Thomas Rolfs of the Boston Symphony tells you how to win an audition
Вставка
- Опубліковано 31 січ 2024
- Principal trumpet of the Boston Symphony Thomas Rolfs explains what it takes to win an audition.
EcoPro Valve Oil is the last oil you will ever use guaranteed. It's 100% plant-based, non-toxic, and outperforms all competitors in blind testing. Money back guarantee. www.monsteroil.net/ecopro-lit...
Brought to you by Monster Oil. Visit us at: www.monsteroil.net #trumpet #music #classicalmusic #orchestra #band #musician #shorts #MonsterOil #BrassChats #valveoil
What would you consider a main key component, of framework is (framework seems pretty vague…). I ask this because when i start a new piece i sight read first and after a few minutes or so of reading to get a first look and attempt. Then, I’ll typically throw on a met and give it a shot start to finish. Chunking as needed to make sure i have a feel for the entire piece before detailing... But then what would you do after your first sight read to get your framework down. After that i would imagine you’d do notes, dynamics, textures of sorts for a lack of better words… for me it’s just hard to know where to start once I’ve got the notes because it will sound averagely good, and nothing more.
Sorry if that wasn’t clear and coherent enough to read to develop an answer. I can rephrase if you’d like.
Sorry I missed this comment! His framework from my understanding is time, pitch, and sound. From there you go to more advanced things...
It also depends on who you ask too! I can't imagine listening to 200 some candidates that all play on a high level 🎚️! And then have to choose 1 candidate! Sounds daunting 😮. It would be interesting 🤔 to see what happens if I end up getting to this point where I'd have to listen to the candidates instead of being a candidate!