A GUITARIST'S GUIDE TO SECONDARY DOMINANTS write better chord progressions MUSIC THEORY SONGWRITING
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- Опубліковано 1 жов 2024
- Secondary Dominants Are a REALLY EASY way to add interest to otherwise boring sounding chord progressions. In this guitar lesson you will Learn how to write better chord progressions on Guitar by using secondary dominants/what secondary dominants are/How to find them and most importantly how to apply secondary dominant chords to the guitar fretboard enabling you to write better chord progressions and have a much bigger vocabulary of chords to utilize, this is especially important if you are interested in becoming better at songwriting or just enjoy music theory. hope you enjoy this Guitar Lesson!
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![Secondary Dominants- Write Better Chord Progressions! [MUSIC THEORY / SONGWRITING]](http://i.ytimg.com/vi/py4HaueW50Q/mqdefault.jpg)
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I know that music is not a secret, but the way this guy presents music theory so easily explained, gives me the feeling that he’s leaking TOP SECRET information 😂😂😂😂 the best that I’ve seen by far
this message will self destruct in 5 ..4 ...3 ....2 .....1💥💥💥💥
Totally crystal clear teaching ! Best i,ve seen yet . Great teacher with no B.S. involved . Exellent ! Thanks mate !
Glad you liked it!
Wow, these lessons are making me feel smart and dumb at the same time. Have been play ing guitar for over 20 years. Sam Jam explains in a few minutes why a whole bunch of things actually work e.g. the ole C Cmaj7 C7 to F. Its the dominant 7th. Jeez it all makes so much sense. And another thing…pentatonic major fits the major chords and pentatonic minor maps to the minor chords-so frikkin obvious once you see it! - um, not these two scales that exist for their own sake. Thank you Samjam for turning the lights on for me.
Fantastic!! Glad my lessons are making an impact👌👌
I look at lots of music tutorials online. But you have risen to my #1. Short, clear and concise. Each video is bite size and gives me time to porperly digest it before moving on.
That's great! Very much appreciated 👌
tried to understand this for a while.... this is hands down the best video to explain it
Cheers!
i mean, if you knew the circle of fifths, you'd know the 5ths of every note...
your videos have completely changed my playing style for the best. I absolutely love it when im able to understand what goes on in a song that i like! these videos are like putting puzzle pieces together but with music theory and you teach it all so well
Glad to help!
Excellent information to know. Really appreciate the lesson and I can’t wait to see what you have next. Cheers 🍻
Tonnes of lessons on the channel! Feel free to have a browse👌 thanks for watching!
Incredibly interesting and helpful ! Thank you for sharing
many thanks!
Incredibly helpful and informative ! Thank you for sharing !
very good knowledge
Okay, thanks, this may take some thinking....😂👍
Feel free to ask as many questions as you like Pat👍
The best teach
That was super helpful.. Thank you.
Great thanks!
Outstanding content, I am watching all your videos!!!!
Awesome! Thank you!
So well presented even I can understand. Well done
Cheers!
Perfect teaching. Do you have a course where you follow the same method an in this video? I found with other courses, course material is different from youtube material.
Please please make one for tritone sub!
It's on my to do list👌
So, minor chords can never be secondary dominant chords? Only majors or dominant 7th chords?
Clear, concise and to the point, fantastic!
brilliant thanks!
nice tight explanation. thanks!
You're welcome!
how do i supoprt the channel except liking and subscribing?
your instagram link is incorrect!
Thanks for letting me know.. I have fixed the link now 🙂
Instagram- instagram.com/samjamguitar/
Hi Sebastian! there are many ways you can support the channel. in terms of Growing the channel then that would be liking/commenting/sharing and watching the videos the whole way through (helps the UA-cam algorithm suggest my content to a wider audience)
I also have a members option, you can click the JOIN button underneath anyone of my videos to explore this further.
or you could simply just buy me a coffee! ☕ www.buymeacoffee.com/samjamguitar
Thanks For Watching!🙂
Gold! Pure Gold! Thanks a lot for your effort!
No worries cheers!
A good lesson, thank you🙏
You are welcome!
What a fantastic channel and explanations! Thank you so much!
I understand what they are but I'm having a hard time applying them
Great explanation! I get it!
Glad it was helpful!
This lesson is an art form 🤘
Cheers!
It helped me reimagine my knowledge about how to play it easier... I cant get enough of your videos. Thanks man!
Happy to help! Thanks👌
Wow thank you so much
You’re welcome 😊
Excellent...... thank you! Never understood this, now I do. Very short and to the point lesson!
Glad it was helpful!
Your taching is awesome!
Glad you think so!
teaching
Thanks SamJamGuitar 👍 😊
My pleasure!
Legend ❤❤
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Thanks!
THANK YOU!!!
I don’t understand any of this.
Great lesson, you make it easier to understand.
Glad it was helpful Andy!
Well, that made sense. and I can actually work through it. Gracias!
Great thanks!
This is such an excellent, clear, concise but thorough explanation of this topic
Thank-you!!
Test is on. I'm commenting before watching the video. I've been homeschooling myself on music theory and have made lots of good progress.
And at this point, I have no idea what a secondary dominant is.
If, after this video, I have learned what secondary dominant are and some how and why of using them, I will reply here to proclaim you a good music educator.
Wish us luck.
This is good, clear information. What really clinches it for me is the series of musical examples you use. I can hear the relations between the sets of tensions and resolutions, and also the two-step climb up the G major scale.
You're a good music educator.
I will of course need to go over it several times with my instruments: keyboard and guitar, but within a few days I expect to have a good grasp of the concept.
Subscribing now. Thank you for great content!
Thats great to hear! Glad you enjoyed the lesson and got what you needed from it!
Your content is brilliant, how are you not getting more views?!
Hi Mikkel! I wish I Knew!! all I can do is keep on putting out and improving content. thanks again!
@@Samjamguitar True - it's a grind man :D Keep going, great stuff!
Cheers Mikkel👍 great playing btw
Thanks Sansei 🙏
Sansei?
@@alda2086 teacher..
Thank you 👌
Exactly what I've been waiting for! Thanx
No probs 👌 cheers
Really good video. Can you explain tritone substitution, or have you already done a video. Thanks
That will be coming soon....until then you could watch my secondary dominants lesson!
@@Samjamguitar thanks, will do
Brilliant 👌
I recently came across this : VII/V. Isn't that built on a 7th chord?
Lots of ways to describe this! too much for a youtube comment! its essentially telling you to play the 7 of the 5 chord...NOT the 5 of the 7 chord. If you actually break the notes down from the diminished chord you would find that it contains the same notes as the V/V (5 of the 5 chord) with one extra interval but with a b9 interval! so essentially you could view this as a 7b9 chord resolving to a 5 chord.... so basically V/V with a bit of extra tension from the b9 interval👌
@@Samjamguitar Oh my goodness. Thank you so much, I honestly wasn't expecting a reply from the teacher.
I found that chord in a piece for classical guitar by Carullli in La Mineur. The chord is written as Re# for bass, La for tenor, Do for soprano. Your explanation makes sense. Re# is the VII of V in this case.
Thank you, I'm going to go read up on 7B9 chords. Perhaps I'll finally figure out the reason for the soprano being in DO.
Thank you so much.
@@kaiserchief9319 no probs! glad to help👌👌
Thanks!
Cheers for the SUPERTHANKS!! It's much appreciated 👌
Very good
Very Cool! Thank You! 👍🏻
Glad you liked it!
You sound so flat and dry. I was going to give this a pass. But your lesson was beautifully constructed and the visual illustrations perfect. Great work. I’m hooked.
it's easier if I explain it in C MAJOR/Amin ( keys are just pitch)
A min D min E min = Natural min
A min D min/dim E7 = Harmonic min
A min D7 D7 = melodic min
A Maj D min/dim E7 = Harmonic MAJOR
A min B7 into E Maj = Lyd dim ( E Harmonic MAJOR)
If you practice the CYCLE of dominant
B7 into E7 into A7 into D7 into G7 into C7 into F7 into Bb7 into Eb7 into Db7 into Gb7
3 into 4 ( second arpeggio of a dominant chord B dim/G)
B dim into C
sort of like AUGMENTED chords...( ALL maj 3rd intervals)
2, 4, b6, 7 CHORD degree are all possible FULL dim
The easist way is to just MEMORIZE it. ( it's EASY)
D, F, Ab, B
B, D, F, Ab/G#
They overlap in different keys
C Harmonic MAJOR or Harmonic min
A Harmonic MAJOR or Harmonic min
Eb Harmonic MAJOR or Harmonic min..............(C Harmonic min)
Gb Harmonic MAJOR or F# harmonic min........ ( A Harmonic MAJOR)
Anyways...you can simply stack a maj3 BELOW any dim chord to obtain a DOMINANT
B dim/G.......D dim/Bb........F dim/Db........Ab dim/E
G7...............Bb7.................Db7................E7
The Bb and Db are the most COMMON N6 chords
You can also stack MAJ, min, DOMINANT or dim EVERY b3 interval
if you use FULL dim H/W
once you get used to the cycle of dominant
you'll simply just do this
A min Bb7 into Eb Maj7 or Eb min E7 into A min
The E7 acts like the N6 of Eb Maj or min.
it's the same if you.
A min Db7 into Gb min G7 into C MAJOR
A min C#7 into F# min G7 into C MAJOR
A min C#7 into F# min B min E7 into A min
it dosnt have to be Dominant . it could be ANY chord with a maj3
such as C Maj7 into F min G7 C Maj ( C Harmonic MAJOR, Ion b6)
SHORT CUT....b2.......b3.......b5........b6......b7
ARE ALL POSSIBLE N6 chords
.....................Db.......Eb.......Gb.......Ab.......Bb
so you could A min Db maj7 Gb min G7 into C MAJOR
or you could pretend to play into Eb Harmonic MAJOR
A min Bb7 into Eb Maj7 Ab min G7 into C MAJOR
or pretend to play into C# min ( the D chord is the N6 of C#)
A min G#7 into C# min D dim E7 into A min
A min G#7 into C# min D Maj7 B min E7 into A min
or pretend to play into F minor....melodic or harmonic..ect
A min Bb7 C7 F min Db maj7 G7 into C MAJOR
A min C Maj7 F min Bb dim Db dim G7 into C MAJOR
A min Bb dim C dim C# min D7 E7 into A min
You can alter any chord degree into Dominant.
ANYTHING that's NOT primary are SECONDARY....keep it SIMPLE like that.
As an introduction to secondary dominants I doubt your explanation would help anyone new to the concept.