Uncomparable. Someone wished me to listen to a new tenor singing this earlier today. He was a nice singer but, once you've heard a voice produced with such skill, demonstrating such a mastery of his instrument with complete understanding of the expressive phraseology of the music and language, you simply cannot hear anything finer than the genius of Jonas Kaufmann.
Ay esos tecnicismos...La gran Callas gritaba los agudos,M.Caballe pronuncia a conveniencia,Carreras"babea"en su afan de bajar menton ...Kauffman tiene una sensibilidad y elegancia indiscutibles.Su talento le hara superar preparacion fisica,respiracion ,y lo que a mi me cuenta es lo que transmite,su bello color de voz,su emocion y su arte.Me encanta...
Somos afortunados de poder escuchar, un magnífico bajo, y un extraordinario tenor en una misma persona. Solamente continuar escuchadololo y dar las gracias a Jonas Kaufmann, ignorantes y detractores siempre existirán, Felicidades maestro.
Mr. Kaufmann has such a feeling and unique musicality. Beautiful. His technic is not worked out like in the Bel Canto, I admire him for what he does. Bravo!
absolutely the most musical rendition i could find out there, most expressive in just the right way. Tenderness rather than sadness. Velvety voice like no other. No rough edges, doesn't sound like his throat is popping out of his mouth in a gag like many other tenors. Great legato.
I'm currently learning this and it's so hard to convey the right emotion and keep a good low larynx ! His and Pavarotti's rendition are two of my favourites!
@@xxsaruman82xx87 I don't think Kaufmann has a particularly high larynx. He doesn't usually anyway.. though he does have a tendency to sound very 'throaty' Di Stefano has the most beautiful voice and I think this aria is better for him because he's got a lighter more lyric voice.
@@LeeJCander Kaufmann's true voice is actually lighter than Di Stefano. Kaufmann is a leggero tenor, but he sings throaty, and woofy and constricted to make his voice seem bigger and dark, but actually it makes his voice even smaller. His diction suffers and his vowels are distorted because of this, Three other tenors I love in L'elisir are Valletti, the young Alva (he became woofy later) and Bergonzi. But Di Stefano is my favourite Nemorino of all. I think the 'tenor' with the highest larynx is Juan Diego Florez.
I cannot thank you enough for posting this. He hadn't met or worked with the voice teacher who put his voice into the shape that it's in today. It's amazing to hear the difference. For a vocal student, it's a priceless learning tool.
La ternura de su voz embriaga a quien lo escuche y enamora de solo escucharlo con tanto sentimiento, el mejor tenor que he escuchado en estos ultimos años y a quien tuve el honor de ver en persona en la interpretación de Floristan en Fidelio en Salzburgo en año 2015, durante la Opera de verano, magistral y emotivo.
The best performance of the thing I’ve ever heard. His vocal manner is excellent and unique. Long and deep breathing. The sound goes like through nape and top of his head. Differs from other ‘sunny’ tenors with separated chest on high notes. He is closer to baritones.
Bravissimo Maestro Jonas kaufmann ! La sua voce è molto intensa e adatta al brano cantato. Secondo me non tutti i tenori sono in grado di interpretare qualsiasi aria ( parlo da semplice appassionata di musica) ma ognuno ha delle opere che preferisce. Ho sentito il duetto da " I pescatori di perle" interpretato da Jonas kaufmann e Dimitri Horostowskj ed è veramente emozionante. Grazie a chi posta questa bella musica di cui possiamo godere tutti.💕💯💥
His voice is made in heaven,the only tenor who can interpret any song intelligently with his marvellous voice and act with his beautiful face,I love you maestro. 4:43
There are a new beautiful voice. He is different than Gigli but in complet feeling is the same amazing. His voice is so strong so heroin but tender in this aria. His voice is one of the best of all. Thank you for recording.
One of the truly great voices of history!!! Who else can sing Wagnerian roles and sing a beautiful UNA FURTIVA LAGRIMA? Only Franco Corelli sang diminuendos more commandingly!!!
Esta grabación es realmente interesante. Del tiempo de cuando Jonas Kaufmann era tenor spinto ligero, y ahora a 12 años de esa interpretación éste tenor alemán está transformado en tenor dramatico, gracias a las técnicas de su maestro Rhodes, sin duda un caso único en la historia de la lírica...!!!
Everything he sings is just so beautiful and heartfelt. What a very great artist! I don't think there ever was a tenor with such a combination of a beautiful voice, musicality,sensitivity, tremendous acting ability and to add to it all so handsome with real charisma on stage.
Esta aria hecha para Tenores líricos me ha encantado con spintos dramáticos como Plácido Domingo y ahora está versión es estupenda ..Grande Jonás Kaufmann
How lovely and nobody knew about him. The breakthrough came with his Alfredo in 2004 at the Met and look what happened to him, he became really the tenor "par excellelence"of our time.
JONAS KAUFMANN TIENE LA VOZ IDEAL PARA UN GRAN NEMORINO,DULZURA FRESCURA Y BELLOS PIANISSIMOS . CREO QUE KAUFMANN PUEDE CANTAR TODO LO QUE EL QUIERA ..CANTA CON EL CORAZON Y PONE EL ALMA EN LA MUSICA ......
BRAVO DEAR JONAS !!! I LOVE TO LISTEN AND WATCH THE YOUR PERFORMANCES ENDLESS !!! GOD BLESS YOU !!! GOD BLESS YOUR FANTASTIC TALENT !!! YOUR ETERNAL FAN NADYA MIRKOVA FROM BULGARIA
Sarà pure poco adatto a lui il ruolo di Nemorino. È un tenore adatto a ruoli drammatici e di forza, ma tanti vorrebbero cantare come lui!BRAVO JONAS!!!!!!
AWESOME Lyrics Una furtiva lagrima Negli occhi suoi spuntò Quelle festose giovani Invidiar sembrò Che più cercando io vo? Che più cercando io vo? M'ama, si m'ama, lo vedo Lo vedo! Un solo istante i palpiti Del suo bel cor sentir I miei sospir confondere Per poco a suoi sospir I palpiti, i palpiti sentir Confondere i miei co'suoi sospir Cielo, si può morir di più non chiedo Non chiedo Ah cielo, si può si puo morir di più non chiedo Non chiedo si puo morir, si puo morir d'amor
JONAS KAUFMANN ???!!! HE IS SIMPLY WONDERFUL !!! BRAVO DEAR JONAS !!! GOD BLESS YOU !!! GOD BLESS YOUR FANTASTIC TALENT !!! BIG, BIG, BIG THANKS FOR THE HUGE PLEASURE !!! ALL MY FRIENDS, THE MY BIG FAMILY AND I WAIT YOUR FANTASTIC CONCERTS IN SOFIA !!! ALWAYS WITH A LOT OF LOVE AND LIGHT YOUR ETERNAL FANS Nadya Mirkova and friends from Sofia - Bulgaria
Agree with you Mohamed... just listen to this and let go! This is just a pure magnificent moment which all of us should enjoy as it is. Of course technico-musico-etc... elements are important, but no as much as the simple pleasure it produces. Thank you Mr Kaufmann...
Kaufmann is my favorite tenor, and this recording is the first time I've heard him sing this aria. While he was as expressive as always, I felt he was working very hard in a bad way -- as if he was unsure of himself -- during certain parts of the aria, and the result was being slightly under the pitch. The first example starts at 1:01, gets slightly flat at 1:04, and noticeably so at 1:08 - 1:09. I hear it fluctuate as he holds "ma" around 1:40. Again at 2:37 when he holds "spi" at 2:36; "fondere" around 2:42. Overall, I enjoyed hearing Kaufmann sing this aria, just as I love hearing voices sing songs and arias that are "outside" of their fach. This was a brave attempt, and he did sing with sensitivity and excellent phrasing, but he is definitely better with heavier arias and roles. Someone let me know if you find a recording of Brownlee or Florez singing Puccini!
Estimado, lo que utiliza Kaufmann entre esos segundos del Aria se llama mezza di voce, lo cual consiste en cantar una nota a una intensidad pianissimo para luego expandirla y ganar fortaleza y más color al momento aumentar la intensidad. Se confunde con falsetto fácilmente, pero no lo es, es voz de cabeza utilizada con mucha delicadeza y con muy buena técnica ;) .
I disagree with those that think that his voice is not convenient for this roll. In fact, I consider that his style is actually meant for this type of operas. Although his voice is big and dark, he also lacks the attack and the strong wild passion required for heaviest rolls. Una furtiva lagrima, on the other hand, allows us to contemplate the natural lyric and musicality of Jonas's voice. If you don't think so, I invite you to listen to his version of Vesti la Giubba: Despise his magnificent voice, Jonas' interpretation ends up being pale and flat. But here, in Una furtiva lagrima, he beautifully represents the right feeling and emotion that Nemorino is passing through in every note. A very smart interpretation.
l'interpretazione di kaufman in "vesti la giubba" ti pare " pallida e piatta "???? forse sei abituato ai singhiozzi di pianto che è d'uso siano abbondanti in questa aria. lui non fa i tipici singhiozzi.e non scopiazza nessuno.... io ho ascoltato dietro il tuo suggerimento questa aria e la ho trovata favolosa.... a parte alcune note acute che " calano" in maniera evidente.. ma, nella sua totalità , l'aria è cantata in maniera stupenda... io sono una cantante -. soprano e parlo con cognizione di causa
Gracias por el comentario. Yes, He didn't do it bad at all, but he still lacks either the maturity or the experience to get well into the character and transmit the right emotions that Canio is going through at this moment. Opera is not singing only. It is singing and acting and acting with the voice. There is where he might be missing something for this aria. (I mean this for aria only. I like much more other rolls he sings)
no se quien se mejor este o el otro si es una mezza di voce, lo unico que se es que ha que chingon cantan estos tipos de interpretes disfrutemos todo esto
17 Jahre sind enorm! Das heutige Eindunkeln der Stimme verschattet die Linie oftmals, Piano ist hier Piano, Jonas ist wunderbar in dieser Aufnahme...!!
Uncomparable. Someone wished me to listen to a new tenor singing this earlier today. He was a nice singer but, once you've heard a voice produced with such skill, demonstrating such a mastery of his instrument with complete understanding of the expressive phraseology of the music and language, you simply cannot hear anything finer than the genius of Jonas Kaufmann.
Überwältigend! So viel Schönheit ist in dieser Stimme! Danke Jonas
Eine solch männliche Stimme mit soviel Gefühl oder besser gesagt Einfühlung. Wunderbar!
This man can sing anything! What a voice! What a singer!
Such a magnificent voice! A master of his discipline, lots of continuous vocal training, and it really comes across in his performances!
Expléndido Maestro,no se puede decir más.
Wow so beautifull to hear wunderfull voice a golden TENOR VOICE ❤😊🌹🙏🏻GRetTING FROM DENMARK 🇩🇰
miraculeux ! kaufmann vient d'ailleurs. sublime, le bon goût, la sensibilité, et les moyens somptueux de son exigence. Un prince, unique.
Ay esos tecnicismos...La gran Callas gritaba los agudos,M.Caballe pronuncia a conveniencia,Carreras"babea"en su afan de bajar menton ...Kauffman tiene una sensibilidad y elegancia indiscutibles.Su talento le hara superar preparacion fisica,respiracion ,y lo que a mi me cuenta es lo que transmite,su bello color de voz,su emocion y su arte.Me encanta...
Grazie mille operalover 9001 per condividere questa bellissimo pezzo classico 🙏🎶👍 Un bel saluto cordiale e un sorriso 😊 Ciao 🇮🇹✔️🤗
Jonas Kaufman and senior Placido Domingue, what a fabulous Performance. THANK YOU BOTH.
Ganz herrlich und fabelhaft.
Somos afortunados de poder escuchar, un magnífico bajo, y un extraordinario tenor en una misma persona. Solamente continuar escuchadololo y dar las gracias a Jonas Kaufmann, ignorantes y detractores siempre existirán, Felicidades maestro.
Voilà un homme qui comprend ce qu'il chante. L'émotion naît de son intelligence. Et nous, suspendus à ses lèvres, nous buvons l'émotion pure.
Mr. Kaufmann has such a feeling and unique musicality. Beautiful. His technic is not worked out like in the Bel Canto, I admire him for what he does. Bravo!
absolutely the most musical rendition i could find out there, most expressive in just the right way. Tenderness rather than sadness. Velvety voice like no other. No rough edges, doesn't sound like his throat is popping out of his mouth in a gag like many other tenors. Great legato.
Di Stefano is better, much better.
I'm currently learning this and it's so hard to convey the right emotion and keep a good low larynx ! His and Pavarotti's rendition are two of my favourites!
@Lee Cander Di Stefano or Kaufmann? Kaufmann has a high larynx if you’re taking about him.
@@xxsaruman82xx87 I don't think Kaufmann has a particularly high larynx. He doesn't usually anyway.. though he does have a tendency to sound very 'throaty' Di Stefano has the most beautiful voice and I think this aria is better for him because he's got a lighter more lyric voice.
@@LeeJCander Kaufmann's true voice is actually lighter than Di Stefano. Kaufmann is a leggero tenor, but he sings throaty, and woofy and constricted to make his voice seem bigger and dark, but actually it makes his voice even smaller. His diction suffers and his vowels are distorted because of this, Three other tenors I love in L'elisir are Valletti, the young Alva (he became woofy later) and Bergonzi. But Di Stefano is my favourite Nemorino of all. I think the 'tenor' with the highest larynx is Juan Diego Florez.
I cannot thank you enough for posting this. He hadn't met or worked with the voice teacher who put his voice into the shape that it's in today. It's amazing to hear the difference. For a vocal student, it's a priceless learning tool.
So wunderschön und so berührend!....absolut perfekt! Dankeschön !
La ternura de su voz embriaga a quien lo escuche y enamora de solo escucharlo con tanto sentimiento, el mejor tenor que he escuchado en estos ultimos años y a quien tuve el honor de ver en persona en la interpretación de Floristan en Fidelio en Salzburgo en año 2015, durante la Opera de verano, magistral y emotivo.
I agree with you. He was so sweet , his engagin voice and smile...
Soy mayor, no creo que tenga la suerte de oírle un directo, pero es el tenor que ha conmovido mí alma, gracias.
The best performance of the thing I’ve ever heard. His vocal manner is excellent and unique. Long and deep breathing. The sound goes like through nape and top of his head. Differs from other ‘sunny’ tenors with separated chest on high notes. He is closer to baritones.
Михаил Шмелев o
he is dramatic tenor. others are mostly lyric tenors
Bravissimo Maestro Jonas kaufmann ! La sua voce è molto intensa e adatta al brano cantato. Secondo me non tutti i tenori sono in grado di interpretare qualsiasi aria ( parlo da semplice appassionata di musica) ma ognuno ha delle opere che preferisce.
Ho sentito il duetto da " I pescatori di perle" interpretato da Jonas kaufmann e Dimitri Horostowskj ed è veramente emozionante.
Grazie a chi posta questa bella musica di cui possiamo godere tutti.💕💯💥
His voice is made in heaven,the only tenor who can interpret any song intelligently with his marvellous voice and act with his beautiful face,I love you maestro. 4:43
Such a big voice yet so tender and gentle love the phrasing very well done! Thank you for posting.
Why don't we see more of Jonas Kaufman, he is up there with the best
Wow, so gentle, so nice, great voice! I love it.
Mindenben hiteles. Igényes, fegyelmesett művész. Soha még ilyen nem volt. Köszönöm, hogy hallhatom.:)
Лучше не может быть! Огромное спасибо!
Una explendida voz.Gracias por permitirme disfrutarla
There are a new beautiful voice. He is different than Gigli but in complet feeling is the same amazing. His voice is so strong so heroin but tender in this aria. His voice is one of the best of all. Thank you for recording.
One of the truly great voices of history!!! Who else can sing Wagnerian roles and sing a beautiful UNA FURTIVA LAGRIMA? Only Franco Corelli sang diminuendos more commandingly!!!
Completely agree with you. A beautiful voice with a lot of colors. Jonas can sing anything perfectly. A great interpreter.
His voice is tiny. No Squillo, throaty, worse than it was then. Still bad.
Corelli is a God, Kaufmann a pipsqueak.
Esta grabación es realmente interesante. Del tiempo de cuando Jonas Kaufmann era tenor spinto ligero, y ahora a 12 años de esa interpretación éste tenor alemán está transformado en tenor dramatico, gracias a las técnicas de su maestro Rhodes, sin duda un caso único en la historia de la lírica...!!!
Everything he sings is just so beautiful and heartfelt. What a very great artist!
I don't think there ever was a tenor with such a combination of a beautiful voice, musicality,sensitivity, tremendous acting ability and to add to it all so handsome with real charisma on stage.
PERFECT COMMENT!!
Then you obviously never heard Kraus or Carreras
They at least sang is in the proper key as true tenors
addio17 (8
Unique ! Merci pour tous ces partages. Un régal.
В аутентичной, чисто инструментальной манере поёт и с большим эмоциональным наполнением!!! Браво!!!
This is a gentle and very sweetly performed aria. Different from others I've heard performing it. Lovely!
Thanks
This is intelligent and soulful singing! Thank you!
Bravissimo... And bellissimo.... 😊
Sung so softly yet passionately. Brings tears to the eyes!
Bravooooooo, Grande Jonas!
Love this interpretation! Couldn't even think that it fits Donizetti!
Im Moment einer der besten der Welt .
Gorgeous, sublime. So distinctive.....
Marvelous KAUFFMAN .Genealissime !!
Think the most touching performance ever. Bravo! ❤
beautiful, love Jonas's, timbre magnificent.
Lovely voice, unique. Such variety and taste.. I am lost for words.
Bellissimo!! Che emozione!! Bravo Jonas!! Grazie a chi ha pubblicato!!!
Esta aria hecha para Tenores líricos me ha encantado con spintos dramáticos como Plácido Domingo y ahora está versión es estupenda ..Grande Jonás Kaufmann
Ik kan hier geweldig van genieten!
Bravo Jonas ! Mit Emotionen. Perfekt ! Danke.
Meravigliosa Voce ... Grande Interprete... 👏👏👏💎
This is as close to his true voice as we're probably likely to get.
Was just thinking the same!
Extraordinario,emocionante y nos hace recordar a los grandes porque le apasiona su profesión. idolo!!
Wonderful ! Bravissimo!!!!
How lovely and nobody knew about him. The breakthrough came with his Alfredo in 2004 at the Met and look what happened to him, he became really the tenor "par excellelence"of our time.
Jonas,Bravo,Bravo!!!!!,cantas muy bien.Con tecnica y sentimiento.
dardo cruz dardo
Fantastic. Such a joy to hear so lovely a voice.
Beautiful!!
Belo como sempre! Tenor e melodia!
JONAS KAUFMANN TIENE LA VOZ IDEAL PARA UN GRAN NEMORINO,DULZURA FRESCURA Y BELLOS PIANISSIMOS . CREO QUE KAUFMANN PUEDE CANTAR TODO LO QUE EL QUIERA ..CANTA CON EL CORAZON Y PONE EL ALMA EN LA MUSICA ......
thx for uploading. was looking for it cause i knew J.sang it. Just love it!!
BRAVO DEAR JONAS !!! I LOVE TO LISTEN AND WATCH THE YOUR PERFORMANCES ENDLESS !!! GOD BLESS YOU !!! GOD BLESS YOUR FANTASTIC TALENT !!! YOUR ETERNAL FAN NADYA MIRKOVA FROM BULGARIA
❤❤@extrana sincronización!!!!❤
Sarà pure poco adatto a lui il ruolo di Nemorino. È un tenore adatto a ruoli drammatici e di forza, ma tanti vorrebbero cantare come lui!BRAVO JONAS!!!!!!
AWESOME
Lyrics
Una furtiva lagrima
Negli occhi suoi spuntò
Quelle festose giovani
Invidiar sembrò
Che più cercando io vo?
Che più cercando io vo?
M'ama, si m'ama, lo vedo
Lo vedo!
Un solo istante i palpiti
Del suo bel cor sentir
I miei sospir confondere
Per poco a suoi sospir
I palpiti, i palpiti sentir
Confondere i miei co'suoi sospir
Cielo, si può morir di più non chiedo
Non chiedo
Ah cielo, si può si puo morir di più non chiedo
Non chiedo si puo morir, si puo morir d'amor
I loved this quality as well as his current voice
Bravo Jonas!! Hermosa aria y bella interpretación
meltingly beautiful...
Ez egy csodálatos hang, Isten tartsa meg sokáig!
Great voice, great feeling, thanks for uploading...
Wonderful!!!!!!!!!!!!!!!!!!!!!
JONAS KAUFMANN ???!!! HE IS SIMPLY WONDERFUL !!! BRAVO DEAR JONAS !!! GOD BLESS YOU !!! GOD BLESS YOUR FANTASTIC TALENT !!! BIG, BIG, BIG THANKS FOR THE HUGE PLEASURE !!! ALL MY FRIENDS, THE MY BIG FAMILY AND I WAIT YOUR FANTASTIC CONCERTS IN SOFIA !!! ALWAYS WITH A LOT OF LOVE AND LIGHT YOUR ETERNAL FANS Nadya Mirkova and friends from Sofia - Bulgaria
1:16.... sE#^%*mbro
Thank you for uploading. I was looking for this aria for weeks. It´s a great pleasure.
Super -brawo
Une voie retenue par un je ne sais quoi de perfectionniste. Mais quel talent!
Uma ótima musica um ótimo cantor, deleite para os ouvidos !!!!
Agree with you Mohamed... just listen to this and let go! This is just a pure magnificent moment which all of us should enjoy as it is. Of course technico-musico-etc... elements are important, but no as much as the simple pleasure it produces. Thank you Mr Kaufmann...
Kaufmann is my favorite tenor, and this recording is the first time I've heard him sing this aria. While he was as expressive as always, I felt he was working very hard in a bad way -- as if he was unsure of himself -- during certain parts of the aria, and the result was being slightly under the pitch.
The first example starts at 1:01, gets slightly flat at 1:04, and noticeably so at 1:08 - 1:09. I hear it fluctuate as he holds "ma" around 1:40. Again at 2:37 when he holds "spi" at 2:36; "fondere" around 2:42.
Overall, I enjoyed hearing Kaufmann sing this aria, just as I love hearing voices sing songs and arias that are "outside" of their fach. This was a brave attempt, and he did sing with sensitivity and excellent phrasing, but he is definitely better with heavier arias and roles. Someone let me know if you find a recording of Brownlee or Florez singing Puccini!
I definitely agree. I think his voice is way too heavy for this aria and too covered at times. He did a good job with it though
e 'un bel mix ...e una bella storia
Klasse!!! Sehr gefühlvoll und klar gesungen.
Fashionista con Jonas Kaufman Kaufmann, es un Tenor de Primer Orden. Y, es increíble interpretando a Giacomo Puccini.Lo adoro.
Love to go his live concert.
He can sing anything!!!
Volgend jaar is Aarhus Denemarken aan de beurt.!Europese hoofdstad van cultuur !!Het muziekhouse is beautiful !!
Прекрасный голос - да и как мужчина великолепен !!!
Вы удостоились чести испытать маэстро Кауфмана как мужчину? 🤭😁
Why isn't this beautiful music on one of your CD?
what a beauty!!!!
Hermosísima pieza, que junto a tantas otras, me dejó en herencia mi padre escuchando música clásica.
Estimado, lo que utiliza Kaufmann entre esos segundos del Aria se llama mezza di voce, lo cual consiste en cantar una nota a una intensidad pianissimo para luego expandirla y ganar fortaleza y más color al momento aumentar la intensidad. Se confunde con falsetto fácilmente, pero no lo es, es voz de cabeza utilizada con mucha delicadeza y con muy buena técnica ;) .
I disagree with those that think that his voice is not convenient for this roll. In fact, I consider that his style is actually meant for this type of operas. Although his voice is big and dark, he also lacks the attack and the strong wild passion required for heaviest rolls. Una furtiva lagrima, on the other hand, allows us to contemplate the natural lyric and musicality of Jonas's voice. If you don't think so, I invite you to listen to his version of Vesti la Giubba: Despise his magnificent voice, Jonas' interpretation ends up being pale and flat. But here, in Una furtiva lagrima, he beautifully represents the right feeling and emotion that Nemorino is passing through in every note. A very smart interpretation.
l'interpretazione di kaufman in "vesti la giubba" ti pare " pallida e piatta "???? forse sei abituato ai singhiozzi di pianto che è d'uso siano abbondanti in questa aria. lui non fa i tipici singhiozzi.e non scopiazza nessuno.... io ho ascoltato dietro il tuo suggerimento questa aria e la ho trovata favolosa.... a parte alcune note acute che " calano" in maniera evidente.. ma, nella sua totalità , l'aria è cantata in maniera stupenda... io sono una cantante -. soprano e parlo con cognizione di causa
Gracias por el comentario. Yes, He didn't do it bad at all, but he still lacks either the maturity or the experience to get well into the character and transmit the right emotions that Canio is going through at this moment. Opera is not singing only. It is singing and acting and acting with the voice. There is where he might be missing something for this aria. (I mean this for aria only. I like much more other rolls he sings)
Magnificent!
Nothing less than perfect!
indeed
no se quien se mejor este o el otro si es una mezza di voce, lo unico que se es que ha que chingon cantan estos tipos de interpretes disfrutemos todo esto
Sa voix nous caresse au plus profond de l'âme
vijaypush no
D¨acorde
Pensó la stessa cosa che fai tu
Der pure Genuss! Jonas Kaufmann beherrscht alle Facetten!
17 Jahre sind enorm! Das heutige Eindunkeln der Stimme verschattet die Linie oftmals, Piano ist hier Piano, Jonas ist wunderbar in dieser Aufnahme...!!
Amo da morire questa voce bellissima.
espectacular version domonio completo de la voz, vibrato, media voz , señor tenor.... espero oir algun dia ..A te o cara -- algun dia.....
Ich liebe diese Arie, besonders wenn sie von Jonas Kaufmann gesungen wird! ;-)
magnifique!
Great voice....just great!!!
MAGNÍFICO.... Toda voz que me emociona ya es hermosa
Well, I love this - even if it is usually sung by a lyric tenor. I am a fan.
Check please Luciano's version on stage (1985) unbelievable how he did it....
Excelente tener, pero no para decir, el mejor del mundo.