Just curious, why do you do the CST in two different nodes instead of all the settings in one? I know it doesn't really make a difference I just thought it was interesting. Love the content and the simple workflow with this camera and I can't wait to get my hands on one someday!
Hi This question is very good and I should have explained it in the video but forgot to do it. Basically if the film LUT is too strong you can decrease it's intensity by grouping the last 2 nodes together. Then you can select the group node and change its opacity. When you decrease the opacity of the group node you will be showing the node before (in this case the first node with the first CST). You will see less of the film LUT and more of the node that contains the conversion to rec 709. Now imagine that you also apply the cineon film log conversion in the first node (to use 2 node instead of 3) if you do it you have no way to decrease the Film LUT intensity. Even if you do the same node grouping and try to increase its opacity you would be revealing more of the original flat image instead of the rec 709 image. I hope I am making sense here 😊
What are the camera settings in terms of Color, when I try to set it to "Off" the colors are too washed out and my knowledge is not enough to bring them back...
The camera settings are: format: CinemaDNG (raw codec) Bit depth: 12 bit Resolution: UHD Frame rate: 24 fps For monitoring I also use the Warm Gold color profile. Please notice that, since I record in a Raw format, the color profile will have no impact in the image (it is not baked in the image). The different color profiles are only baked in the image if you select one of the non raw codecs (like the MOV All Intra one for example). For the sigma FP the only codec that is good is the raw one (the one that generates the .DNG files). Hope this helps you.
@@theflowowl Thank you. I've actually figured out how to have more FPS in webcam mode, so I might postpone the raw workflow for a bit and try to see if that would work out for now. P.S. Other Sigma fp creators have suggested using SlimRaw to shrink those DNG file sizes, so you can check it out...
Just curious, why do you do the CST in two different nodes instead of all the settings in one? I know it doesn't really make a difference I just thought it was interesting. Love the content and the simple workflow with this camera and I can't wait to get my hands on one someday!
Hi
This question is very good and I should have explained it in the video but forgot to do it.
Basically if the film LUT is too strong you can decrease it's intensity by grouping the last 2 nodes together. Then you can select the group node and change its opacity. When you decrease the opacity of the group node you will be showing the node before (in this case the first node with the first CST). You will see less of the film LUT and more of the node that contains the conversion to rec 709.
Now imagine that you also apply the cineon film log conversion in the first node (to use 2 node instead of 3) if you do it you have no way to decrease the Film LUT intensity. Even if you do the same node grouping and try to increase its opacity you would be revealing more of the original flat image instead of the rec 709 image.
I hope I am making sense here 😊
Great tutorial. How did you set up your " color management " and " Camera RAW " in your project settings?
Thank you.
I use resolve default settings, I do not change them !
Genial!
@@harrygarcia thank you :)
What are the camera settings in terms of Color, when I try to set it to "Off" the colors are too washed out and my knowledge is not enough to bring them back...
The camera settings are:
format: CinemaDNG (raw codec)
Bit depth: 12 bit
Resolution: UHD
Frame rate: 24 fps
For monitoring I also use the Warm Gold color profile. Please notice that, since I record in a Raw format, the color profile will have no impact in the image (it is not baked in the image). The different color profiles are only baked in the image if you select one of the non raw codecs (like the MOV All Intra one for example).
For the sigma FP the only codec that is good is the raw one (the one that generates the .DNG files).
Hope this helps you.
@@theflowowl Thank you. I've actually figured out how to have more FPS in webcam mode, so I might postpone the raw workflow for a bit and try to see if that would work out for now.
P.S. Other Sigma fp creators have suggested using SlimRaw to shrink those DNG file sizes, so you can check it out...