Hi Keith - I recently discovered your channel and I thought I'd comment about the Mathwave thing because I've been working on similar stuff myself for a while now (I'm a developer by day). I've split waveforms too, and made them out of mathematical sequences, fractals, all kinds of stuff. I never intended to commercialise what I'm doing but I did wonder whether someone already had - turns out it's you! I respect your achievements and I think it's great that someone is doing this. Playing around with mathematically-generated wavetables is an under-explored and highly productive way to be creative, and I've been loving some of the results I've been getting in my own work. Some of the sounds I make genuinely sound unique to my ears... Anyway, I just subscribed :)
@@InsidesAndOutsides hey, thanks for watching and subscribing! Yeah, it’s a very interesting way to approach synthesis and I think it’s fun to imagine what are essentially new types of oscillators and hear their unique timbres and timbral changes. BTW, the original collection of this type was Galbanum Architecture Waveforms which is about 25,000 single-cycle waveforms. It’s worth having a look at (though its approach to wavetables is a bit less coherent than mine). In the past couple of weeks I’ve returned to working on VAE models for generating waveforms and wavetables and am working on a new, much more powerful model trained on 2.8 million waveforms from my original collection and those from more recent work. So, stay tuned! Cheers!
Peep the description for links (as always) as well as some "disco-adjacent" musical inspiration!
Thank you so much Keith! Fantastic video!
Hey @soundpaintmusic, thanks for the kind words and the awesome sample library! 😃
Hi Keith - I recently discovered your channel and I thought I'd comment about the Mathwave thing because I've been working on similar stuff myself for a while now (I'm a developer by day). I've split waveforms too, and made them out of mathematical sequences, fractals, all kinds of stuff. I never intended to commercialise what I'm doing but I did wonder whether someone already had - turns out it's you! I respect your achievements and I think it's great that someone is doing this. Playing around with mathematically-generated wavetables is an under-explored and highly productive way to be creative, and I've been loving some of the results I've been getting in my own work. Some of the sounds I make genuinely sound unique to my ears... Anyway, I just subscribed :)
@@InsidesAndOutsides hey, thanks for watching and subscribing! Yeah, it’s a very interesting way to approach synthesis and I think it’s fun to imagine what are essentially new types of oscillators and hear their unique timbres and timbral changes. BTW, the original collection of this type was Galbanum Architecture Waveforms which is about 25,000 single-cycle waveforms. It’s worth having a look at (though its approach to wavetables is a bit less coherent than mine).
In the past couple of weeks I’ve returned to working on VAE models for generating waveforms and wavetables and am working on a new, much more powerful model trained on 2.8 million waveforms from my original collection and those from more recent work. So, stay tuned! Cheers!
@@kcrosley Cool! I didn't know about Galbanum - I'll go and check that out as well. Thanks for the reply.
amazing as always!
Thanks for watching!
Oh yes defender. I loved that
Shift-register noise is everything.