One of the things I loved about Hideyuki Fukasawa's take on the Fate/stay night soundtrack was that he gave everyone a theme. Saber's theme is every bit as majestic and also tragic as the character herself is, and hearing it in this gorgeous piano melody is just icing on the cake. I know Yuki Kajiura is coming back for the Heaven's Feel trilogy but I hope she keeps at least some of the central themes intact from UBW.
Hideyuki Fukasawa's biggest hit with Type-Moon works (because this is also seen on Mahōtsukai no Yoru) is capturing a two distinct feels: the mistery behind magic, and the sorrow behind a nostalgic past. All this while respecting the original songs a lot (as seen in UBW2014, and the Type Moon Reproduction CDs) while also not feeling repetitive as f*ck as Yuki Kajiura. Honestly, I hope he pops off on the second Camelot movie (Movie 1 already left some very good tunes, specially Arash's NP one), but I certainly want him and the MONACA guys to keep doing Type-Moon work. It's a breath of fresh air really.
@@colinmcbottle Kaijura's soundtrack is so repetitive with it's choirs and her EMIYA mix isn't evne a full mix of the song. I hope Fukusawa knocks it out of the park with Tsukihime's remake. And holy crap, the MONACA founded by Keiichi Okabe?
@@snakebot4986 Yeah, although they aren't involved in these pair of camelot movies. They were involved in the EXTRA/EXTELLA/Last Encore side of things (Last Encore has particularly some very good tracks IMO)
@@colinmcbottle Wait did he do Camelot 1 and 2? Also since the movie itself is out what did you think of Camelot 2 soundtrack? (I know the actual soundtrack isn't out but you get what I mean haha
because all the themes of Saber or related to it are so tragic but very beautiful and Epic/Badass,majestic as if deep down you could find hope when there is nothing and absolutely nothing in the world. Saber deserves to be happy seriously.
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One of the things I loved about Hideyuki Fukasawa's take on the Fate/stay night soundtrack was that he gave everyone a theme. Saber's theme is every bit as majestic and also tragic as the character herself is, and hearing it in this gorgeous piano melody is just icing on the cake.
I know Yuki Kajiura is coming back for the Heaven's Feel trilogy but I hope she keeps at least some of the central themes intact from UBW.
u re right
Hideyuki Fukasawa's biggest hit with Type-Moon works (because this is also seen on Mahōtsukai no Yoru) is capturing a two distinct feels: the mistery behind magic, and the sorrow behind a nostalgic past. All this while respecting the original songs a lot (as seen in UBW2014, and the Type Moon Reproduction CDs) while also not feeling repetitive as f*ck as Yuki Kajiura.
Honestly, I hope he pops off on the second Camelot movie (Movie 1 already left some very good tunes, specially Arash's NP one), but I certainly want him and the MONACA guys to keep doing Type-Moon work. It's a breath of fresh air really.
@@colinmcbottle Kaijura's soundtrack is so repetitive with it's choirs and her EMIYA mix isn't evne a full mix of the song. I hope Fukusawa knocks it out of the park with Tsukihime's remake.
And holy crap, the MONACA founded by Keiichi Okabe?
@@snakebot4986 Yeah, although they aren't involved in these pair of camelot movies. They were involved in the EXTRA/EXTELLA/Last Encore side of things (Last Encore has particularly some very good tracks IMO)
@@colinmcbottle Wait did he do Camelot 1 and 2? Also since the movie itself is out what did you think of Camelot 2 soundtrack? (I know the actual soundtrack isn't out but you get what I mean haha
because all the themes of Saber or related to it are so tragic but very beautiful and Epic/Badass,majestic as if deep down you could find hope when there is nothing and absolutely nothing in the world.
Saber deserves to be happy seriously.
This track deserves more views
Officially in love with this track!
thank you,I always listen it well.
감사히 잘 듣고 있어요~ ●_
thumbnail source please
Late but
Unlimited blade works anime one of the flashbacks with saber