I was at Grammar school in the sixties, and our music teacher had an EP of Kid Baltan and Tom Dissvelt's music.....she taught us music appreciation, and I bought the EP for my dad who loved anything different. I was so fortunate to have such an enlightened teacher, who wasn't stuck in the past and allowed us to listen to all kinds of music broadening our outlook and bringing new sounds into our lives.....Hence, I still love 'new' music, and have a very open mind.....
Es evidente la creatividad y la capacidad tecnológica de esa época . Muy pero muy adelantados para ese tiempo . Estamos hablando de 63 años atrás . La música en si misma da mensajes sin letras . Simplemente Genial .
@SlypherSpoons Racially homogeneous USA. Umm... when exactly was that, unless you came from another alternative dimension? Unless you meant the time many (thankfully not all) Americans treated some people like furniture. But how much of the music would be today without all those other people, too?
@@bonchbonch I think they're referring to the novel technical approach (electronic sampling) which had never been done before. not the composition or arrangment - though there are some interesting compositional ideas in there too. People would likely have been totally shocked by the timbre of the instrumentation.
This was a "space music", with a strong futuristic feeling. More then ten years later, when I was a young boy, and was admire space ships and science fiction, I began to hear and love this kind, mostly on television. This sweetly painful melody is still exciting and beautyful for me.
It's just beautiful, eerie, scifi exploration music, sounds like it was made by kindly emotional robots. Dissevelt and Baltan worked together at the Phillips sound studio in Holland, on such tracks, it was an experimental initiative set up by Phillips to draw in pioneers of sound. Kraftwerks Ralf Hutter as a child went to a show with a Phillips experimental music stand so he could have heard this music, and been influenced in some way. But these guys are not the originators of electronic music. It started off in the 30s in Soviet Russia, with recordings made with a machine that read images as music notes.
Thank you so, so much! Finally I've found the name of the original vinyl recording my dad owned and what became the initial influence of my career as a fantasy director of photography.
Era el tiempo de Dissevelt quien le daría el cargo de desarrollo a Gershon Kinsley y Delia Derbishyre y estos a Moroder y Krafwerk naciendo en los 70s el EDM y sus primeros estilos HI-NRG (Moroder) y Synthpop (Kraftwerk)...
It’s like someone went forward 23 years, heard sound and music from a Galaga arcade machine and then went back to 1958 to try and recreate a “Galaga” theme with what they heard.
The photo on the left shows Kid Baltan (Dick Raaijmakers) during the production of his "Song of the Second Moon" in October 1957. The photo on the right is made in the Electronic Music Studio of the WDR in Cologne and has nothing to do with Dissevelt or Raaijmakers).
Não ficam nada a dever a trabalhos de Vangelis,Jean -Michel Jarre e Kraftwerk nos anos 1970 ,sendo que o que eles faziam em sua época (anos 1950) já estavam a frente do seu tempo.
1955: electronic music is invented 1958: this song is made. It sounds like actual music 1960s: other people. JK LOL. why make music lets make noises with it 1969: a couple of electronic music that sounds like music 1970s: it all sounds like music why did those electronic guys take a page out of these guys book and make music
You're not right, first electronic music appeared in late XIX century, first electronic instruments got invented and people started to make experimental electronic music. And that evolved to electronic music in mid-40s.
It would still be a few decades before electronic artists realized you must drop the bass, I guess. I thought they were going to do it after that build up right at the end, but they didn’t, what the hell.
Holy shit the sound design in this is so fucking ahead of anything at the time.
I was at Grammar school in the sixties, and our music teacher had an EP of Kid Baltan and Tom Dissvelt's music.....she taught us music appreciation, and I bought the EP for my dad who loved anything different. I was so fortunate to have such an enlightened teacher, who wasn't stuck in the past and allowed us to listen to all kinds of music broadening our outlook and bringing new sounds into our lives.....Hence, I still love 'new' music, and have a very open mind.....
Es evidente la creatividad y la capacidad tecnológica de esa época . Muy pero muy adelantados para ese tiempo . Estamos hablando de 63 años atrás . La música en si misma da mensajes sin letras . Simplemente Genial .
This makes the 50s look cool.
SlypherSpoons Fuck off with that racist bullshit.
@SlypherSpoons Yeah slypher, it's true. I hope they will, God Bless brother
@SlypherSpoons I admire your optimism.
@SlypherSpoons Racially homogeneous USA. Umm... when exactly was that, unless you came from another alternative dimension? Unless you meant the time many (thankfully not all) Americans treated some people like furniture. But how much of the music would be today without all those other people, too?
Wait what? This track has nothing to do with the USA.
20yrs ahead of its time. Could be a theme from a seventies cop show.
I wonder what the average person in the 1950's would've thought when they listened to this.
I imagine it was probably seen as part of the avant garde movement of the time. "Weird" music like John Cage.
@@bonchbonch I think they're referring to the novel technical approach (electronic sampling) which had never been done before. not the composition or arrangment - though there are some interesting compositional ideas in there too. People would likely have been totally shocked by the timbre of the instrumentation.
@@nathanreiber6819 Well, that's what I'm referring to as well. I think it would have been perceived as avant-garde sci-fi sound effects set to music.
This was a "space music", with a strong futuristic feeling. More then ten years later, when I was a young boy, and was admire space ships and science fiction, I began to hear and love this kind, mostly on television. This sweetly painful melody is still exciting and beautyful for me.
They thought of the future
It's just beautiful, eerie, scifi exploration music, sounds like it was made by kindly emotional robots.
Dissevelt and Baltan worked together at the Phillips sound studio in Holland, on such tracks, it was an experimental initiative set up by Phillips to draw in pioneers of sound. Kraftwerks Ralf Hutter as a child went to a show with a Phillips experimental music stand so he could have heard this music, and been influenced in some way.
But these guys are not the originators of electronic music. It started off in the 30s in Soviet Russia, with recordings made with a machine that read images as music notes.
So ahead of it's time
This as well as the two photographs always fascinate me… the people pioneering into what has become the norm after 70 years.
Thank you so, so much! Finally I've found the name of the original vinyl recording my dad owned and what became the initial influence of my career as a fantasy director of photography.
This is blowing my freaking mind... Unbelievable
god damn that bass drop was fucking nasty.
This is awesome. I bet the bass sound of the Pac-Man tune was inspired on this
This is from 1958. 19 FUCKING 58.
i know right. :P way ahead of its time :P
Un-fucking-believable
Bombastic
Essa música com 66 anos de idade parece ter sido gravada ontem! Impressionante!
increible sonido!!
Era el tiempo de Dissevelt quien le daría el cargo de desarrollo a Gershon Kinsley y Delia Derbishyre y estos a Moroder y Krafwerk naciendo en los 70s el EDM y sus primeros estilos HI-NRG (Moroder) y Synthpop (Kraftwerk)...
Sounds like a castle board in mario
It’s like someone went forward 23 years, heard sound and music from a Galaga arcade machine and then went back to 1958 to try and recreate a “Galaga” theme with what they heard.
The photo on the left shows Kid Baltan (Dick Raaijmakers) during the production of his "Song of the Second Moon" in October 1957. The photo on the right is made in the Electronic Music Studio of the WDR in Cologne and has nothing to do with Dissevelt or Raaijmakers).
My Master.... Ralph Hutter also....
Sounds like a snes type of song
It's like from a platform selection screen!
@@amstrad79b that's what it would be
Amazing
True originator!
Não ficam nada a dever a trabalhos de Vangelis,Jean -Michel Jarre e Kraftwerk nos anos 1970 ,sendo que o que eles faziam em sua época (anos 1950) já estavam a frente do seu tempo.
Nildon Marques impressionante, vanguarda demais p 1958.
Sounds like a brazilian composition.
1955: electronic music is invented
1958: this song is made. It sounds like actual music
1960s: other people. JK LOL. why make music lets make noises with it
1969: a couple of electronic music that sounds like music
1970s: it all sounds like music
why did those electronic guys take a page out of these guys book and make music
You're not right, first electronic music appeared in late XIX century, first electronic instruments got invented and people started to make experimental electronic music. And that evolved to electronic music in mid-40s.
ua-cam.com/video/4r4WqAf-X8Y/v-deo.html
Actually that's right
1930s actually, check out Soviet electronic music.
It would still be a few decades before electronic artists realized you must drop the bass, I guess. I thought they were going to do it after that build up right at the end, but they didn’t, what the hell.
you have a walnut for a brain
I think I just lost half of my brain cells reading this
Not all electronic music needs a Bass drop dude that's like saying that all country music needs a guitar 🤦🤦🤦
I think someone is trolling at our expense! :P :P
Way to get trolled, everybody.