Dino Ljubić: Nocturne for Piano, E minor, No. 3

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A composition I started writing almost at the same time as my first Nocturne, when both were part of an extremely long and bizarre fantasy, and thus they both share very few of the same and almost unnoticable textures and motivic figures, although they are completely different in character and form from one another.
In comparison with my second Nocturne, which is quite a pensive and somber work, this one is rather stormy, bordering on fury during the climax in the middle section, where the music shifts from E minor to C minor, and then a ray of hope appears in E-flat major, which is almost as far as one can get from E minor.

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noice

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Thanks!