What are "Hue" Paint Colors?
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- Опубліковано 10 лют 2025
- "Hue" colors exist in both student and professional paint lines, but what are they?
One word I was looking for in the video but forgot about was that hues sometimes exist to "replicate" another color.
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"Timbra" by Render
• Render - Timbra [Royal...
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Thank you! Very informative.
Nice.. so
Great tutorial.. thanks for sharing..support.
Sometimes water based paint will not accept certain pigments, while oil based will accept. Therefore a combination that resemble the original will mimic as a Hue found only in oil.
Thank you
It would be nice if you could demonstrate some pure pigments and hues on paper and show that hues can create muddy colors whereas pure pigments tend to make vivid mixes
I use mostly Golden but used Liquitex Alizarin Crimson Hue Permanent, to do my hair for Lisa and it stuck ever since , it’s also good for blood sometimes , what is the permanent all about ? I use it out of the tube , with white maybe a black and less often a yellow. I tend not to mix it a lot.
The "permanent" part of many colors is a distinction between the fugitive historical color and the modern "hue" colors. Some companies still sell "true" or "pure" aliz. crimson so making the distinction is necessary for some companies.
Thank you
What I’d wanna know is the difference in behaviour of the hue vs the pigment. I’m not talking even about the colour. Since I’m a watercolour painter, it’s about the way my medium acts on the paper and with each other and with the water I use.
For example, I like how my cadmiums and cobalts pigment move and settle and react with the other colours in my pallet. I don’t think a hue can replicate that aspect of my experiences while painting. And those aspects are a large part of why I paint.
It’s like professional vs student grade, cellulose vs cotton. Sure, they’re the same colour, or it’s “just” paper, but…. there’s a huge but in there lol.
You're pushing a lot of other variables into the "hue" idea here that I'm not sure are strictly related. A big property of watercolors (as I'm sure you know) is granulation, and how those colors will move and separate on your paper. I think what you're looking for in terms of the idea of the heavy metal pigments vs. the mixed pigment synthetic variants is not so much the color, but the tint strength of certain colors and the absorption quality of certain papers. All of which is VERY important to consider, but doesn't necessarily effect the hue vs pure pigment debate/preference among artists.
@@cinderblockstudios I agree with you! You put it better than I did lol.