The Major Scale in 8 Ways
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- Опубліковано 18 чер 2024
- FREE PDF to follow along with the video - openstudiojazz.link/8-Ways-PDF
Adam Maness is gonna take you from "knowing" the Major Scale into actually KNOWING the Major Scale.
🔵Want more lessons from our resident piano guru, Adam Maness? See all of his deep-dive piano courses here: openstudio.live/maness
Wanna hear something weird? Might be kinda long, but I had some major breakthroughs recently.
So, I've struggled with trauma and depression my entire life. This has made it difficult for me to be a good musician (or anything for that matter) , because of how my focus is always shifting to escape pain. Well, after decades of therapy and meditation, the other night I was depressed and just started practicing boring metronome exercises. I was in such a funk, and normally I don't do anything musical when I'm in a funk.
That's when I experienced some form of relief from my depression. Doing exercises to a metronome was literally therapeutic for me. Normally, since I have depression, when I do feel good I don't practice boring metronome exercises, I just jam and noodle. So, i never really sat down to master these kinds of simple exercises.
What never occurred to me was how exercises like this can help me build my own internal clock, which would in turn help calm me down. It's almost like it's fixing my circadian rhythm, which is normally severely disrupted. When I'm depressed I literally cannot be creative, but I CAN do these exercises. They are boring, mechanical and devoid of emotion, which gels nicely with feelings of depression.
I find it oddly therapeutic to do these exercises when I'm in a bad mood, rather than trying to express a bad mood musically. If I try to express a bad mood, I get lost in my trauma. My mistake has been to try and express my trauma rather than use it as a motive to master playing in time. As I stew in my funk, I'm able to develop a skill, and that's totally new to me.
I entered my last practice session thinking, "I'm a boring person with a boring life, so I'm going to practice boring exercises to a boring metronome". After about 30 minutes I started to feel better, and had the epiphany that I could use this as literal therapy.
I love this comment, i hope the best for you 🥰❤
Lol
This is my favorite musical education lesson EVER. i would seriously have such a shitty life without Open Studio 🎉🎉🎉🎉🎉🎉
I hereby promise myself that I will practice this thoroughly in all twelve keys. I will report back here when I am done.
hows that going for you?
@@lolwtfthisshitscrazy did he die 😔
It's taken him over a year :(
Yeah wheres this dude at?!?!
🪦
This is golden. As someone who has quite some theoretical knowledge but starting to play jazz piano, this is awesome! I’ve been coming back to your lessons many times now and cant tell you enough how helpful they are. Thank you Adam and OpenStudio team.
I adore these instructional video lessons!
Perfect thanks for this , that’s my next 6 months taken care of
Thank you Adam very very foundation- an angel from God
This is just what I needed. Structured practice of scales. I've been trying but was getting sick of my ways. Love the pivots. Vaguely heard of them, didn't know what they were. Very cool. Thank you for your patience and kindness in doing this video.
Y’all should promote the Barry Harris book. This is the chapter “the basics”. There’s a lot more in there obviously…like a ton. Plus videos of him teaching it at some blazing swing tempos.
Hi! Has there been a book published about Barrys concepts?
Which book do you mean?
Which book???
The book is the “Barry harris workshop” by Howard Rees
I posted the link but someone took it down
Bb scale we working today! Trumpeters are so thankful
I’m incredibly excited about this one! Such great work as always!
I'm a guitarist, but thanks for describing these exercises. I picked up some of these from Jens Larsen's videos, and so I'm not surprised to learn he might have gotten some of his concept from Barry Harris, whose workshops he has attended. Really excited to work up to those pivots.
Thank You for the Lesson!
Very cool tips and exercises thanks guys!
Great Exercise adam!, super complete
Great lesson, especially the pivots and approaches!
Very important excersise! Amazing! Thank you Adam!!!😁
Awesome. Absolutely game changing.
This lesson has been SO helpful! I remember listening to Marian McPartland's Piano Jazz on public radio many moons ago and how much I loved those jazz sounds but has no idea what was happening musically. Now, almost 40 years later, I'm learning .
This is the best lesson I've had in a looooong time… Fantastic.
You had me at "taught often by Barry Harris" :)
Thank you!! I might have to sign up for your videos; when you said "you got this" going into the double time I was doubting whether I had it, but then it turned out I had it!!
That was a HUGELY USEFUL video. Thanks for the content and the course sounds awesome. Going there now :)
Incredible Bro, Thank You.
Beautiful, thorough and, like all of Barry's methods, building towards something that automatically creates bebop style language. Everyone should be doing this from day 1.
Good stuff for my mind body connection. Thanks for your efforts!
Adam, what took you so long to come up with such great game changing video! It is super great. Thanks
You made my day!! Incredible useful video for any instrument. Good job
Some very good ideas in how to play scales without being bored.
I’ve studied theory via UA-cam for 2 years now. I’ve been patiently waiting for this eye opening video. A thousand thanks!!🎶
Just found this, and as a beginner, this is sincerely one of the best things I've come across to practice.
I really enjoyed this! Thank you
So very helpful! Thanks!
Hey Adam, thank you for this post showing variations and exercises...some of these I've done but this is taking it to another level. Thanks again.
I applied the jazz enclosures with the arpeggios in those enclosures from his videos. Man my playing has excelled since then.
This is wonderful. I love how my ear could tell which of the approach notes were diatonic and which weren't.
Really interesting stuff. Thank you!
Wow, very nice. You can do these on any instrument, even vocals! Just singing along is a great exercise. Thanks for this.
this is great. ive been sitting with Bbmaj for the past week, left hand and right, because i'm approaching learning by key first and the structure has helped me a lot. this is a great free one because im already there and was already doing some of these exercises.
great stuff as always thanks!
very good exercise and still it is melodic. keep it up. god bless you.
i never would have realized this approach...thanks very much Mr. Maness!!! :-)
This is a great way to approach learning ANY scale. I have been scuffling with D Dorian/E-flat Dorian scales ("So What?") and used these patterns to woodshed them. Thanks Adam!
Your videos just keep getting better. I watch TILFBH all the time, but you explained it in a way that didn't totally go over my head.
Some of the very best jazz instruction available - on UA-cam or anywhere else. Indeed, some of the very best music instruction in any genre, anywhere.
Approaching notes had me in a tizzy for a while until I figured out the approaching note follows the A major scale. So easy now. Works up and down. Even the different modes. (I've only tried Dorian, but I suspect they all should work.) Thank you for this gem.
Wow these approach note things... I've heard this sound and never understood what was going on before. Thanks man!
Minor scale in 8 ways lets goooo
great lesson thank you
It's so good thanks
Very nice am digging this
OMG this is beyond fantastic! I wish I had had this video 10-15 years ago!!!! This is pure gold! Please please produce more of these, you are literally going to inspire a new generation of students. I was always so miserable and bored as piano student growing up and in my early 20s. My understanding of scales was limited to liner and contrary motion… it was all about practicing for an examiner, proving to be technically competent to pass to the next level. It never inspired or prepared me for real and wonderful applications of the skills. I’m also really pleased to se a huge increase of youtube videos explaining and teaching Barry Harris’ methodologies. Again I’m almost feeling upset that I never had access to this kind of amazing content.
We have Chat GPT now. 🤔
This are exactly the excersies I need!
This is going to be amazing as soon as I've learnt B Flat! I will come back in 2 days.
Great lesson thxxxx
This is definetly life changing!🙆♂
i´m a bass player, love your lessons Adam, pure gold
Good stuff, man!
This was really helpful. I would only practice scales so I get nervous when it comes to trying notes outside the scale.
Also for everyone doing this as a practice routine it is good to sing each of these exercises/ways to help internatlize these better and train your ear
Thank you very much
Thanks for the reminder of relationships when playing music . We hear them everyday in all songs .
Great vid! Same approach taught by my 1st jazz teacher in the '60s, Portland old-school bebopper Mary Field. One thing I just noticed from your graphic: the "pivot" versions (first inversion 7th chords) are also SIXTH CHORDS , a shape Barry references a lot in his vid's and seminars. Trippy!
first inversion 7th chords and 6th chords have the same notes, but seperate function.
Brilliant!
Omg this is almost music! Thank you. This is so helpful!
This is pure gold! I m a guitarist but anyway. great!
THANKS!
At the beginning of the video I was like aaaah Bb, easy peasy! I know that one really well! Then when I started playing the approach notes in double time I got so confused! Great workout as always!
Barry Harris -- Family of Dominants--- C diminished 7 four dominant chords from that F7 Ab7 D7 B7 - Yes ADAM going up and down 3rds is great . Taking this and using it in a TUNE is where it counts!!!
This is awesome
Great Stuff
Thank you for shouting out Chris at TILFBH. I have learned so much from his channel!
Awesome!
I was searching for your major scales exercises yesterday! haha
Ok now I have something to practice for the next months, thank you Adam. Also I have a question, could the pivot happen with any other chord tone besides the tonic?
This is great! I plan to work a different key each week. Then how about shifting an applying this to the modes. Going from Bb Major to C Dorian really twists your brain into a pretzel
Thank you
Can you please add time stamps in the description? I keep coming back for reference. Thanks so much for all of your content
thanks!
Thanks! I'm off to learn B Flat then I'm coming right back here.
I love these videos! I just wish I could see your hands to check my fingering. Great resource though guys! thank you!
This was a lightbulb moment for me. Amazing. My only critique was that you didn't film your hands...or should I say hand. Especially for the thirds and chords. I'm also trying this hands together. I'm trying to use the 4 and 5 fingers for thirds just to combine a finger strengthening exercise.
I just started doing pivots and I'm only doing it in Bb. But when I did pivots, it's like you're just playing a chord underneath.
I - minor on the third
ii- Major on the third
iii- Major on the third
IV- minor on the third
V- diminished on the third? (Is this correct?)
vi- Major on the third
vii°- minor on the third
Is this some sort of hack that you music guys know inherently? What is different with the IV Major and the V dominant? It might be a stupid question, but I learn better when I ask questions. For my Swiss Boards, the Physiology professor was surprised when I asked him a question during an exam. I told him that if I didn't learn something during an exam it was a waste of time. He gave me a 6, BTW.
I haven’t finished the video yet so maybe you’ll cover this but I would take the triad and 7th chord exercises and work them with inversion as well
When I’m playing e.g 3-6-2-5-1 do you think of each passing chord as you improvise? Like “on the 3 I can play this triad, on the 6 this broken chord, some melodic generalization, etc..”. With good voice leading of course. Or is it better to have outlines for the whole movement memorized that you can play around with/modify on the fly? Trying to sort my brain out for easy playing. Is it the leading/guide tones I should be thinking mostly as I navigate the chords? Like 7ths to 3rds, 9ths to 5ths, 5 to 1. Just trying to streamline everything. Any help is much appreciated!
Help with fingerings please
This is great! Is there also a suggested fingering for these exercises?
I could never express how this has just changed everything for me ….. im literally a different musician today after watching this ..
I play piano and just started learning trumpet and wow this is almost too useful 😃😃
Thank you
Thank you
Thank you
Holy f*@/!n’ sh!t
F by
Thanks for the exercise. What fingering should we use for playing the exercises? Cheers
In your opinion, how useful is it to learn these exercises with the left hand?
Thanks. I've already been dealing with most of these patterns in my own practice and with students but this is a great presentation.
I'm a Nooby that watched only a couple minutes of two of your videos with an intention of coming back when I get more chops. But I was learning a Vegan version of the piano. This was RED MEAT RAW. I'm not at the piano now, but I know what I'm going to be doing for the next 12 days, then the next 12 minor days, and I'll tackle those modes....Merci beaucoup.
Greets. I offer my thoughts about the diatonic scales, which have seven notes, and it's weird to play only seven. How about adding the sharp 5 on the way up, flat 6 on the way down, giving us eight and eight. Think of it like the Thirds. Just a thought, something I do, to tidy things up, or down, as it were.
Can add a bit of forward motion to spice it a little more.
Great video. Would be helpful to see fingering too. Thanks.
Great video ! Now try pivots with an approach note
This is a great and simple exercise!
I used to do it before in University, haven't practiced it in a while
another useful one is playing the arpeggios of the chord but begin in another note that is not the root, playing the inversions.
I don't understand how the excercizes lead to playing what adam played at 23:50?
i really enjoyed that excerpt but after practicing these exercises, i don't sound any close to it
Trying these on guitar and piano. Piano with left hand? more frustration!
I am a guitarplayer, but I will never listen to guitar tutorials anymore. On the piano everything seems so much more logical, expecially when its explained that brilliant. And I also dont have to listen to 2 minute "show of shreed" before things get interresting that is so much better ,thank you
Very nice. Would be even better if the fingerings were depicted and discussed.
Amazing video. It's my third attempt to do this without errors and every time I try it I'm closer and closer to it.
Closing my eyes for the 80% of the exercise proves amazing in helping me visualize the notes. The thing I'm a bit frustrated about is my small hands not reaching some of the arpeggios right, lol! And not internalizing the functions of the chords.
I'm very thankful for these videos.