Johann David Heinichen - Magnificat in A major, S.90
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- Опубліковано 12 чер 2024
- Score / sheet music of Johann David Heinichen's Magnificat in A Major, S.90.
I: Magnificat anima mea Dominum (Alto) - 00:00
II: Et exultavit (Chorus, Fugue) - 1:03
III: Quia respexit (Soprano) - 2:24
IV: Quia fecit mihi magna (Tenor) - 4:12
V: Fecit potentiam (Chorus) - 6:10
VI: Suscepit Israel (Alto) - 8:27
VII: Gloria Patri, Gloria Filio, et Spiritu Sancto (Chorus, Fugue) - 10:37
Performer(s): • J. D. Heinichen - Seib...
Score: www.cpdl.org/wiki/index.php/M...)
My other score-videos of Heinichen > ua-cam.com/play/PLafpqg3vsKmcdyRUmFwjRJDjiTwPuIEw1.html
Thank you so much! This recording is just so precious.
Listening to Heinichen, I'd like to draw your attention to the new release of the Sächsisches Vocalensemble Dresden. The first of three CDs covering the total of Heinichen's sacred german cantatas has just been published under the title "Gott ist unser Zuversicht". 😊
Heinichen's last composition (1729).
Maria Zadori, soprano; Kai Wessel, alto; Wilfried Jochens, tenor;
Rheinische Kantorei; Das kleine Konzert, conducted by Hermann Max.
Heinichen, a master of Thorough Bass. He didn't support Rameau's theories of the fundamental bass, and chord inversions of the seventh. For Heinichen D E G# B (where D is the bass and E G# B top voices) was not an inversion of E7, but a contrapunctal function (dissonance of the second between D and E) supported by other intervals, #4 and 6. Thus, chords where nothing but intervals above a bass.
I have to admit I have some strong negative feelings towards Rameau and later 19th century functional harmony (ha ha ha, I'm sorry, I can't help it, XD). But Heinichen has proven to be a good alternative, at least for me. He is a big inspiration and I fully support his ideas.
I know him as a theorist. As a composer I recognize his quality, thought I don't quite like the setting of some texts, specially some Latin ones, where it's just an ornament for the (always masterfully composed) music (as an example one of his Salve Regina). Perhaps there is a greater attention to rethoric with texts in German? Nevertheless the quality of his compositions is always at it's finest.
All in all, very interesting theorist and masterful composer.
Really interesting, thanks for sharing. Do you have any tips for further reading on Heinichen’s writings?
I just found this music on Apple Music about two weeks ago! Had never heard it before. Thanks for posting. If you know where the vocal score can be found that would be great.