ces toccatas pour piano c a été mon oeuvre pour piano de Bach préférées. mais pas Glenn Gould il faut écouter. Moi aussi Bach est mon idole en fait. le maitre de la Beauté , de l inspiration mélodique , déjà.
@@itsohaya4096 It's for "ease" of reading when you have lots of sharps or flats, or in less familiar keys, like it's usually a G, but actually it's in C sharp Minor so it's a G sharp, but you want a g natural, but if you write it it'd look confusing in that key, so an F double sharp would go instead (more apropos for arpeggios and scales) Chopin loved double of anything, I don't think Paganini wrote one double sharp or flat cause he knew that shit was taxing and sort of unnecessary in the long run, but it does make reading some musical passages easier.
@@tarikeld11 Sounds like you're jealous because John was first. He now owns this whole comment section, that's just the rules of the Internet, sorry buddy
So if he had ended in A major then he would have been ending in the wrong key actually. This is in F# minor and A major is the relative major to F# minor. It is unmusical to end in a different key than you started (outside of the major of the key, such as F# minor and f#major) So in this instance he actually did end in a Picardy third by ending on an f#major chord. A Picardy 3rd is just when the 3rd of the tonic (home or 1st) chord is raised to become major.
@@maliziosoeperverso1697 I am of course open to being wrong but this is my understanding. If you'd like to provide baroque examples that are not wildly obscure that end in a different key than they started then I would love to listen to them!
@@clarkebynum4623 I'm not trying to prove that it's common. I'm poking fun at your choice of words. It's not "unmusical" anywhere, although it may be _unusual_ in the baroque era.
Absolutely speechless, I've always been blown away by Bach's music but this is just overwhelming.
ces toccatas pour piano c a été mon oeuvre pour piano de Bach préférées. mais pas Glenn Gould il faut écouter. Moi aussi Bach est mon idole en fait. le maitre de la Beauté , de l inspiration mélodique , déjà.
1:30 At first, this sounds like the start of a fugue.... but bach didn't continue with that idea.
I'm putting this in a playlist for later reference the next time someone asks what B♯, E♯, and double sharps are for.
I still don't get it but :D
@@itsohaya4096 It's for "ease" of reading when you have lots of sharps or flats, or in less familiar keys, like it's usually a G, but actually it's in C sharp Minor so it's a G sharp, but you want a g natural, but if you write it it'd look confusing in that key, so an F double sharp would go instead (more apropos for arpeggios and scales) Chopin loved double of anything, I don't think Paganini wrote one double sharp or flat cause he knew that shit was taxing and sort of unnecessary in the long run, but it does make reading some musical passages easier.
@@southernhawkstudios ahhhhhh that makes sense lol thank you dearly
Extraordinary! This could aptly be described as advanced musical calculus! Thank you for posting. The pianist must have a brain like a computer!
Maybe could upload a clavichord/harpsichord version of this?
3:39
The chromaticisms and modulations are often just alarming!
The haunting chromatic scales sound better on a harpsichord, this is serious business and not Mozart.
Bach is Bach...and Mozart is Mozart!
Lmaaaao
First.
Cool, is this the best thing you reached in your life?
@@tarikeld11 Sounds like you're jealous because John was first.
He now owns this whole comment section, that's just the rules of the Internet, sorry buddy
@@nloc1929 Yeah, it has always been by biggest dream to write the first comment under a video with 400 views and no other comment!
@@tarikeld11 Better luck next time, bud. Namaste
I can't think of a Bach popularizer better than Bach himself!
Lo más impresionante de Bach al piano
6:00
fis moll=adur
Interesting he did NOT use a piccardy third and end in A Major.
So if he had ended in A major then he would have been ending in the wrong key actually. This is in F# minor and A major is the relative major to F# minor. It is unmusical to end in a different key than you started (outside of the major of the key, such as F# minor and f#major)
So in this instance he actually did end in a Picardy third by ending on an f#major chord. A Picardy 3rd is just when the 3rd of the tonic (home or 1st) chord is raised to become major.
@@clarkebynum4623 "It is unmusical to end in a different key than you started"
Lmao okay?
@@maliziosoeperverso1697 in this era of music? Yes.
@@maliziosoeperverso1697 I am of course open to being wrong but this is my understanding. If you'd like to provide baroque examples that are not wildly obscure that end in a different key than they started then I would love to listen to them!
@@clarkebynum4623 I'm not trying to prove that it's common. I'm poking fun at your choice of words. It's not "unmusical" anywhere, although it may be _unusual_ in the baroque era.
Thanks for the upload!!
Merci
6:00
Delightful
De toute beauté! Bach dans toute sa splendeur. Merveilleux.
easy
My spontaneous four letter word response would be sensored on youtube
Just F&&&
what a mind