Kind of halfway for me. Definitely thinking about the two triads but less of triad pair because I'm not rapidly going back and forth between them. Does that make sense? Also, most of the time, when we think about triad pairs, it's 6 unique notes where these two triads have a common tone between them.
Nick-- Help please!! I got lost as to how you "pulled an A♭minor triad out of the G7alt scale??? My understanding from the "Altered Scale part I" was as follows: From the Major scale, derive the Melodic Minor by flatting the 3rd { G∆ SCALE = G,A,B,C,D,E,F#,G Thus, G melodic minor = G,A,B♭,C,D,E,F#,G. } Taking the 7th (Locrian) Mode of the G melodic minor scale = F#, G, A, B♭, C, D, E, F#. } I don't understand how you "pulled an A♭minor triad out of that G7alt scale?" Where am I messing up? TIA! Elliot
Here's where you made your mistake: the G altered scale is derived from Ab melodic minor. Remember, we form the altered scale from the 7th mode of the melodic minor. G is the 7th note of an Ab melodic minor scale. Does that make any sense?
Hope you enjoy this video and get something out of it. Cheers!
I am a student of jazz piano and it is refreshing to hear melodic concepts from a melodical instrumentalist's perspective. Thank you.
Crushing it Nick!
Great Stuff Nick, thanks. I really like the quartal stuff in the second example.
Excellent stuff!!!
this is gold
Bravo! Thank you.
Great!
Would the be classed in a way as triad pair even though your more thinking about it as an altered scale line?
Kind of halfway for me. Definitely thinking about the two triads but less of triad pair because I'm not rapidly going back and forth between them. Does that make sense? Also, most of the time, when we think about triad pairs, it's 6 unique notes where these two triads have a common tone between them.
@@nickmainella thanks for clearing that up!
Nick-- Help please!! I got lost as to how you "pulled an A♭minor triad out of the G7alt scale??? My understanding from the "Altered Scale part I" was as follows: From the Major scale, derive the Melodic Minor by flatting the 3rd { G∆ SCALE = G,A,B,C,D,E,F#,G Thus, G melodic minor = G,A,B♭,C,D,E,F#,G. } Taking the 7th (Locrian) Mode of the G melodic minor scale = F#, G, A, B♭, C, D, E, F#. } I don't understand how you "pulled an A♭minor triad out of that G7alt scale?" Where am I messing up? TIA! Elliot
Here's where you made your mistake: the G altered scale is derived from Ab melodic minor. Remember, we form the altered scale from the 7th mode of the melodic minor. G is the 7th note of an Ab melodic minor scale. Does that make any sense?