Dude as I sort through the footage and photos we shot I am continually impressed by the camera and what it can do. Yes it has limitations in ISO but within those limits the camera is a beast
Global Shutter is THE thing for VFX work. You track accurately in 3D, match moving, and many other things. Things that were possible only on film back in the day (or for Nolan 😀today)! If the FX6 ii / FX3 ii will have this, it will be a beast redefining CINEMA!!!!
Replace the word "cinema" with "video" and most of what you've said is spot on and most of your shots look great. Can definitely see the global shutter at play in some shots. Were you shooting at a base frequency of 50p or 60p? Definitely looks like it in places.
About the only video so far addressing the video capabilities of the A9III. I already own two A1 bodies, so good to go for stills. Really looking forward to seeing what the global shutter provides in terms of very smooth video footage...put on a cine lens...add a black pro mist 1/4...should be pretty cool. A little concerned about that ISO tho. Thanks for posting...
I’m in the same boat as an A1 owner.. thinking about selling my a7SIII but probably not going to need the direct benefits of a coming a7SIV, but have plenty of sports and event lighting needs that the a9III could solve
The camera though cleans out at 6,400 ISO in SLog3 and seems to be pretty close to a real second base ISO with pretty good dynamic range. Check out Gerald Undone's review. Also that global shutter 120fps video is so good. My a7SIII 120fps, even at 7.7ms, isn't fast enough and could see some jello effect on rare occasions. My A7SIII will always be there for crazy high ISO scenes anyway, but this should be a daily driver.
Yeah it’s a little cleaner at 6400 but not a true dual native iso. Overall there seems to be less processing in higher isos and the colors look good even when you push it.
@@JevenDovey Yeah according to Gerald it seems to have less to no internal noise reduction (probably comparable to FX6), and when you apply noise reduction on DaVinci Resolve for example the image looks as clean with similar DR to noise floor ratio that you get from other Sony cameras at around 12.3-12.6 and ~15 overall. It's a mindblowing achievement and things will get even better with future entries.
@@JJ-ff3bj nah 24fps is outdated bs just like measuring sensor size by the size of cathode ray tubes Such as, 1 inch sensor aren't actually 1 inch diagonally 😑
I bought a ZV-E1 while back and was planning to use it alongside my a7RV but then I returned it to just sell the A7RV and get the a9iii, i'm still a little torn on whether I want to do this but it is nice to just have a single camera that can do it all
The “marketing” is an intentional effort not to undermine the sales of their line of professional cinema cameras. No? Beautiful work/enthusiasm gentlemen. Great storytelling! Sony should welcome the two of you to the ‘fold’.
I currently have an A7M4. It’s a great hybrid camera. Although I like to do panning shots and other fast camera movements and the rolling shutter is terrible. It has also gotten very warm after recording long events and I’m concerned it’s not a reliable option for these situations. So I’m looking for a second camera that is more video centric. The RED Komodo would be perfect except it’s not compatible with the E-Mount lenses and I’m too committed to the Sony ecosystem at this point. The A9iii global shutter would certainly fix the rolling shutter issues I have been experiencing with my gear. Although, your Alaska trip probably isn’t the best test of how it handles heat dissipation… and I’m def concerned about the lack of dynamic range and ISO for shooting events. Im keeping my fingers crossed that the FX3ii announcement is around the corner and the perfect solution to these problems. But maybe I’m just dreaming! 🤞😅
Great vid. I'm a hybrid sports shooter just changing to Sony from Canon and use 2 bodies. What would be the killer combo be (2 x a9III) or (1 x FX3 + 1 x a9III). Thoughts?
I can't believe there were ducks in the water. Don't they know they should fly south for winter? 😂 Kidding aside, I'm looking forward to the BTS video because this camera produces some nice video!
Super interesting! I get my next week for a special project I gonna shoot for Sony Nordic (Sony ambassador) in the mountains of Norway. Can I in some way get in contact with you ?
But does the camera have any overheating issues? Been having some problems with that with my Sony A4 (granted, I live in Louisiana but im not filiming out in direct sunlight for the most part.)
It's in a pretty competitive price range, so there are a lot of good cameras to choose from. With autofocus pretty much perfected and now the global shutter, let's hope Sony works on a competitive electronic nd filter to bring all of these compact cameras up to the level of their bigger brothers
I got freezing cold just watching your video. I would’ve gone to Hawaii way before Alaska. I just can’t handle the cold… Any chance we can download an original shot so we can see what it really looks like?
@@JevenDoveyand on any bigger production you'd likely mask your foreground subject and apply a different grade and different levels of NR to the foreground and background elements.
But compared to most other cameras at ISO 20,000 in pitch black.. better to get the shot with noise than not at all depending on your needs.. NR is an amazing thing these days
Sony, design a pro version of DJI’s Osmo Pocket 3 with a larger sensor, crystal clear zoom, bigger display/touch screen, ease of use, reasonably priced 🙏🏾 larger enclosure welcomed to house all of the upgrades/pro features. Thanks for listening and look forward to see your version!
Awesome video, the footage looks icredible. 20k ISO during that fire scene, that was absolutely gorgeous. You've got me pumped for this camera which will most likely be the first body I own outside of Nikon. We need to go on an adventure soon brother!! My new job has me shooting constantly and I can't wait to apply the new skills to my own stuff.
The motion is super smooth that I like a lot, not sure about the image though. Maybe because it’s so early on with this camera but I’ve seen much better footage out of an FX3 before. Either way this is a cool test and some nice shots for sure! Hopefully we see more!
Oh, so naive! 😂 It's a good photo camera and a decent video camera. What I really need in the A7S IV is an ND filter, 4k 240 fps, batter colours....but definitely not a global shutter.
@@JevenDovey what about real estate? Most of my interior ISO are anywhere from 6400 to 12,800. With the other Sony cameras having the native being at 12,800 is such a sweet spot
No matter how many times you repeat the A9III is a cinema camera, I claim there are better options. It does not have NDD for example. No SDD recording. Small LCD screen. I would have to invest a lot to make the camera useful.
This isn’t a low light camera. Its base iso is 2000 which will work for most situations but if you want to do super low light then fx3, zve1, fx6 or a7siii is the better option.
$6k for the A9III “cinema camera” or $3300 for a used C70. Pay half and own a camera or $5k new. A budget cinema camera that shoots DGO with 17 stops dynamic range, 12 bit internal raw, timecode, 180 shutter angle, 10 stops internal ND, xlr on the body not the handle, duel pixel cmos, not a tiny mirrorless camera that needs to be rigged out to have any weight for handheld natural looking camera shake and not the stabilized look and best of all, Canon color science. 😎🤓
Dude as I sort through the footage and photos we shot I am continually impressed by the camera and what it can do. Yes it has limitations in ISO but within those limits the camera is a beast
Did you guys use a gimbal during that fire scene?
Yes 👍
I understand the base ISO is 2000 but can you go below to adjust for over exposure while run and gunning?
Global Shutter is THE thing for VFX work. You track accurately in 3D, match moving, and many other things. Things that were possible only on film back in the day (or for Nolan 😀today)! If the FX6 ii / FX3 ii will have this, it will be a beast redefining CINEMA!!!!
Replace the word "cinema" with "video" and most of what you've said is spot on and most of your shots look great. Can definitely see the global shutter at play in some shots.
Were you shooting at a base frequency of 50p or 60p? Definitely looks like it in places.
I agree. Video, sports and journalism.
The heli shots though 😮
I feel like anything you shoot with a 300 2.8 is going to look good.
About the only video so far addressing the video capabilities of the A9III. I already own two A1 bodies, so good to go for stills.
Really looking forward to seeing what the global shutter provides in terms of very smooth video footage...put on a cine lens...add a black pro mist 1/4...should be pretty cool.
A little concerned about that ISO tho. Thanks for posting...
I’m in the same boat as an A1 owner.. thinking about selling my a7SIII but probably not going to need the direct benefits of a coming a7SIV, but have plenty of sports and event lighting needs that the a9III could solve
Those global shutter heli shots tho! 🔥🔥🔥
Looks so good!
Looks like Sony got another winner and team great addition for team Sony players 🙌🙌🙌 great shots Jeven !! Happy 2024 !
The camera though cleans out at 6,400 ISO in SLog3 and seems to be pretty close to a real second base ISO with pretty good dynamic range. Check out Gerald Undone's review. Also that global shutter 120fps video is so good. My a7SIII 120fps, even at 7.7ms, isn't fast enough and could see some jello effect on rare occasions. My A7SIII will always be there for crazy high ISO scenes anyway, but this should be a daily driver.
Yeah it’s a little cleaner at 6400 but not a true dual native iso. Overall there seems to be less processing in higher isos and the colors look good even when you push it.
@@JevenDovey Yeah according to Gerald it seems to have less to no internal noise reduction (probably comparable to FX6), and when you apply noise reduction on DaVinci Resolve for example the image looks as clean with similar DR to noise floor ratio that you get from other Sony cameras at around 12.3-12.6 and ~15 overall. It's a mindblowing achievement and things will get even better with future entries.
Those helicopter shots tell me everything about the global shutter. Amazing 👏
yes they do Jamie....*that* was pretty impressive...
Every camera that film in 24fps is a cinema camera
30fps, 60fps>>>>>>>>>>>24fps
@@-MrEVIL-😂 maybe for UA-cam or IG but not for cinema
@@JJ-ff3bj nah 24fps is outdated bs just like measuring sensor size by the size of cathode ray tubes
Such as, 1 inch sensor aren't actually 1 inch diagonally 😑
My bad, not bs, just outdated*
Lol
I bought a ZV-E1 while back and was planning to use it alongside my a7RV but then I returned it to just sell the A7RV and get the a9iii, i'm still a little torn on whether I want to do this but it is nice to just have a single camera that can do it all
The “marketing” is an intentional effort not to undermine the sales of their line of professional cinema cameras. No?
Beautiful work/enthusiasm gentlemen. Great storytelling! Sony should welcome the two of you to the ‘fold’.
Eagerly eagerly waiting for the A7Siv !!!
Beautiful shots Jeven! Hanging out with Jake in Alaska had to be a blast!
I currently have an A7M4. It’s a great hybrid camera. Although I like to do panning shots and other fast camera movements and the rolling shutter is terrible. It has also gotten very warm after recording long events and I’m concerned it’s not a reliable option for these situations. So I’m looking for a second camera that is more video centric. The RED Komodo would be perfect except it’s not compatible with the E-Mount lenses and I’m too committed to the Sony ecosystem at this point.
The A9iii global shutter would certainly fix the rolling shutter issues I have been experiencing with my gear. Although, your Alaska trip probably isn’t the best test of how it handles heat dissipation… and I’m def concerned about the lack of dynamic range and ISO for shooting events. Im keeping my fingers crossed that the FX3ii announcement is around the corner and the perfect solution to these problems. But maybe I’m just dreaming! 🤞😅
It seems like a good camera. Great review, you got some epic shots up in Alaska. Thanks for sharing.
nice video, thank you ! we have the A7 IV. We were impressed by the video quality
Love this dude! Keep up the awesome work
As an aside, how does this stack up against the A1? I’ve been shooting a lot of action sports and the global shutter is really enticing.
Great vid. I'm a hybrid sports shooter just changing to Sony from Canon and use 2 bodies. What would be the killer combo be (2 x a9III) or (1 x FX3 + 1 x a9III). Thoughts?
1 & 1. That way you get the low light from the fx3 and global shutter from a9iii
That's a great idea. ... and thanks for the speedy response. Much appreciated.
So, wich is the base ISO for slog 3 and. S-Gamut.cine? Is 2000? We dont have a dual iso?
Yes 2000. No dual native iso.
Wow J!!! Beautiful imagery
Thank you!
Sony is my fan and nowadays I am using Sony A7III.
Dying for the 300 2.8….
Thanks for sharing!!! 🙏
At 3:54 there are some strange artifacts in the trees to the left. Are they from the UA-cam compression??
Yeah thats not on my original file
I can't believe there were ducks in the water. Don't they know they should fly south for winter? 😂 Kidding aside, I'm looking forward to the BTS video because this camera produces some nice video!
Does it have an asp-c crop mode in 4k 24, 30 and 60?
Yes
Great one...
Hi @Jeven Dovey. I’m curious: did you have to”clean up” those 20,000 ISO shots in post with any noise reduction? Thanks
Super interesting! I get my next week for a special project I gonna shoot for Sony Nordic (Sony ambassador) in the mountains of Norway. Can I in some way get in contact with you ?
My contact form is on my website. Link in description
@@JevenDoveyI will send you a mail ;)
😊
But does the camera have any overheating issues? Been having some problems with that with my Sony A4 (granted, I live in Louisiana but im not filiming out in direct sunlight for the most part.)
No it doesn’t
It's in a pretty competitive price range, so there are a lot of good cameras to choose from. With autofocus pretty much perfected and now the global shutter, let's hope Sony works on a competitive electronic nd filter to bring all of these compact cameras up to the level of their bigger brothers
At Alaska nothing overheats.
Who’s talking about overheating 🤷🏻♂️
@@JevenDovey well, at least he is...😆
Nothing will overheat in winter in Alaska so can’t test it
Impressive!
What song are you using in the example video?
Wooow, very nice 😎🤝
I got freezing cold just watching your video. I would’ve gone to Hawaii way before Alaska. I just can’t handle the cold… Any chance we can download an original shot so we can see what it really looks like?
4k 120fps, global shutter.. Holy moly
🔥🔥🔥
Let's wait and see the final product
Currently I'm unimpressed and thinking of going Panasonic 😊❤
Would have been cool to meet up with you guys!
That ISO20000 was bad 🤔
Its not a dual native ISO camera. Keep in mind it was really dark. I think the camera performed great for the scene
@@JevenDoveyand on any bigger production you'd likely mask your foreground subject and apply a different grade and different levels of NR to the foreground and background elements.
But compared to most other cameras at ISO 20,000 in pitch black.. better to get the shot with noise than not at all depending on your needs.. NR is an amazing thing these days
Sony, design a pro version of DJI’s Osmo Pocket 3 with a larger sensor, crystal clear zoom, bigger display/touch screen, ease of use, reasonably priced 🙏🏾 larger enclosure welcomed to house all of the upgrades/pro features. Thanks for listening and look forward to see your version!
Gorgeous shots! The global shutter really makes a huge difference. Have you done any stabilization in post?
Wow, my jaw dropped at this footage. It looks so amazing. I just need to find a spare 6k$ lol.
These are nice luts. I bought a set from you a few years ago, which I still use, but these are very pleasing.
would you say dynamic range suffers noticeably because of the GS?
gerald undone did a video of the dynamic range, it was poorer than the more modern sonys.
Lab testing shows that it’s not as good as other Sony cameras but in real world testing I didn’t notice a difference. The DR is still great
The dynamic range is on par with FX6 without noise reduction
nice sir,
Awesome video, the footage looks icredible. 20k ISO during that fire scene, that was absolutely gorgeous. You've got me pumped for this camera which will most likely be the first body I own outside of Nikon. We need to go on an adventure soon brother!! My new job has me shooting constantly and I can't wait to apply the new skills to my own stuff.
The motion is super smooth that I like a lot, not sure about the image though. Maybe because it’s so early on with this camera but I’ve seen much better footage out of an FX3 before.
Either way this is a cool test and some nice shots for sure!
Hopefully we see more!
Oh, so naive! 😂 It's a good photo camera and a decent video camera. What I really need in the A7S IV is an ND filter, 4k 240 fps, batter colours....but definitely not a global shutter.
documentary camera, run n gun.
Name of the track?
Fond, John Hayes
No dual native ruins it for me 😞
2000 base and less processing in high iso makes it a very usable camera in low light even without a dual native iso.
@@JevenDovey what about real estate? Most of my interior ISO are anywhere from 6400 to 12,800. With the other Sony cameras having the native being at 12,800 is such a sweet spot
The right tool for the right job. Sometimes I prefer the a7siii for some jobs, other times the a7iv would do better.
@@tyler_fraser thats a specific use case where you probably want the dual native ISO sensor.
I need a camera😢
everything is good , but the dynamic range
You really see a difference than other Sony cameras or are you saying that cause the specs are slightly worse on paper?
2:19
No matter how many times you repeat the A9III is a cinema camera, I claim there are better options. It does not have NDD for example. No SDD recording. Small LCD screen. I would have to invest a lot to make the camera useful.
It’s a cinema camera
Didn’t like the low light performance. FX3 all day
This isn’t a low light camera. Its base iso is 2000 which will work for most situations but if you want to do super low light then fx3, zve1, fx6 or a7siii is the better option.
@@JevenDovey A7IV (much cheaper option) performs better as well.
$6k for the A9III “cinema camera” or $3300 for a used C70. Pay half and own a camera or $5k new. A budget cinema camera that shoots DGO with 17 stops dynamic range, 12 bit internal raw, timecode, 180 shutter angle, 10 stops internal ND, xlr on the body not the handle, duel pixel cmos, not a tiny mirrorless camera that needs to be rigged out to have any weight for handheld natural looking camera shake and not the stabilized look and best of all, Canon color science. 😎🤓
Definitely not a “cinema” camera. But a great video camera for sure.