Yes, a really interesting piece, I don't know it. Beautifully realised, those higher registers sound particularly intimate and haunting. Superb, Andreas.
Thank you! To answer your question, it's not only about playing without errors, but more importantly to get the most inspired version. In this case, I took the first part from one "take" and cut the second part from another "take" that was errorless, but which first part wasn't as good as the one I chose. Then I joined the two.
Yes, a really interesting piece, I don't know it. Beautifully realised, those higher registers sound particularly intimate and haunting. Superb, Andreas.
Thank you, Graham!
Who played this? Mr. Andreas? Wonderful. I am into this fugue f minor rarely played by other pianists.
Fantastic, as usual - I wonder how many takes it takes to play a whole fugue in real time without mistakes?
Thank you! To answer your question, it's not only about playing without errors, but more importantly to get the most inspired version. In this case, I took the first part from one "take" and cut the second part from another "take" that was errorless, but which first part wasn't as good as the one I chose. Then I joined the two.