I hope you guys like these longer videos. I enjoy digging a bit deeper into concepts rather than trying to keep things short and punchy, but let me know what you think. Many thanks as always for watching and supporting!
First of all queen thank you for coming back we'd wait forever for you and thank you for all you've done for the writing community you've somehow become one of my biggest inspirations and I didn't think an editor could do that. But in terms of the length of your videos yes more is more and we like more
Weird suggestion; I had one character I couldn't understand. I went out for a walk into the forest and talked aloud to this character. Admittedly a little insane but after a two hours walk I had alot more understanding. I guess sometimes also doing activities with characters in the back of your mind might help (Preferably activities that don't require lot of brain power like jigsaw puzzles/gardening/knitting/scetching) rather than trying to brute force it. Another one; talk with other people about characters. They might not have answers, but they sure might have questions. I noticed when I let my friends read my study I got the question "Why did she decide to study art? She hasn't shown an interest in that at all." Very insightful.
When I can't figure out a character, I do one of two things depending on who is around me (or not around me). If my friends are around, I ask them to ask me any question they want to know about this character. Anything at all. All I have to do is tap in to the character, picture them there beside me IRL and able to participate in a way, and then shut down my own brain to make space for them to shine through. My friend asks the question, the character answers and I act as a microphone - all I do is say aloud what the character said. It's helped me so much! I was having a hard time figuring out one of the male protags in my book Dragon Girl early into the second revision, and then my friend and I got into a conversation about it and they asked me some questions and I discovered this technique completely by happy accident. I discovered things about this character I had no clues about beforehand, but everything clicked the more we talked and it really helped me unlock him. But if no one is around and won't be for a decent while, I get out a couple pieces of paper or a notebook, a pen or pencil I don't have to pay much attention to (cartridge or piston fountain pens, disposable rollerball pens, mechanical pencils with the side advance, etc), and I first create a list of things I want to ask the character. Once I'm fairly certain I have what I want, I tap in to them with half of my mindspace and, shutting down a lot of conscious thought so I can focus on the character's responses, I write out a private interview. Yes, including tag lines and script format and anything I can think of that will help communicate more information than just what the character is SAYING. I've used this technique a couple of times and while it doesn't work as well as the first one because I get bored so quickly and end up cutting the interview short, it has helped me get to know a few characters that now I hold quite close because I resonate with them so much. I haven't had a chance to try any other techniques but you can bet I'm taking notes and I can't wait until I can give these a try!
And that friends, is the mentality that kills a good channel. If the channel doesn't grow, the content creator doesn't make money, the audience stagnates, and ultimately dies. You lose an opportunity to gather more people who like the things you like together around a common interest, and hurt everyone involved.
Also, no matter how popular a writing instructor is, they cannot make a writer great who doesn't have the talent, so don't worry about the competition.
They may be longer, but they are still concise and well structured. I keep watching them to the very end. Interesting, useful and insightful - thank you for all of your efforts and sharing. You have a huge impact on my writing.
And the the clouds opened up and the angels sang out in a heavenly chorus, and a video from Ellen Brock decended down to a writer on this fateful NaNo day who is slugging along with a fleshed-out plot, but lost who her initial love for her main characters somewhere along the way. And there was much rejoicing.
I love this advice because it is nearly impossible to write a good character when you can't connect with them. One other thing that can help is to interview them. Three books into a series I'd planned out, I realized I couldn't stand one of the main characters from book five. No matter what I did, I did NOT like her. So in desperation, I wound up interviewing her and her sister. Though it felt a little awkward at first, after a few minutes, the characters started 'becoming' real. Surprisingly, it wasn't long before they revealed a childhood that helped me to understand who this woman really was, which made her very easy to write.
This was so helpful. I’ve been stuck for a while and didn’t even realize this was why till I saw the title of your video. Thanks so much! I can’t wait to give these ideas a try and see if it helps push me along.
I have multiple ways as to how I create my characters. But the most important thing that I do is put something of myself into them so that they’ll be relatable to me. Positives as well as negatives. One of my characters is a perfectionist, another is very self-concious, etc. I do this for my antagonists as well. One of them is a absolutely misanthropic, sociopathic piece of shit that I hate with a passion. He mostly got my negative traits. Lol.
Thanks, girl, this was super helpful! I like how you explain things deeply and use books as examples. Most videos say "Do this." And I'm like "Okay, but how? Why?" Great job; keep it up!
I draw quite heavily on both the MBTI and the Enneagram when creating my characters. Thanks for the video! It should help me write my protagonist's abusive father in such a way that he's not just a cardboard cutout designed to pop out at you from around the corner and do something evil on cue.
Yes. I think both (and other personality types) tools are useful for creating diverse, complex characters. Maybe especially Enneagram since it basically deals with inner conflict
Just thinking about the things you recommended has helped a ton with understanding my current characters, and that's something I've always had a problem with. Thanks for doing this video.
*Such wonderful advice.* A few years ago, I spent months plotting out a story where the MC had a foil (not actually an antagonist) who basically treats her like shit, but I didn't really have a good sense of him until I dug into his background and insecurities a little. He's awful to the MC because his past traumas (which were already part of his backstory but that I'd not really sat down and THOUGHT about) have made him just insanely protective of the people and things he loves and perceives as good and innocent, and also made him so untrusting that he just outright views all outsiders as a threat. So he's nasty to her because his love for others makes him protective and pushy to keep her from potentially harming them. And, once I really internalized how much his past informed his present, he actually became an MC himself, and just so much deeper as a character. And that allowed, to my absolute surprise, a third act development where he and the other MC started to bond pretty deeply over their shared traumas and insecurities.
Reference-photos are good, too. They don't help me get more invested in the characters per se, but they definitely help me envision interactions and events more clearly.
I struggled with writing a character of a 24-year-old woman. As a childless boomer, trying to get inside the head of a Gen Zer of the opposite gender was a challenge. I read novels centered around protagonists in their 20s. I listened to UA-camrs that fit that profile. I listened to music written by women in their mid-20s. I had a few conversations with younger friends and colleagues. It helped. I'm still not sure I could write a novel where the protagonist is a twenty-something woman, but I can now write such side characters, even secondary characters.
Something that helps me is philosophy. Every human has their own philosophies they believe that directly affect their outlook and behaviors, so realistic characters are the same. Someone who's nihilistic vs. someone who's carefree and doesn't think deeply about things, vs. someone who's religious vs someone who's superstitious. Then take that philosophy and infer out some common values, things they value above others. Some people value love and a caring spirit, others value truth (even if it hurts) or tough love; some value peace above all else (pacifist), others value loyalty or safety. Values don't have to be opposites either. Obviously these things can't be set in stone (someone who values love over harmful truths may still try and break a hard truth gently to someone they love, instead of just never bringing it up, depending on the circumstances).
This was really helpful, even for forging a deeper connection with a character you know pretty well already. My issue was I knew my main character well but not why he would be interested in his love interest; why her specifically? You helped me figure it out, it’s connected to his worldview and view of himself. I really liked the suggestion to find an image of how he presents himself to the world, and an image of how he sees himself internally.
Compared to a video from 2017 I saw from you, I love your energy in this one. It’s very calm, your voice is really pleasant to listen to, and I feel like we’re just sitting down and having a conversation. It looks so professional too. I love watching your videos. Your advice is always super helpful, and I don’t feel like you’re preaching or selling, I just feel like you’re sharing your experience. Thank you for posting all these videos.
I like this video. I find if I know what is truly motivating the character, many of the details and dialog fall into place, for the most part. Even the most minor character who is on stage for two scenes before he/she gets the hook has an underlying motivation diving them. And where writing gets tricky and very rewarding is to use the motivation to drive the story forward. Character is a snarky jerk, ok but why and how can I use snarky jerk to push the story forward. Very satisfying when it works.
I'm all up for the longer videos. Love them. The more I hear your advice, the more I am able to focus on the flaws and shining diamonds of my own work. A huge Thank You!
8:16 I thought that the Wound is not the False Belief, but related to it. 1. Harmful Event causes a Wound. 2. Character needs to prevent this pain from happening again. 3. The character creates a False Belief (or Lie) to deal with this Wound. The False Belief rises from the Wound caused by a harmful event in an attempt to protect the self from future harm. False Believe is otherwise called the Lie. It arises from the Wound but they are not the same.
One exercise that some people might find useful - if you can't make a character come off the page, imagining your book as a film and think whom you would ideally cast in that role. In particular, try hearing that character's dialogue (or internal monologue) spoken by a variety of distinctive voices (Marilyn Monroe in "Happy Birthday Mr President" mode, for example, or Al Pacino in full-tilt rant, or Orson Welles, or James Earl Jones, etc.)
I really enjoyed this perspective. I knew that I was having problems with this character, but I thought that it was mostly due to him being a much younger age than I'm used to writing, but the exercises really helped me. Thank you.
Wow, I really love the "false belief" device. It's so intuitive to see how something like this can be used to drive a character arc, way more than just "give a character flaws". I think it might be because it's not just important that characters do imperfect things, but to understand why they do them - and it's that understanding of why that actually drives direction for reasonable flaws. it's all about humanization.
I find writing out a conversation between me and my character is very helpful. I visualize us sitting together talking candidly about something that is happening in the book. What does your character say? What do they hold back from saying? What do you wish they would say but know they can’t or won’t? Try visualizing similar conversations between different characters too. Do they hold back different things with different people?
KM Weiland calls the False Belief the Lie, and the Wound is the event (usually in backstory, if ever shown) that inculcates that lie. Love the advice, quite timely. Keep up the good work. Thank you!
Most of my characters I can't get in the headspace of. I believe I have an idea of how they would react or speak, but I can never truly think like them 9/24/24
This was so amazingly helpful! I use MBTI with my characters but found that Enneagram also helps with characterization as it really touches on the false beliefs one might have about themselves and helps identify that wound a character may have.
0:30 - 1:00 this is exactly my predicament. Whilst I've always done a lot of planning outside the story, it's always been more for worldbuilding and backstory than for outlining. I've always been more interested in the characters themselves than the plot and deep down I still am. Lately, I've focused a lot more on story structure and attempted to outline more. Now I have all these abstract elements and plot points and themes I want to get across but when I try to convey it through concrete scenes I draw a blank. In my head, my characters are well developed, complex and distinct. How the heck do I display that on paper?
Your videos are really amazing! I'm reading the book On Editing (my writing is all over the place) and your videos help fill in gaps they don't cover. I'm trying to work out over-writing vs the opposite - shallow action with no emotional truth - under-writing? ❤
I think I know my MC’s major flaw and his motivation. What I don’t get - yet anyway - is how a particular experience or event in the character’s life is going to produce a perspective-changing epiphany. In real life, such experiences rarely happen. Every “life changing” scene that I can imagine feels forced and unnatural.
I wanna add to the Myers briggs test advice: There is another that is Called Ennagram. It has 9 Personality types for each one it defines what the type is about, their basic fear, basic desire and key motivation and potential addictions. The most helpful part though is in my opinion that each type is further split into 9 Levels from healthy to unhealthy and what behaviors they exibit on that level. I think that helps so much with creating character development that feels organic. Because I struggled a lot with knowing where my character starts and where I want them to end up but not knowing what is happening in the in-between without a sudden jump from a to b. Also they add a personal growth recommendation for each type which is interesting to look into if you don't know yet what that Charakter will struggle with.
Very helpful. My main character is based on me and frankly he's dull. All he does is watch videos about writing rather than sitting down and actually writing.
thank you! your videos are always very helpful. I always find something useful and meaningful to me, and this is amazing! your content is also very original, and this is very cool, it's important for me to know something else except for "show not tell" and "use a writing journal" you are amazing!!
I am writing a story based on heartbreak, depression, alcoholism and financial issues, even though I am still 17 and have never experienced any of this stuff 😂😂
This one really got me thinking, because I'm having trouble defining my main character. Once I found a stock photo of what I imagine her to look like, it became easier. It's just that currently her personality is too passive for my liking. I've noticed in many of the books that I read that I usually don't care very much about the main character, but instead I want to see how the story plays out and how clever or original the author is in writing that story.
I know i’m late to this video but thank you so much for addressing that some people can’t visualize! I’ve always relied on specific real-world locations to inform the descriptions of my scenes and taking photos has been a super helpful tool for me.
It seems like my male characters are mostly just different aspects of my own personality and my female ones are different aspects of my wife. I don't plan it that way, but that's how it ends up almost inevitably.
what about if your character is not human? I have two different races that do not experience emotions like humans do, nor are their motivations similar to humans. How do we stay true to that race's traits without alienating them from the human reader? Also - SO GLAD you're back!
my biggest problem is characters turning into charicatures by the end of the book. I might start with what i think is an interesting cast of characters then by the end of the book, they have become shallow, one-trick-ponies, eg the angry character, the funny character, the nerdy character
A method I use is to build connections with other characters. Have them meet another character and spend some time with them. Sometimes interactions make more interesting things surface than if the character is in a situation on their own. Think about what dynamic they would have, what similarities or difference they may have, and have them bond over something - being stuck in a room together because they both know character A but character A is currently busy, or have them sit together in the same art class every Thursday, or have one of them accidentally see them hiding an object and then run into them later and apologize. Personality comes out a lot more strongly around other people imo, so this really help me
Only secone video by you that I am watching (first was the one about 4 types of novel writers) and wanted to tell you, you are a gem! Your takes are original!
I'm writing a novel but it's like I don't know the characters. I can't connect to them. They seem fake and it's as if I'm writing what others want. How do I connect to my story?
This was helpful. I have been having trouble with a character who is mute and, for a while, fairly out of it due to a traumatic event. Perhaps working with his false belief that he can't speak will help me get unstuck. He might need a mentor who helps him remember what happened to him. I know why he refuses to speak, the reader knows what happened to him, but he does not.
I have a character that I'm having a bit of trouble understanding as deeply as I feel I need to in order to write her naturally. This is a problem since she's a real historical person. I need to get her correct. I guess I should read more of her letters.
Ellen Brock is the best there is out here. She is so generous with the tips and tools that you have to pay big bucks to get in recipe form with the ingredients, but not the steps. So, I thank you.
What should you do if the character (antagonist) is so deeply dark, selfish, and sadistic in their attitude and thinking that you're afraid to countenance them for too long in case they start effecting you?
I create the characters as I write. I get to know them from how they react in scenes. I don't figure out who they are ahead of time, then from there know how they would react. Yes, I'm a pantser.
in action comics, character are developed out of neccesity. the real question is whether the plot dances from fate or merit of the resilience of the character.
Being a ghost writer I don't have time to waste connecting to characters or my clients will start having a fit. I get connected to characters but letting them do a two or three page monologue allowing them to say whatever is on their minds. This really works for me. When I'm writing out a plot I make sure to give the MC a goal in every scene, even if is as simple as getting a glass of water. I also write a timeline for every character so I know where they are, even when they're not on stage. I agree, photos can be really helpful. The Sims is also helpful to my writing. I can build a house and actually walk through it, which helps with blocking. That's a stage term for those who don't know that means knowing where the characters are in a room and what's around them.
um I do have to ask, you don't have time to connect to the characters? I do agree with the goal part. But I would add the goal needs to push the story forward. Is the glass of water a metaphor, a literal need, etc that pushes the story?
This may not make sense, but is it okay if the thing that makes them think the false belief is true happens in the story? Due to a traumatic event that causes a big shift in the character’s life.
I'm not sure I understand the false belief thing. Is it that these are negative things that the character believes about self that are TRUE, or negative things that the character believes about self that are FALSE, or negative things about the character that the character is unaware of?
It is something the character believes about themselves or other people that is not true. The character isn't aware it isn't true and/or is in denial that it isn't true. Basically it is the idea/thought/perspective that the character changes over the course of the novel when having an arc. For example, a character who believes, "I have no value" could come to believe, "I have the potential to have value" or "I have value to people who care about me." I hope that helps! I think I'm going to make a video about this very soon.
Thank you, this really helped. The character I'm trying to develop is not based on some I know in real life, so I had a hard time connecting; it forced me to go back and do more character development. I think I have a real character now. Really enjoy your videos; thanks again.
Thank you for the feedback. I'm not sure what's causing this problem. The volume is very loud when I export the video and when I play the file on my computer. I'll see what I can do!
Oh wow I need to stop watching this :-P Figured I should watch this in order to learn how to deal with the characters I'm struggling with right now, but instead this is giving me more appreciation for the characters that I do love from a different story and want to write them. I *just* made the commitment to stick with the other story though, since that one is way more outlined... Buuuut it's an Ellen video, so I'll watch it anyway. Let's just hope I won't start story-hopping.
@ Ellen Brock, about giving the character a distinct voice, how would you advice to do that? I assume that this is based on the character's vocabulary, mood, peer pressure, and time period, but there are most likely things I haven't thought about.
There are lots of potential considerations: openness vs. defensiveness, extroversion vs. introversion, education level, family environment (only child vs. big family), interests/hobbies (might determine the words/concepts they do and don't know), sensitivity to what other characters' think, sensitivity towards other characters' feelings, etc.
@@EllenBrock And the list goes on. 😂 Where would you advice to start when taking all this into consideration without getting lost in all these considerations? I'd like to know this for both character profile as well as on scene level.
I'm all on board with this advice but I'm not sure what motivation means or how to figure out the motivation for a character without it being a concrete goal.
Motivation is the emotional driving force behind the goal. I have a video about motivation that might help. Normally it's the desire to achieve a new state of being, such as moving from "lonely" to "loved," from "powerless" to "powerful," etc. Hope that helps!
You are amazing!! For every problem I have , you have a video that teaches me how to fix it!!!!! Thank you!!!! Ellen, you are a gifted teacher. Thank you for sharing your insights!
Holy sh.... I feel enlighted after watching this video. I never do this, but thank you, Ellen. For real. Your advice is reaching out to people in Venezuela: myself. You should feel proud of what you're doing. You're like a mentor in many aspects of novel writing for me and many others.
I was writing the MC grieving somebody they had just recently lost, and I was thinking every emotion they were going through, denial, happiness when recollecting memories, realizing he loved her, realizing she was never coming back. And just as their emotions flooded out I too started bawling and I was surprised ASF. Didnt know that would happen so I've been looking around online to see if this was normal xD
I like the longer videos: please aim for 20 minutes! That’s a commute or a walk on the treadmill for me! I would love to hear a plotting overview-Acts I, II, and III-in 20 minutes OR a lesson on plotting with the Antagonist in mind.
I'm in my 30s and this is my first ever comment on UA-cam, just to show how major this is for me. I LOVE your videos. They are always helpful, and you have a solution to every problem I face, explained very clearly and with the complexity that writing requires. Just wanted to say a massive thank you!! I'm a big fan.
Thank you very much. That was super helpful. I've been feeling stuck around bringing my characters more to life and hadn't come across these suggestions before. I feel hopeful!
I hope you guys like these longer videos. I enjoy digging a bit deeper into concepts rather than trying to keep things short and punchy, but let me know what you think. Many thanks as always for watching and supporting!
First of all queen thank you for coming back we'd wait forever for you and thank you for all you've done for the writing community you've somehow become one of my biggest inspirations and I didn't think an editor could do that. But in terms of the length of your videos yes more is more and we like more
We love longer videos! Thanks for posting :)
Ellen Brock Yes, I love longer videos. I hang on every word you say. Keep up the good work!
Big fan of longer videos, it's way more interesting and useful to give some topic a proper in-depth thought than just skim the surface :)
hey, if you coukd increase the volume of your videos a little bit that'd be great
Weird suggestion; I had one character I couldn't understand. I went out for a walk into the forest and talked aloud to this character. Admittedly a little insane but after a two hours walk I had alot more understanding. I guess sometimes also doing activities with characters in the back of your mind might help (Preferably activities that don't require lot of brain power like jigsaw puzzles/gardening/knitting/scetching) rather than trying to brute force it.
Another one; talk with other people about characters. They might not have answers, but they sure might have questions. I noticed when I let my friends read my study I got the question "Why did she decide to study art? She hasn't shown an interest in that at all." Very insightful.
Actually, this is genius!
When I can't figure out a character, I do one of two things depending on who is around me (or not around me). If my friends are around, I ask them to ask me any question they want to know about this character. Anything at all. All I have to do is tap in to the character, picture them there beside me IRL and able to participate in a way, and then shut down my own brain to make space for them to shine through. My friend asks the question, the character answers and I act as a microphone - all I do is say aloud what the character said. It's helped me so much! I was having a hard time figuring out one of the male protags in my book Dragon Girl early into the second revision, and then my friend and I got into a conversation about it and they asked me some questions and I discovered this technique completely by happy accident. I discovered things about this character I had no clues about beforehand, but everything clicked the more we talked and it really helped me unlock him.
But if no one is around and won't be for a decent while, I get out a couple pieces of paper or a notebook, a pen or pencil I don't have to pay much attention to (cartridge or piston fountain pens, disposable rollerball pens, mechanical pencils with the side advance, etc), and I first create a list of things I want to ask the character. Once I'm fairly certain I have what I want, I tap in to them with half of my mindspace and, shutting down a lot of conscious thought so I can focus on the character's responses, I write out a private interview. Yes, including tag lines and script format and anything I can think of that will help communicate more information than just what the character is SAYING. I've used this technique a couple of times and while it doesn't work as well as the first one because I get bored so quickly and end up cutting the interview short, it has helped me get to know a few characters that now I hold quite close because I resonate with them so much.
I haven't had a chance to try any other techniques but you can bet I'm taking notes and I can't wait until I can give these a try!
I wanna shout from the rooftops that Ellen is back but I feel like she's our little secret.
😊😊
@Joanna Dl If everyone writes good books, than no one will.
Ha ha I am new and here to stay!!!!
And that friends, is the mentality that kills a good channel.
If the channel doesn't grow, the content creator doesn't make money, the audience stagnates, and ultimately dies. You lose an opportunity to gather more people who like the things you like together around a common interest, and hurt everyone involved.
Also, no matter how popular a writing instructor is, they cannot make a writer great who doesn't have the talent, so don't worry about the competition.
They may be longer, but they are still concise and well structured. I keep watching them to the very end. Interesting, useful and insightful - thank you for all of your efforts and sharing. You have a huge impact on my writing.
I can't even connect to myself. I just crave for something
Mood. I connect to your predicament though.
I feel that wholeheartedly. I’m lost pretty much everyday.
Loneliness and I are old companions.
Same here! I see writing as a way to connect to my own emotions, it helps.
And the the clouds opened up and the angels sang out in a heavenly chorus, and a video from Ellen Brock decended down to a writer on this fateful NaNo day who is slugging along with a fleshed-out plot, but lost who her initial love for her main characters somewhere along the way. And there was much rejoicing.
Not having a "mind's eye" is called aphantasia. it's really hard to write like that tbh
YES IT IS!! Lol.
I love this advice because it is nearly impossible to write a good character when you can't connect with them. One other thing that can help is to interview them. Three books into a series I'd planned out, I realized I couldn't stand one of the main characters from book five. No matter what I did, I did NOT like her. So in desperation, I wound up interviewing her and her sister. Though it felt a little awkward at first, after a few minutes, the characters started 'becoming' real. Surprisingly, it wasn't long before they revealed a childhood that helped me to understand who this woman really was, which made her very easy to write.
This was so helpful. I’ve been stuck for a while and didn’t even realize this was why till I saw the title of your video. Thanks so much! I can’t wait to give these ideas a try and see if it helps push me along.
Good luck! I hope the suggestions work for you!
I have multiple ways as to how I create my characters. But the most important thing that I do is put something of myself into them so that they’ll be relatable to me. Positives as well as negatives.
One of my characters is a perfectionist, another is very self-concious, etc.
I do this for my antagonists as well. One of them is a absolutely misanthropic, sociopathic piece of shit that I hate with a passion. He mostly got my negative traits. Lol.
The timing of your comeback will help those finishing up Nanowrimo in another week especially those jumping directly into editing
Thanks, girl, this was super helpful! I like how you explain things deeply and use books as examples. Most videos say "Do this." And I'm like "Okay, but how? Why?"
Great job; keep it up!
I draw quite heavily on both the MBTI and the Enneagram when creating my characters.
Thanks for the video! It should help me write my protagonist's abusive father in such a way that he's not just a cardboard cutout designed to pop out at you from around the corner and do something evil on cue.
Yes. I think both (and other personality types) tools are useful for creating diverse, complex characters.
Maybe especially Enneagram since it basically deals with inner conflict
Just thinking about the things you recommended has helped a ton with understanding my current characters, and that's something I've always had a problem with. Thanks for doing this video.
That's awesome to hear! I'm really glad.
*Such wonderful advice.*
A few years ago, I spent months plotting out a story where the MC had a foil (not actually an antagonist) who basically treats her like shit, but I didn't really have a good sense of him until I dug into his background and insecurities a little. He's awful to the MC because his past traumas (which were already part of his backstory but that I'd not really sat down and THOUGHT about) have made him just insanely protective of the people and things he loves and perceives as good and innocent, and also made him so untrusting that he just outright views all outsiders as a threat. So he's nasty to her because his love for others makes him protective and pushy to keep her from potentially harming them. And, once I really internalized how much his past informed his present, he actually became an MC himself, and just so much deeper as a character. And that allowed, to my absolute surprise, a third act development where he and the other MC started to bond pretty deeply over their shared traumas and insecurities.
Reference-photos are good, too. They don't help me get more invested in the characters per se, but they definitely help me envision interactions and events more clearly.
Solid advice as always! Good to hear from people who understand what they're talking about.
I struggled with writing a character of a 24-year-old woman. As a childless boomer, trying to get inside the head of a Gen Zer of the opposite gender was a challenge. I read novels centered around protagonists in their 20s. I listened to UA-camrs that fit that profile. I listened to music written by women in their mid-20s. I had a few conversations with younger friends and colleagues. It helped. I'm still not sure I could write a novel where the protagonist is a twenty-something woman, but I can now write such side characters, even secondary characters.
Something that helps me is philosophy. Every human has their own philosophies they believe that directly affect their outlook and behaviors, so realistic characters are the same. Someone who's nihilistic vs. someone who's carefree and doesn't think deeply about things, vs. someone who's religious vs someone who's superstitious. Then take that philosophy and infer out some common values, things they value above others. Some people value love and a caring spirit, others value truth (even if it hurts) or tough love; some value peace above all else (pacifist), others value loyalty or safety. Values don't have to be opposites either. Obviously these things can't be set in stone (someone who values love over harmful truths may still try and break a hard truth gently to someone they love, instead of just never bringing it up, depending on the circumstances).
This was really helpful, even for forging a deeper connection with a character you know pretty well already. My issue was I knew my main character well but not why he would be interested in his love interest; why her specifically? You helped me figure it out, it’s connected to his worldview and view of himself. I really liked the suggestion to find an image of how he presents himself to the world, and an image of how he sees himself internally.
I’ve been struggling with this same thing. Can you elaborate more on how you got your solution?
Compared to a video from 2017 I saw from you, I love your energy in this one. It’s very calm, your voice is really pleasant to listen to, and I feel like we’re just sitting down and having a conversation. It looks so professional too. I love watching your videos. Your advice is always super helpful, and I don’t feel like you’re preaching or selling, I just feel like you’re sharing your experience. Thank you for posting all these videos.
I like this video. I find if I know what is truly motivating the character, many of the details and dialog fall into place, for the most part. Even the most minor character who is on stage for two scenes before he/she gets the hook has an underlying motivation diving them. And where writing gets tricky and very rewarding is to use the motivation to drive the story forward. Character is a snarky jerk, ok but why and how can I use snarky jerk to push the story forward. Very satisfying when it works.
I'm all up for the longer videos. Love them. The more I hear your advice, the more I am able to focus on the flaws and shining diamonds of my own work. A huge Thank You!
Great stuff. Making my protagonist's insecurities align with mine a little has certainly helped - as has the enneagram personality test!
8:16 I thought that the Wound is not the False Belief, but related to it.
1. Harmful Event causes a Wound.
2. Character needs to prevent this pain from happening again.
3. The character creates a False Belief (or Lie) to deal with this Wound.
The False Belief rises from the Wound caused by a harmful event in an attempt to protect the self from future harm. False Believe is otherwise called the Lie. It arises from the Wound but they are not the same.
Yes, you're correct. I'm not that familiar with that particular way of wording/conceptualizing the arc and misrepresented it a bit.
@@EllenBrock But you're very knowledgeable about many things when it comes to writing, and so we all learn from each other. :)
One exercise that some people might find useful - if you can't make a character come off the page, imagining your book as a film and think whom you would ideally cast in that role. In particular, try hearing that character's dialogue (or internal monologue) spoken by a variety of distinctive voices (Marilyn Monroe in "Happy Birthday Mr President" mode, for example, or Al Pacino in full-tilt rant, or Orson Welles, or James Earl Jones, etc.)
I really enjoyed this perspective. I knew that I was having problems with this character, but I thought that it was mostly due to him being a much younger age than I'm used to writing, but the exercises really helped me. Thank you.
Can you make more videos like this where you explain concepts? And examples would be great too. Thank you for your videos!
Wow, I really love the "false belief" device. It's so intuitive to see how something like this can be used to drive a character arc, way more than just "give a character flaws". I think it might be because it's not just important that characters do imperfect things, but to understand why they do them - and it's that understanding of why that actually drives direction for reasonable flaws. it's all about humanization.
When your MC fits every symptom
I find writing out a conversation between me and my character is very helpful. I visualize us sitting together talking candidly about something that is happening in the book. What does your character say? What do they hold back from saying? What do you wish they would say but know they can’t or won’t? Try visualizing similar conversations between different characters too. Do they hold back different things with different people?
You give the best writing advice on the internet.
KM Weiland calls the False Belief the Lie, and the Wound is the event (usually in backstory, if ever shown) that inculcates that lie.
Love the advice, quite timely. Keep up the good work. Thank you!
Are doing a novel boot camp this year?
I really like your channel.
God bless you.
Most of my characters I can't get in the headspace of. I believe I have an idea of how they would react or speak, but I can never truly think like them
9/24/24
This was so amazingly helpful! I use MBTI with my characters but found that Enneagram also helps with characterization as it really touches on the false beliefs one might have about themselves and helps identify that wound a character may have.
0:30 - 1:00 this is exactly my predicament. Whilst I've always done a lot of planning outside the story, it's always been more for worldbuilding and backstory than for outlining. I've always been more interested in the characters themselves than the plot and deep down I still am. Lately, I've focused a lot more on story structure and attempted to outline more. Now I have all these abstract elements and plot points and themes I want to get across but when I try to convey it through concrete scenes I draw a blank. In my head, my characters are well developed, complex and distinct. How the heck do I display that on paper?
Dialogue is a good way to display personality :)
Also characters talking about other characters
I needed this so much😭😭😭😭! I've been struggling with my protagonist for the longest time😭. Thank you!!!!
Wonderful video. How can you give a child a voice when the antagonist is the father?
"Composition Or Competition? What are We Talking About?"
Your videos are really amazing!
I'm reading the book On Editing (my writing is all over the place) and your videos help fill in gaps they don't cover.
I'm trying to work out over-writing vs the opposite - shallow action with no emotional truth - under-writing?
❤
I think I know my MC’s major flaw and his motivation. What I don’t get - yet anyway - is how a particular experience or event in the character’s life is going to produce a perspective-changing epiphany. In real life, such experiences rarely happen. Every “life changing” scene that I can imagine feels forced and unnatural.
Ellen, you are really outdoing yourself. Great video. I'm in the middle of my fifth novel, and your comprehensive tips keep me on track.
I wanna add to the Myers briggs test advice: There is another that is Called Ennagram. It has 9 Personality types for each one it defines what the type is about, their basic fear, basic desire and key motivation and potential addictions. The most helpful part though is in my opinion that each type is further split into 9 Levels from healthy to unhealthy and what behaviors they exibit on that level. I think that helps so much with creating character development that feels organic. Because I struggled a lot with knowing where my character starts and where I want them to end up but not knowing what is happening in the in-between without a sudden jump from a to b. Also they add a personal growth recommendation for each type which is interesting to look into if you don't know yet what that Charakter will struggle with.
This video was so helpful!!! Thank you so much! I'm hoping to fix the problem within the next drafts of my story :)
Very helpful. My main character is based on me and frankly he's dull. All he does is watch videos about writing rather than sitting down and actually writing.
thank you! your videos are always very helpful. I always find something useful and meaningful to me, and this is amazing! your content is also very original, and this is very cool, it's important for me to know something else except for "show not tell" and "use a writing journal"
you are amazing!!
I am writing a story based on heartbreak, depression, alcoholism and financial issues, even though I am still 17 and have never experienced any of this stuff 😂😂
This one really got me thinking, because I'm having trouble defining my main character. Once I found a stock photo of what I imagine her to look like, it became easier. It's just that currently her personality is too passive for my liking.
I've noticed in many of the books that I read that I usually don't care very much about the main character, but instead I want to see how the story plays out and how clever or original the author is in writing that story.
I know i’m late to this video but thank you so much for addressing that some people can’t visualize! I’ve always relied on specific real-world locations to inform the descriptions of my scenes and taking photos has been a super helpful tool for me.
It seems like my male characters are mostly just different aspects of my own personality and my female ones are different aspects of my wife. I don't plan it that way, but that's how it ends up almost inevitably.
what about if your character is not human? I have two different races that do not experience emotions like humans do, nor are their motivations similar to humans. How do we stay true to that race's traits without alienating them from the human reader?
Also - SO GLAD you're back!
my biggest problem is characters turning into charicatures by the end of the book. I might start with what i think is an interesting cast of characters then by the end of the book, they have become shallow, one-trick-ponies, eg the angry character, the funny character, the nerdy character
A method I use is to build connections with other characters. Have them meet another character and spend some time with them. Sometimes interactions make more interesting things surface than if the character is in a situation on their own.
Think about what dynamic they would have, what similarities or difference they may have, and have them bond over something - being stuck in a room together because they both know character A but character A is currently busy, or have them sit together in the same art class every Thursday, or have one of them accidentally see them hiding an object and then run into them later and apologize. Personality comes out a lot more strongly around other people imo, so this really help me
I 100% needed this video. Thank you.
Only secone video by you that I am watching (first was the one about 4 types of novel writers) and wanted to tell you, you are a gem! Your takes are original!
I'm writing a novel but it's like I don't know the characters. I can't connect to them. They seem fake and it's as if I'm writing what others want. How do I connect to my story?
I really like the third exercise. Will definitely use it, even if it's not the exact way as described.
This was helpful. I have been having trouble with a character who is mute and, for a while, fairly out of it due to a traumatic event. Perhaps working with his false belief that he can't speak will help me get unstuck. He might need a mentor who helps him remember what happened to him. I know why he refuses to speak, the reader knows what happened to him, but he does not.
I have a character that I'm having a bit of trouble understanding as deeply as I feel I need to in order to write her naturally. This is a problem since she's a real historical person. I need to get her correct. I guess I should read more of her letters.
Wow! This is absolutely my favorite writing advice and practical suggestions anyone can do. Love the extra advice at the end.
Ellen Brock is the best there is out here. She is so generous with the tips and tools that you have to pay big bucks to get in recipe form with the ingredients, but not the steps. So, I thank you.
If you can't connect to a character as she's describing try to see if you can 'collapse' that character into a pre-existing one you do connect with.
Thank you so much, this is precisely the advice I needed to improve my novel !
This is very insightful guidance, thank you!
What should you do if the character (antagonist) is so deeply dark, selfish, and sadistic in their attitude and thinking that you're afraid to countenance them for too long in case they start effecting you?
I create the characters as I write. I get to know them from how they react in scenes. I don't figure out who they are ahead of time, then from there know how they would react. Yes, I'm a pantser.
in action comics, character are developed out of neccesity. the real question is whether the plot dances from fate or merit of the resilience of the character.
I feel like being dissected (in a good way) and I am not even a writer...
Being a ghost writer I don't have time to waste connecting to characters or my clients will start having a fit. I get connected to characters but letting them do a two or three page monologue allowing them to say whatever is on their minds. This really works for me. When I'm writing out a plot I make sure to give the MC a goal in every scene, even if is as simple as getting a glass of water. I also write a timeline for every character so I know where they are, even when they're not on stage. I agree, photos can be really helpful. The Sims is also helpful to my writing. I can build a house and actually walk through it, which helps with blocking. That's a stage term for those who don't know that means knowing where the characters are in a room and what's around them.
um I do have to ask, you don't have time to connect to the characters? I do agree with the goal part. But I would add the goal needs to push the story forward. Is the glass of water a metaphor, a literal need, etc that pushes the story?
My phone is on full volume and I can barely hear you 😭
This may not make sense, but is it okay if the thing that makes them think the false belief is true happens in the story? Due to a traumatic event that causes a big shift in the character’s life.
Such great writing exercises. Very useful.
Oh wow! Exactly what I need! Thank you!
I'm not sure I understand the false belief thing. Is it that these are negative things that the character believes about self that are TRUE, or negative things that the character believes about self that are FALSE, or negative things about the character that the character is unaware of?
It is something the character believes about themselves or other people that is not true. The character isn't aware it isn't true and/or is in denial that it isn't true. Basically it is the idea/thought/perspective that the character changes over the course of the novel when having an arc. For example, a character who believes, "I have no value" could come to believe, "I have the potential to have value" or "I have value to people who care about me." I hope that helps! I think I'm going to make a video about this very soon.
The photographs idea seems genius!
Thank you, this really helped. The character I'm trying to develop is not based on some I know in real life, so I had a hard time connecting; it forced me to go back and do more character development. I think I have a real character now. Really enjoy your videos; thanks again.
Wonderful! So glad I could help!
Good job
Good Video, but maybe adjust your audio levels a bit. I couldn't hear you with out headphones on, even on full volume.
Thank you for the feedback. I'm not sure what's causing this problem. The volume is very loud when I export the video and when I play the file on my computer. I'll see what I can do!
Almost to 100k subscribers!!!
Your content is a life-saver ❤
Thank you! Your analysis is so spot on!
Wait--you're back?! :::heading to EB's channel to see if others were posted:::
Oh wow I need to stop watching this :-P Figured I should watch this in order to learn how to deal with the characters I'm struggling with right now, but instead this is giving me more appreciation for the characters that I do love from a different story and want to write them. I *just* made the commitment to stick with the other story though, since that one is way more outlined...
Buuuut it's an Ellen video, so I'll watch it anyway. Let's just hope I won't start story-hopping.
@ Ellen Brock, about giving the character a distinct voice, how would you advice to do that? I assume that this is based on the character's vocabulary, mood, peer pressure, and time period, but there are most likely things I haven't thought about.
There are lots of potential considerations: openness vs. defensiveness, extroversion vs. introversion, education level, family environment (only child vs. big family), interests/hobbies (might determine the words/concepts they do and don't know), sensitivity to what other characters' think, sensitivity towards other characters' feelings, etc.
@@EllenBrock And the list goes on. 😂
Where would you advice to start when taking all this into consideration without getting lost in all these considerations? I'd like to know this for both character profile as well as on scene level.
I'm all on board with this advice but I'm not sure what motivation means or how to figure out the motivation for a character without it being a concrete goal.
Motivation is the emotional driving force behind the goal. I have a video about motivation that might help. Normally it's the desire to achieve a new state of being, such as moving from "lonely" to "loved," from "powerless" to "powerful," etc. Hope that helps!
You are amazing!! For every problem I have , you have a video that teaches me how to fix it!!!!! Thank you!!!! Ellen, you are a gifted teacher. Thank you for sharing your insights!
Holy sh.... I feel enlighted after watching this video. I never do this, but thank you, Ellen. For real. Your advice is reaching out to people in Venezuela: myself. You should feel proud of what you're doing. You're like a mentor in many aspects of novel writing for me and many others.
I was writing the MC grieving somebody they had just recently lost, and I was thinking every emotion they were going through, denial, happiness when recollecting memories, realizing he loved her, realizing she was never coming back. And just as their emotions flooded out I too started bawling and I was surprised ASF. Didnt know that would happen so I've been looking around online to see if this was normal xD
I like the longer videos: please aim for 20 minutes! That’s a commute or a walk on the treadmill for me! I would love to hear a plotting overview-Acts I, II, and III-in 20 minutes OR a lesson on plotting with the Antagonist in mind.
Wow, this is actually the most helpful and on point writing problem solving video I've seen about this. 🙇♀️
Thank you so much for this helpful video! I always come to your channel first for writing advice :)
Don't be surprised if you see your name in the acknowledgements of many novels. Your advice is like the most valuable gemstone I've found in youtube.
The work you've put into this video is incredible! Thank you!
Wow. Wow. Wow. Ellen is back?! One of the most surprising notifications I got in a while.
lol I already went and wrote down the motivations, false beliefs, & traits before you said to do that
watched again to help with a different character and did the same thing again
So excited that your back!
Your videos are always super helpful!
I'm in my 30s and this is my first ever comment on UA-cam, just to show how major this is for me. I LOVE your videos. They are always helpful, and you have a solution to every problem I face, explained very clearly and with the complexity that writing requires. Just wanted to say a massive thank you!! I'm a big fan.
Thank you very much. That was super helpful. I've been feeling stuck around bringing my characters more to life and hadn't come across these suggestions before. I feel hopeful!
Yet another video! Yay! 😊👍🏻
Looking forward to your new content