7:18 gives me fucking chills. It makes me feel like it’s Abby in California deciding to sacrifice herself for her group... and in the final moments, she understands that Ellie really wanted to sacrifice herself for humanity. And it’s Lev who has to carry on her legacy and see her wishes come true.
@@lidaaletap2646 I agree with you. I really like the transition at 7:34 until 7:50. The OST composed by Mac Quayle on The last of us part 2 is one of the most visceral that I've ever heard on a video game. His work is underrated unfortunately.
7:29: That is the sound of loss: a common theme in The Last of Us (the moment Abby sees her dead father on the floor and Owen hugs her)
7:32 this moment gives me chills everytime
7:18 gives me fucking chills.
It makes me feel like it’s Abby in California deciding to sacrifice herself for her group... and in the final moments, she understands that Ellie really wanted to sacrifice herself for humanity.
And it’s Lev who has to carry on her legacy and see her wishes come true.
Unbound (father), what a sound on the second part
Especially the last part at 7:59 and 8:44
@@lidaaletap2646 I agree with you. I really like the transition at 7:34 until 7:50.
The OST composed by Mac Quayle on The last of us part 2 is one of the most visceral that I've ever heard on a video game. His work is underrated unfortunately.
@@antho3519 I agree, the pulsing theme is too good.
@@antho3519 I think unbound, the main theme, was composed by Gustavo, in UA-cam, spotify... his name appears under the soundtrack name.
I love the ending to this. When its abbys perspective. The pulse. Just reminds me of a walking dead episode cutting to commercial. Love it
Made that bit myself as its fantastic: ua-cam.com/video/XWtMwfO_Xkg/v-deo.html
BikerDarren24 I love the name. Pulsing death theme. Rad
Abby's revenge theme is what I like to call it
I love the last 4 beats at 8:44
Huh didn't realize that but cool comparison.
Thanks bro
From 7:59 that shit is too good!