That Lindell just works perfectly for this song...sounds so beautiful, Second for me would be the 9000J on the E curve, those open highs sound really good
2:44 Lindell (1970s) 3:27 Neve (1980s) 4:25 Focusrite (1990s) 5:25 SSL 4000 E (1980s) 6:41 SSL 9000 J (2000s) Thoughts: Most accustomed to SSL 4000 E sound. It felt home. Didn't expect to like the Lindell so much. I want to try this on some "larger than life" feeling songs. SSL 9000 K was very similar to Lindell...with a little more mid range clarity. But somehow "wow'd" me less than the Lindell? (edit: it wow'd me less because of the low end frequencies) I think Focusrite would sound great on Jazz/Classical music...its richness and warmness sounded the cleanest/least distortion...but I find it to be too boring for Pop/Rock. The Neve just screamed "Grunge and angry music" to me for some reason.
I am currently trying to take in many demo videos, I'm order to find each channel stripes strengths, weaknesses and specialties. In the end, there will be a reference chart; to help make each track's character and vibe precisely how I envision them. This will greatly improve workflow speed and reduce time for analysis and selection. If such a chart exists, I will use that instead (unless something is missing).
Thanks! If i wrote one wrong, please let me know. 00:00 Intro 02:40 Neve 03:24 Console N 04:20 Focusrite 05:18 SSL E 06:35 SSL 9000 E 07:50 Scrolling through Channel Strips
Love the sound of the Lindell 80, use it all over my mixes and just adore the sound, the PA Lindell strips are AMAZING, I also love their Lindell X Channel, it's very affordable and just has a richness about it that just brings the sound out in a bright, yet warm way... PA strips are amazing!
It's funny because reviewing the Focusrite SC nobody really says too much in the comments about it, but he literally says he just used it on some records.... That's selling point. Missed it the first time but starting to appreciate the more transparent way this thing works. Cheers.
after everything i still love the 4000! the definition and clarity in the mid range is just so good, and i find the low end and high end easier to control and get right
I think Joe Carell nails it.Once you identify each console's extra nice sections,i.e.the beautiful Lindell high end,fat fluffy low end,the almost foolproof musical EQ and dynamic sections of the SSL consoles,its really gratifying to knowingly reach for the right match for your source material.I love the tip about juicing the input of the console front end to invoke some extra mojo it's a very valid one,if you haven't,give at go,it's nice.P.S anyone else think the BX N console EQ is possibly the nicest all round EQ in these series?
The SSL 9000 J has a two end clarity I really like. The bass and mids are good, too, as are they are in the other channel strips, but the clarity of the sounds helped me dive into the music.
I'm a big fan of the lindell, the low end is so amazing to my ears. I also like the other Neve, but the 9000 surely has a place as well. Great video for helping us knowing which one to grab depending on the context.
It was this video that sold me on the SSL J. Just running signal through it without any EQ saturates the sound in a a very classy and pleasing way and feels like 50% of the way toward making raw tracks sound like a record. I've played the field for a long time and was seriously dating the Neve N but it's so nice to finally have a default strip I can settle down with. Also, I was skeptical of tolerance modelling but now I'm sold. Really a top-shelf plug.
TMT is wow i got the J 4 real this is a good product, never without it again my 1st wow was with arturia fx bundle and also softube model 84 (soooo real) the software algos are fool proof these days thx Pa 4 doin what u doin u earned a customer
@@starkid9736 The PA SSL J is my longest running keeper plug. My workflow now is to track my MIDI compositions through the J with the compressor just barely lighting up at a very low ratio, then printing the output to audio file stems. I then have another channel strip that I mix those tracks through, actually a small combination of strips (the PA Amek strip can work for this), but its a super solid no-brainer system that _just works_ and sounds fantastic . Cheers-
@@jfilbert i use amek and the 9000j in altering combinations maybe a driven summit eq or the siemens here and there and i got all crucial possibilitys covered this all u need 2 place sound objects on the mix canvas before those strips i had 2 remember whats up in my efx chain and fiddle there 2 place the sounds but now its done with these 2 simple GUIs (feels like 2 easy)
This was so great at explaining and showing the differences. I have no one to guide me and have been going in blind for a while now and struggled to properly understand channel strips. I love the SSL and have been trying to properly understand how it works. This was a great door opener for me! Im getting it now lol thanks for this!
Love the video. I have all of them except the Lindell 80 which I will get it soon or later. I already have the new Neold V76U73 which sounds amazing. I'm about that channel strip life!
I have the Focusrite and recently I decided to use it. And is a very good one.. I am really impressed . But he second VST in my speakers sound it better. The snare wasn't muddy . The third one in my speakers sound it like transients were cut of very settle.. All of them are very good. I guess it depends what kind of music are you mixing . Thank you so much for this rich video..
Thanks for the nice demonstration. Quite right what you said: There isn´t one "the best". They all have their characters. Also at the end it comes down to your taste and how you can handle these different channel strips. Cheers, Mario.
The Lindell and the SSL 9000 is a winner for me. I definitely like the bottom in and top smooth part of the SSL 9000. Can't wait for you guys to make the API style plugins. Great job as always Joe!
That and the 9099 both need to find their way into some vids!! Our friends at PA are dripping so many new toys I can’t keep up! 😂😂. Have a good weekend Sean 👊🏼✌🏼
@@InTheMixJoeCarrell The AMEK 9099 has quickly become my new favorite! Headroom to rival the SSL 9kJ and enough utility to need little else. AND THE SOUND! Sheesh. Looking forward to your take on the latest. CHEERS!
I have the SSL E and the Neve strips. I've listened to the phase differences of both and they do change the sound even without any processing applied. Interestingly, the SSL mainly colours only the low-end but the Neve colours the entire spectrum. The difference is very subtle (especially with no processing) but try running audio through multiple strips and you will hear the difference!
@@OCTO8R It's all very good The EQ has a shiny top end, fat mids and a really full bottom - all features I'd expect to hear from experience using the UAD 88RS. It can also do a tighter Q's than the SSL. Unless I want to focus on a single frequency, you can definitely get 'surgical' with it. On some sources the compressor does compete with the stand-alone compressor plugins I own as it definitely brought something new to the palette - In some situations I might choose it over a compressor plugin, especially if I'm already using the strip for the EQ's. I also learned from it that you can't judge the sound too much based on what type of compressor it is (VCA) as it did have a particular warmth to it, not what I'd usually expect from a VCA. I tend to not use channel strip gates much because they do lack lookahead which is quite important for transparency and retaining transients imo. The TMT is cool. Wouldn't really care if it didn't have it though. One very small issue I have with it is that the knobs don't move very smoothly
"What we're trying to do here is focus on the nature of the circuit itsef". Matching settings not only couldn't ever do that (hardware or software). Either at any settings or pushed where each of these channel strips also shine in their own right. Particularly, the SSL, and Focusrite SC. I mean, it's what they all do. Albeit with slightly different characteristics. Thanks for the review. You are right about them all being excellent. The bx Console series are all tremendous. The Focusrite and N are my two favorites. Getting just the right sound from Preamps really help. The Focusrite SC with acoustic instruments is or seems to really shine over the others. IMO. Cheers and thanks again for the tease : )
@@PluginAllianceTV Yes I have really wanted that as well! Or the holly grail EMI TG12345, Id go absolutely crazy for an EMI TG series desk. Or any model TG
I got the bx Focusrite SC (free) after buying a Scarlett Solo but after listening to the comparison with earbuds, the SSL 9000J sounded so good I went out and bought it from Plugin Alliance. It sounds WAY clearer. Super cheap with their PICK* vouchers if you find at least something else to stick in the cart. Thank you for this. I am a novice. 😊
The SSL 4000 E sounded best for me and the Lindell 80 is also very nice for 70s style music. The Focusrite has a lot of punch in the lower midrange but sounds a little bit too dark and muddy for me (maybe other settings are necessary here).
The Focusrite EQ curves are broader and need to be pushed harder than SSLs. The sound can open up much more than is heard here. Also, he isn't using the low-mid EQ (for whatever reason), which is where thinning out the darkness and roominess can happen and allow the FR to sound much more open.
5:28 The high pass and low pass filters on the bx 4K are engaged by default. Even at 20hz / 22K you'll definitely hear the slope. That's why the 9K sounds more open and less tight 7:05
I want to see Joe with the Amek 9099. Which has become my favorite recently. Still love SSL on guitars and drums. But, if I have to have one it’s now the AMEK.
Yep. Lindell and the SSL 9000 like others have said. I wandered in the wilderness of the Schepp's Omni for a while, but I'm going back to the SSLs. This is a great video. Thank you so much.
Wow, that 9000 made a huge difference and i could hear so much more detail in all the ranges. If I had to choose one it would be the 9000. Maybe for more vintage sound for jump blues, swing blues, it would be neve.
If I had to pick 2 of those I’d say the 9000 J would be my top pick for modern music (rap pop etc) but for those more accoustic tracks like the one in this example I think that Neve Console N sounds great. The focusrite seemed dull to me in this example but I’m sure it fits some genres
Thanks for your feedback! Remember, you can try all our plugins for 14 days at full functionality to see how they suit your sound. Just add them to your DAW and activate your demo!
You can try each of our plugins for 14 days to see and hear how they work for you and how they compare to existing plugins or hardware. Please check for yourself and let us know!
WOW the sound of the "Console N"...straight up 70s soul tunes. Definitely not the right tool for every job, but that was super awesome and dark. Probably I'm into the G or J series SSLs for most projects, but the Focusrite and that Console N are really hip if you're mixing a project that compliments that sound.
like this guy. he really understands his stuff, beyond just the mechanical repetition of marketing slogans, like most people. i'm a sucker for consoles, as well. but i stay away from pa stuff, even though i have about half of them, because they don't have a tape insert after the preamp. using tape like that makes all the difference in the world, and really completes the console workflow. putting it after the channel strip just isn't the same. the only ones that do that are the mixhub and soc. if pa put an insert slot on their consoles, i'd be sold, for the sheer variation of consoles alone, not to mention the tmt. plus i really like that focusrite.
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Love the Lindell 80!
@@gonebymidnight2881 Y E S !!!
Best video I have seen explaining this… I wish the Lindell API was out at the time of this.
wish the lindell 69 series was in this too! super helpful
Wooow, that console N is incredible for low-end! It's tight and polished
That's really awesome feedback. Thank you so much!
As a singer songwriter... That Lindell is sounding amazing. So much vibe!!!
That Lindell just works perfectly for this song...sounds so beautiful, Second for me would be the 9000J on the E curve, those open highs sound really good
Thanks for letting us know!
2:44 Lindell (1970s)
3:27 Neve (1980s)
4:25 Focusrite (1990s)
5:25 SSL 4000 E (1980s)
6:41 SSL 9000 J (2000s)
Thoughts: Most accustomed to SSL 4000 E sound. It felt home. Didn't expect to like the Lindell so much. I want to try this on some "larger than life" feeling songs. SSL 9000 K was very similar to Lindell...with a little more mid range clarity. But somehow "wow'd" me less than the Lindell? (edit: it wow'd me less because of the low end frequencies) I think Focusrite would sound great on Jazz/Classical music...its richness and warmness sounded the cleanest/least distortion...but I find it to be too boring for Pop/Rock. The Neve just screamed "Grunge and angry music" to me for some reason.
I am currently trying to take in many demo videos, I'm order to find each channel stripes strengths, weaknesses and specialties. In the end, there will be a reference chart; to help make each track's character and vibe precisely how I envision them. This will greatly improve workflow speed and reduce time for analysis and selection. If such a chart exists, I will use that instead (unless something is missing).
@@brian95240 hi, have you made the chart? I’d love to have a copy of it if you did, thank you.
I really needed this video !
Thanks! If i wrote one wrong, please let me know.
00:00 Intro
02:40 Neve
03:24 Console N
04:20 Focusrite
05:18 SSL E
06:35 SSL 9000 E
07:50 Scrolling through Channel Strips
It's the SSL 9000 J, not "E". =)
Thank you, real MVP!
Love the sound of the Lindell 80, use it all over my mixes and just adore the sound, the PA Lindell strips are AMAZING, I also love their Lindell X Channel, it's very affordable and just has a richness about it that just brings the sound out in a bright, yet warm way... PA strips are amazing!
We really appreciate the great feedback. Thank you very much!
I agree
I always use the Lindell 80 Bus with the 9000 J with Klanghelm DC8 comp or bx Townhome Comp
Best channel strip comparison ever made, as far as I can find.
😎👍👍
It's funny because reviewing the Focusrite SC nobody really says too much in the comments about it, but he literally says he just used it on some records....
That's selling point. Missed it the first time but starting to appreciate the more transparent way this thing works.
Cheers.
We're glad to hear the magic is working for you. Thanks for the enchanting feedback!
The Focusrite is absolutely awesome in it's capabilities. It can definitely be used on rock music if you know what you're doing.
Joe, I absolutely lovvve ur vids! Many thnx 2 plug-in alliance!
Thank YOU for the nice feedback!
after everything i still love the 4000! the definition and clarity in the mid range is just so good, and i find the low end and high end easier to control and get right
love the lindel audio and 9000 punch clarity depth & width...
SSL 9000 J for the win,Lindell is a close second place 👍
I'm sold, he's great teacher. :) thanks for this awesome insight, Joe! as well as plugin alliance for great products. huge fan of both !
The Neve and SSL 9000 sound amazing to my ears. However I love the API in my mixes.
Great shootout Joe; Thanks!
I like the Lindell 80 and the 9000 J but I'm still learning how to use them.
I think Joe Carell nails it.Once you identify each console's extra nice sections,i.e.the beautiful Lindell high end,fat fluffy low end,the almost foolproof musical EQ and dynamic sections of the SSL consoles,its really gratifying to knowingly reach for the right match for your source material.I love the tip about juicing the input of the console front end to invoke some extra mojo it's a very valid one,if you haven't,give at go,it's nice.P.S anyone else think the BX N console EQ is possibly the nicest all round EQ in these series?
Use all of these. Mega Bundle is the way to go. Waiting on a Trident channel strip
I agree
Plugin alliance definately best Plugins online
The SSL 9000 J has a two end clarity I really like. The bass and mids are good, too, as are they are in the other channel strips, but the clarity of the sounds helped me dive into the music.
That's great to hear. Thanks for the wonderful feedback and sharing your experience!
You were looking for the word "creamy" when you described the Lindell Neve plugins... You're welcome. :-) The SSL E sounds nice too.
This is exactly the video I needed as a new mega bundle subscriber 🤌
Awesome, we're glad to hear it helped. Thanks for the nice feedback and enjoy your new tools!
Really interesting and fun comparison! Thanks!
Just came across your mixes today. These sounds are tugging on my heart making' me cry man!
I'm a big fan of the lindell, the low end is so amazing to my ears. I also like the other Neve, but the 9000 surely has a place as well. Great video for helping us knowing which one to grab depending on the context.
That SSL 9000 J is pretty good.
We're really glad to hear that. Thanks for the nice feedback!
It was this video that sold me on the SSL J. Just running signal through it without any EQ saturates the sound in a a very classy and pleasing way and feels like 50% of the way toward making raw tracks sound like a record. I've played the field for a long time and was seriously dating the Neve N but it's so nice to finally have a default strip I can settle down with. Also, I was skeptical of tolerance modelling but now I'm sold. Really a top-shelf plug.
Thanks for the great support and sharing your experience!
TMT is wow i got the J
4 real this is a good product, never without it again
my 1st wow was with arturia fx bundle and also softube model 84 (soooo real)
the software algos are fool proof these days
thx Pa 4 doin what u doin u earned a customer
@@starkid9736 The PA SSL J is my longest running keeper plug. My workflow now is to track my MIDI compositions through the J with the compressor just barely lighting up at a very low ratio, then printing the output to audio file stems. I then have another channel strip that I mix those tracks through, actually a small combination of strips (the PA Amek strip can work for this), but its a super solid no-brainer system that _just works_ and sounds fantastic . Cheers-
@@jfilbert i use amek and the 9000j in altering combinations maybe a driven summit eq or the siemens here and there and i got all crucial possibilitys covered
this all u need 2 place sound objects on the mix canvas
before those strips i had 2 remember whats up in my efx chain and fiddle there 2 place the sounds
but now its done with these 2 simple GUIs (feels like 2 easy)
This was so great at explaining and showing the differences. I have no one to guide me and have been going in blind for a while now and struggled to properly understand channel strips. I love the SSL and have been trying to properly understand how it works. This was a great door opener for me! Im getting it now lol thanks for this!
We're glad to hear the video is helpful. Thank YOU for sharing and enjoy your sessions!
Joe Carrell is a guarantee
KNIGHTEAR RECORDS thanks man!
Great demonstration. Thanks, Joe!
All sound fantastic. Just mix the possible opportunities. A Rupert Neve channel dancing with SSL on a clean Protools or Nuendo DAW.... awesome
Love the video. I have all of them except the Lindell 80 which I will get it soon or later. I already have the new Neold V76U73 which sounds amazing. I'm about that channel strip life!
I have the Focusrite and recently I decided to use it. And is a very good one.. I am really impressed . But he second VST in my speakers sound it better. The snare wasn't muddy . The third one in my speakers sound it like transients were cut of very settle.. All of them are very good. I guess it depends what kind of music are you mixing . Thank you so much for this rich video..
I come back to this video again and again to develop a strategy for each group of tools.Thank you so much Joe Carell for your efforts!
Great video brother! best one i have seen. Keep it up really informative
between that 4000 and 9000 they both sound good to me
Thanks for the nice feedback!
Thank you Joe. This taught me so much. Even more than you were showing us. Very much appreciated.
Really great video, man. I still need the Lindell and a 9000. Gotta have 'em all!
Thanks for the nice demonstration. Quite right what you said: There isn´t one "the best". They all have their characters. Also at the end it comes down to your taste and how you can handle these different channel strips. Cheers, Mario.
What a great video! I can see the benefit of the focusrite when I need to produce more Jazz 😁
We're glad to hear it helped. Thanks for the nice feedback!
Great video! It is good to see this kind of real-life comparison between the different channel strips and hear the difference. Much appreciated!
Thank you for doing this straight forward , easy to understand comparison.
My faves were Lindell 80 and J9000 for this mix.
Thanks man, we'll done comparisons. They really all have their place.
Great Way to explain and compare the sonic characteristics of each emulation. Really helpful. Thank you 🙌🏾.
Lindell and SSL 9000 sound great for me. Already have the Lindell, I'll definitely get the 9000. I'm waiting for an API style from Plugin Alliance!
I would so much rather have an api console then the Telefunken compressor/saturator they just put out.
Let’s get it PA
Jared Loiben the API is coming 👊🏼
Joe Carrell Don’t do that. Don’t give me hope
Console_API_!cool
@@jloiben12 its release date is in october
The Lindell and the SSL 9000 is a winner for me. I definitely like the bottom in and top smooth part of the SSL 9000. Can't wait for you guys to make the API style plugins. Great job as always Joe!
Thanks for the nice feedback!
They already made an API Channel Strip!Check Lindell 50 in the Plugin Alliance website. Really lovely plugin🙌🏻
Lindell 80 is one of the few things i have on my mixbus, it just helps everything sound better.
Awesome Joe glad they put you up to this😂
Love them all! One thing to note is that the 80 series is the only one that's using compression in the comparison.
All right, Joe and PA. Time to add the Lindell 50 to a back to back video!
That and the 9099 both need to find their way into some vids!! Our friends at PA are dripping so many new toys I can’t keep up! 😂😂. Have a good weekend Sean 👊🏼✌🏼
@@InTheMixJoeCarrell The AMEK 9099 has quickly become my new favorite! Headroom to rival the SSL 9kJ and enough utility to need little else. AND THE SOUND! Sheesh. Looking forward to your take on the latest. CHEERS!
I have the SSL E and the Neve strips. I've listened to the phase differences of both and they do change the sound even without any processing applied. Interestingly, the SSL mainly colours only the low-end but the Neve colours the entire spectrum. The difference is very subtle (especially with no processing) but try running audio through multiple strips and you will hear the difference!
What would You say about Neve strip? What are Your impressions of usage?
@@OCTO8R It's all very good
The EQ has a shiny top end, fat mids and a really full bottom - all features I'd expect to hear from experience using the UAD 88RS. It can also do a tighter Q's than the SSL. Unless I want to focus on a single frequency, you can definitely get 'surgical' with it.
On some sources the compressor does compete with the stand-alone compressor plugins I own as it definitely brought something new to the palette - In some situations I might choose it over a compressor plugin, especially if I'm already using the strip for the EQ's. I also learned from it that you can't judge the sound too much based on what type of compressor it is (VCA) as it did have a particular warmth to it, not what I'd usually expect from a VCA.
I tend to not use channel strip gates much because they do lack lookahead which is quite important for transparency and retaining transients imo.
The TMT is cool. Wouldn't really care if it didn't have it though.
One very small issue I have with it is that the knobs don't move very smoothly
@@TheOgruffydd Thank You!!!
What a great tutorial!!!. THANK YOU SO MUCH JOE & ALLIANCE
That's fantastic feedback, thanks!
"What we're trying to do here is focus on the nature of the circuit itsef". Matching settings not only couldn't ever do that (hardware or software). Either at any settings or pushed where each of these channel strips also shine in their own right. Particularly, the SSL, and Focusrite SC. I mean, it's what they all do. Albeit with slightly different characteristics. Thanks for the review. You are right about them all being excellent. The bx Console series are all tremendous. The Focusrite and N are my two favorites. Getting just the right sound from Preamps really help. The Focusrite SC with acoustic instruments is or seems to really shine over the others. IMO.
Cheers and thanks again for the tease : )
Highly appreciate this! Thank you Plugin Alliance. Love the Lindell.
This is was an amazingly clear comparison.
I liked the Console N and SSL 9000 J.
Thanks a lot Joe. This demonstration video helped me make a decision as to which channel strip is my next purchase...
Awesome! Hope you’re getting great results with it.
I use the Lindell 80 and I really like it. I would really like a Trident A Console channel strip by Brainworx, it would be kick-ass for vintage rock.
Thanks for letting us know!
@@PluginAllianceTV Yes I have really wanted that as well! Or the holly grail EMI TG12345, Id go absolutely crazy for an EMI TG series desk. Or any model TG
I got the bx Focusrite SC (free) after buying a Scarlett Solo but after listening to the comparison with earbuds, the SSL 9000J sounded so good I went out and bought it from Plugin Alliance. It sounds WAY clearer.
Super cheap with their PICK* vouchers if you find at least something else to stick in the cart.
Thank you for this. I am a novice. 😊
Great comparison, I use them too, on different tracks. And with TMT inside you have hundreds of different channel strips.
Great video, thanks a lot. My fave is LINDELL 80, I just love what it does to the low end...
Need an update to this with the api, channel X, and amek 9099 strips
Thanks for letting us know!
What a great video
Thank you very much!
Lindel 80 sounds great, but for this song I like the SSL9000J
Very professional comparison, and true.
Given the amount of channel strips in PA bundle this video is super useful 👍👍👍
We're glad to hear it's helping. Thanks for the nice feedback!
I enjoyed this one. More like this please! Pass the knowledge
We're on it. Stay tuned!
All sound great, but I like the most the Focusrite.
Thanks Joe, great lesson. Very eye/ear opening.
so cool, i really like the 9000
Yeh that was my fav although the Lindel sounded great too.
Tremendously helpful video, thank you
You're very welcome!
this review workflow is the most complete and straightforward . very good ! side by side 9000J shines for my ears, next is Lindel.
Just starting to decipher this stuff... thank you for the elegant, concise presentation! Loving the Lindell but also the N.
The SSL 4000 E sounded best for me and the Lindell 80 is also very nice for 70s style music.
The Focusrite has a lot of punch in the lower midrange but sounds a little bit too dark and muddy for me (maybe other settings are necessary here).
Not every spice suits every dish. Thanks for sharing your experience!
The Focusrite EQ curves are broader and need to be pushed harder than SSLs. The sound can open up much more than is heard here. Also, he isn't using the low-mid EQ (for whatever reason), which is where thinning out the darkness and roominess can happen and allow the FR to sound much more open.
5:28 The high pass and low pass filters on the bx 4K are engaged by default.
Even at 20hz / 22K you'll definitely hear the slope.
That's why the 9K sounds more open and less tight 7:05
I want to see Joe with the Amek 9099. Which has become my favorite recently. Still love SSL on guitars and drums. But, if I have to have one it’s now the AMEK.
Thanks for letting us know!
Yep. Lindell and the SSL 9000 like others have said. I wandered in the wilderness of the Schepp's Omni for a while, but I'm going back to the SSLs.
This is a great video. Thank you so much.
This helped tremendously! Thanks!
I like Focusrite and 9000 more than others. The sound so pleasing
It would be awesome to see you guys get into api and more neve channel strips :)
MidniteBeats the API is coming! 😉 near future my friend.
We do! 😉
great video!!!
Excellent video, thanks Joe
This was soo informative, thanks!
Great comparison video!!
Very useful comparison indeed. Could you also include API?
Great stuff as always Joe!!!!!!
Wow, that 9000 made a huge difference and i could hear so much more detail in all the ranges. If I had to choose one it would be the 9000. Maybe for more vintage sound for jump blues, swing blues, it would be neve.
If I had to pick 2 of those I’d say the 9000 J would be my top pick for modern music (rap pop etc) but for those more accoustic tracks like the one in this example I think that Neve Console N sounds great. The focusrite seemed dull to me in this example but I’m sure it fits some genres
Thanks for your feedback! Remember, you can try all our plugins for 14 days at full functionality to see how they suit your sound. Just add them to your DAW and activate your demo!
thank you for doing this Joe great info
Lindell 80 and SSL9000J but Lindell 80 is better for me!
I agree, but for this song I like the SSL9000J
Thanks!
Great Video! Enlightening. Where/how would one place the lindell 50 and the Amek amongst the bunch?
You can try each of our plugins for 14 days to see and hear how they work for you and how they compare to existing plugins or hardware. Please check for yourself and let us know!
WOW the sound of the "Console N"...straight up 70s soul tunes. Definitely not the right tool for every job, but that was super awesome and dark. Probably I'm into the G or J series SSLs for most projects, but the Focusrite and that Console N are really hip if you're mixing a project that compliments that sound.
Lindell 80 rules then the SSL 9000 J !
Thank you!
Superb video.thanks man...
Thank you!
That 9000J sounded great for this song. It reminded me sonically of Take My Breath Away by Berlin.
like this guy. he really understands his stuff, beyond just the mechanical repetition of marketing slogans, like most people. i'm a sucker for consoles, as well. but i stay away from pa stuff, even though i have about half of them, because they don't have a tape insert after the preamp. using tape like that makes all the difference in the world, and really completes the console workflow. putting it after the channel strip just isn't the same. the only ones that do that are the mixhub and soc. if pa put an insert slot on their consoles, i'd be sold, for the sheer variation of consoles alone, not to mention the tmt. plus i really like that focusrite.