This is brilliant, relevant for people ay any level, and applicable. One of the best online jazz lessons, because it's not a lick; it's a concept you can adopt. Thank you and Peace
That's actually a great tip. I saw in other lesson, that I need to make some sounds stand out by finishing on them, but I constantly struggle to find them on the fretboard, i keep forgetting where to finish a part of the lick etc. and you made my day so I can noodle in peace and really f e e l the music. Great stuff!
Holy shit thats a really good rule of thumb. I'm not super music-smart, but remembering to just play the minor scale over the 5 chord is an easy thing to remember.
Thank you for this! I’m really trying to get some ground level tools to navigate some jazz tunes my acoustic string band is doing. This helps a lot. Now I’ll add more ideas for playing over the V7 chord.
Hi Ed, I like the video, thanks. Could you clarify your view on which c minor scale works best please ? I think you are using a melodic minor ? But you could play a harmonic minor in order to keep the major third of the G dominant (if my theory is correct of course? 😀)
In this video I use CMaj scale and C natural Minor. Of course you could use c melodic minor on G7 but that would give different color. Also c harmonic minor works. Which one is the best ? It's up to you 🙂 I like all of these scales on G7 If I had to choose one of these scales.. my choice would be different every day. Thanks for your comment Not sure if my reply is any good 😊
Very cool, so you’re almost playing the G super locrian scale over the G7, except no flat 5th… do you have hack like this for a minor 251? Saw your three melodic minor scales video, but is there an easier way to think of soloing over a minor 251 ? With 2 scales?
can you go into why this is interesting harmonically? like, what's the relation of the minor with the dominant, in this case the C minor scale with the G7 chord?
David Leslie Fleming the dominant chord in this case Phrygian dominant and correct name would be Gsus7b9 b13. Imho this is the best way to use Phrygian mode. Not sure if that's answers your question :)
Not sure if this is correct but C Aeolian scale has the same notes as the G Phrygian scale. C Aeolian = C D Eb F G Ab Bb C and G Phrygian = G Ab Bb C D Eb F G If you make the A natural then the C Dorian scale = G Aeolian scale
it depends on the situation, if keys player playing Alt 5th chord that would not work. In trio situation where there is no harmony instrument (Guitar, bass, drums) it would work on any 251. Try it on Autumn Leaves there is plenty 2-5 in this tune.
its not Cm scale over Cmaj chord you got it wrong :) Cm scale over G7sus b9 b13 , and of course it works if you look at it closely, chord tone are G(1) Ab(b9) Bb(#9) C(4) D(5) Eb(b13) F(7). Also, it might not be your favorite sound(chord/scale relationship) but the theory behind it is really logical and simple.
No, no! I am kidding. It was a very good video, thank you for that. But I was expecting something easy, the first thing you did was a bit complicated for me. That's all. Again, thank you. . @@EdArmGuitar
His 5-chord has a b9 (Ab) which is the b6 of C-minor. If you played over a regular G7 it might sound a little weird, if it’s a G9 it won’t work at all.
2 роки тому
@@tr3ndkiller I thought he was playing a regular G7 but implying the b9 b13 with the minor scale?
If you take, for example scale, C Major, you could find all the chords that come from that scale C d e f g a b. C maj c e g D min d f a E min e g b Etc. So that C maj scale potentially can fit all these chords. But tune has to be in c major. There are more to it but this simple explanation came to my head first :)
This is brilliant, relevant for people ay any level, and applicable. One of the best online jazz lessons, because it's not a lick; it's a concept you can adopt. Thank you and Peace
I googled about using C minor scale over G7. And I found that it's actually G mixolydy b9 b13 . That's mind blowing. So easy to understand
thanks:)
excellent🤔
Thanks
Wow. That Cminor on G7 sounds so modern. Will try this on my sax. Thanks :)
That's actually a great tip. I saw in other lesson, that I need to make some sounds stand out by finishing on them, but I constantly struggle to find them on the fretboard, i keep forgetting where to finish a part of the lick etc. and you made my day so I can noodle in peace and really f e e l the music. Great stuff!
Really one of the best lessons I have ever listened. Thank you from 🇮🇹
Holy shit thats a really good rule of thumb. I'm not super music-smart, but remembering to just play the minor scale over the 5 chord is an easy thing to remember.
Thank you for this! I’m really trying to get some ground level tools to navigate some jazz tunes my acoustic string band is doing. This helps a lot. Now I’ll add more ideas for playing over the V7 chord.
Best video that make us understand easy. Cool man
Wow!!
Fantastic teaching!!
Like the C minor over the G7👍
Clear & concise.
Just ran across your channel
Profound way to think about this. Very cool thanks!
This was surprisingly helpful thanks m8
Best teacher on the internet
Thank you.
You're welcome!
Very nice video Ed! : ) I like the C minor scale on the dominant : )
very cool
I loved the idea, thanks for the video.
Glad you liked it! 🙏 thanks
Thank you for tutorial nice improvice 🙏😊
Beautiful solo wow..
Thank you so much for the good basic lesson. I’m a jazz beginner.
You make it look so simple. Thanks. Great tip!
I'm glad you liked it! It is quiet simple indeed :) sometimes very complex things are simple
Thank you so much!
You're welcome!
Thanks for a great and easy tip!
Thank you for watching ! :)
very helpful video. Great tip
Glad it was helpful!
your vids are so clear and helpful.Thanks
thanks for comment, glad you liked it :)
Благодарю тебя, за твою работу, мой незнакомый друг!
Sounds really nice!
thank you!
THANK YOU!!!
🙏🙏
cant thank you enough!🙏🙏🙏🥲🥲🥲
Happy to help! 🙏🙏
Wow learn something usefull..tnx.. 😊👍 more tips and usefull scales over chords progressions please..
youre welcome, ill def make some more videos in future, now taking a break from guitar and music :)
Genius, many thx professor
Glad it helped
Very helpful vid and very enjoyable to watch. Thanks for sharing mate!
I'm happy you liked it! Check out my other videos ! 🙏
Ed Arm I definitely will mate, thanks!
thank u so much
this is the sound i wanted
So good.. I think even I can do it!
Nice one.
Thank you! Cheers!
Oh! Thank you! This is realy usefull
Super! Thank you so much for this, you have revived my motivation to learn Jazz guitar. 😎
I super glad it motivated you!!! Thank you for your comment!
Most of these "secret trick" videos are so shit but this one is good. Tl;dr Minor scale a 4th (or a 5th down) up from any dominant chord :).
Muros haha just simple trick really, getting that Phrygian sound Gsus7b9
Thnkyuu, this is what i need so much wkwkk
Thanks for
Watching!
Hi Ed, I like the video, thanks. Could you clarify your view on which c minor scale works best please ? I think you are using a melodic minor ? But you could play a harmonic minor in order to keep the major third of the G dominant (if my theory is correct of course? 😀)
In this video I use CMaj scale and C natural Minor.
Of course you could use c melodic minor on G7 but that would give different color.
Also c harmonic minor works.
Which one is the best ? It's up to you 🙂 I like all of these scales on G7
If I had to choose one of these scales.. my choice would be different every day.
Thanks for your comment
Not sure if my reply is any good 😊
Very cool, so you’re almost playing the G super locrian scale over the G7, except no flat 5th… do you have hack like this for a minor 251? Saw your three melodic minor scales video, but is there an easier way to think of soloing over a minor 251 ? With 2 scales?
I love you
😁
can you go into why this is interesting harmonically? like, what's the relation of the minor with the dominant, in this case the C minor scale with the G7 chord?
David Leslie Fleming the dominant chord in this case Phrygian dominant and correct name would be Gsus7b9 b13. Imho this is the best way to use Phrygian mode. Not sure if that's answers your question :)
Nice tentions
🙏🙏
Schöne Basic 👍🏻 weiter so 😉
danke !! :)
it creates b13 b9 b3 on g7
and that scale name would be?
That's the info that was needed for this video. 👍
Can someone please explain why the i minor scale works over the V7?
Not sure if this is correct but
C Aeolian scale has the same notes as the G Phrygian scale.
C Aeolian = C D Eb F G Ab Bb C and G Phrygian = G Ab Bb C D Eb F G
If you make the A natural then the C Dorian scale = G Aeolian scale
Can you do this on any 2 5 1? Basically toggling to aeolian mode for the 5?
it depends on the situation, if keys player playing Alt 5th chord that would not work. In trio situation where there is no harmony instrument (Guitar, bass, drums) it would work on any 251. Try it on Autumn Leaves there is plenty 2-5 in this tune.
also, yes for the aeolian mode for 5 chord.. i love that sound :)
Amazing tone what kind of guitar is that? Are you using flats ?
Thanks! :) In this video I use Benedetto guitar, round wounds, probably thomastic bebop 11, can't really remember
Wow... how could this happen ?
Amazing how Cm scale can suit to G7. only B and B♭ different
Works perfectly isn't it?
yes@@EdArmGuitar
What scales would apply if it were a minor 2 51?
Dm7b5 Galt7 Cm69, I've got another video on that minor progression..
Three melodic minor scales sounds awesome, modern and fresh :)
ua-cam.com/video/fK5h7SEYGE4/v-deo.html
Hi Ed. What strings are you using?
Hey, I think it was tomastik Bebop light 11 or 12, can't really remember
@@EdArmGuitar Thanks
How do you tell when the chords change?
What exactly do you mean ? How can I recognize chord change by listening ?
@@EdArmGuitar yeah at the moment i can only tell if the video shows each chord as it comes up
What's the theory behind this?
It treats the G7 as an altered chord with a flat9 and a flat13/#5
Brilliant but did you say "very easy"?😂
Not for me buddy but i'm trying to get it in line.
You could potentially use two pentatonic scales: Cmin and Amin
That should be slightly easier 😀
@@EdArmGuitar
Yeah, I will try that
Why does this even work? C MINOR over C MAJOR? 🤔
its not Cm scale over Cmaj chord you got it wrong :)
Cm scale over G7sus b9 b13 , and of course it works if you look at it closely, chord tone are G(1) Ab(b9) Bb(#9) C(4) D(5) Eb(b13) F(7).
Also, it might not be your favorite sound(chord/scale relationship) but the theory behind it is really logical and simple.
That was a very discouraging start mate.
Damn! Really? Why?
No, no! I am kidding. It was a very good video, thank you for that. But I was expecting something easy, the first thing you did was a bit complicated for me. That's all. Again, thank you. . @@EdArmGuitar
Nope! That didn't work for me 🤔
His 5-chord has a b9 (Ab) which is the b6 of C-minor. If you played over a regular G7 it might sound a little weird, if it’s a G9 it won’t work at all.
@@tr3ndkiller I thought he was playing a regular G7 but implying the b9 b13 with the minor scale?
Forgive my ignorance, but how do you choose what scale goes over what chord? I’m learning lead and can’t seem to grasp it. Thx in advance.
If you take, for example scale, C Major, you could find all the chords that come from that scale C d e f g a b.
C maj c e g
D min d f a
E min e g b
Etc.
So that C maj scale potentially can fit all these chords. But tune has to be in c major.
There are more to it but this simple explanation came to my head first :)