You Really Got A Hold On Me - Instrumental Cover - Guitars, Bass, Piano and Drums
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- Опубліковано 11 бер 2019
- You Really Got A Hold On Me - Gibson J160e, Hofner & Lugwigs
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/ ablyhouse
Andrew Bockelman - Guitars, Cowbell @ablyhouse_andrewbock
Neil Candelora - Bass, Mixing @neilcandelora -Intagram
Brendan Peleo-Lazar - Drums, Bongos @beeslazar
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J160E is the secret electric the Beatles used on the first four LPs - I Feel Fine, Please Please Me, etc
And the acousitc sound in A Day The Life, Norwegian Wood, All A Hard days night, I'm Only Sleeping..
Thanks for all the effort you put into these videos, not only learning and duplicating the Beatles' various techniques, but also attempting to nail the equipment they used, despite the inevitable "correctios" you're going to receive. Your devotion to the accurate reproduction of this important part of musical history us enlightening, enriching, entertaining, and encouraging for all of us who share a passion for the inimitable brilliance of four creative lads from Liverpool.
Wow, really well said!
I think you're right that George is playing a J160 on the record. If you listen to live recordings of this song (e.g. BBC) the guitars sound really different, almost tinny - I had always heard it but didn't realize why until you pointed out how often they used the J160s.
This is a great point, wish we could have said this in the video!
@@neilcandeloramusic You guys should cover the BBC version!
These keep getting better and more detailed. I love the post-game show.
I remember you saying that you thought the solo in All My Lovin' was the J-160e.
I'd be interested in a video on your thoughts on the Beatles guitars, amps,etc.
Also-your in the same place!
Any chance of a QA live cast, really enjoyed those
Can you please do a cover of In My Life
I’m expecting that too! I’ve never listened to a good rendition of that song, and I’m sure this guys would do a terrific job!
Beautiful cover
Nice! One of my favorite Beatle covers. I really hope you guys continue doing the song commentary at the end. Good stuff!
This is good but I love roll over Beethoven and words of love
Sounds superb
Great song as usual and thanks for the tribute ❤
Marvellous!
Love it 💖
Great work guys!
Was watching another video but then I got notified about this. Very anticipated!
Thanks for all your videos!. Beatles musician nerds like me love the discussion at the end!
Great Friends
Like puzzle pieces joined perfectly. Thanks guys 👍🏻
Nice one ...
6:17. Oooooooh!!!! You f bombed!!!!!
I've been waiting this for so long
In a world gone mad, this is a little bit of sanity . . .thanks.
This is very catchy and beautiful :)
Wow, not only a great rendition of the song, but I love the commentary afterward! You guys just keep getting better. You should be making money for this!
That Bob Guy - Thanks! We don’t. Our paypal is in the description if you or anyone wants to contribute
Muchas gracias desde México cdmx por compartir, un fuerte abrazo al cuarteto!!!
Nice cover man, really had me on full karaoke mode at work 👏🏽
Yep -- I realized the same thing -- The Attitude... You also have to listen to the texture --- not just hitting a note but sliding or trilling into it.. How or why those guys did it..... Long Hours in Hamburg????
The best channel in the UA-cam
It was amazing to see that both of you had their famous haircuts that beatle members had introduced.
OMG YESSS
Please Mr Postman Next Please. Good Job Guys Nice Smokey Robinson Classic. I Hope there going to be a biopic about Smokey Robinson
Tocan igualito a The Beatles!!! Felicitaciones
All you need is love Next! Please
Saludos desde México 🇲🇽
Agree with you guys!!! Two J-160's.
Can you please cover Yes it is? There are so many bass parts and guitar chords I would like to see and hear how you guys do them!
Like the black shirt and the green background.
The first two albums were mostly done on acoustic guitars. There's a fellow on youtube who went through the albums and demonstrated the tones.
That bass sounds great. I find the bass doesn't have enough oomph on WTB, almost like it's being played through a tiny guitar amp.
Interesting to see Ringo's "back and forth" hi-hat technique on a track where he is playing triplets on them... it looks like it would be really awkward!
I agreed with you until I started listening to WTB on a record player through good preamps and nice speakers. Any digital version (remasters included) the bass is just muddy an awful. Still think PPM has the bass sound until Pepper.
Beatles forever
Listen to This Boy... similar sounds of elec J160E
Can you please do a Hey Bulldog cover
Hell ya!
i can only ever hear this
Damn I hope your borrowing that j 160 for a loooong time.
To think they began recording their new album with this 1st. & only covered it on Pop Go The Beatles before properly recording it.
You guys are awesome!!!
What strings would you recommend for the J-160? I'm currently using 11-49, but someone suggested using D Addario 12-54s ( 12-16-20p-32-42-54). Any suggestions?
Keeping play
Can i use your instrumentals to make covers.?
Where are the isolated videos for this song and Chains?
KARAOKE
I don't like you, but I love you
Seems that I'm always thinking of you
Oh, oh, oh, you treat me badly, I love you madly
You really got a hold on me (you really got a hold on me)
You really got a hold on me (you really got a hold on me)
Baby
I don't want you, but I need you
Don't wanna kiss you, but I need to
Oh, oh, oh, you do me wrong now, my love is strong now
You really got a hold on me (you really got a hold on me)
You really got a hold on me (you really got a hold on me)
Baby
I love you and all I want you to do
Is just hold me, hold me, hold me, hold me
Tighter
Tighter
I wanna leave you, don't want to stay here
Don't wanna spend another day here
Oh, oh, oh, I wanna split now, I just can't quit now
You really got a hold on me (you really got a hold on me)
You really got a hold on me (you really got a hold on me)
Baby
I love you and all I want you to do
Is just hold me (please), hold me (squeeze), hold me, hold me
You really got a hold on me (you really got a hold on me)
You really got a hold on me (you really got a hold on me)
I think John was using the V81.
But well, it´s ok, that's part of the endless "Beatles secrets"
VINYLBEATLES v81 would indicate that the model was made in 1981
@@ABCFORKIDSCOMEDIAN1998 hahahahaha
@@TheVinylBeatles he doesn't know his ricks lol.
All the information as to what they played on each track should be in the book The Beatles Recording Sessions...no ?
Hi
How come you do this song again??
Did you film the talking sequence with a 1992 camcorder? JK that was amazing as always
lptomtom - Haha thanks, I had to zoom in to crop out my kitchen
Have you done Please Mr. Postman yet? I feel that at least John was using his J160E on that recording.
elirosen1391 no I believe he used a 325 on that on
kozmo jones he did used the Rickenbacker
Andrew Ribaudo yeah the Rickenbacker 325
@@austinelijah havent i seen you before on another vid by ably house
On the "With The Beatles" album, both John and George used the J-160's without a doubt. But...
George didn't always use his J-160 for this song. On the Anthology 1 recording, George's amp is driven pretty hard, with that unmistakeable Gretsch+Vox tone. Nasally and quacky and amazing.
Since there was no gain control and probably not a master volume on the old ac30's, George had to just crank his amp to the point of natural overdrive.
The vocals on Anthology 1 had a bit of mic-clipping, so maybe that could've distorted George's guitar more, and made it sound more overdriven than it actually was.
The thing with mic-clipping is that it occurs when the input signal is too loud for the mic to handle, which means that the entire band was playing LOUD. George was competing with the band, so he cranked up his amp...
What I'm trying to get at is that George's guitar was super loud for the Anthology 1 recording, and I have a feeling that those kinds of volumes would cause the J-160 to feedback a lotttt, and there's almost no guitar feedback on Anthology 1.
This leads me to believe it was the Gretsch Duo Jet, because even the Country Gentlemen would feedback like hell.
As for the live BBC performances, there are pictures of him using his Duo Jet with DeArmond pickups, which would explain the 'tinny' tone he got.
Just my 2 cents, tho :) sorry if this was confusing
I'm guessing someone's gonna reply with something that will completely blow this out of the water, so whatever lol
Tabor Morin - Haha well Im not sure anyone knows and sounds like you are on the right track. I believe some of the loudness could be due to preamps and such, you can really change the way an amp sounds with the microphone and board. My thought is that they are turned up as loud as they need to be comfortable and the rest of the tone is happening through the engineers. I think its two J160s on the album just cause of the tone, and like you said Duo Jet on BBC when its a lot thinner. I think by With The Beatles George was done with the Duo Jet. He only would have used it for BBC if it was before he got the Gent
@@AblyHouse Alrighty. Yeah, maybe With The Beatles was the Jet, idk. They overlay the piano, so I always thought they did the J-160 because it would sound a little more organic, although yes it could've been the Jet.
I was only making that jump about Anthology 1, because to me, it didn't exactly sound like they were in an amazing studio. Not everything was mixed evenly, so I didn't think about soundboard preamps.
Play please mr postman
for when ticket to ride?
I hear the sound of a single coil pickup in the original song. Maybe the black gretsch.
Maybe Duo Jet - but the J160E - like on This Boy seems right
How many times has this been uploaded today?
Commissar Crunch - Third time’s a charm
Are you going to upload the isolated videos?
iMPERiAL GAMiNG - I didnt realize that I hadnt. Thanks for letting me know!
@@AblyHouse No problem mate. I've just been sat on my bed watching this as I'm trying to learn all of George's part and I was wondering where the isolated tracks were.
It was the F#m chord wasn't it. The original was shown at the first fret.
Haha yes, the chord generator I was using had a preset for Fm but not for F#m. Glad someone pointed it out early enough for me to save it!
You should upload an alternate version with the country gentleman
Chris Flatt - I don’t want to botch the view time with duplicate videos. I added the 10 seconds of comparison at the end. The full Country Gent video will be available on Patreon or the email list
Ably House ohhh okay
Neil, you are right about the bass dropping out at that interlude part! I knew realized until you pointed it out in this video and I just went back and really listened and YUP!
Also I’d like to hear your and Andrew’s thoughts on this, but on the right channel I do hear the Country Gent overdub playing the intro lick an octave higher along with George’s original lower register on the J160. What do you think?
Josh Scussell - You could be right about that. The guitar and piano could both be octaves, the guitars are mixed down so its tough to tell with out isolations
@@AblyHouse Yes I think both the piano and guitars are octaves. Either way awesome job!! Every time I get a notification that you guys uploaded a new one I drop what I'm doing!
Guys, your work is amazing. But I, as a student of Beatles music and its equipment and arrangements, would like to talk about George's part. In "With The Beatles" George's use of Country Gentleman is notorious. I'm not taking any chances on whether John played Rickenbacker or J160, but on George, I believe he used Country Gentleman as follows: Vox AC30 with Bass 0% and Treble 85%, and the guitar with the selector switch for upwards, using only the neck pickup. That is my suggestion.
Mário Lourenço Neto - They used the J160 more than people think in the studio. This one could be the Gent but I cant say for sure until I get my hands on a working J160. This video does not prove the point because there is no active p90
@@AblyHouse I may be mistaken too, but I really got good results with this amplifier setup and Country Gentleman on most of the songs on "With the Beatles". Your work is very good. I have several videos on my channel too, but with an emphasis only on George's part, I invite you to know them. I hope you like it =)
Mário Lourenço Neto - I didnt see any videos of you doing the ones we are still considering. Twist and Shout, You Really Got A Hold and plenty from Please Please Me albun
@@AblyHouse Oh yeah, I'm still going to make some music videos from those albums. I have been paying more attention to Live at BBC versions in general. It was by studying Live at BBC that I was able to better understand and explore Vox with Gretsch's.
See if you can do tomorrow never knows
P.S .: George's Gretsch's with flatwound strings, ALWAYS.
Check out the BBC version to hear him play the song on a Country Gent. There is quite a difference. We use flatwounds when necessary
Is there actually a difference between an Epiphone J-160 and a Gibson one?
Not much - the big difference is between the reissues and the vintage ones. The bracing is completely different on the old J-160s. They were meant to be played as electric guitars, and the bracing on the old one deadened the sound to prevent against feedback, but gave it that really unique dead sound. The newer Gibson and epiphone ones are built to be just “nice” acoustic guitars.
I thought it was the Rickenbacker 325 and Gretsch Country Gentleman
@Hjnintendofan109 That's what I've always thought it was but now that I listen to it, I could see George using a J-160e. It is pretty easy to make a Country Gentleman sound like a J-160e though.
I agree with you. It is the Rickenbacker 325 and the Gretsch Country Gentlemen. And they used a normal E chord not an E7.
@@charleyvoncount9999 John play the Gibson in this song
The part of George is with a country gentleman
Zuahir Lopez - We discuss why we don’t think it is, but it could be. You can hear the Country Gentleman version at the end
A) Just carry the A-Chord one string down to get the F#m
B) I don't hear the Gibson tone on the original recording
6:10 he kinda looks like weird paul
You should redo A Hard Day's Night, your old one sounds alright but theres no piano
ThePandaPunchGamer - Its missing some percussion too. Definitely not up to par anymore
There IS piano. But we agree - not up to snuff.
@@neilcandeloramusic No, wasn't the first chord of "A Hard Day's Night" Fadd9 on the Rickenbacker 12-String, Dsus4 on the Rickenbacker 325, and D on the bass? I really think there isn't a piano in the first chord.
@@ThePandaPunchGamer I've just always heard from anyone who knows about the session/ears I trust that George Martin put a piano on the beginning. But to be honest, it's been so long so i critically listened to that beginning, so it's hard for me to make a valid argument at the moment. I always thought I heard a piano at least. But whenever the beatles do it live - it does sound almost exactly like the record every single time. There is just something special about the way they strike those strings.
@@neilcandeloramusic Well, hopefully you'll figure out a way to make the intro and the rest of the song work, piano or not. You all do well with your covers either way.
Please mr poastman
The early shit
Please mr poastma