Tézier's technique is just amazing, but even more important is that it's always in service to the composer. One of the greatest baritones, and just now entering his best years. He'll only get better for many years.
@@mipis1 yes, similar voice projection, well at least in this aria. Cappuccilli was able to sing other roles that needed a more dramatic color. None the less Tezier sings this aria beautifully, great bel canto.
Listen to the E at ‘ah l’amor, l’aMOre…’ Classic problem at the baritone passaggio. The voice is extremely ‘ingolata’, which leads to the top lacking brilliance, as his G’s demonstrate. (Where did he get the text-variation at the end of the recitative?)
J'adore, bien sur, notre baryton français mais pourquoi le faire toujours chanter dans des mises en scène scabreuses avec son collègue et ami Jonas Kaufmann...Ils seraient tellement plus beaux dans des mises en scène dignes de ce nom !
I wish they let him and Jonas do a Don Carlo together without a cage to keep them apart. They have insane levels of chemistry. Just let them do their thing!
Tezier is very good, but his voice lacks the luxurious quality of velvety continuity and the subtle nuances of phrasing that defined Sherrill Milnes vocal abilities. That being said, I realize it's pointless and almost a bad habit comparing new singers to the pillars of the old guard (now long gone), but one must have a standard or at least a personal preference by which to judge a newer generation of singers. In fact, I would surmise that it's not entirely unreasonable since, I suspect, most it not at least some of the present generation of singers (the good ones) set similar standards and to some degree learn from (hopefully) and emulate those that came before them.
Curi la respirazione : le favelli il mio ,fiato , favor . E arriva alla fine di molte frasi con il singulto di chi non ha più fiato. E poi il solfeggio lascia perplessi.
Правда..ему бы такую школу и загруженность от постановки к постановке с гениальными режиссерами..как у Бастианини например..Но конечно Этторе был необъятным,это нечто уникальное
Tézier é semplicemente fantastico !
Tézier's technique is just amazing, but even more important is that it's always in service to the composer. One of the greatest baritones, and just now entering his best years. He'll only get better for many years.
Unglaubliche Stimme!!! Unglaubliche Ausstrahlung !!!
LUDOVIC TEZIER ♥️♥️♥️♥️👏👏👏👏😍
quelle voix merveilleuse bravo L Tézier bravo !
Ça confirme mon fervent respect pour L. Tézier. Quelle voix, quelle ligne de chant, quel goût, quels moyens vocaux & techniques.
Maravilloso Maestro Tezier!!!!!!💖🌟🎶
Bravo! ❤
Only Ludovic . Awesome .
Malgré une mise en scène minable, heureusement qu'il y a la voix merveilleuse de notre baryton préféré !
Miss Dmitri Hvorostovsky singing this aria😭💔
He is apsolute genious!!!
Gran interpretación!
Monsieur Tezier !!!! Évidemment 👍👍🤗🤗❤️❤️
Sublime ❤👑
Très belle voix!
Un po' ingolato, ma ciononostante lo continuo a ritenere il miglior baritono verdiano della nostra generazione, molto più bravo di Salsi e altri.
Thank you!!
He's such a fantastic singer. Why does Leonora pick that useless tenor when she could have this beautiful man? :D
I've always wondered that about IL TROVATORE ......!!!
Même remarque avec Dmitri Hvorostovsky !
N’oublions pas Dmitri khorovostrovski qui a été excellent dans ce rôle . Ludovic Tezier actuellement est un des meilleurs barytons. Merci
Bravo ! Formidable!
impeccable
this is so badass
Eine edle Stimme...
I loved the stage setting too, far from traditional of course, but intriguing
Royal !
Listen to Ettore Bastianini and notice the difference og level.
I meant "the difference of level".
...or listen to Dmitri Hvorostovsky...
It's a nice voice for this French baritone.
@@guthorbj2472 Бастианини недостижимый идеал для всех баритонов
che tecnica, che voce... abbiamo l'erede di Bruson.
I agree but for me He is a new Cappuccilli
El timbre de Tezier es mas grave que el del gran Cappuccilli y en esto se parece al gran Brusson.
@@mipis1 yes, similar voice projection, well at least in this aria. Cappuccilli was able to sing other roles that needed a more dramatic color. None the less Tezier sings this aria beautifully, great bel canto.
Listen to the E at ‘ah l’amor, l’aMOre…’ Classic problem at the baritone passaggio. The voice is extremely ‘ingolata’, which leads to the top lacking brilliance, as his G’s demonstrate. (Where did he get the text-variation at the end of the recitative?)
J'adore, bien sur, notre baryton français mais pourquoi le faire toujours chanter dans des mises en scène scabreuses avec son collègue et ami Jonas Kaufmann...Ils seraient tellement plus beaux dans des mises en scène dignes de ce nom !
Moi, j'aimais bien les mises-en-scene dans lesquelles j'ai vu Tezier et Kaufmann - surtout LA FORZA DEL DESTINO a Covent Garden.
I wish they let him and Jonas do a Don Carlo together without a cage to keep them apart. They have insane levels of chemistry. Just let them do their thing!
No wonder murders and assassinations happened in Operas! Listen to these voices long enough and you'll eventually snap!
Tezier is very good, but his voice lacks the luxurious quality of velvety continuity and the subtle nuances of phrasing that defined Sherrill Milnes vocal abilities.
That being said, I realize it's pointless and almost a bad habit comparing new singers to the pillars of the old guard (now long gone), but one must have a standard or at least a personal preference by which to judge a newer generation of singers.
In fact, I would surmise that it's not entirely unreasonable since, I suspect, most it not at least some of the present generation of singers (the good ones) set similar standards and to some degree learn from (hopefully) and emulate those that came before them.
Curi la respirazione : le favelli il mio ,fiato , favor . E arriva alla fine di molte frasi con il singulto di chi non ha più fiato. E poi il solfeggio lascia perplessi.
Some intonation and Italian problems.
Garbage! Will never be on top with Merill, Bastianini, Granforte..
Guelfi.
Правда..ему бы такую школу и загруженность от постановки к постановке с гениальными режиссерами..как у Бастианини например..Но конечно Этторе был необъятным,это нечто уникальное