Alright, so. Genres. (All of these are approximate, mind you: my musical knowledge is far from perfect, and as every genre of electronic - _especially_ hardcore - shares some degree of common lineage, there's bound to be overlap.) The intro is a bit less trope-y than the other genreswitches, but it still falls under hardcore (specifically J-core, with its emphasis on melody) as sort of a catch-all. 0:55 - 1:20 , at 234bpm, switches between Frenchcore (gritty and technical) and Gabber (you know that kick when you hear it) every 4 measures. 1:05 introduces a standard Drum N' Bass kick-snare rhythm, which is then added to the genre rotation. 1:23 drops the rotation and goes into the hybrid genre Artcore (hardcore rhythm with a mixture of synth and piano instrumentation). 1:43 - 2:00 switches over to Complextro (loosely in the 120bpm range, sharp and glitchy effects), "dubbing" the BPM to 117; this goes for 2 measures until switching back to double-time for a slightly different strain of Artcore, using D&B breaks in place of the Hardcore bassdrum rhythm from before. 2:08 - 2:52 has another rotation of genres! We're back down to 117bpm for all of these. Starting with post-dubstep (faster than "true" dubstep, still with its 1-2 kick-snare rhythm and famously noisy non-tonal effects), followed by Trapstep (similar to before, but with more hip-hop influence in percussion), and then Glitch-Hop (time's done a number on this genre, in all honesty, and it's becoming more and more of a catch-all, but the jist is that it's dubstep production with an emphasis on swing), and finally, a bit of an odd one out, Death Metal (rapid-fire guitar chords, "screaming" vocals, et cetera. It could also be Power Metal, with how melodic it is, but... yeah, Metal is not my area of expertise.) 2 measures for all 4, the rotation loops, and we end on 8 measures of Metal before falling into the Genre Abyss™ again. 3:18 - 4:38 is fun. We get to go through a bunch of genres, _continually increasing BPM in increments of 5 every switch,_ 4 measures for each. (If - _when_ - this gets charted in a rhythm game, I wish whoever plays it the best of luck avoiding a "Great" judgement in this bit.) We start at 125bpm Complextro (yes, it's a little bit of a catch-all, shut up), continuing into "Big Room" EDM at 130bpm (with bassy, tonal kicks and chord stabs; as made famous by Sound Souler's "avenue" series!... and, y'know, the rest of the popular EDM scene, but we don't talk about that), followed by 135bpm Bass House (a la DJ Noriken, atonal and "dirty" basslines over a typical 4-on-floor rhythm), onto 140bpm Tribal (trap-style beats with vocal riffs and exotic percussion), to 145bpm Techdance (e.g. S-don and Nitro, a slightly lighter variant of Schranz's forceful and distorted 4/4 kicks), into 150bpm Psytrance (with clean kicks, psychedelic sound effects and a punctuating, rhythmic bassline), then to 155bpm Hardstyle (e.g. RiraN, slightly lower tempo than Gabber, still maintaining its gargantuan tonal kicks and chaotic, scratchy high-end). There's a 4-bar windup before going halftime again, now at an 80bpm Trap/Drill (bleak, electronic drum rhythms and harsh effects moving in slow-motion), moving to 82.5bpm (remember, halftime!) "classic" Dubstep (you know, the one where the "dub" in the name actually means something!). We then go WAY up to doubletime for 170bpm Neurofunk (e.g. Noisia, D&B's darker and droning cousin), and finally over to... 175bpm Big Room. (you already went. stop hogging, dammit. the bpm going up could possibly reclassify it as techno, but still.) From then on, we revert back to the original 234bpm - where it stays - and we revert into full-force Hardcore/J-Core once again, blending into other genres freely. There's a brief interlude of Thrash Metal trading off with Chiptune at 5:40 - 5:50 , slight usage of Future Bass elements at 6:00 , some D&B breaks and Gabber kicks, and an Extratone breakdown at 6:40 . In short, holy shit.
@@turingsghost 3:48 - 3:54 What about this genre? At first I was like, "Wtf? What the hell is this? I've never heard this sounds in my entire life". Nevertheless it still gives me a cool and rhythmic atmosphere. He is truly a genius.
My fingers have gone numb...I can barely feel my wrists....Mr arms feel as if they are going to Fall off....but no...I can't give up... I must go beyond, to get that S rating, it's time, to use my toes!
@@luminatron it was probably autocorrect, as I don’t think someone would screw it up that badly unless they really forgot the name, or they just don’t know the song
UK Hardcore fans: UK Hardcore is the best! DnB fans: NO! Drum n' Bass is more superior! Frenchcore fans: Non non non, my friends. Frenchcore stands above all! Camellia: *I am superior*
This song literally reaches the pinnacle of this album. There's so much genres mixed together yet It's pure gold. Everything is so well made, from the beginning to the end and it might be the best song I've ever heard :3
when your all grown up and you go back to play the first super smash bros. on N64 and the nostalgia starts kickin in! and as soon as you get to the beginning of the cutscene of the original master hand and all you can say is ''HELLO AGAIN MY OLD NEMESIS''!
Just coming from a Rhythm game, and I WAS SMILING LIKE AN IDIOT from the composition of the music! Legit the combination of dubstep, techno, edm, and SCREAMO ROCK, with a mystic touch to it IS EAR CANDY! I felt spoiled just listening to this HAH!
You ever listen to a song so much that you get tired of it and skip it when it's in your playlist, only to listen to it again and remember how fire it is? Yeah, THIS is that song
Man, i'm so regretting my decision back then as to hold myself to listen to this track when it first appeared. 2:08 - 2:16 part really makes me go "wait, HOW DOES CAMELLIA THOUGHT OF PROCESS WORKS??? HOW?? HOW THE TRANSITION IS SO SMOOTH YET IT MAKES MY HEAD BANGING LIKE CRAZY???"
Dude. Im just here to say thank you. I have hit over 2400 repeats on this fking song.. Im listening to it at work, while gaming, eating.. Its place 1 in my most played all time dude. I love your music. Keep it up. You'r the best
i think he mentioned that he uses so amny tracks that reaper just refused to give more this man basicly pushes the limit of his trusty DAW, i wonder how much Processing power his PC needed if Reaper itself already pushed to its limit
the genre switches work because they flow well into one another. look at the first drop. it, and almost the rest of the song, has a "call and response" pattern. the first genre is the call, and the second genre is the response, which can create a nice resolution. there's also the piano melody playing through large chunks of the song, helping make the genre switches more cohesive. in the third drop where the bpm increases with every genre switch, camellia cycles through a bunch of genres. initially they have some in common, and then there are less and less similarities. it therefore feels more jarring, which was likely intentional i this part. the transition from psy-trance to hardstyle? rawstyle? idk. anyway, the transition between those two genres is held together by the sound effects carrying over from genre to genre. those high-pitch screeches, i mean, which become more prominent in... the genre AFTER the psy-trance. and then one of the genres get repeated at the end of that drop, which ties it all together. the moral of the story is: analyse your favourite songs. try and work out how any why they work. as a composer, this is an especially amazing way to learn. you can learn new chord progressions to permanently borrow. how you can effectively use accidentals to create or relieve tension. and how you can effectively and smoothly, yet unsubtly switch genres, like in this case copied from my reply to a comment. i decided to make it more accessible
@Through Anything I'll list here why it's bad: - osu make people think that rhythm games should be free - they basically leeching of other rhythm games by stealing other rhythm games original song to osu - the fanbase, the worst, very competitive and just can't play for fun like stop caring for those fucking pp for a second. - it feels like a pay-to-win because using a tablet feels easier to play and master than mouse which needs more time to master using. - the beatmaps doesn't feel fun enough, - most beatmaps not mouse friendly on higher levels
@@Amer-vd4kd @tripizza i agree this community is very unlikeable at times but those arent valid reasons. 1. I have never heard any of them saying that 2. They're not exactly 'rhythm game songs'. Most rhythm games licensed the songs in their game from independent artist so that they can be used. Which is why you will see, say FREEDOM DIVE in multiple rhythm games. Surprising you didnt say anime songs which are much more widespread and played in osu!. 4. I'm sorry if you met such people in the multi lobby. 5. In the end, its just a playstyle which you have a choice to use and in no way encouraging you to buy one. osu! wasnt meant to play on a tablet at first but it was eventually popularised by cookiezi. Sure tablet speeds the learning curve but mouse is able to compete competitively and in no way badly handicapped. Once you practice to a certain point the time to master either one is about the same. 6. Find or make fun one then, which there are many if you know where to find. 7. You probably playing maps beyond your skill level, take it slow. FGSky currently has the highest pp record done with a mouse on a bad setup.
@@alastair5146 FREEDOM DiVE is bms song which mean it is free to use in community rhythm games and what I meant is like songs that being made for that particular rhythm game which being commissioned by the developers to artists. Like Ether Strike by Akira Complex, that is not licensed in osu! it is not allowed to be in osu! It is from Arcaea. Rhythm games never licensed their songs for osu! unless it's a collab with osu which never happen. The songs aren't taken down because rhythm game companies didn't take action. Probably for good reputation because people will be salty about it. Like kors k - smooooch , that got taken down by KONAMI because people aren't allowed to do that.
why do I always laugh hysterically when it says million pp in such a serious tone lmfao but amazing song, covers a lot of genres in such a short time. definetly one of your best songs, but all your songs are good so making a decision when it comes to your best songs is pretty difficult.
![[FREE DL] +ERABY+E CONNEC+10N [Hardcore (230BPM)]](http://i.ytimg.com/vi/dnDHpbyqXik/mqdefault.jpg)
![[FREE DL] +ERABY+E CONNEC+10N [Hardcore (230BPM)]](/img/tr.png)
![[U.U.F.O.] Tr.17 CICADA3302](http://i.ytimg.com/vi/pe7rcCuf7YI/mqdefault.jpg)
absolutely incredible
KonekoKitten hi koneko
hello koneko from the koneko of kitten of konek of neko
Henlo Koneko
i think they got 100k followers because of your 1 million subscriber tbh
yo
I like how it occasionally says "Million PP" every minute or so to remind you you're still listening to the same song
=P
@@pinksucccubus lmao true
the genre changes so you might get confused and think its a different song
to me it sounded like 'gimme your baked beans' 😭😭😭
@@swordam1063 LOL
Genres (to my knowledge) as they're first used:
0:00 Ambient/Glitch
0:20 Artcore (subjective)
0:47 Breakcore/Speedcore
0:54 Gabber/Hardcore
1:43 Future Bass
1:47 Drum & Bass
2:00 Speedcore
2:08 Drumstep
2:12 Hybrid Trap
2:16 Glitch Hop
2:20 Metalcore
3:19 New Beat
3:27 Big Room
3:34 Bass House
3:41 Jungle Terror
3:49 Moombathon
3:55 Psytrance
4:01 Rawstyle
4:20 Dubstep
4:26 Neurofunk
4:31 Bounce
5:41 Speed Metal
5:44 Chiptune
6:33 Extratone
You sir, are a legend.
Thanks, now all rhythm game players know when the hardest parts come
you know the song is godd when it has more genres than you knew existed
Thanks
이걸알아내는것도 대단하당..
When it's says "BPM 120 - 234" you know it's gonna be good
I currently say this is way too better to go in 170bpm.
holy shet extant twt
Alright, so. Genres.
(All of these are approximate, mind you: my musical knowledge is far from perfect, and as every genre of electronic - _especially_ hardcore - shares some degree of common lineage, there's bound to be overlap.)
The intro is a bit less trope-y than the other genreswitches, but it still falls under hardcore (specifically J-core, with its emphasis on melody) as sort of a catch-all.
0:55 - 1:20 , at 234bpm, switches between Frenchcore (gritty and technical) and Gabber (you know that kick when you hear it) every 4 measures. 1:05 introduces a standard Drum N' Bass kick-snare rhythm, which is then added to the genre rotation.
1:23 drops the rotation and goes into the hybrid genre Artcore (hardcore rhythm with a mixture of synth and piano instrumentation).
1:43 - 2:00 switches over to Complextro (loosely in the 120bpm range, sharp and glitchy effects), "dubbing" the BPM to 117; this goes for 2 measures until switching back to double-time for a slightly different strain of Artcore, using D&B breaks in place of the Hardcore bassdrum rhythm from before.
2:08 - 2:52 has another rotation of genres! We're back down to 117bpm for all of these. Starting with post-dubstep (faster than "true" dubstep, still with its 1-2 kick-snare rhythm and famously noisy non-tonal effects), followed by Trapstep (similar to before, but with more hip-hop influence in percussion), and then Glitch-Hop (time's done a number on this genre, in all honesty, and it's becoming more and more of a catch-all, but the jist is that it's dubstep production with an emphasis on swing), and finally, a bit of an odd one out, Death Metal (rapid-fire guitar chords, "screaming" vocals, et cetera. It could also be Power Metal, with how melodic it is, but... yeah, Metal is not my area of expertise.) 2 measures for all 4, the rotation loops, and we end on 8 measures of Metal before falling into the Genre Abyss™ again.
3:18 - 4:38 is fun. We get to go through a bunch of genres, _continually increasing BPM in increments of 5 every switch,_ 4 measures for each. (If - _when_ - this gets charted in a rhythm game, I wish whoever plays it the best of luck avoiding a "Great" judgement in this bit.)
We start at 125bpm Complextro (yes, it's a little bit of a catch-all, shut up), continuing into "Big Room" EDM at 130bpm (with bassy, tonal kicks and chord stabs; as made famous by Sound Souler's "avenue" series!... and, y'know, the rest of the popular EDM scene, but we don't talk about that), followed by 135bpm Bass House (a la DJ Noriken, atonal and "dirty" basslines over a typical 4-on-floor rhythm), onto 140bpm Tribal (trap-style beats with vocal riffs and exotic percussion), to 145bpm Techdance (e.g. S-don and Nitro, a slightly lighter variant of Schranz's forceful and distorted 4/4 kicks), into 150bpm Psytrance (with clean kicks, psychedelic sound effects and a punctuating, rhythmic bassline), then to 155bpm Hardstyle (e.g. RiraN, slightly lower tempo than Gabber, still maintaining its gargantuan tonal kicks and chaotic, scratchy high-end). There's a 4-bar windup before going halftime again, now at an 80bpm Trap/Drill (bleak, electronic drum rhythms and harsh effects moving in slow-motion), moving to 82.5bpm (remember, halftime!) "classic" Dubstep (you know, the one where the "dub" in the name actually means something!). We then go WAY up to doubletime for 170bpm Neurofunk (e.g. Noisia, D&B's darker and droning cousin), and finally over to... 175bpm Big Room. (you already went. stop hogging, dammit. the bpm going up could possibly reclassify it as techno, but still.)
From then on, we revert back to the original 234bpm - where it stays - and we revert into full-force Hardcore/J-Core once again, blending into other genres freely. There's a brief interlude of Thrash Metal trading off with Chiptune at 5:40 - 5:50 , slight usage of Future Bass elements at 6:00 , some D&B breaks and Gabber kicks, and an Extratone breakdown at 6:40 .
In short, holy shit.
How do you write this
@@jarvis6253 adhd medication
One day i may know
@@turingsghost thanks for reminding me to grab some adderall soon
@@turingsghost 3:48 - 3:54 What about this genre? At first I was like, "Wtf? What the hell is this? I've never heard this sounds in my entire life". Nevertheless it still gives me a cool and rhythmic atmosphere. He is truly a genius.
3:20 Camellia, But Every Genre Switch Makes It Faster
Underrated comment.
+5 bpm each genre
125 BPM - Complextro
130 BPM - Big Room House
135 BPM - Bass House
140 BPM - Tribal Trap
145 BPM - Tech Trance
150 BPM - Psytrance
155 BPM - Rawstyle
q
Here's genre timecodes:
Future Bass 0:00 - 0:53
Psycore 0:54 - 0:58
Hardcore 0:58 - 1:03
Psycore 1:03 - 1:07
Drum & Bass 1:07 - 1:11
Psycore 1:11 - 1:14
Hardcore 1:14 - 1:18
Psycore 1:18 - 1:22
Drum & Bass 1:22 - 1:27
UK Hardcore 1:27 - 1:43
Future Bass 1:43 - 1:47
Jungle 1:47 - 1:51
Future Bass 1:51 - 1:56
Jungle 1:56 - 2:08
Moombahcore 2:08 - 2:12
Hybrid Trap 2:12 - 2:16
Glitch Hop 2:16 - 2:20
Symphonic Metal 2:20 - 2:24
Moombahcore 2:24 - 2:28
Hybrid Trap 2:28 - 2:32
Glitch Hop 2:32 - 2:36
Symphonic Metal 2:36 - 3:19
Complextro 3:19 - 3:27
Big Room House 3:27 - 3:35
Bass House 3:35 - 3:42
Jungle Terror 3:42 - 3:49
Tech Trance 3:49 - 3:55
Full-On Psytrance 3:55 - 4:02
Rawstyle 4:02 - 4:14
Hybrid Trap 4:14 - 4:20
Drumstep 4:20 - 4:26
Neurofunk 4:26 - 4:31
Carnival 4:31 - 5:25
UK Hardcore 5:25 - 5:42
Symphonic Metal 5:42 - 5:44
Chiptune 5:44 - 5:46
Symphonic Metal 5:46 - 5:48
Chiptune 5:48 - 5:50
UK Hardcore 5:50 - 5:58
Future Bass 5:58 - 6:06
UK Hardcore | Symphonic 6:06 - 6:32
Speedcore 6:32 - 6:42
Extratone 6:42 - 6:45
Speedcore 6:45
I don’t even know about what half of these are good lord
I didn’t even know there was this many music genres
0_0
wrong the song genre is camellia
@@optie5 Bruh.
Camellia is the Beethoven of EDM.
Couldn't find a better way to say it
Just hoping the deaf part won't be accurate
Edit: I wrote death I am so sorry (-_-)'
@@oonkadoonk544 *Nervous sweating*
I'm just imagining Beethoven naming one of his pieces "Million PP"
Imagine if this song was on Beat Saber
On Expert+
Genre : CamelliaCore
KamelCore
@@orikku kamel Coremellia
@@whteoutxd sounds good
Nah full flavour is more encompassing I say.
Camelian
osu! Tech mappers be like: still no pp but good song anyways
300+pp maybe for mania (if 4k)
imagine carrying about pp
7K this thing gonna be around 500-600pp if we keep all the bass if we do bpm catcher that gonna more than 10star i think
@@qthmnowo3749 just give 50% LN, then DTable with 900pp+ xD
@@balf1344 yea if u wanna overstar that LNs is the best way
7:09
worst genre from the song
you almost got me in the first half not going to lie
Nice one man
Worst genre: when the song ends
so my whole life has been listening to your worst genre? :(
Yeah man, i hate silentcore
I don't know why but that sidechained lead at 6:13 makes me aesthetically pleased
IKR, can’t get enough of it
same
So that's how you kill fingers, and wrists, and then arms.
My fingers have gone numb...I can barely feel my wrists....Mr arms feel as if they are going to Fall off....but no...I can't give up... I must go beyond, to get that S rating, it's time, to use my toes!
And legs
Kid named the end of Hatsune miku:
Kid named JOINT STRUGGLE (2019 update):
Us: what genre is this?
Camellia: Yes.
full flavor?
Genre: Camellia
Camelliacore
Ye
@@exultion2979 ok bacone
playing this in any rhythm game is basically suicide
atleast it gives a million pp
Yes I agree to this proppisition
Basically any Camellia songs.
Robeats on Roblox did it
@@lawsontroedel4056 NOBODY ASKED
We Could Get More PP! (And More Genre Switches)
Sextillion pp
@@F-14B camellia should collab Machine Gun playstyle and M1LLION PP btw
@@giancodello5368 *psystyle
@@luminatron it was probably autocorrect, as I don’t think someone would screw it up that badly unless they really forgot the name, or they just don’t know the song
@@F-14B sex
2:20 EDM w/ metal can't go wrong, especially when it's Camellia.
4:48 kinda sounds like reversed Blackmagik Blazing and I love it
UK Hardcore fans: UK Hardcore is the best!
DnB fans: NO! Drum n' Bass is more superior!
Frenchcore fans: Non non non, my friends. Frenchcore stands above all!
Camellia: *I am superior*
Cammelia: im all of you but better.
non non non lmao
Cashier: Would you like your receipt?
The receipt printer: 6:41
"So what genre is this?"
"Yes."
This song literally reaches the pinnacle of this album. There's so much genres mixed together yet It's pure gold. Everything is so well made, from the beginning to the end and it might be the best song I've ever heard :3
This and Flamewall are tied for the best imo
I like how camellia blows aways bands that have been doing the genre for years. Camellia is so good
this one song is like a whole album
lmao agreed
Full flavor, aka Camellia genre. WE ARE TRULY SPOILED BY THIS MAN
Yes yes we are
I like your pfp
I think Karetus invented Full Flavor
Actually Karetus invented Full Flavor
Well Karetus invented Full Flavor
3:26 I listen to many other genres that I sometimes forget that big room house can be cool as fuck too
This song is crazy it’s even crazier than Nacreous snowmelt whoever can make a time stamp of all these genres r a god
it's all just considered camellia now lol
@@harmonicpostinglol u aint wrong
How did dis get 41 likes wat
@@The_Phoenix225 take it boi
5:25 Best fricking drop i've heard in my entire life
yes
How does he mix so many genres in the one song and still make it work
By being a god, duh
Cause Camellia
Only Camellia is such skillful to do that stuff
magic i think
Easy: you don't
It's all in the ears of the beholder to make it work (including the artists' ears)
when your all grown up and you go back to play the first super smash bros. on N64
and the nostalgia starts kickin in! and as soon as you get to the beginning of the cutscene
of the original master hand and all you can say is ''HELLO AGAIN MY OLD NEMESIS''!
Just coming from a Rhythm game, and I WAS SMILING LIKE AN IDIOT from the composition of the music! Legit the combination of dubstep, techno, edm, and SCREAMO ROCK, with a mystic touch to it IS EAR CANDY! I felt spoiled just listening to this HAH!
sotarks finna map this for highest nomod pp now
but only in tv-size xD
i'm personally hoping for a collab with a bunch of famous mappers to make a 1000pp 10 star (nomod) map (friendofox, sotarks, etc)
@@notTerabyte would be dope but 0.001% chance
mrekk in 2080
3:28
Is that the first time I hear Camellia’s song with Big Room genre?
You ever listen to a song so much that you get tired of it and skip it when it's in your playlist, only to listen to it again and remember how fire it is?
Yeah, THIS is that song
This is actually art, listening to this was a journey. I love it.
If you play this at exactly 11:54:35, the drop at 5:25 will perfectly sync with the turn of the new year.
Did you do it?
i have a feeling that this guy is planning to do this / has already done it
@@elliotsyptyst in fact, I had already done it with another account, but it was deleted for literally no reason, lmao
PogU
❤❤❤❤
btw I swear I hear grievous lady at 0:58
bruh same
It's not Grievous Lady, but he's basically using the same hardstyle drums
@@notTerabyte yeah and the lead too thats why it sounded so familiar
me too
The switch between Symphonic Metal and Chiptune at around 5:41 is crazy,
Man, i'm so regretting my decision back then as to hold myself to listen to this track when it first appeared. 2:08 - 2:16 part really makes me go "wait, HOW DOES CAMELLIA THOUGHT OF PROCESS WORKS??? HOW?? HOW THE TRANSITION IS SO SMOOTH YET IT MAKES MY HEAD BANGING LIKE CRAZY???"
Honestly this should be the final track instead of BAD ACCESS.
Yes
Final Tracks are usually forgotten
Every banger album needs a banger ending.
6:12 I love this part so much it’s just great
Now that I’ve taken my time to actually carefully listen every part and genre switch, it just made me love this song even more
5:25からの盛り上がりが狂いそうなぐらい好き！
最&高！！！
"Million PP"
"Million Genre Switches"
gender switches
@@KyzoBricks 😏
@@KyzoBricks light switches
@@buniboi2163 balls switches.
@@buniboi2163track switches
3:19 ここからのEDM地帯（？）好き
5:26 coolest part
This part is awful
This part is coolest part
My friend: "So whats your favorite genre?"
Me: ...
"Yes"
After the year I can confirm: this is one of the best electronic music tracks I've ever heard - the Perfection of music evolution itself.
Bro this song changes through like 500 genres every second like WTF, Camellia has literally mastered every genre, incredible bro. 🔥❤
Genius. Absolute genius. I have no idea how you do it, but I love it.
I've never been this pleasantly surprised before, holy smokes, please make more full flavor tracks, they're so interesting to listen to!
That rawstyle at 4:01 is criminally underrated.
0:02 - 0:11 Genesis
0:11 - 0:18 ???
0:18 - 1:59 Unity
1:59 - 2:08 ???
2:08 - 3:04 Fusion
3:04 - 3:19 ???
3:19 - 4:37 Disorder
4:37 - 5:25 ???
5:25 - 6:58 Duality
star glitcher momento
he knew this would be in every rhythm game ever made, so he named the song accordingly
is that base from meshuggah - bleed? cause that sounds very similar. at 2:20
6:50 MARIOOOOOOOOOOOOOOOO
Dude. Im just here to say thank you. I have hit over 2400 repeats on this fking song.. Im listening to it at work, while gaming, eating.. Its place 1 in my most played all time dude.
I love your music. Keep it up. You'r the best
ラストのザ・ラストパートみたいな盛り上がりが好きすぎる
Bro this song makes me feel like im missing out on something more in life, it’s incredible.
"what would you use to hurt your fingers"
"an sledge hammer, machine gun, or camellias madness
Ohhhh that switchup at 1:45 is soooooo good
it'd be every music producer's dream if they could get a peek on what the project looks like in a DAW
@bigkusa 53 cpu is fricking potatoe xd
@@solracs_ So epic music man does epic music in a crap PC
I love this man even more
It looks like a nightmare (he uses reaper)
i think he mentioned that he uses so amny tracks that reaper just refused to give more
this man basicly pushes the limit of his trusty DAW, i wonder how much Processing power his PC needed if Reaper itself already pushed to its limit
@@ShiroCh_ID reaper has a track limit??????
One of my favorite songs
How many kinds of drop styles you want?
Camellia: Yes!
the genre switches work because they flow well into one another. look at the first drop. it, and almost the rest of the song, has a "call and response" pattern. the first genre is the call, and the second genre is the response, which can create a nice resolution. there's also the piano melody playing through large chunks of the song, helping make the genre switches more cohesive.
in the third drop where the bpm increases with every genre switch, camellia cycles through a bunch of genres. initially they have some in common, and then there are less and less similarities. it therefore feels more jarring, which was likely intentional i this part. the transition from psy-trance to hardstyle? rawstyle? idk. anyway, the transition between those two genres is held together by the sound effects carrying over from genre to genre. those high-pitch screeches, i mean, which become more prominent in... the genre AFTER the psy-trance. and then one of the genres get repeated at the end of that drop, which ties it all together.
the moral of the story is: analyse your favourite songs. try and work out how any why they work. as a composer, this is an especially amazing way to learn. you can learn new chord progressions to permanently borrow. how you can effectively use accidentals to create or relieve tension. and how you can effectively and smoothly, yet unsubtly switch genres, like in this case
copied from my reply to a comment. i decided to make it more accessible
we love you camellia!! respect for dealing with the worst rhythm game community on the internet
@Through Anything community rhythm games have the worst fans especially if it is popular like osu
@Through Anything I'll list here why it's bad:
- osu make people think that rhythm games should be free
- they basically leeching of other rhythm games by stealing other rhythm games original song to osu
- the fanbase, the worst, very competitive and just can't play for fun like stop caring for those fucking pp for a second.
- it feels like a pay-to-win because using a tablet feels easier to play and master than mouse which needs more time to master using.
- the beatmaps doesn't feel fun enough,
- most beatmaps not mouse friendly on higher levels
@@Amer-vd4kd Using a pen to play the game because it increases performance dosent make the community bad. That dosent even make sense.
@@Amer-vd4kd @tripizza i agree this community is very unlikeable at times but those arent valid reasons.
1. I have never heard any of them saying that
2. They're not exactly 'rhythm game songs'. Most rhythm games licensed the songs in their game from independent artist so that they can be used. Which is why you will see, say FREEDOM DIVE in multiple rhythm games. Surprising you didnt say anime songs which are much more widespread and played in osu!.
4. I'm sorry if you met such people in the multi lobby.
5. In the end, its just a playstyle which you have a choice to use and in no way encouraging you to buy one. osu! wasnt meant to play on a tablet at first but it was eventually popularised by cookiezi. Sure tablet speeds the learning curve but mouse is able to compete competitively and in no way badly handicapped. Once you practice to a certain point the time to master either one is about the same.
6. Find or make fun one then, which there are many if you know where to find.
7. You probably playing maps beyond your skill level, take it slow. FGSky currently has the highest pp record done with a mouse on a bad setup.
@@alastair5146 FREEDOM DiVE is bms song which mean it is free to use in community rhythm games and what I meant is like songs that being made for that particular rhythm game which being commissioned by the developers to artists. Like Ether Strike by Akira Complex, that is not licensed in osu! it is not allowed to be in osu! It is from Arcaea. Rhythm games never licensed their songs for osu! unless it's a collab with osu which never happen. The songs aren't taken down because rhythm game companies didn't take action. Probably for good reputation because people will be salty about it. Like kors k - smooooch , that got taken down by KONAMI because people aren't allowed to do that.
the best 7minute of my life
Try 0.75x playback speed at 0:54 and thats damn awesome
why do I always laugh hysterically when it says million pp in such a serious tone lmfao
but amazing song, covers a lot of genres in such a short time.
definetly one of your best songs, but all your songs are good so making a decision when it comes to your best songs is pretty difficult.
m i l l i o n p e e p e e.
when the best drop played my clock hit 7:27 and changed to 7:28 a little after it ended
officially best minute of my life
5:50 6:31 my best part
Didn't notice any machine gun psystyle but you've got the genre switches down pat.
5:41 favorite part
nacreous snowmelt 2: absolute banger too
This and +ERABY+E CONNEC+10N is fucking masterpiece! Amazing work my dude, this music has 100% synchro with games and osu especially.
waiting for the day the Camellia genre becomes an official thing
6:00 wet snare
I can't stop listening the metal part, I really love it and the all the song is really good . You are great Camellia :)
Genres..
Camellia
0:00-7:11
I just beat this map in sound space
in speed - - - i suck so much 😭
also 5:20 is one of my fav drops of urs
I beat it in speed - now :D
かめりあさん音楽の引き出し幾つあるんだマジで……４、５人で合作って言われても納得出来るんだが
3:14 you already did every styles of music here xD
that tiny part in 2:36 of metal gotta be my favourite part
2:36 to 2:51
drink a shot for every genre
I would die dude
I would pass out after the 592nd genre switch 😤🤣
around 3 bottles gone
S**t I'm drunk
Mission: Give everyone here a hangover.
No! Not again! Another map in a game I won't be able to beat
Holy shit that hardcore drop hits hard!
5:24 INCREDIBLE!!!!!!!!
4:27 getting my most favourite genre switch part
Its Neurofunk I think
@@HeSo_71 it is,but its also speeded up
Funny thing, that the Dubstep part is at 4:20
"420 funneh code hAHhaHAH"
This is actually drumstep
Well, I've got no words for this, just an ultra banger
this is straight parkour with these genre changes, i love it!
"do you know this one song by camellia?"
"which one?"
"the one with the tons of genre switches."
"uhm- which... one..?"
i love how it released 2 days before my bday
Take a shot every time camellia changes genre in each song
p e r f e c t
3:27 big room house is absolutely a banger
4:00 I LOVE THIS PART AND THIS TYPE OF MUSIC SO MUCH
You are a Rawstyle guy, right?
@@kalliboymusic hell yea
@@dendroscrapxn Nice
This is indeed my favorite album, Blackmagik blazing is the 2nd
never seems to fail to impress me, excellent job my dude!
Does anyone know where 2:20 originally comes from?
it's a kontakt library called Voices of Rage, if your talkin about the vocals. (late reply lmao)
@@Akuuumaa i even forgot i was asking for this but you were right i was talking about the vocals
the title of the video is pure gold
also banger song btw