NieR: Become as Gods: 06. Bipolar Nightmare
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- Опубліковано 5 вер 2024
- Listen/CD/Vinyl🔊 materia.to/bec...
NieR: Become as Gods takes ROZEN+REVEN back to NieR: Automata. Much like the fast-adapting machines in the game, the two artists have leveled up their production since the days of their first foray with NieR: Glory to Mankind. Their sound here is sometimes darker, more mature, and overall more polished, thanks in large part to the wealth of collaborators they've brought in.
Within these eleven new covers, you'll hear the duo's hybrid orchestral-pop sound that blends heavy-hitting strings and brass, stark choir, textures of winds and synths, electric guitar, and a plethora of vocals from REVEN. The live orchestra sections were recorded by Sofia Session Orchestra and Choir in Sofia, Bulgaria, including a traditional Bulgarian Choir on several tracks.
The result is an intense trip back through the world of the game, but whether this constitutes Ending B or perhaps Ending C, D, or E is up to interpretation.
Album Produced & Arranged by ROZEN+REVEN
Based on Music from NieR: Automata
A Materia Collective Production
Executive Producer: Sebastian Wolff
Mixed by Rozen
Additional Mixing by Will Kennedy
Album Mastered at The Bakery by Jett Galindo
Recorded by the Sofia Session Orchestra & Choir
Orchestration by Rozen, Reven, Eric Buchholz, and David Peacock
Score Preparation by Eric Buchholz, David Peacock, and Reven
Conductors: George Strezov, Vanya Moneva, Georgi Elenkov PhD
Special Thanks: Ognyan Georgiev
©Ⓟ 2021 Materia Music Inc.
NieR: Automata is a registered trademark or trademark of Square Enix Co., Ltd. Musical compositions are © Square Enix Holdings Co., Ltd. and are used with permission. All rights reserved.
For complete credits and information about this release, please visit Materia Collective: www.materiacol...
#NieR #BecomeAsGods
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I used to use this as the epic boss music for my D&D game. We started streaming our sessions recently, and the single greatest sacrifice BY FAR was not being able to play this during those epic moments.
Honestly though, I just love this piece so much. ❤
This intro is Something
now thats what i call a true boss music
that intro sounded like some legitimate navy s***, man
Some legitimate GRAND navy (with aircraft carriers, battleships, cruisers & frigates led by an admiral with an elegant saber sword & gracious white uniform [and not just a few patrol boats and dinghies]) shit*
Phenomenal!
The first 2 seconds sounds like the intro of Anduins Theme, so emotional and epic. A slap in the face. ua-cam.com/video/s4Vqezgc4i0/v-deo.html
Original is more powerful. This is okay as well
Yeah this one is strangely... soft, and kinda janky, it doesn't flow with the frantic pace of the original, it feels like it's constantly starting, stopping and starting again. It has weight to it at times, but inconsistent and the momentum stops dead part way through.
The Vendetta version is way better, doesn't try to reinvent the wheel, has a proper build up and then explodes as if the song itself engages B-Mode. Perfect as the A2 theme. It dials down after a bit, as if B-Mode wore off, but that's only towards the end.