In 2008 while surfing the net I happen to come across an obscure small press magazine titled “ rattle” and when I began reading their special section on contests I came across a poem by Diane Grotsche titled “ Writer In Residence” that blew my mind. Bring a poet since the age of 5 ( I’m now 76) I have read thousands of poems by professional and non-professional poets but the poem I am about to post here ranks as one of my top 10 favorite poems of all time. And it didn’t even win first prize but was runner up. After the reading, I emailed Diana and told her she was robbed. Her poem was far superior to the winning entry ( which I read) . She thanked me and said that it was a winter break ( one week) and she was coming to Fort Lauderdale and would I like to meet. I lived in Miami Beach only a 10 minute drive. I lied and told her under false pretext that I would be out of town during her stay but maybe some other time. You see, I’m an extremely shy person and ( from aside immediate family) I really don’t care to meet anyone. That was 2008 but in the last few years I’ve changed and have become more sociable-especially with the advent of the internet and online communication. Anyway, back to the poem. I’ve showed it to my poetry friends and they agree: it’s AWESOME! I hope you don’t mind me sharing it. “ Rattle” is still going strong and if you care to enter their yearly contest, the entry fee is $20 but the winning and runner-up prizes are nice ( $5,000 for the winner and I believe $1,000 runner up and a burlap sack of honorable mention prizes at $100). Please email the editor for more precise details. Here’s the poem titled WRITER IN RESIDENCE, CENTRAL STATE I’m writing this from nowhere. Oklahoma if you care. It’s not south, not west, not really Midwest. Think of a hairless Chihuahua on the shoulder of Texas, make an X, I’m in the middle, in an apartment above the dumpsters on a parking lot across from a football stadium. The shriveled leaves of what passes for autumn scuttle across the blacktop. Prairie Striders stand under cars saying Hey fuck you to French pluperfects in the pines. I’ve renamed the birds. They don’t seem to mind. In Oklahoma when you say a word like pluperfect, somehow you’re certain no one in the state has used it that day. Sometimes the parking lot feels like a lake, a lake with light towers and cars on top of it. Sometimes I see an Indian burial ground under there. You don’t think of asphalt as earth, but if they paved the entire prairie-which seems to be the plan-it would still curve with the horizon and shine in the sun. And no matter where you are, if you let the world quiet down you’ll start to hear the most terrible things about yourself. But then, like a teenager, it’ll tire of cursing and deliver you into the silence of graves. You’ll look out on the world and see yourself looking out. Now I know when monks retreat to the charnel ground and stay there long enough, the demons tire of shouting. No battles, no spells: you wait for them to cry themselves to sleep. If everyone were healed and well and all neuroses gone, would there be anything left to write about? Maybe just weather and death. I’d like to die on a mountain in winter in New Hampshire, the one the old man climbed, having decided his natural time was done. How alive he must have been during that short series of lasts-last step, last look around, bend of the waist, head on the ground, the soundless closing of his lids. How easy to be in love with the earth, breathing the crystalline air as he shivered and yawned and let the night take him home. Back in New York City there’s a book of Freud high on a shelf that presided over far too much. The past, it kept insisting, the past. There was also a mouse, who came out whenever I was still and quiet for long enough. She’d sniff my foot, go to the floor-length mirror, then drag her long tail into the kitchen. At first I set a trap. Then I knew her to be the secret life of my apartment, witness to everything without comment, her visit my reward for keeping still, for praying in a closet as Jesus advised. Don’t worry, said a woman last winter. I can see you’re worried. She had the wrinkled eyes of an old Cherokee, and spoke of past lives without a trace of contrivance. The silence here on weekends is so total it holds me. Even when the stadium is full, I don’t hear the people, just the PA telling who tackled who-who in Oklahoma was born and raised and fed and coached to deliver a game-saving hit. I don’t know where I will be or what I will do next year, but five miles underground in the womb of the earth there is no money, no lack of money, no decisions about dinner or weekends, friends or enemies, no stacks of unanswered mail. I’m trying to live there, so I can live here. -from Rattle #30 Winter 2008 Honorable Mention ~~ Diana Goetsch: “I’m basically a love poet. I’ve started to understand that after all these years. No matter the subject, I think my mission has something to do with redemption. And I just go for the hardest thing to redeem.”
Enjoyed your guests poetry which kept me engaged throughout. I’m a poet specializing in Japanese forms: haiku, tanka, haibun, kyoka, senryu. I hope you don’t mind me sharing a tanka and my haiku, a tribute poem to Bashō’s frog with commentary by the late AHA founder and poet Jane Reichhold who considered my Basho haiku among her top 10 haiku of all time. What an honor. Here’s the Bashō poem and commentary: Bashō’s frog four hundred years of ripples At first the idea of picking only 10 of my favorite haiku seemed a rather daunting task. How could I review all the haiku I have read in my life and decide that there were only 10 that were outstanding? Then realized I was already getting a steady stream of excellent haiku day by day through the AHA forum. The puns and write-offs based on Basho's most famous haiku are so numerous I would have said that nothing new could be said with this method, but here Al Fogel proved me wrong. Perhaps part of my delight in this haiku lies in the fact that I agree with him. Here he is saying one thing about realism-ripples are on a pond after a frog jumps in, but because it refers back to Basho and his famous haiku, he is also saying something about the haiku and authors who have followed him. We, and our work, are just ripples while Basho holds the honor of inventing the idea of the sound of a frog leaping is the sound of water As haiku spreads around the world, making ripples in more and larger ponds, its ripples are wider-including us all. But his last word reminds us all that we are ripples and our lives ephemeral. It will be the frogs that will remain. ~~ And my tanka: returning home from a Jackson Pollock exhibition I smear my face with paint and turn into art ~~ -All love in isolation from Miami Beach, Florida. Al
I hope you don’t mind me sharing the following poem, one of my all time favorite meta poetic poems by a poet named “Howard Dull” titled “Suibhne Gheilt” that I recently chanced upon. When I read it, I became speechless. And most of my poetry friends consider this as one of their all time favorites. It was published in a 1970s anthology titled “ Open Poetry” and proves that once Poetry hits you in your heart, you could be the worst nefarious scoundrel with kings at your bidding and Empires at your command but you will be transformed and never again return to your former Self. ~~ Suibhne Gheilt 1 He has haunted me now for over a year that madman Suibhne Gheilt who in the middle of a battle looked up and saw something that made him leap up and fly over swords and trees - a poet gifted above all others - 11 How could a proud loud mouth who yelled KILL KILL KILL as he plowed done the enemy - heads rolling off of his sword - be so lifted up ( or fly up as those below saw it - wings beating) be so suddenly gifted with poetry and nest so high in Ireland’s tall trees? Is there a point where all paths cross? And why am I so drawn to him that all my questions seem shot in his direction? “And they ran into the woods and threw their lances and shot their arrows up through the branches” What parallels could I ever hope to find - my refusal to fight ( weaseling out on psychiatric grounds)? my leaving my country behind? my poetry? “and my wife wept on the path below. . . Oh memory is sweet but sweeter is the sorrel in the pool in the path below” I fly down every night to eat 111 Sweeney like the rest of us would have been better off if he had never anything to do with women. But the point of it lies hidden in a pool of milk in a pile of shit for you to see when a milkmaid smiles Sweeney like the rest of us flies down and when she pours the milk into the hole her heel made in the cowdung Sweeney like the rest of us kneels down and drinks and dies on the horn the cowherd hid in it. So before you have anything to do with women remember Sweeney the bird of Ireland lying on his back in the middle of that path in the moonlight. 1V And on my way home this morning ( my wife waiting) my shadow racing up the path ahead of me I saw something ( a black stone?) thrown at the back of its head ducked and spun around so fast I almost fell down - it was a bird flying up into a tree V No good could come out of this war out of what burns in the heart of our highly disciplined John Q. Killer as a whole village bursts into one flame - the villagers streaming like tears towards the forest cover his helicopter’s blades blow the leaves off and and the flame towards. . . as we sit in front of our bubbles watching our president ( whose bubbletalk no one can escape and he is a little bit mad -calling the reporters in for an interview while he’s sitting on the bubble having a bubble movement) and first lady climb into their big bubble bed an Lucy, born of their own bubbles, crawls in between - “ Mah daddy has so many troubles turning the world into a bubble and sick of crossfire - the cries of the women and children flying over his head - he stumbled down to the riverbank and found, the wreckage twisted around the tree behind, his skull. . . Noises, there are noises, noises that can of themselves drive a man mad -NOISES! But last night the Stockhausen penetrated from the four sides of the auditorium, stripping each layer of feeling and thought until all that was left was something the size of a nut - so tiny, so hard, so impenetrable it was alone in the middle of an infinite space. . . -Howard Dull ~~ ps: Howard Dull was such an obscure poet that he never published a book and ( to my knowledge) never published another poem. But OMG, this was so brilliant that in my opinion it should be read and studied at the college level. ~~ -All love in isolation from Miami Beach, Florida, Al
Brief bio I’m Al Fogel Born in 1945 and at an early age began writing poems. In 1962 I was introduced to a neighbor who just returned from Avatar Meher Baba’s “ East west” gathering and handed me a book titled “The Everything and the Nothing” that included brief but powerful passages by Meher Baba that touched me deeply and i became a “ Baba Lover” I continued writing poems and in 2010 while on Jane Reichhold’s AHA website workshopping poems I befriended a Chinese man who helped me perfect my Senryu and Haibun. Subsequently I am now considered one of the nations leading authorities on Tanka , Senryu, and Haibun. Here are some examples of each of my specialties senryu ~ dentist chair the hygienist removes my Bluetooth ~ Internet argument all his words in CAPS hers in EMOTICONS ~ after the divorce he spends more time at the dollar store ~ damsel in distress clarke kent still searching for a phone booth ~ cauliflower ears once a contender now boxing vegetables ~ under the influence - moonshine ~ Audubon sale all variety of seeds. . . early birds welcome ~ Buddhist fortune cookie the unfolded paper reads “ better luck next birth!” ~ sudden downpour. . . the adults run for shelter ** as you can see, senryu is usually humorous, but it can also be serious. For example, the following two of mine are horrific and heartbreaking ( dealing with the Holocaust): ~ cattle cars between the slats human eyes ~ stutthof - the stench of burnt hair from the chimneys ~ Tanka ( I already posted the Jackson Pollock one about painting his face but here’s another Tanka ~ Here is another Tanka: thrift store purchase inside the leather jacket a tarnished half-heart ~ Haibuns The Mathematics of Retribution “Karma is i fathomable,” I inform her It’s late and our conversation turns heavy “ Seems simple to me, “my girlfriend responds. “If I murder you, then it’s reasonable that I will be murdered in this or another life to balance the ledger.” “ Not necessarily so” I’m quick to rejoin. “What if you murdered me in this life because I murdered you in a prior life karmic debts and dues are now equalized.” “But what if I get caught and I go to jail for life. Where’s the equal payback in that?” “As I said, karma is unfathomable.” We continue discussing reincarnation and then add the possibilities of “group karma” to the mix Finally, at about midnight, we fall asleep Stutthof - the stench of burnt hair from the chimneys ~~ Mama There were days when I pretended to be too sick to go to school - - just for mamas loving embrace -her arms the heat of home Even with the onset of dementia, her cheerfulness was so contagious it was a joy being around her despite the illness. She made everyone laugh with her spontaneous unpredictable behavior. nursing home bumper wheelchair her favorite pastime Once a week I would whisk her away from the assisted-living facility and we would spend several hours together -grabbing a meal or frequenting some of her favorite second-hand stores where she loved to shop and donate clothes. When we drove to her favorite thrift in November, her dementia worsened. thrift store the dress mama donated she wants to buy On a cold December morn mama passed. The funeral was simple. There was a light drizzle as the family gathered at the gravesite. One by one, with eyes full of rain, we said our last goodbyes. autumn twilight - oh mama tuck me under hug me one more time ~ ‘Round Midnight It was a huge ballroom on the top floor of a building on Broadway --an important midtown crossroads in the heart of the Great White Way. My uncle still talks with reverence about how -in his heyday -he would travel by rail to the corner of Lenox and walk inside to the beat of jungle music. Who knew what to expect? One night you might be listening with rapt attention to Theloneous Monk and Dizzy Gillespie the godfathers of bebop in their signature beret caps, or the Nicholas Brothers flashing their wild acrobatic spins and splits, or enchanted by the sweet taste of Brown Sugar -with Bojangles out front. And when the Bird was in flight, even the moon was not high enough. But in 1940 the ballroom closed its doors to make way for a commercial housing development and another kind of night. new Harlem the a-train replaced by the bullet ~ Atlantic City New Jersey I had just graduated from high school I remember stopping for saltwater taffy -as evening journeyed slowly into night. Nearing curfew, we sat on a protruded sandy enclave--holding hands, looking out at the ocean, not saying much. In the distance the lights from an ocean liner flickered as the night kept coming on in... first “french kiss” under the boardwalk “over the moon!” ~~ All love, Al
So happy to find this platform.
I absolutely adore Marie Howe, she fully inspired my debut collection.
In 2008 while surfing the net I happen to come across an obscure small press magazine titled “ rattle” and when I began reading their special section on contests I came across a poem by Diane Grotsche titled “ Writer In Residence” that blew my mind.
Bring a poet since the age of 5 ( I’m now 76) I have read thousands of poems by professional and non-professional poets but the poem I am about to post here ranks as one of my top 10 favorite poems of all time.
And it didn’t even win first prize but was runner up. After the reading, I emailed Diana and told her she was robbed. Her poem was far superior to the winning entry ( which I read) . She thanked me and said that it was a winter break ( one week) and she was coming to Fort Lauderdale and would I like to meet. I lived in Miami Beach only a 10 minute drive. I lied and told her under false pretext that I would be out of town during her stay but maybe some other time. You see, I’m an extremely shy person and ( from aside immediate family) I really don’t care to meet anyone. That was 2008 but in the last few years I’ve changed and have become more sociable-especially with the advent of the internet and online communication.
Anyway, back to the poem. I’ve showed it to my poetry friends and they agree: it’s AWESOME! I hope you don’t mind me sharing it. “ Rattle” is still going strong and if you care to enter their yearly contest, the entry fee is $20 but the winning and runner-up prizes are nice ( $5,000 for the winner and I believe $1,000 runner up and a burlap sack of honorable mention prizes at $100). Please email the editor for more precise details.
Here’s the poem titled
WRITER IN RESIDENCE, CENTRAL STATE
I’m writing this from nowhere. Oklahoma
if you care. It’s not south, not west, not really
Midwest. Think of a hairless Chihuahua
on the shoulder of Texas, make an X,
I’m in the middle, in an apartment
above the dumpsters on a parking lot
across from a football stadium.
The shriveled leaves of what passes
for autumn scuttle across the blacktop.
Prairie Striders stand under cars saying Hey
fuck you to French pluperfects in the pines.
I’ve renamed the birds. They don’t seem to mind.
In Oklahoma when you say a word
like pluperfect, somehow you’re certain
no one in the state has used it that day.
Sometimes the parking lot feels like a lake,
a lake with light towers and cars on top of it.
Sometimes I see an Indian burial ground
under there. You don’t think of asphalt as earth,
but if they paved the entire prairie-which
seems to be the plan-it would still curve
with the horizon and shine in the sun.
And no matter where you are, if you let
the world quiet down you’ll start to hear
the most terrible things about yourself.
But then, like a teenager, it’ll tire of cursing
and deliver you into the silence of graves.
You’ll look out on the world and see
yourself looking out. Now I know
when monks retreat to the charnel ground
and stay there long enough, the demons
tire of shouting. No battles, no spells: you wait
for them to cry themselves to sleep.
If everyone were healed and well
and all neuroses gone, would there
be anything left to write about?
Maybe just weather and death.
I’d like to die on a mountain in winter
in New Hampshire, the one the old man
climbed, having decided his natural time
was done. How alive he must have been
during that short series of lasts-last step,
last look around, bend of the waist,
head on the ground, the soundless closing
of his lids. How easy to be in love
with the earth, breathing the crystalline air
as he shivered and yawned
and let the night take him home.
Back in New York City there’s a book
of Freud high on a shelf that presided
over far too much. The past, it kept
insisting, the past. There was also a mouse,
who came out whenever I was still
and quiet for long enough. She’d sniff
my foot, go to the floor-length mirror,
then drag her long tail into the kitchen.
At first I set a trap. Then I knew her
to be the secret life of my apartment,
witness to everything without comment,
her visit my reward for keeping still,
for praying in a closet as Jesus advised.
Don’t worry, said a woman last winter.
I can see you’re worried. She had the wrinkled
eyes of an old Cherokee, and spoke of past
lives without a trace of contrivance.
The silence here on weekends is so total
it holds me. Even when the stadium
is full, I don’t hear the people, just the PA
telling who tackled who-who in Oklahoma
was born and raised and fed and coached
to deliver a game-saving hit. I don’t
know where I will be or what I will do
next year, but five miles underground
in the womb of the earth there is
no money, no lack of money, no decisions
about dinner or weekends, friends
or enemies, no stacks of unanswered mail.
I’m trying to live there, so I can live here.
-from Rattle #30 Winter 2008 Honorable Mention
~~
Diana Goetsch: “I’m basically a love poet. I’ve started to understand that after all these years. No matter the subject, I think my mission has something to do with redemption. And I just go for the hardest thing to redeem.”
Enjoyed your guests poetry which kept me engaged throughout.
I’m a poet specializing in Japanese forms: haiku, tanka, haibun, kyoka, senryu. I hope you don’t mind me sharing a tanka and my haiku, a tribute poem to Bashō’s frog with commentary by the late AHA founder and poet Jane Reichhold who considered my Basho haiku among her top 10 haiku of all time. What an honor.
Here’s the Bashō poem and commentary:
Bashō’s frog
four hundred years
of ripples
At first the idea of picking only 10 of my favorite haiku seemed a rather daunting task. How could I review all the haiku I have read in my life and decide that there were only 10 that were outstanding? Then realized I was already getting a steady stream of excellent haiku day by day through the AHA
forum.
The puns and write-offs based on Basho's most famous haiku are so
numerous I would have said that nothing new could be said with this
method, but here Al Fogel proved me wrong. Perhaps part of my delight in this haiku lies in the fact that I agree with him. Here he is saying one thing
about realism-ripples are on a pond after a frog jumps in, but because it refers back to Basho and his famous haiku, he is also saying something about the haiku and authors who have followed him. We, and our work, are just ripples while Basho holds the honor of inventing the idea of the
sound of a frog leaping is the sound of water
As haiku spreads around the world, making ripples in more and larger ponds, its ripples are wider-including us all. But his last word reminds us all that we are ripples and our lives ephemeral. It will be the frogs that will remain.
~~
And my tanka:
returning home
from a Jackson Pollock
exhibition
I smear my face with paint
and turn into art
~~
-All love in isolation
from Miami Beach,
Florida.
Al
I hope you don’t mind me sharing the following poem, one of my all time favorite meta poetic poems by a poet named “Howard Dull” titled “Suibhne Gheilt” that I recently chanced upon. When I read it, I became speechless. And most of my poetry friends consider this as one of their all time favorites.
It was published in a 1970s anthology titled “ Open Poetry” and proves that once Poetry hits you in your heart, you could be the worst nefarious scoundrel with kings at your bidding and Empires at your command but you will be transformed and never again return to your former Self.
~~
Suibhne Gheilt
1
He has haunted me now for over a year
that madman Suibhne Gheilt
who in the middle of a battle
looked up and saw something
that made him leap up and fly
over swords and trees
- a poet gifted above all others -
11
How could a proud loud mouth
who yelled KILL KILL KILL
as he plowed done the enemy
- heads rolling off of his sword -
be so lifted up
( or fly up
as those below saw it
- wings beating)
be so suddenly gifted
with poetry
and nest so high
in Ireland’s tall trees?
Is there a point
where all paths cross?
And why am I so drawn to him
that all my questions
seem shot in his direction?
“And they ran into the woods
and threw their lances
and shot their arrows
up through the branches”
What parallels could I ever hope to find -
my refusal to fight
( weaseling out on psychiatric grounds)?
my leaving my country behind?
my poetry?
“and my wife wept
on the path below. . .
Oh memory is sweet
but sweeter is the sorrel
in the pool in the path below”
I fly down every night
to eat
111
Sweeney like the rest of us would have been better off if he had never anything to do with women.
But the point of it lies hidden
in a pool of milk
in a pile of shit
for you to see
when a milkmaid smiles
Sweeney like the rest of us flies down
and when she pours the milk
into the hole her heel made in the cowdung
Sweeney like the rest of us kneels down and drinks
and dies on the horn the cowherd hid in it.
So before you have anything to do with women
remember Sweeney the bird of Ireland
lying on his back
in the middle of that path
in the moonlight.
1V
And on my way home
this morning
( my wife
waiting)
my shadow
racing up the path ahead of me
I saw something
( a black stone?)
thrown
at the back of its head
ducked
and spun around
so fast
I almost fell down
- it was a bird
flying up into a tree
V
No good could come out of this war
out of what burns in the heart of our highly disciplined
John Q. Killer as a whole village bursts into one flame -
the villagers streaming like tears
towards the forest
cover his helicopter’s blades
blow the leaves off and
and the flame towards. . .
as we sit in front of our bubbles watching our president
( whose bubbletalk no one can escape and he is a little bit
mad -calling the reporters in for an interview while he’s
sitting on the bubble having
a bubble movement) and first
lady climb into their big bubble bed an Lucy, born of
their own bubbles, crawls in between -
“ Mah daddy has so many
troubles
turning the world into a bubble
and sick of crossfire -
the cries of the women and
children flying over his head -
he stumbled down to the
riverbank and found,
the wreckage twisted around the tree
behind, his skull. . .
Noises, there are noises,
noises that can of themselves drive
a man mad -NOISES!
But last night the Stockhausen penetrated from the four
sides of the auditorium, stripping each layer of feeling
and thought until all that was left was something the size
of a nut - so tiny, so hard, so impenetrable it was alone
in the middle of an infinite space. . .
-Howard Dull
~~
ps: Howard Dull was such an obscure poet that he never published a book and ( to my knowledge) never published another poem. But OMG, this was so brilliant that in my opinion it should be read and studied at the college level.
~~
-All love in isolation from Miami Beach, Florida,
Al
One of the truest poems i have ever heard.
Brief bio
I’m Al Fogel Born in 1945 and at an early age began writing poems. In 1962 I was introduced to a neighbor who just returned from Avatar Meher Baba’s “ East west” gathering and handed me a book titled “The Everything and the Nothing” that included brief but powerful passages by Meher Baba that touched me deeply and i became a “ Baba Lover” I continued writing poems and in 2010 while on Jane Reichhold’s AHA website workshopping poems I befriended a Chinese man who helped me perfect my Senryu and Haibun.
Subsequently I am now considered one of the nations leading authorities on Tanka , Senryu, and Haibun.
Here are some examples of each of my specialties
senryu
~
dentist chair
the hygienist removes
my Bluetooth
~
Internet argument
all his words in CAPS
hers in EMOTICONS
~
after the divorce
he spends more time
at the dollar store
~
damsel in distress
clarke kent still searching
for a phone booth
~
cauliflower ears
once a contender
now boxing vegetables
~
under
the influence -
moonshine
~
Audubon sale
all variety of seeds. . .
early birds welcome
~
Buddhist fortune cookie
the unfolded paper reads
“ better luck next birth!”
~
sudden downpour. . .
the adults run
for shelter
** as you can see, senryu is usually humorous, but it can also be serious. For example, the following two of mine are horrific and heartbreaking ( dealing with the Holocaust):
~
cattle cars
between the slats
human eyes
~
stutthof -
the stench of burnt hair
from the chimneys
~
Tanka ( I already posted the Jackson Pollock one about painting his face but here’s another Tanka
~
Here is another Tanka:
thrift store purchase
inside the leather jacket
a tarnished half-heart
~
Haibuns
The Mathematics of Retribution
“Karma is i fathomable,”
I inform her
It’s late and our conversation turns heavy
“ Seems simple to me, “my girlfriend responds.
“If I murder you, then it’s reasonable that I will be murdered in this or another life to balance the ledger.”
“ Not necessarily so” I’m quick to rejoin.
“What if you murdered me in this life
because I murdered you in a prior life
karmic debts and dues are now equalized.”
“But what if I get caught and I go to jail for life. Where’s the equal payback in that?”
“As I said, karma is unfathomable.”
We continue discussing reincarnation and then add the possibilities of “group karma” to the mix
Finally, at about midnight, we fall asleep
Stutthof -
the stench of burnt hair
from the chimneys
~~
Mama
There were days when I pretended to be too sick to go to school - - just for mamas loving embrace -her arms the heat of home
Even with the onset of dementia, her cheerfulness was so contagious it was a joy being around her despite the illness.
She made everyone laugh with her spontaneous unpredictable behavior.
nursing home
bumper wheelchair
her favorite pastime
Once a week I would whisk her away from the assisted-living facility and we would spend several hours together -grabbing a meal or frequenting some of her favorite second-hand stores where she loved to shop and donate clothes.
When we drove to her favorite thrift in November, her dementia worsened.
thrift store
the dress mama donated
she wants to buy
On a cold December morn mama passed.
The funeral was simple. There was a light drizzle as the family gathered at the gravesite. One by one, with eyes full of rain, we said our last goodbyes.
autumn twilight -
oh mama tuck me under
hug me one more time
~
‘Round Midnight
It was a huge ballroom on the top floor of a building on Broadway --an important midtown crossroads in the heart of the Great White Way.
My uncle still talks with reverence about how -in his heyday -he would travel by rail to the corner of Lenox and walk inside to the beat of jungle music. Who knew what to expect? One night you might be listening with rapt attention to Theloneous Monk and Dizzy Gillespie the godfathers of bebop in their signature beret caps, or the Nicholas Brothers flashing their wild acrobatic spins and splits, or enchanted by the sweet taste of Brown Sugar -with Bojangles out front. And when the Bird was in flight, even the moon was not high enough.
But in 1940 the ballroom closed its doors to make way for a commercial housing development and another kind of night.
new Harlem
the a-train replaced
by the bullet
~
Atlantic City New Jersey
I had just graduated from high school
I remember stopping for saltwater taffy -as evening journeyed slowly into night. Nearing curfew, we sat on a protruded sandy enclave--holding hands, looking out at the ocean, not saying much. In the distance the lights from an ocean liner flickered as the night kept coming on in...
first “french kiss”
under the boardwalk
“over the moon!”
~~
All love,
Al