The outro, to me was "approaching" Chris Buck' solos. And what an improvement for Mr Lee since a couple of years ago!! Thank you for being there gentlemen!
I love how throughout this video even with guitars turned to zero volume, you can still hear the ambient noise from the amps, and even that sounds good!
Most of the higher gain Marshalls have a certain level of white noise. These are no exception. A bit of bummer when you do recordings. For live stage it matters less.
I went back and forth watching the original video of the SV20 and SC20 and the Friedman 20 watt amps for weeks straight before settling on the Marshalls. Maybe one day I'll have both but I absolutely love the SV20
Love those grill cloth designs. I almost bought an SC20 head, but decided on a Runt 20 instead and no regrets. The Marshall studio series seem really good and I like that they're built in the UK.
Almost every rock album of the70's and 80's was recorded using some model of Marshall amp! I have many, many (most all Superleads 50 and 100 watt). I love them all !!! It is the perfect tone. The only variable you need to customize that glorious sound is a different guitar, different pedals, and your hands!!! RESPECT FOR ALL THOSE ALBUMS AND GUITAR gODS!!!!
@@simoncote5995 My ears can easily tell the difference between a Marshall, and a Mesa-boogie in the 80's. (Mesa-boogie didn't exist in the 70's!) The difference in tone was vast. Nowadays, Mesa-boogie is copying the sound of a Marshall. Back then... a whole other playing field!
I have a Fender Twin Tonemaster and you attenuate that speaker and crank the volume on it and it just sounds magical, so I get it. :). It is physically impossible to crank my amp on full power and be in the same room. It is LOUUUUD.
Bought an sv20c because because it has the 10" speaker hoping it might be usable at home. I was wrong. it's an absolute deafening little monster of an amp. Sounds so good though.
I'm visiting England in late July and I want to bring one of these mod-style Marshalls back as a super British souvenir. I hope I can find one of these with the same design!
Just bought a Marshall Origin 20 watt head , amazing loud as hell and voiced beautifully. Using .5 watt setting and a pair of 12" Eminence speakers couldn't ask for anything more.
I have a 50 origin head. Replaced all the tubes and it’s just a case of dialling it in. It sounds amazing and it’s so loud. Great choice for a pedal platform tube amp on a budget
@@davidkay3443 Did own the Origin for a while myself it just sounds brittle compared to all the other Marshalls I own. They market the amp as a budget plexi but it doesnt sound like one. I now own a SV20 and it sound miles better.
@@florisvanlingen yes agreed they can sound a little brittle. Does depend on the guitar as well. I tend to find humbuckers best and then a good p90. But I changed my tubes and use an EQ pedal which helps alot . So yes they can sound little brittle but few tweaks in the right areas and it’s a belter
@@davidkay3443 The gain structure of the Origin is a lot different from a plexi. The signal path is totally different, for example the tonestack in the Origin is plate driven instead of cathode folllower. The Tonestack is one of the most important parts of an amp in determining the tone.
@@hawedehre nooo don’t put digital circuitry in that lovely analog sound! Only thing allowed would be a good old traditional copper landline if the amp really needs to phone home ;)
Sold my mesa to get a SV20 I love this amp. I use a jhs little black box in the loop, don't know if this would work to actually get sub 70db bedroom volume but it works great at not pissing off the neighbours.
Bought a Marshall origin 20 head from you lot last year got it running thru a 2x12 1980s jcm 800 cab and it sounds mint absolutely love the thing . 😁 want a sv20 when I can afford it 👌
Sounds quite harsh over the internet, but could be the sound pressure on your mics or mic pre-amps clipping ? Sure it would sound killer in a mix either way
Amazing combo. Perfect punchy plexi sound. Two complaints: freakishly loud, impossible to get the dirt without attenuator. Also its the brightest amp you will ever hear. I bet no one can use the bright channel by itself. Link the channels and you are in heaven.
I would prefer a slightly upward angled baffle and a closed back cab with a 25W greenback in this combo.. The ultimate compact 4x12 sound of classic marshall..
bought the mini plexi combo. The v10 sounds great..buuuut I had to get a greenback 12". It sounds amazing! I have a couple of pedals and may I just say, its a very versatile amp! The loop section? Well, usable on certain ocassions, unusable when the amp is cranked, unfortunately.
I wish Marshall would do what Fender did with the Tone Master. Having a lightweight combo JCM800 or a JTM45 or BluesBreaker with emulated XLR output and being able to switch down to 0.2 watts would be incredible. I would buy that in a heartbeat.
If you haven't played a Marshall stack on 10 once in life. your missing out. I can't remember if it was my TSL100 or my JVM410H but yeah cranked as loud as it could go and inner ear rattling so much it hurt! But it was worth it. It was all for Rock -N-roll!
In all the Marshall blind tests prior to release, everyone chose the 10" over the 12". Any review I have heard of the combo always said they were concerned re speaker size before, but after agreeing it wasn't an issue. Just FYI.
Suggestion box: heads by Marshall vs. Friedman vs. Victory Sheriff, not necessarily which one is better/best, but pro/cons of each: tones, master volume/power modes, price, EQ flexibility, gain capabilities/settings, w/ or without pedals, etc.
I don’t understand this guitar choice…. Who is playing on a marchall with that! Also the playing was a bit chaotic….. i didn’t hear much great sounds ….. unfortunately
fantastic but a bit pricy as i'm a home player. Any budget suggestions? Pete!! What nike shoes are those?? I had an identical pair when i was younger but can't find them anywhere!!
I never played Laneys so I decided to give it a try (Supercub 12) and it's charming and unveils lots of sweet spots of my Reverend Crosscut and Airsonic-RA.
This from having sold them in my past music store days. And playing through many originals pissing off salespeople knowing I could not afford vintage...LOLOL.
I have the magnificent...and, sadly, discontinued...Vintage Modern 2266C, with two Celestion G12C greenbacks (the ones used in the ltd. edition Jimi Hemdrix stack) and with a pair of KT66 output valves. The amp is effectively a Bluesbreaker JTM45 but with the luxury of master volume. I had a Bluesbreaker for a while and it required way too much volume at home to make it "kraaang," whereas this amp has that sound in spades but is playable at home volumes. Such a shame Marshall discontinued it.
Tube amps sound and feel great isolated, but can you test this opinion in the context of playing with a full band on a stage? Compete with a drummer, a singer and a bass and rhythm player and lets see if there is a major difference.
@@markseymour8365 I'm talking about the listener. They couldn't tell you a tube amp from a solid state from a digital one. The Audience cares about good songwriting and band balance. They can't usually hear individual parts.
@@markseymour8365 People thought Jimmy Paige played a Les Paul through a Marshall for the first few Led albums. Players can tell the difference, listeners have a harder time.
Don't get me wrong I love my Marshalls but I found the majority of the sound comes from greenbacks. Myself I actually like Laney a little better it has some more meat and potatoes than the Marshall. Truthfully though if you know how to dial in a good tube amplifier and you got a nice cabinet some good speakers you can pretty much get any Tone if you know what you're doing. I used to own two vintage Sunn tube amplifiers running 2-412 cabinets loaded with Electro-Voice sro speakers. I have to say that was one of my most memorable amplifiers. One head was actually a bass amp it was the 200s model I believe which later I used in a band with a Ric 4001 stereo bass into a 2-15 center baffled port PV cabinet loaded with jbl's to this day I have never played through any bass amp that was so magical as that set up. I would have to say I think my favorite Marshall would be the 100 watt bluesbreaker combo and the jtm 45
Captain you always say nothing beats the valve experience, but remember your own video where you blindfolded thought 100% the Roland blues cube stage sounded the best compared with all valve amps. Cheers ;-)
Sv20h is a proper amp, I’m gigging one with a blues rock band and it’s too loud on 5 watts with a 2x12. With a les Paul it’s glorious with a Tc spark boost xD
Yep, FOH engineers say turn it down, and gives an eyebrow lift when you declare it is already in 5W mode and does not go down without starting to sound like a mosquito
They sound good but I have the SV20h and anything less than a 1x12 is a serious disservice and a 2x12 or a 4x12 is even better. A good tube amp requires at least a "12 speaker.
I had the head version of this amp (loved it, but had a bigger Marshall anyway, so moved it on for a Fender) - the cheapest way to solve the volume issue at home is to get a JHS Little Black Amp Box and run it through the effects loop - instant master volume! You’re welcome. 🙂
Yes, and no. Using volume control in fx loop does decrease the input for the PI and power tubes, where quite a lot nice things happen for SV. It leaves you with pre-amp gain and quite flat responce from the power section. Using a good attenuator after the amp gives better results.
@@tadask.4931 Maybe so, but I don’t think most guitarists wanting to run these a bit quieter for the sake of those in their homes are going to be overly concerned with flat response from the power section. The JHS is a perfectly acceptable (and more cost-effective) choice if you just want to enjoy the overdriven tones of this amp without destroying your ears, or your relationships with those who live around you. 🙂 FYI - I ran one for ages like this, and it never felt lacking. 👍
@@superflea72 a good amount of the distortion comes from the power section. Messing with a vol in the fx results in a lot of good tones, for a lot of reasons! For the moment I'm keeping the fx loop off though.
just a lil suggeshht.. why dont you shonen place the decibel meter in the correct place in front of the amp whilst playing a loop.. then move it back into its pretty place behind you guys, still playing said loop.. that way you know the difference of level in that placement.. and can have some idea of how loud you guys are actually cranking these things! your viewers would have a much more accurate idea of loudness. plus.... i just wanna know! i'm certain i'm not the only one
Hi Captain Lee , hey I'm trying to buy the Sire goldtop P90 Lefty from you ,but my computer skills are weak at best .A simple phone call could make it all happen quite easily .I'm in Seattle Washington (USA) Let's do this - I need some help .Thanks
Good shout Cap! I do, in fact, live on a farm with no neighbors and it's great to be able to crank an amp with no one to complain.
Life goals
Lucky!
never forget your hearing protection!!!!!
The outro, to me was "approaching" Chris Buck' solos. And what an improvement for Mr Lee since a couple of years ago!! Thank you for being there gentlemen!
Studio vintage, the best Marshall of these days
I love how throughout this video even with guitars turned to zero volume, you can still hear the ambient noise from the amps, and even that sounds good!
Most of the higher gain Marshalls have a certain level of white noise. These are no exception. A bit of bummer when you do recordings. For live stage it matters less.
My favorite amp for literally everything. Crank amp and use your guitar volume knob to dial in the gain..cleans up perfectly. Beautiful.
I went back and forth watching the original video of the SV20 and SC20 and the Friedman 20 watt amps for weeks straight before settling on the Marshalls. Maybe one day I'll have both but I absolutely love the SV20
Love those grill cloth designs. I almost bought an SC20 head, but decided on a Runt 20 instead and no regrets. The Marshall studio series seem really good and I like that they're built in the UK.
I LOVE my mini Silver Jubilee combo! I stack it with a Marshall 1965a 4x10 and it sounds incredible with the included 12” Greenback.
Almost every rock album of the70's and 80's was recorded using some model of Marshall amp! I have many, many (most all Superleads 50 and 100 watt). I love them all !!! It is the perfect tone. The only variable you need to customize that glorious sound is a different guitar, different pedals, and your hands!!! RESPECT FOR ALL THOSE ALBUMS AND GUITAR gODS!!!!
Except for when they used Boogies in studio and then Marshall stacks on stage 🤭
@@simoncote5995 My ears can easily tell the difference between a Marshall, and a Mesa-boogie in the 80's. (Mesa-boogie didn't exist in the 70's!) The difference in tone was vast. Nowadays, Mesa-boogie is copying the sound of a Marshall. Back then... a whole other playing field!
I have a Fender Twin Tonemaster and you attenuate that speaker and crank the volume on it and it just sounds magical, so I get it. :). It is physically impossible to crank my amp on full power and be in the same room. It is LOUUUUD.
If the combo had a 12 inch speaker I’d be sold. I bought a friedman little sister instead and that amp is PERFECT
Bought an sv20c because because it has the 10" speaker hoping it might be usable at home. I was wrong. it's an absolute deafening little monster of an amp. Sounds so good though.
Can relate, fresh owner. Try JHS Little Black Amp (or any similar products) in the FX loop
I'm visiting England in late July and I want to bring one of these mod-style Marshalls back as a super British souvenir. I hope I can find one of these with the same design!
Just bought a Marshall Origin 20 watt head , amazing loud as hell and voiced beautifully. Using .5 watt setting and a pair of 12" Eminence speakers couldn't ask for anything more.
the origin sucks
I have a 50 origin head. Replaced all the tubes and it’s just a case of dialling it in. It sounds amazing and it’s so loud. Great choice for a pedal platform tube amp on a budget
@@davidkay3443 Did own the Origin for a while myself it just sounds brittle compared to all the other Marshalls I own. They market the amp as a budget plexi but it doesnt sound like one. I now own a SV20 and it sound miles better.
@@florisvanlingen yes agreed they can sound a little brittle. Does depend on the guitar as well. I tend to find humbuckers best and then a good p90. But I changed my tubes and use an EQ pedal which helps alot . So yes they can sound little brittle but few tweaks in the right areas and it’s a belter
@@davidkay3443 The gain structure of the Origin is a lot different from a plexi. The signal path is totally different, for example the tonestack in the Origin is plate driven instead of cathode folllower. The Tonestack is one of the most important parts of an amp in determining the tone.
i have a DS1 in the effect loop of my SV-20.. absolutely perfect tone in bedroom level
😂 I read a DSL1 in the loop 🎉 Nice idea
@@hawedehre nooo don’t put digital circuitry in that lovely analog sound!
Only thing allowed would be a good old traditional copper landline if the amp really needs to phone home ;)
Pete has got to be working with Lee on his playing! Huge difference since Pete’s been with him.
I noticed the same thing mate
That Harmony Silhouette looks and sounds fantastic.
I’m with ya. That thing looks killer
I like what the Marshall Design Store does with the look of the amps now, some great vinyl/tolex and aesthetics. Cheers boys !!
You got me on "love Lili". Andertons crew strikes again!
Sold my mesa to get a SV20 I love this amp. I use a jhs little black box in the loop, don't know if this would work to actually get sub 70db bedroom volume but it works great at not pissing off the neighbours.
Bought a Marshall origin 20 head from you lot last year got it running thru a 2x12 1980s jcm 800 cab and it sounds mint absolutely love the thing . 😁 want a sv20 when I can afford it 👌
Very Cool Thankyou. Amazing Amps. Amazing Sounds. Cheers
Sounds quite harsh over the internet, but could be the sound pressure on your mics or mic pre-amps clipping ? Sure it would sound killer in a mix either way
Amazing combo. Perfect punchy plexi sound. Two complaints: freakishly loud, impossible to get the dirt without attenuator. Also its the brightest amp you will ever hear. I bet no one can use the bright channel by itself.
Link the channels and you are in heaven.
That intro jam though
I would prefer a slightly upward angled baffle and a closed back cab with a 25W greenback in this combo.. The ultimate compact 4x12 sound of classic marshall..
That off white Marshall was gorgeous in the store. Even next to the white EVH II
bought the mini plexi combo. The v10 sounds great..buuuut I had to get a greenback 12". It sounds amazing! I have a couple of pedals and may I just say, its a very versatile amp!
The loop section? Well, usable on certain ocassions, unusable when the amp is cranked, unfortunately.
I wish Marshall would do what Fender did with the Tone Master. Having a lightweight combo JCM800 or a JTM45 or BluesBreaker with emulated XLR output and being able to switch down to 0.2 watts would be incredible. I would buy that in a heartbeat.
have you tried the 1 watt anniversary models? They're very similar to what you describe there
Those Harmony guitars look SO good!
If you haven't played a Marshall stack on 10 once in life. your missing out. I can't remember if it was my TSL100 or my JVM410H but yeah cranked as loud as it could go and inner ear rattling so much it hurt! But it was worth it. It was all for Rock -N-roll!
Agreed, I have 2 stacks myself a Jcm2000 tsl 100 and a Jcm900 mark3 2100 and at 10 it’s pure heaven!!!!
Nah
Sorry, what did you say? Didn’t hear that? ;)
Would love to see a comparison between the SV20C and the PRS HDRX 20.
Great video guys...I plan on getting both a Marshall and a Cherry red Heritage 575!
That was some very tasty Cream style lead sound that Pete managed to get on the intro. Then he suddenly went a bit Hawkwind at the end.
Pete was playing the riff from Lenny Kravitz, Stop Dragging Around, or pretty close.
Sounds great! I love my VS100 which i use for specific sounds but when i fool around and dial it in, it is amazing. Marshall is THE sound
Great vid as always , Peter you look like a really Tough Dangerous Marshmallow , its just abit of fun
They need to make a 1x12 combo
In all the Marshall blind tests prior to release, everyone chose the 10" over the 12". Any review I have heard of the combo always said they were concerned re speaker size before, but after agreeing it wasn't an issue. Just FYI.
Why exactly? It doesnt sound boxy at all or anything like that. Huge sound.
Already got my dream valve amplifier: Laney AOR 100 ... 2 of them. 🤟
👍👍👍 - the sv20c is great. A 40W version would be nice.
Would only be something like 10% louder.
@@cydonia9342 sure? Or maybe go for 60W. 6L6, 6v6 ot El84 have different output right? So is there a physical limitation?
@@To.Si.Ma. Normally only use EL84s in the little amps. EL34s for the larger ones.
That’s basically what the 1987X is.
@@markseymour8365 EL34's in these ones tho, can take others as long as it's not way out of spec (cathode biased).
Suggestion box: heads by Marshall vs. Friedman vs. Victory Sheriff, not necessarily which one is better/best, but pro/cons of each: tones, master volume/power modes, price, EQ flexibility, gain capabilities/settings, w/ or without pedals, etc.
Cool demo lads, thanks the upload
Sounds great. Excellent choice of guitars also! Another enjoyable video.
I don’t understand this guitar choice…. Who is playing on a marchall with that! Also the playing was a bit chaotic….. i didn’t hear much great sounds ….. unfortunately
@@tijsboon7360 The great thing about guitars and amps, we have many choices to choose from to find our own tone.
Surprising to see a V-Type in these amps. The V-type is quite Hi-Fi sounding
They should do the 1 watt 50th anniversary collection again. Would love to have a chance to collect them.
Just get an "attenuator"
and you can have that cranked Marshall sound on any marshall amp at bedroom Volume levels.
^^^This.
So this head is 500 seat club worthy? I love the tones.
This was a fun one-holy s**t those jams!
THAT'S the sound...
Sounds like the 70s as long as you close your eyes and don’t see the mod livery!
fantastic but a bit pricy as i'm a home player. Any budget suggestions? Pete!! What nike shoes are those?? I had an identical pair when i was younger but can't find them anywhere!!
Stop Draggin´ Around intro ;) Got the jubilee, now got my eyes on the SV20 :)
Actually.....I have a 100 watt JVM 410H half-stack and a 50 watt VintageModern half-stack and they both sound GREAT at low volume as well.
I play fender twins and musicman 212 130hd. I think Tony iommi proved through his career that laneys on 10 can't be beat
I never played Laneys so I decided to give it a try (Supercub 12) and it's charming and unveils lots of sweet spots of my Reverend Crosscut and Airsonic-RA.
Whenever a store orders a bunch of design store versions they are so much cheaper when you put a custom one in yourself.
Hey Pete, what was giving you that Leslie type sound? That was awesome!
That’s the Strymon Lex
@@andertons Awesome thanks. It sounds fantastic!
They sound epic!
I wonder how these would compare with the Origin series. I play loud at home anyway lol
„clicking everything“ and you know you’re in tha zooone..🎉🎉😂
Each input does have its own characteristic. Several tones when jumping.
This from having sold them in my past music store days. And playing through many originals pissing off salespeople knowing I could not afford vintage...LOLOL.
BLOODY HELL YES, THAT STERO WAS THE DOGS BOYS.
Love that Heritage guitar 😮
What is that guitar Pete is playing (not the Gibson)? It's very cool!
Harmony
I have the magnificent...and, sadly, discontinued...Vintage Modern 2266C, with two Celestion G12C greenbacks (the ones used in the ltd. edition Jimi Hemdrix stack) and with a pair of KT66 output valves. The amp is effectively a Bluesbreaker JTM45 but with the luxury of master volume.
I had a Bluesbreaker for a while and it required way too much volume at home to make it "kraaang," whereas this amp has that sound in spades but is playable at home volumes. Such a shame Marshall discontinued it.
Pete's got some Mojo going and the captains Magi Stayton
Cooor mister!! Stunning. I want!! ❤👍🏼
Perfect for a The Who cover band!
i think l just heard Lee's best solo.
Nice Lenny Kravitz jam in the beginning
Tube amps sound and feel great isolated, but can you test this opinion in the context of playing with a full band on a stage? Compete with a drummer, a singer and a bass and rhythm player and lets see if there is a major difference.
Or you could just listen to pretty much anything recorded live from the 50s to the 90s. It’s hardly an opinion that needs testing.
@@markseymour8365 I'm talking about the listener. They couldn't tell you a tube amp from a solid state from a digital one. The Audience cares about good songwriting and band balance. They can't usually hear individual parts.
@@markseymour8365 People thought Jimmy Paige played a Les Paul through a Marshall for the first few Led albums. Players can tell the difference, listeners have a harder time.
There’s something magical about a dimed Marshall. They’re amazing.
Morning gents! Great intro as always.
Captain your playing has improved ! Always love listening to Danish Pete play !
Man cap lee was feeling that hollow body!!!
Don't get me wrong I love my Marshalls but I found the majority of the sound comes from greenbacks. Myself I actually like Laney a little better it has some more meat and potatoes than the Marshall. Truthfully though if you know how to dial in a good tube amplifier and you got a nice cabinet some good speakers you can pretty much get any Tone if you know what you're doing. I used to own two vintage Sunn tube amplifiers running 2-412 cabinets loaded with Electro-Voice sro speakers. I have to say that was one of my most memorable amplifiers. One head was actually a bass amp it was the 200s model I believe which later I used in a band with a Ric 4001 stereo bass into a 2-15 center baffled port PV cabinet loaded with jbl's to this day I have never played through any bass amp that was so magical as that set up. I would have to say I think my favorite Marshall would be the 100 watt bluesbreaker combo and the jtm 45
Captain you always say nothing beats the valve experience, but remember your own video where you blindfolded thought 100% the Roland blues cube stage sounded the best compared with all valve amps. Cheers ;-)
You are my hero, Pete.
throw a klon clone on that sv20c and she sounds like heaven
Sometimes like this time, you want to much so it gets overkill!
Still waiting on that proposed comparison between sv20, sc20 and little sister, pink taco
THIS!👍
Great video!
Some guitar players get stank face when they play, at 4:23 Lee goes dolphin. Great playin and vid!
Sv20h is a proper amp, I’m gigging one with a blues rock band and it’s too loud on 5 watts with a 2x12. With a les Paul it’s glorious with a Tc spark boost xD
Yep, FOH engineers say turn it down, and gives an eyebrow lift when you declare it is already in 5W mode and does not go down without starting to sound like a mosquito
Bought a plexi glass front acoustic panel because of that. Does help a bit
There is a reason alot of amps are modeled off of a moded marshall
GEEEEZ Pete, could you stop messing with the pedals. I want to hear the amp.
These amps have a 1970's KISS tone when cranked
Nice chairs. Cheers!
Get the PRS HDRX 20
dig the Lenny Kravitz jam
They sound good but I have the SV20h and anything less than a 1x12 is a serious disservice and a 2x12 or a 4x12 is even better. A good tube amp requires at least a "12 speaker.
Normally I agree, but the Celestion VT-Juniors in these actually look pretty fit for purpose. Nice low resonance and good low-end definition.
@@404err0ryep, that Celestion 10" sounds fine in that amp.
I had the head version of this amp (loved it, but had a bigger Marshall anyway, so moved it on for a Fender) - the cheapest way to solve the volume issue at home is to get a JHS Little Black Amp Box and run it through the effects loop - instant master volume!
You’re welcome. 🙂
Yes, and no. Using volume control in fx loop does decrease the input for the PI and power tubes, where quite a lot nice things happen for SV. It leaves you with pre-amp gain and quite flat responce from the power section. Using a good attenuator after the amp gives better results.
I used a Bugera PS1 and it was fantastic.
@@tadask.4931 Maybe so, but I don’t think most guitarists wanting to run these a bit quieter for the sake of those in their homes are going to be overly concerned with flat response from the power section. The JHS is a perfectly acceptable (and more cost-effective) choice if you just want to enjoy the overdriven tones of this amp without destroying your ears, or your relationships with those who live around you. 🙂
FYI - I ran one for ages like this, and it never felt lacking. 👍
@@superflea72 a good amount of the distortion comes from the power section. Messing with a vol in the fx results in a lot of good tones, for a lot of reasons! For the moment I'm keeping the fx loop off though.
@@void_snw again…fair enough, but please see my comments above.
Yeah but does it djent?
just a lil suggeshht.. why dont you shonen place the decibel meter in the correct place in front of the amp whilst playing a loop.. then move it back into its pretty place behind you guys, still playing said loop.. that way you know the difference of level in that placement.. and can have some idea of how loud you guys are actually cranking these things! your viewers would have a much more accurate idea of loudness. plus.... i just wanna know! i'm certain i'm not the only one
I'm waiting for the 900 dual reverb because I like me some reverb..
wait, little barrie was in - did I miss this episode??
Nothing Sounds Better than a Cranked Marshall except a cranked Blackstar HT Stage 60 with 2x 12".
Groovy baby!
Lovely Lee! In short LLC.
Hi Captain Lee , hey I'm trying to buy the Sire goldtop P90 Lefty from you ,but my computer skills are weak at best .A simple phone call could make it all happen quite easily .I'm in Seattle Washington (USA) Let's do this - I need some help .Thanks
What is the name of the Effect Pete is using on the solo at 0:40 ? Is it a flanger?
What Reverb pedal is Pete using?