Thank you so much, Mr. Du. I’m coaching my advanced students in brisé now, and including some in my Snow choreography for our upcoming Nutcracker. This tutorial is a wonderful supplementary tool for me to share with them. Love all of your content … (& we can always do better 😂). Appreciate you!
I love your videos! I started watching you when you only had 10-15 people watching. That was only a year and a half for two years ago. I told you then that you would get big. You have, and you are still on your way! Your teachership is unparalleled. Thank you the weekly teaching newsletter!!! Paige from Texas ❤
So well explained .I am curious about brassiere back we try in class .you probably could explain it much better . I love your tips they are brilliant thankyou .joy
Thank you for these weekly videos. I was wondering if you could address retire devant , is it always in the same position from beginners to advanced students or does it change …for example in pirouettes , or turns from 5 th. I have noticed My more advanced students complete better pirouettes if the retire is higher but the younger students do not have the necessary turn out for this, hence the lower retire? Please clarify since it seems retire devant is a question for most teachers. Thank you… Mimi
I know you're addressing Mr. Ru, but just for helping, Lyudmila Safronova (one of the best teachers Saint Petersbourg ever had) wrote an article called "guidelines for training in lower levels" and she explains many things about the first years; among those, she talks about a "high sur le cou-de-pied" position, mostly used for pirouettes and some pointe steps. This is useful at first because students have a hard time keeping their placement with high retiré position in those steps, but a high retiré position is encouraged since first year for battements retirés and for battements développés.
I disagree,... from 5th,to 1st, and forward,is too much to be done, whereas brushing to the side, while facing front, then brisé moving decoté, leaning the torso sideways towards the working foot with the required style and grace,... it's more impressive!
![Lp. Сердце Вселенной #60 РОЖДЕНИЕ ЛОЛОЛОШКИ [Финал] • Майнкрафт](http://i.ytimg.com/vi/YoR0pAV9FVQ/mqdefault.jpg)
"I can do better, but....". These videos are a gift.
Thank you so much, Mr. Du. I’m coaching my advanced students in brisé now, and including some in my Snow choreography for our upcoming Nutcracker. This tutorial is a wonderful supplementary tool for me to share with them. Love all of your content … (& we can always do better 😂). Appreciate you!
Thank you so much Mr. Du. Wonderful explanation!
I love your videos! I started watching you when you only had 10-15 people watching. That was only a year and a half for two years ago. I told you then that you would get big. You have, and you are still on your way!
Your teachership is unparalleled. Thank you the weekly teaching newsletter!!!
Paige from Texas ❤
Muchísimas gracias voy a practicarlo bastante ❤ありがとうございますたくさん練習してみます！❤
would live a tutorial on cabrioles!
perfectly explained
Thanks alots, I'm impressed
So well explained .I am curious about brassiere back we try in class .you probably could explain it much better . I love your tips they are brilliant thankyou .joy
Well-explained. Thank you.
You do better anyway, Sir!
Thank you, thank you, thank you!💖🌹🐝
Hello....I have got a quiestion....some teachers teach brissé with the degagé in ecarté.....what can you tell me about It?.....thanks
I think I need to practice like 100 times to reach this level😅😅😊
Thank you for these weekly videos. I was wondering if you could address retire devant , is it always in the same position from beginners to advanced students or does it change …for example in pirouettes , or turns from 5 th. I have noticed My more advanced students complete better pirouettes if the retire is higher but the younger students do not have the necessary turn out for this, hence the lower retire? Please clarify since it seems retire devant is a question for most teachers. Thank you… Mimi
I know you're addressing Mr. Ru, but just for helping, Lyudmila Safronova (one of the best teachers Saint Petersbourg ever had) wrote an article called "guidelines for training in lower levels" and she explains many things about the first years; among those, she talks about a "high sur le cou-de-pied" position, mostly used for pirouettes and some pointe steps. This is useful at first because students have a hard time keeping their placement with high retiré position in those steps, but a high retiré position is encouraged since first year for battements retirés and for battements développés.
I disagree,... from 5th,to 1st, and forward,is too much to be done, whereas brushing to the side, while facing front, then brisé moving decoté, leaning the torso sideways towards the working foot with the required style and grace,... it's more impressive!