The Creative Pulse: A Conversation with Philip Glass
Вставка
- Опубліковано 17 жов 2013
- Legendary composer Philip Glass speaks about his music and how the process of collaboration with exceptionally creative minds (including Richard Sera, Ravi Shankar, and Godfrey Reggio) has shaped his career. Glass is interviewed by Claire Chase, flutist, artistic director of the International Contemporary Ensemble, and a 2012 MacArthur Fellow. Sponsored by the Barry S. Brook Center for Music Research and Documentation.
Chase will also performs a piece for flute by Glass.
Conversation actually begins around
What is funny (or not so) with YT is that the number of views has NOTHING to do with the quality of the content of the videos - in fact this is the contrary.
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How Phillip glass has not been sampled yet is BEYOND me
thats my grandpa!
This is a great interview, music nerds know
Glass doesnt let the attention go to head, great quality about the interview... people like to treat him like he's god...
That part where the girl explains how playing some pieces takes her to some deep meditative state which you need in order to play them, and Glass is like "Yeah, well you need to pay attention, if mediation is paying attention for you, it´ll work". I liked that. Young people and their magical land vs. old with their feet firmly on the ground.
100 percent facts when it comes to editing and music. At least for me.
Claire Chase is wonderful with the amazing Music in the shape of a Square, you never want to end , just like their interview ♥♥
The question about collaboration led to a beautiful distillation (around
Thanks so much for sharing:)
Awesome!
Very good. Excellent.
preramble lasts 12 minutes. glass & chase start at 12:20
The music that’s not mine, should not be playing, i don’t know if SoundCloud is doing it or some other person that i liked😮😂and then selected “follow”, and somehow this person was able to stick it to me.
Thanks for the intro, Mayor of Who-ville. Nahhhhh but this is great.
How much did Nadia Boulanger charge her students? I Love Philip Glass mostly his earlier music but it's often kind of odd -- his story sometimes seems kind of strange. Like don't people have to try out for Juilliard or be accepted? Wasn't it pretty expensive? It sounds like you just said I want to study here and they said okay. I thought it had a great reputation going back at least to the 1950s. Nadia was also probably very well known when he studied with her.
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