Finally a channel that explains and teaches you about photography from an old school master who is speaking from experience instead of hearing younger UA-cam’s who typically are either trying to promote equipment or sell you skillshare. Not to say I don’t appreciate their take on street photography, but as a 48 year old I don’t need to hear fluff, I would prefer to listen to straight up, get to the point discussions about the art of photography that I love. This channel gives you that. It’s honest and raw 👍
Very good advices and I bought last Saturday your book about street photography in Litchfield. I'm from Lisbon and is difficult not missing that light of that city.
That was absolutely wonderful video presentation. It was filled with lots of practical information for setting up my camera for street photography. Thank you very much.😊
Excellent information and way to configure the camera for street photography, the clarity of its exposure resolved some doubts and left me ready to return to the street. Greetings, see you soon
ABSOLUTELY LOVE THE INFORMATION! I'm a photojournalist here in Chicago, and I never stop learning about improving my street photography...again thanks!
I'd like to thank you very much for this video! I'm trying to change a bit more in my photographic style these days and your approach on keeping the aperture at f8 an focus manual via zone focus to keep all the context information alive sounds really worth to try! I like the idea of leaving all that focus-point-fiddeling behind and concentrate on the concrete scene instead. Great idea! Thank you, thank you, thank you :)
Great tips as always, thanks! When I am on the streets with my X100v (35mm or 28mm equivalent), I set time on 1/200-1/500 s, focusing manual using zone focus, and use auto-ISO. Nothing better and faster than that, provided light is not changing too much. I still can use the exposure compensation if necessary. Very much as you propose.
I would like your opinion on focal length and zone focusing. I would like to know if you agree with these focus ranges. I came across another video that suggested using 10 feet as your set focus for 50mm lens, 6 feet for 35mm lens, and 4 feet for 28mm lens. I am not sure what the distances are in meters or if they works for a crop factor lens. What do you think?
I think those figures are a bit arbitrary to be honest: it depends on a number of factors like sensor size (or film format), focal length and aperture. Personally I wouldn't attempt zone focusing with a 50mm lens as the zone will be too small. There's a good (free) app called True DOF which will give you the accurate figures.
Interesting video, Brian. I hope you do make a follow up that goes more into detail on zone focusing. The ability to divert the mental effort otherwise devoted to focusing toward composition and timing sounds like a dream. I will have to try it. I'm a big fan of Fuji, having owned the X-T1, X-T2, and X-T3. That said, I've found shooting street using AF with an R5 is orders-of-magnitude easier than any Fuji body. Continuous AF is vastly more reliable, as is Canon's Eye Tracking AF. But what really sets the R5 apart is its ability to use _dual_ back button AF. One button can be configured to focus in the traditional way on whatever is under the focus point(s). The other can be configured to use Eye AF-either on the subject under your focus point or the closest subject in a scene or a moveable zone. This is really a game changer for situations where manual zone focus may not work as well (e.g., wider apertures and longer focal lengths). With a well lit scene, you don't even need to look through the viewfinder to know that your subject's eyes will be in focus, assuming that your subject is the closest person to you within your scene or chosen zone. This is still not as easy as manual zone focusing in many situations but it's pretty cool nonetheless. Finally, as a professional video editor I have to ask: What camera were you using that was constantly popping in and out of focus? Was it another Fuji? I hope not but I fear otherwise. 🙂
Thanks for getting back to me. I'm learning much from your videos. I'm at the start of preparing a street photography panel for an RPS fellowship and your video on projects was exactly what I needed. I've ordered your street photography assignment book but I live in France and the cost of postage is more than the price of the book! Stay well.
You said it, there is no right or wrong way, once you have taken many shots and find your way for success! With Micro Four Thirds cameras, the f8 range of your APS-C camera can now drop to f4 for everything in focus, though it is great on up to f8 on most lenses. Diffraction on MFT kicks in on some lenses after f8. I will have to try light compensation, with light to the back, more than the 1/3rd I was using, but unlike APS-C sensors if an area is too much underexposed I get noise -- yep, unlike my APS-C and FF cameras. What I found on the street however, is the beauty of 4:3 ration of MFT cameras, and fast and accurate focusing on Lumix and Olympus, no matter what the UA-camrs say -- contrast detect works. Actually, I do reposition the focus area where I predict the subject will be in the frame, choosing a backdrop area which will be correct for a real street shot -- not a bokeh monster. The Lumix, GX-9 screen is super responsive, with a light tap the focus point resets, though you can also slide the finger. To mix things up you can use other aperture settings to get something in-between blur and sharp in the background, which would be f4, f5.6, or 6.3 on APS-c. And yes, I understand that your zone focusing would be wrong -- not work in such a case. People like to say FF is the way for shallow depth of field, and they are right for portraits, and they tend to take loads of portraits on the street instead of street photography. Instead of f4 or f5.6 they got it wide-open to f1.4 or f1.8 which is great if you care to get a nose, or an eye, or a set of glasses in focus :)) With FF, to get your f8, you need f11 or better. But like anything else, now and then wide open, or nearly so just works, and of course the lens in use -- is it wide or tele? My minimum shutter speed is 1/400s on my Lumix, and on some of my cameras 1/500, though I guess I could drop it to 1/250 if available as an option. Some camera do NOT offer a minimum shutter speed, thus you can use Shutter Priority of 1/400, give or take, maybe 1/320s is available. On an MFT -- no problem with this.... usually. Even a fast f1.8 setting, and some distance from subject still gives some background detail -- some. The 1/400s will usually work if someone moves a hand quickly, or you snap a shot of a passing bike, whereas I had times with issues in the 1/200s range. With my faster lenses, I can open up a bit and get faster shutter speeds if something like a motorbike is passing, if I have the time. Another consideration on street shooters is to find cameras with tilt-only, when possible. My Canon RP has the swivel - flip out thing -- don't like that. And the focusing has a tendency to not focus on something moving by, when on single-shot, and after it hesitates, ends up missing focus or of course find a wrong spot to focus on. I am no fan of Dual-Pixel focusing. It works until it doesn't. The RP is better in low-light. My Nikon, cheapie D3500 has good dynamic range. Overall, for the street, I am liking Lumix and Olympus for all the other qualities. - Take care, Loren Schwiderski
Great response Loren- many thanks! I think MFT cameras can be great for street photography in so many ways. I had a Pen-F when they first came out and really liked it….. but then along came the X-Pro2 ;-)
I have also learned to use Sunny 16 rule: f/16 when sunny day, f/4 when cloudy. ISO whatever required/wanted and shutter speed closest to ISO. Example for cloudy day: ISO 125, SS 1/125, f/4, adjust either ISO or SS if too dark.
Brian I have learned so much in this 20 min video. So thanks very much. I am looking forward to using these techniques… I am receiving my X100T tomorrow stepping up from my beginner Canon 200d. Watch out Manchester Christmas markets for some great street photography 😂🎉
Hey! How's it going? I just wanted to swing by and give you a big shoutout for your latest video. Seriously, it was such a game-changer for me and I learned so much from it! Your content is always top-notch and I can tell you really pour your heart and soul into everything you share with us. Grettings from Spain. I hope you're having an awesome day and keep up the amazing work!
Thank you for this useful video. I usually use the same settings on my X100V: aperture priority, F8, ISO auto and 1/200 or 1/250 for shutter speed. But instead of using the exposure compensation dial on the top of the camera, i do prefer to set it on C and then set my exposure compensation with the front command dial. I think it's better and easier for my fingers.
Excellent explanation of set up. The only exception for me is that I don't trust my vision to detect sharp focus. Back button focus give me more assurance.
Interesting advice. This afternoon I was shooting fishermen at a salmon run, shifting between shooting upstream into the sun and downstream which was much darker. I should have used your settings suggestions to avoid missing the action.
Excellent and useful information. I’m wondering if you have considered switching off the auto focusing on the camera you’re using to recorded the video? Maybe zone focusing would prevent all that ‘hunting’.
Great video. Very valuable for a learner like me. I am looking forward to the video on Zone focussing, as my Sony APS-C lenses don't have a distance scale on them. At the moment, I set my camera at F8 on a 28mm lens and pre-focus at a distance of 3m. The exposure comp has been a real revelation for me. I mostly shoot in Aperture priority now. Thanks again for the videos.
Auto-focus I don't have I use only legacy lens. I take time to adjust and to compose, try to avoid snapping, cropping. Only in the wild west would I try to be the faster shooter. It's my evolution, in the past I was also a snapper. it's a way of resisting this frenetic, hyper-active, crazy media world which is constantly accelerating.
For Street, I am using the Sony A7C with the Tamron 20-40/2.8. My standard settings are ISO 100-12.800, Shuter speed not below 1/250s und Apeture of 4,0. The A7C has an excellent AF incl Face und AyeAF and Real Time Tracking (RTT), I don't need to work with zone focus, the AF gets the target always. Its a very powerful combo for street!
I set my x100 f @ f8 ss 500, and my iso I set with the little wheel at front of the camera. Depending on the light. This is my base setting for street.
Set and settings can be a bit of an iron cage, mitigating contingent factors like exposure, ISO, focus, but fiddling with the dials can bring about welcomed and unexpected results which is not a bad thing.
Hi im 64 years young, and new to this thing, going to start street photography in London. My camera is a Lumix TZ200, I can only afford photoshop elements, would this be any good to edit my photos. Cheers would love your feedback.
Many thanks Brian for this lucid and necessary guide. I'm looking closely at the Fuji X-pro 3 but am concerned about the lack of ICS. Has this every been a problem for you - do you have a workaround? Maybe the Fuji XT5 would serve me equally well for street photography? Stay well.
Hi Gerry, thanks for your comment. I’ve used the 3 for 2-3 years and never had an issue with the lack of ICS to be honest. I’ve always found it a ‘nice to have’ rather than essential. The XT-5 is an amazing camera but I’d find it a bit bulky for street and I much prefer the rangefinder form. But they’re both terrific cameras!
Interesting settings... but what about the most non professional cameras out there that don't have minimum shutter speed setting on auto ISO? That's a rare (or non existent) feature for cameras under 1000$, my Sony a6000 doesn't have it, nor any of my older Canon EOS Rebel dslrs (actually, only the xxD models have it). The second best option, for me, is Manual with Auto ISO, but again, non of these cameras have a separate EV dial (except Fuji models that costs over 1000$ anyway). Street photography costs money! But after years i found my way around these problems: Manual mode, MF lens, zone focus and setting ISO a little bit higher than needed for flexibility with my shutter speed.
Fuji makes it very easy to use compensation by keeping a traditional dial. Nikon and others, when they moved to dslr, change this to buttons and wheels, which makes it harder to coordinate on the fly.
On my Canon RF lenses I set the controlring on the lens to exposure compensation, which is really handy. First I didn’t know what to use the ring for, but now I can’t do without it.
Another great and valuable video, great job👊.I have known my settings for a long time and it is the priority of the aperture with manual ISO settings, but even so, this video is very educational.
I've only been shooting for just over a year, but I've developed my own settings system for street photography. I use exclusively vintage glass, so it's manual for me. But I have my shutter speed set to 500 or sometimes higher if it's windy. My ISO is auto with a max of 3200. And for street I keep the aperture around f/8 and then tweak quickly as needed. It's essentially the same as aperture priority in practice and I know my main lenses so I can usually change aperture without taking my eye away from the viewfinder- or screen if I am shooting lower. And the same with focussing. That's been working for me. 995 of the time I don't have to do anything other than point the lens and push the button.
I’ve got two sets of settings: “photographer mode” and “bag mode”. When I’m out, shooting with intention (i.e. “photographer mode”), I prefer this “semi-manual” mode (manual w/ auto ISO). And my AF is in center focus w tracking mode. But when I put it in the bag, I put it in “bag mode”, effectively aperture mode (and at my preferred aperture) and a wide area AF, person priority. My semi-manual “photographer mode” gives me the control I crave when I’m creating art. But when fumbling to grab camera out of the bag to capture some fleeting moment, the speed of aperture mode is brilliant. It really is great to leave camera in the mode where I can turn it on, swing it up to the eye (or not even!), and take a shot, and be reasonably confident that I can capture the moment. I’ve just lost too many shots when camera was in the bag and I couldn’t get it out and adjust settings quickly enough. I might recommend a safe and fast “bag mode! On the AF discussion, there is still quite a bit of variance in cameras, so I don’t share the author’s optimism on that score. There are cameras with brilliant AF, but there are some that still have lackluster performance.
J'utilise les mêmes réglages que vous sur mon X100V. Cependant, je vais essayer le manual focus pour éviter comme vous le dîtes le fait de mettre le sujet sur le carré vert et ensuite de recadrer. Merci pour le conseil.
There are times, some blown highlights in MFT, might be needed when you want to get the faces on the streets -- the main subject matter. I take it you are using the Zebras to visualize the blown areas when shooting. GX-9 is a great street shooter. I recently got the 30mm macro lens -- works great. That 12-60mm zoom is great too. Fine for most bright days. Take care, Loren
@@lorenschwiderski true, I'm prefer shapes, shadows than faces, maybe that's why👍 Btw I have 42,5 for my street shots, best lens for introverts 😁 and 15 mm for architecture, landscapes and crowds🙂
As I understand things as youve pointed out that there is no right or wrong way as photography is subjective. Personally I prefer shooting full manual and raw. Interesting video though.
When shooting into the sun, with your Fujifilm camera, do you find a +2/3 is required, or do you go +1 ? The dreaded blown highlights, or completely blow - out is what concerns me. I have been using 1/3 to 2/3 on my MFT . Your Xtrans sensor will give you pretty good dynamic range and decent ISO performance. With MFT sensors you have a little less to play with. Canon doesn't seem to have great dynamic range, but then again, the metering is very good, and gets it right. That and color -- the Canon glory. For the street, I am liking MFT camera, and think the Fujifilm would make a great camera as well, should I ever jump systems. I hear good things about the Ricoh GR IIIx. At times I need my viewfinder though. Thanks for your videos -- Loren
Hi Loren, great question and I guess the answer depends on the strength of the sun and its position relative to the subject. Plus-1 sounds about right for most scenarios.
Full manual has its place, but it's not in street photography. Some will say why not just Full auto then seen as it's doing everything for you with the settings you/we use, well no it's actually doing what we want it to do as a custom auto where Full auto doesn't know what aperture or shutter we want
pretty helpful Brian, thanks. Unfortunately canon m50 doesn't have a minimum - max iso setting or s/speed as you first mentioned. I kinda must be manual because it's a very sensitive camera from 1000 iso and after.
This is a timely video for me as I haven't done much photography over the past 2 years and just started getting back out. Unfortunately I forgot what I was using in the past. Also just found your channel and going through the archives. Lots of great videos. Greetings from Toronto.
Next video… How to setup your auto focus when filming yourself for a youtube channel. I am feeling a bit dizzy after watching this 😅 Less shallow depth of field - better autofocus system - manual focus - …
It's funny that for street photography we have to choose settings that essentially turn our camera into a "point and shoot" system. But it works quite well, eliminating all distractions and allowing us to focus on the essentials: framing. My only small reservation compared to what is proposed in the video is multi metering. Often the cmera is much too smart for me, so often I prefer the center weighted metering. With the EVF or EVF recall in the OVF, we have everything we need to control the exposure.
At around 9:20 you say you are constantly adjusting the exposure compensation. How do you determine the value of compensation for a particular shot? You say you could be lowering the exposure by three stops or more. How do you quickly determine these values?
Hi Brian. There is less of a compromise when using a monochrome sensor. And manual focus can be huge asset when combined with a long depth of field. I suppose they are many ways to approach this. Or for any genre of photography. Alex Webb used a full frame camera. With mostly a 35mm lens. And film. Supposedly not as automated as the faux automated film camera like Xpro 3. Creative exposures aren’t just subservient to compensation exposures or aperture. You need total control including shutter speeds. Your talk seems to indicate most people who see this should follow a cookie cutter approach. Spot metering or highlight weighted metering might be better than multi metering. Alex Webb possibly had to think using a manual leica compared to you not thinking when using the Fujifilm. Maybe that’s the difference.
He’s given a simple set up to people who are learning photography. And says at the end he says it’s just one way to go about it. You aren’t TOO pompous 😅
As you said, you are in Lisboa , I would like to have the opportunity take some fotos with you. I live nearby and i'm passionate about photografy since my 8 years old
Hi Antonio - I’ll be doing 3 workshops in Lisbon next year - it would be great if you could join us! Details will be on the website later this year :-)
Good morning. On cloudy days, do you under expos your image with aperture mode using the exposure compensation dial and how many stops is perfect, like a half, 1 stop, or two stops? Thank you.
Hi Brian interesting video thanks. I usually shoot my XT4 in manual, but I thought I try this, however having set auto ISO as described, I’ve noticed the ss drops to slower than 1/200 (i.e. 1/8, 1/4 etc). I thought the slowest shutter speed would be 1/200? Any idea what I have done wrong please. Thanks
Yep, “aperture priority”. “A” on most cameras (that have the P/A/S/M options). On some camera makes, it is labeled “Av” (on those featuring modes of P/Av/Tv/M). Not to be confused with “automatic” mode (often the letter “A” in a little box) that you might also see on the mode dial.
Finally a channel that explains and teaches you about photography from an old school master who is speaking from experience instead of hearing younger UA-cam’s who typically are either trying to promote equipment or sell you skillshare. Not to say I don’t appreciate their take on street photography, but as a 48 year old I don’t need to hear fluff, I would prefer to listen to straight up, get to the point discussions about the art of photography that I love. This channel gives you that. It’s honest and raw 👍
As a 34 old - totally agree
As a 73-year-old, I totally agree.
a pleasure listening to a pro who is not telling about birds shooting with huge lens. Thank you Sir
Certainly cleared a lot of stuff up, very good guide.
Great Video. Thank you. 🙏🏻
Hi Brian, Mark here! Long time no speak!A cracking series of videos. Much appreciated. All the best 🙂
Thanks buddy, nice to hear from you. Would be good to catch up for a beer one of these days?
Very good advices and I bought last Saturday your book about street photography in Litchfield. I'm from Lisbon and is difficult not missing that light of that city.
Fantastic content! So glad I found your channel!
Thank you … easy to understand. I’ve just set my camera up using this method … can’t wait to get out there
That was absolutely wonderful video presentation. It was filled with lots of practical information for setting up my camera for street photography. Thank you very much.😊
Thank you doing this video. The zone/manual focus tip is really enlightening. Something I must delve into more.
Excellent information and way to configure the camera for street photography, the clarity of its exposure resolved some doubts and left me ready to return to the street. Greetings, see you soon
Great to have found your channel Brian. So much of what you have to say really clicks with me - pun intended. I'll be back for more!
Nice video. I find that f6.4 and 1/500 sec work well to ensure that any motion is usually stopped in well-lit scenes.
ABSOLUTELY LOVE THE INFORMATION! I'm a photojournalist here in Chicago, and I never stop learning about improving my street photography...again thanks!
Best video on Aperture Priority I have seen..
Great information/video I hope it will not take as long until upload a follow up video!
GOOD EXPLANATION AND YOU SPEAK VERY GENUINELY ON YOUR EXPERIENCE
Back button focus has been a revelation for me. Actually I wish there was a trigger on the front grip for focusing. That would be even better.
Yes, lots of people couldn’t live without BBF. Maybe I should persevere with it!
Excellent video. Great to hear your perspective. Thank you so much.
I'd like to thank you very much for this video! I'm trying to change a bit more in my photographic style these days and your approach on keeping the aperture at f8 an focus manual via zone focus to keep all the context information alive sounds really worth to try! I like the idea of leaving all that focus-point-fiddeling behind and concentrate on the concrete scene instead. Great idea! Thank you, thank you, thank you :)
i will try to make a practice following the given setting sir - appreciate for your information and your experience is priceless.
Great tips as always, thanks!
When I am on the streets with my X100v (35mm or 28mm equivalent), I set time on 1/200-1/500 s, focusing manual using zone focus, and use auto-ISO. Nothing better and faster than that, provided light is not changing too much. I still can use the exposure compensation if necessary. Very much as you propose.
Good video, plenty of good info. Thanks for sharing Brian.
Good video. Thanks
I would like your opinion on focal length and zone focusing. I would like to know if you agree with these focus ranges. I came across another video that suggested using 10 feet as your set focus for 50mm lens, 6 feet for 35mm lens, and 4 feet for 28mm lens. I am not sure what the distances are in meters or if they works for a crop factor lens. What do you think?
I think those figures are a bit arbitrary to be honest: it depends on a number of factors like sensor size (or film format), focal length and aperture. Personally I wouldn't attempt zone focusing with a 50mm lens as the zone will be too small. There's a good (free) app called True DOF which will give you the accurate figures.
Interesting video, Brian. I hope you do make a follow up that goes more into detail on zone focusing. The ability to divert the mental effort otherwise devoted to focusing toward composition and timing sounds like a dream. I will have to try it.
I'm a big fan of Fuji, having owned the X-T1, X-T2, and X-T3. That said, I've found shooting street using AF with an R5 is orders-of-magnitude easier than any Fuji body. Continuous AF is vastly more reliable, as is Canon's Eye Tracking AF. But what really sets the R5 apart is its ability to use _dual_ back button AF. One button can be configured to focus in the traditional way on whatever is under the focus point(s). The other can be configured to use Eye AF-either on the subject under your focus point or the closest subject in a scene or a moveable zone. This is really a game changer for situations where manual zone focus may not work as well (e.g., wider apertures and longer focal lengths). With a well lit scene, you don't even need to look through the viewfinder to know that your subject's eyes will be in focus, assuming that your subject is the closest person to you within your scene or chosen zone. This is still not as easy as manual zone focusing in many situations but it's pretty cool nonetheless.
Finally, as a professional video editor I have to ask: What camera were you using that was constantly popping in and out of focus? Was it another Fuji? I hope not but I fear otherwise. 🙂
Excellent video
Thank you for explaining how you use manual focus and zone focusing. I knew there had to be a better way! : )
Thanks for getting back to me. I'm learning much from your videos. I'm at the start of preparing a street photography panel for an RPS fellowship and your video on projects was exactly what I needed. I've ordered your street photography assignment book but I live in France and the cost of postage is more than the price of the book! Stay well.
Thanks Gerry - best of luck with your projects!
Excellent tips, Brian, and I'm glad you're having a video coming for zone and back-button focusing. Thanks!
I greatly enjoy and appreciate your Street Photography videos. Thank you so much....
Th aka Bobby - glad you like it!
You said it, there is no right or wrong way, once you have taken many shots and find your way for success! With Micro Four Thirds cameras, the f8 range of your APS-C camera can now drop to f4 for everything in focus, though it is great on up to f8 on most lenses. Diffraction on MFT kicks in on some lenses after f8. I will have to try light compensation, with light to the back, more than the 1/3rd I was using, but unlike APS-C sensors if an area is too much underexposed I get noise -- yep, unlike my APS-C and FF cameras. What I found on the street however, is the beauty of 4:3 ration of MFT cameras, and fast and accurate focusing on Lumix and Olympus, no matter what the UA-camrs say -- contrast detect works. Actually, I do reposition the focus area where I predict the subject will be in the frame, choosing a backdrop area which will be correct for a real street shot -- not a bokeh monster. The Lumix, GX-9 screen is super responsive, with a light tap the focus point resets, though you can also slide the finger. To mix things up you can use other aperture settings to get something in-between blur and sharp in the background, which would be f4, f5.6, or 6.3 on APS-c. And yes, I understand that your zone focusing would be wrong -- not work in such a case. People like to say FF is the way for shallow depth of field, and they are right for portraits, and they tend to take loads of portraits on the street instead of street photography. Instead of f4 or f5.6 they got it wide-open to f1.4 or f1.8 which is great if you care to get a nose, or an eye, or a set of glasses in focus :)) With FF, to get your f8, you need f11 or better. But like anything else, now and then wide open, or nearly so just works, and of course the lens in use -- is it wide or tele? My minimum shutter speed is 1/400s on my Lumix, and on some of my cameras 1/500, though I guess I could drop it to 1/250 if available as an option. Some camera do NOT offer a minimum shutter speed, thus you can use Shutter Priority of 1/400, give or take, maybe 1/320s is available. On an MFT -- no problem with this.... usually. Even a fast f1.8 setting, and some distance from subject still gives some background detail -- some. The 1/400s will usually work if someone moves a hand quickly, or you snap a shot of a passing bike, whereas I had times with issues in the 1/200s range. With my faster lenses, I can open up a bit and get faster shutter speeds if something like a motorbike is passing, if I have the time. Another consideration on street shooters is to find cameras with tilt-only, when possible. My Canon RP has the swivel - flip out thing -- don't like that. And the focusing has a tendency to not focus on something moving by, when on single-shot, and after it hesitates, ends up missing focus or of course find a wrong spot to focus on. I am no fan of Dual-Pixel focusing. It works until it doesn't. The RP is better in low-light. My Nikon, cheapie D3500 has good dynamic range. Overall, for the street, I am liking Lumix and Olympus for all the other qualities.
- Take care, Loren Schwiderski
Great response Loren- many thanks! I think MFT cameras can be great for street photography in so many ways. I had a Pen-F when they first came out and really liked it….. but then along came the X-Pro2 ;-)
I have also learned to use Sunny 16 rule: f/16 when sunny day, f/4 when cloudy. ISO whatever required/wanted and shutter speed closest to ISO.
Example for cloudy day: ISO 125, SS 1/125, f/4, adjust either ISO or SS if too dark.
Just started back button focusing on my x-pro 3 for street and LOVE IT!
Glad it works for you, Thomas! It’s a revelation for many people :-)
2:27 what a capture
Brian I have learned so much in this 20 min video. So thanks very much. I am looking forward to using these techniques… I am receiving my X100T tomorrow stepping up from my beginner Canon 200d. Watch out Manchester Christmas markets for some great street photography 😂🎉
Hey! How's it going? I just wanted to swing by and give you a big shoutout for your latest video. Seriously, it was such a game-changer for me and I learned so much from it! Your content is always top-notch and I can tell you really pour your heart and soul into everything you share with us.
Grettings from Spain. I hope you're having an awesome day and keep up the amazing work!
great tips, thank you very much I will be trying your set up next time i am out shooting
Thanks for the feedback! Good luck on the streets :-)
Thank you for this useful video. I usually use the same settings on my X100V: aperture priority, F8, ISO auto and 1/200 or 1/250 for shutter speed.
But instead of using the exposure compensation dial on the top of the camera, i do prefer to set it on C and then set my exposure compensation with the front command dial. I think it's better and easier for my fingers.
Excellent explanation of set up. The only exception for me is that I don't trust my vision to detect sharp focus. Back button focus give me more assurance.
Interesting advice. This afternoon I was shooting fishermen at a salmon run, shifting between shooting upstream into the sun and downstream which was much darker. I should have used your settings suggestions to avoid missing the action.
Excellent and useful information. I’m wondering if you have considered switching off the auto focusing on the camera you’re using to recorded the video? Maybe zone focusing would prevent all that ‘hunting’.
Your wrist watch is awesome. Can you please share which watch you are wearing. Thank you.
Excellent.Many thanks !
Thanks Brian very informative going to have a go at this 👍
Really looking forward to more vids….. great source of knowledge…. Ty
Fantastic! Just what I was looking for.
Great - thanks for watching, Art :-)
Awesome tips buddy , really very useful one for me , wishes from India 🇮🇳
Great video. Very valuable for a learner like me.
I am looking forward to the video on Zone focussing, as my Sony APS-C lenses don't have a distance scale on them. At the moment, I set my camera at F8 on a 28mm lens and pre-focus at a distance of 3m.
The exposure comp has been a real revelation for me. I mostly shoot in Aperture priority now.
Thanks again for the videos.
Thanks very much for the feedback Kaushal :-)
Auto-focus I don't have I use only legacy lens. I take time to adjust and to compose, try to avoid snapping, cropping. Only in the wild west would I try to be the faster shooter. It's my evolution, in the past I was also a snapper. it's a way of resisting this frenetic, hyper-active, crazy media world which is constantly accelerating.
Same here, when the moments show up i snap it, but i usually stop and stay in the place i like and wait it for someone to pass it by
thank you for this youtube channel!
For Street, I am using the Sony A7C with the Tamron 20-40/2.8. My standard settings are ISO 100-12.800, Shuter speed not below 1/250s und Apeture of 4,0. The A7C has an excellent AF incl Face und AyeAF and Real Time Tracking (RTT), I don't need to work with zone focus, the AF gets the target always. Its a very powerful combo for street!
Yes, the A7C has very good AF!
Thank you sir for your wise advice! ❤
Excellent advice Brian ..x
I set my x100 f @ f8 ss 500, and
my iso I set with the little wheel at
front of the camera. Depending
on the light. This is my base
setting for street.
So very well done sir! Thank you. A new happy subscriber. Jp
Good tips and tutorial. Just subscribed.
Thanks very much Lyn :-)
Thank you. Really helpful 👌
Thanks!
Set and settings can be a bit of an iron cage, mitigating contingent factors like exposure, ISO, focus, but fiddling with the dials can bring about welcomed and unexpected results which is not a bad thing.
Great content I'm fairly new to street photography but I do really enjoy it and these are great tips for me 👍
Thanks for the feedback Kevin. Good luck on your SP journey :-)
Hi im 64 years young, and new to this thing, going to start street photography in London. My camera is a Lumix TZ200, I can only afford photoshop elements, would this be any good to edit my photos. Cheers would love your feedback.
I'm doing the thing with exposure compensation as well, thats Amazing
Many thanks Brian for this lucid and necessary guide. I'm looking closely at the Fuji X-pro 3 but am concerned about the lack of ICS. Has this every been a problem for you - do you have a workaround? Maybe the Fuji XT5 would serve me equally well for street photography? Stay well.
Hi Gerry, thanks for your comment. I’ve used the 3 for 2-3 years and never had an issue with the lack of ICS to be honest. I’ve always found it a ‘nice to have’ rather than essential. The XT-5 is an amazing camera but I’d find it a bit bulky for street and I much prefer the rangefinder form. But they’re both terrific cameras!
@@StreetSnappers
Thank you, you've given me so much that makes sense! Do you do any NY workshops? Take care Brian.
Hello thanks ofr a great video I need help finding the video on Zone Focus you mention.
The Fuji XT4 has a button on the front which I’ve set to focus📷👍🏼
Good idea :-)
Interesting settings... but what about the most non professional cameras out there that don't have minimum shutter speed setting on auto ISO? That's a rare (or non existent) feature for cameras under 1000$, my Sony a6000 doesn't have it, nor any of my older Canon EOS Rebel dslrs (actually, only the xxD models have it). The second best option, for me, is Manual with Auto ISO, but again, non of these cameras have a separate EV dial (except Fuji models that costs over 1000$ anyway). Street photography costs money! But after years i found my way around these problems: Manual mode, MF lens, zone focus and setting ISO a little bit higher than needed for flexibility with my shutter speed.
Fuji makes it very easy to use compensation by keeping a traditional dial.
Nikon and others, when they moved to dslr, change this to buttons and wheels, which makes it harder to coordinate on the fly.
Yes, I agree, though I guess with practice it becomes a little easier and more intuitive.
On my Canon RF lenses I set the controlring on the lens to exposure compensation, which is really handy. First I didn’t know what to use the ring for, but now I can’t do without it.
Another great and valuable video, great job👊.I have known my settings for a long time and it is the priority of the aperture with manual ISO settings, but even so, this video is very educational.
Put the compensation dial on C and use the front dial wheel and it gives you 5 steps either way instead of 3.
Yes, that’s a good tip, though personally I like to keep a visual check on the dial.
Good idea but I find wheels harder to use for some reason
I've only been shooting for just over a year, but I've developed my own settings system for street photography. I use exclusively vintage glass, so it's manual for me. But I have my shutter speed set to 500 or sometimes higher if it's windy. My ISO is auto with a max of 3200. And for street I keep the aperture around f/8 and then tweak quickly as needed. It's essentially the same as aperture priority in practice and I know my main lenses so I can usually change aperture without taking my eye away from the viewfinder- or screen if I am shooting lower. And the same with focussing.
That's been working for me. 995 of the time I don't have to do anything other than point the lens and push the button.
I may try using the exp comp in that way at some point.
I’ve got two sets of settings: “photographer mode” and “bag mode”.
When I’m out, shooting with intention (i.e. “photographer mode”), I prefer this “semi-manual” mode (manual w/ auto ISO). And my AF is in center focus w tracking mode.
But when I put it in the bag, I put it in “bag mode”, effectively aperture mode (and at my preferred aperture) and a wide area AF, person priority. My semi-manual “photographer mode” gives me the control I crave when I’m creating art. But when fumbling to grab camera out of the bag to capture some fleeting moment, the speed of aperture mode is brilliant. It really is great to leave camera in the mode where I can turn it on, swing it up to the eye (or not even!), and take a shot, and be reasonably confident that I can capture the moment. I’ve just lost too many shots when camera was in the bag and I couldn’t get it out and adjust settings quickly enough. I might recommend a safe and fast “bag mode!
On the AF discussion, there is still quite a bit of variance in cameras, so I don’t share the author’s optimism on that score. There are cameras with brilliant AF, but there are some that still have lackluster performance.
Great video! If you are talking about f8 is that in full frame terms? I use a mft camera. Would I get the same depth of field with f4?
J'utilise les mêmes réglages que vous sur mon X100V. Cependant, je vais essayer le manual focus pour éviter comme vous le dîtes le fait de mettre le sujet sur le carré vert et ensuite de recadrer. Merci pour le conseil.
My pleasure - thanks for your feedback!
My gx9 settings for sunny days: manual, ISO 200, SS 1000, F5. Do everything to save highlights.
There are times, some blown highlights in MFT, might be needed when you want to get the faces on the streets -- the main subject matter. I take it you are using the Zebras to visualize the blown areas when shooting. GX-9 is a great street shooter. I recently got the 30mm macro lens -- works great. That 12-60mm zoom is great too. Fine for most bright days. Take care, Loren
@@lorenschwiderski true, I'm prefer shapes, shadows than faces, maybe that's why👍
Btw I have 42,5 for my street shots, best lens for introverts 😁 and 15 mm for architecture, landscapes and crowds🙂
@@mross77 Great lenses. I have 45mm Olympus and 14mm Lumix. In that lens range.
Sounds good to me Mike. The Gx9 is a great little camera :-)
Merci Monsieur !
excellent advise , thanks 👍👍👍👍
As I understand things as youve pointed out that there is no right or wrong way as photography is subjective.
Personally I prefer shooting full manual and raw.
Interesting video though.
What is your opinion on the Nikon D90 as a beginner camera with a 50x 1.8 lens.
When shooting into the sun, with your Fujifilm camera, do you find a +2/3 is required, or do you go +1 ? The dreaded blown highlights, or completely blow - out is what concerns me. I have been using 1/3 to 2/3 on my MFT . Your Xtrans sensor will give you pretty good dynamic range and decent ISO performance. With MFT sensors you have a little less to play with. Canon doesn't seem to have great dynamic range, but then again, the metering is very good, and gets it right. That and color -- the Canon glory. For the street, I am liking MFT camera, and think the Fujifilm would make a great camera as well, should I ever jump systems. I hear good things about the Ricoh GR IIIx. At times I need my viewfinder though. Thanks for your videos -- Loren
Hi Loren, great question and I guess the answer depends on the strength of the sun and its position relative to the subject. Plus-1 sounds about right for most scenarios.
Very cool, thanks!
Thank You Sir!!!
Full manual has its place, but it's not in street photography. Some will say why not just Full auto then seen as it's doing everything for you with the settings you/we use, well no it's actually doing what we want it to do as a custom auto where Full auto doesn't know what aperture or shutter we want
pretty helpful Brian, thanks. Unfortunately canon m50 doesn't have a minimum - max iso setting or s/speed as you first mentioned. I kinda must be manual because it's a very sensitive camera from 1000 iso and after.
This is a timely video for me as I haven't done much photography over the past 2 years and just started getting back out. Unfortunately I forgot what I was using in the past.
Also just found your channel and going through the archives. Lots of great videos.
Greetings from Toronto.
I just find your channel...new sub....
Thanks for subbing!
What do you use for your dynamic range? 100? Auto? I understand it the dynamic range sitting on Fujis effects the JPEG AND RAW.
With F8 on a FF i easily get to iso 12800 (which was maximum allowed) during the mid day in areas not very lit.
很棒的分享赞👍
Next video… How to setup your auto focus when filming yourself for a youtube channel. I am feeling a bit dizzy after watching this 😅
Less shallow depth of field - better autofocus system - manual focus - …
Yes, I’m still learning when it comes to video…..
It's funny that for street photography we have to choose settings that essentially turn our camera into a "point and shoot" system. But it works quite well, eliminating all distractions and allowing us to focus on the essentials: framing.
My only small reservation compared to what is proposed in the video is multi metering. Often the cmera is much too smart for me, so often I prefer the center weighted metering. With the EVF or EVF recall in the OVF, we have everything we need to control the exposure.
At around 9:20 you say you are constantly adjusting the exposure compensation.
How do you determine the value of compensation for a particular shot?
You say you could be lowering the exposure by three stops or more.
How do you quickly determine these values?
Hi Brian. There is less of a compromise when using a monochrome sensor. And manual focus can be huge asset when combined with a long depth of field. I suppose they are many ways to approach this. Or for any genre of photography. Alex Webb used a full frame camera. With mostly a 35mm lens. And film. Supposedly not as automated as the faux automated film camera like Xpro 3. Creative exposures aren’t just subservient to compensation exposures or aperture. You need total control including shutter speeds. Your talk seems to indicate most people who see this should follow a cookie cutter approach. Spot metering or highlight weighted metering might be better than multi metering. Alex Webb possibly had to think using a manual leica compared to you not thinking when using the Fujifilm. Maybe that’s the difference.
He’s given a simple set up to people who are learning photography. And says at the end he says it’s just one way to go about it. You aren’t TOO pompous 😅
@@trappedindc8678 thanks for your comments. We see things differently. That’s alright.
As you said, you are in Lisboa , I would like to have the opportunity take some fotos with you. I live nearby and i'm passionate about photografy since my 8 years old
Hi Antonio - I’ll be doing 3 workshops in Lisbon next year - it would be great if you could join us! Details will be on the website later this year :-)
Nice shirt, man.
Waiting for the zone focusing video, thanks!
Coming later this year!
Thanks for this vdieo
Good morning. On cloudy days, do you under expos your image with aperture mode using the exposure compensation dial and how many stops is perfect, like a half, 1 stop, or two stops?
Thank you.
Hi Brian interesting video thanks. I usually shoot my XT4 in manual, but I thought I try this, however having set auto ISO as described, I’ve noticed the ss drops to slower than 1/200 (i.e. 1/8, 1/4 etc). I thought the slowest shutter speed would be 1/200? Any idea what I have done wrong please. Thanks
It might be hitting the upper limit of your auto ISO.
So, is the shutter speed dial set to A?
Thanks
Caula
Yes, but the minimum shutter speed is set to 200th in the ISO custom setting!
Yes, that’s it :-)
Yep, “aperture priority”. “A” on most cameras (that have the P/A/S/M options). On some camera makes, it is labeled “Av” (on those featuring modes of P/Av/Tv/M). Not to be confused with “automatic” mode (often the letter “A” in a little box) that you might also see on the mode dial.