Some history on the music: The rhythm of this song comes from the Bolivian-Aymara genre called saya-caporales, regularly confused with the AfroBolivian saya, which is faster. The origins of the caporales dance are indigenous Aymara and precolonial (and concern the sacred lake), however the colonial interpretation or narrative (partly from the state's agenda to make Aymara ceremony patrimony or property of Bolivia) has to do with the story of how, during the Spanish conquest, enslaved Native Americans were captured to replace the enslaved Africans that were dying from the toxicity and high altitudes of the Bolivian mines (alto Peru). According to the Spaniards' own written accounts, Native Americans were seen by the Spanish as a free renewable resource for labor, as slaves that weren't taxable, and therefore routinely kept off record. As a method to enslave the Aymara nation, the Spanish appropriated the Inka's mita system, which was understood as a sacred (ritual) obligation of work for the community. As the abolitionist waves came through Bolivia during the 19th century, Native Aymara people would not get to know legal freedom from slavery and the hacienda system until the mid 20th century (1950's).
Gracias vida, por traerme aqui y ahora. Te veo bailar en silencio, espumas que vienen y van. Tan fría... Necesaria. Todos bailan... Que no llueva, que no llueva.
why do you have to compare and compare and compare, its not afx-ish its not anything. just listen to the music and stop monkey articulating, it only serves to degrade.
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Some history on the music:
The rhythm of this song comes from the Bolivian-Aymara genre called saya-caporales, regularly confused with the AfroBolivian saya, which is faster. The origins of the caporales dance are indigenous Aymara and precolonial (and concern the sacred lake), however the colonial interpretation or narrative (partly from the state's agenda to make Aymara ceremony patrimony or property of Bolivia) has to do with the story of how, during the Spanish conquest, enslaved Native Americans were captured to replace the enslaved Africans that were dying from the toxicity and high altitudes of the Bolivian mines (alto Peru). According to the Spaniards' own written accounts, Native Americans were seen by the Spanish as a free renewable resource for labor, as slaves that weren't taxable, and therefore routinely kept off record. As a method to enslave the Aymara nation, the Spanish appropriated the Inka's mita system, which was understood as a sacred (ritual) obligation of work for the community.
As the abolitionist waves came through Bolivia during the 19th century, Native Aymara people would not get to know legal freedom from slavery and the hacienda system until the mid 20th century (1950's).
thank you
Gracias vida, por traerme aqui y ahora. Te veo bailar en silencio, espumas que vienen y van.
Tan fría... Necesaria.
Todos bailan... Que no llueva, que no llueva.
dirt hymn
freedom
❤️
magical
2023
we meet again in 2024 :D
but for while I felt that I play some Runscape in god way ofc
quaint.
A little afx-ish Logan witch rock style.
why do you have to compare and compare and compare, its not afx-ish its not anything. just listen to the music and stop monkey articulating, it only serves to degrade.
what this album is a little new age-ish
some of you will hear any type of electronic beat and be like 'this sounds just like afx' as if aphex twin was the only aritst you know.
@@etherealwavefan94maybe u should learn to understand what u read.