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Philip Glass on Working with Aphex Twin, and David Byrne | Red Bull Music Academy
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- Опубліковано 21 лип 2015
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Acclaimed modern composer Philip Glass waxed nostalgic on his time spent in Paris, musical tradition, collaborations with Aphex Twin, David Byrne and Ornette Coleman.
In this talk at the 2013 Red Bull Music Academy, Glass waxed nostalgic on his time spent in Paris, musical tradition, and the art of performance.
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#PhilipGlass #DavidBowie #RedBullMusicAcademy
TOPICS:
4:08 - Chappaqua
17:46 - Polyrock
21:10 - Collaborating with Aphex Twin
24:30 - David Byrne
43:59 - Koyaanisqatsi and writing for film
51:12 - Ornette Coleman
MUSIC:
4:03 - Ravi Shankar - “Chappaqua” • Ravi Shankar - Chappaqua
17:43 - Polyrock - “Romantic Me” • Polyrock - Romantic Me
26:04 - Philip Glass - “Open the Kingdom (Liquid Days, Part Two)” • Philip Glass: Open the...
32:50 - excerpt from Einstein On The Beach • Video
43:56 - Philip Glass - excerpt from Koyaanisqatsi • Koyaanisqatsi
It’s hard to overstate the influence of New York City composer Philip Glass. Along with Steve Reich, his minimalist compositions transformed the world of classical music and, eventually, popular music in general. Glass’ early epiphanies occurred in Paris during his time in the mid-’60s studying under Nadia Boulanger and in New York when he heard Steve Reich’s “Piano Phase.” These events helped set Glass on a course toward the repetitive, dramatic, and conceptually rigorous style that has become his trademark. Throughout the ’70s Glass refined his work, resulting in career-defining compositions like Music In Twelve Parts and Einstein On The Beach. In the process, he became a popular sensation, a serious composer who wasn’t willfully obscure or too difficult to understand. Glass’ stunning soundtrack work for films like The Thin Blue Line and The Hours, and a symphony based on David Bowie’s album Heroes, has only elevated his standing as one of America’s most popular living composers.
The Red Bull Music Academy is a global music institution committed to fostering creativity in music. We celebrate music, its culture, and the transformative minds behind it. Begun in 1998, the Academy has taken the core principles that underlie its annual workshop for selected participants and applied this curatorial approach to events, lectures, and city-wide festivals throughout the year.
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If you need to know more about Philip Glass, then read about the remix of an S’Express cover of Sly & the Family Stone that crashed the British charts...
► daily.redbullmusicacademy.com/2018/07/philip-glass-acid-house-remix-sxpress
He's known for not being particularly modest, but he rarely has anything bad to say about others, he's very quick with compliments.
At least once a month I find myself listening to Philip Glass. Been a fan of his for years now ..
He scored one of the most beautiful movie soundtrack ever : Candyman!
Again... great interviewing technique. Smart, confident, very well-informed, low-key - a masterclass.
I’ve always loved reading Glass’s writings and listen to him talk about music, but I had totally missed this wonderful interview. Thank you for sharing this gem!!
the advice he gave to his son is priceless i recomed every artist tohear this 1:14:40
I would love to see a Philip Glass biopic with Jeremy Allen White portraying a young Glass. They really do look alike.
great interview, thank you so much! i find it quite funny mr Glass didn't recognize at first the very iconic intro of "koyaanisqatsi" :-) 50:46
I’m watching a video of an event hosted by red bull, where philip glass talks about aphex twin.
and they say we live in the worst timeline
🤣
1:14:07 such a good advice imo
I've struggle a lot with staying in one artistic practice because I wanted to quit a 9to5 but actually you need to feed your soul
Thank you's for making this happen :)
i love how he's created so much music that he has to ask the interviewer which song/movie/etc it is
Bring back RB Music Academy!
Philip Glass is an American national treasure.
Phillip Glass should go on the Adam Friesland Show
17 min in he talks about how the music they took years to learn to preform took people much less time to master since they had mastered it. Rupert Sheldrake talks about a similar effect called 'morphic resonance' in his book 'a new science of life' 1981. Very interesting
collective consciousness
Switch Topics Here
43:35 Glass' definition of opera
HAPPY HAPPY HAPPY EVERYBODY'S HAPPY
So inspiring
Fabulous interview!
A true pioneer
Mic drop 1:07:55
POWERFUL PHILIP GLASS
I can only find one track with apex twin and Philip glass. Anybody know if more are out there.
ua-cam.com/video/8kWuvJZIahA/v-deo.html and ua-cam.com/video/GIuSLczfn6U/v-deo.html
Jim thanks!
Yeah on the donkey rhubarb single called pancake lizard
wow he's cool
Is it just me or did that Polyrock track sound a heck of a lot like Arcade Fire?? Maybe an influence there?
He owes that cat some royalties 😜
Interviewer seems a little uptight and frustrated.
Interviewers and journalists have been remiss in not asking Philip Glass a very important question. Does he or does he not know that his work symphonic/choral work " Itaipu " celebrates an ecological disaster? The Itaipu Dam, constructed on the Paraná River without any public input during the Brazilian military dictatorship, destroyed forever, upriver from the dam project, a spectacular series of waterfalls called in Portuguese Sete Quedas (Seven Falls). These falls had an even larger volume of water than the famous Iguaçu Falls. While visiting Brazil Glass went to Itaipu and was wined and dined by Brazilian television soap opera stars, The composer apparently made no attempt to learn about the environmental impacts of the damn project. Brazil's most famous poet of the time, Carlos Drummond de Andrade, wrote a poem that was an elegy to the forever lost natural wonder that the clueless composer disregarded.
Did he also steal your girlfriend.
Are you some kind of joker? Really beneath comment.
In that case, thank you for the comment.
You've been putting this same comment on a lot of Philip Glass videos. Frankly, it's annoying.
It may be annoying to you, but nevertheless it is true. For some people, the truth is uncomfortable.