't need power actually...
Yiğit Vural I'm talking about the power of the dark side. You don't know the power of the dark side.
I am your father
if you got passion, and the means to express it, go and play like that. dont care about what they tell to and no to.
Wow, this is just wonderful!
amazing performance, I wish I could've seen it.
Lâu lắm rồi mới được nghe lại bài này. Hay lắm ạ 😘
Splendid!
Wonderful! Except for the little delay in the sound that's driving me mad!
💙😔💞
25:13 6
not really a passion and not to express it or to it nothing like that... it is baroque play as is..(no effermatta, not emotional, just play...) try in tempo, it is very hard and that is the point...
I wd.like to hear Misha Misky play all 6.Bach s cell suits Is it.possible to arrange it ,
Narendra Arjungi there’s a breathtaking DVD available.
ua-cam.com/play/PLA70D07FB6C624D3A.html
Amazing. But personally I prefer historically informed style with less vibrato and more transparency.
Out of tune, to much wave, and play on two strings. Not good.
Only a a musical fool would complain that the fingerings are on 2 strings. Playing is clear which is difficult to achieve with the Cello Suites as the line is continuous and must be broken up into logical, musical chunks. Fingerings help do this.
I don't even know what you mean by "play on two strings".
Out of tune? Not really. Ocassional slips in intonation, yes. But does it really matter? Your comment about two strings is also very weird. Nobody who understands this "line of work" talks like that