I absolutely love the way this was structured - it went from "Oh, I can do that..." to "Oh, I can probably do that..." to "I better go practice that..." Brilliantly done.
I've learned more about theory - in a way that I can actually use it - from watching your videos for the last year or so, than I have in the last 20 years. At least.
Exactly the same for me. I am French, my english is ok enough to follow OpenStudioJazz lessons, I just learn more in a few months so far than 15 years before
This lesson immediately places one into wanting to go back and review my own songs to see where the harmonies would have been greatly improved! 🎯♥️🎉🔥🤯💯👑
I love how you’ve broken down what sounds immensely complicated into bite sized pieces to make it understandable and something I can go off and explore. Thanks!🙏
This is the best video I have ever seen for "accompanying a singer", and it wasn't even meant for that purpose. Fabulous. I think Adam should do a video for Accompanying a singer. I don't think he has done one before.
I have been loving watching your videos belonging to real music and not to busy but almost just what music needs thanks for your input so great to hear those real composition s
A! Thank you.....I only have 9 Months of Piano from 50 years...I was in HS!! Yet watching you and Bob bring some Confidence! And Listening is JAZZ....playing as a Team! Keep on! Adam
Not usually one to comment on you tube but really amazing lesson. Learnt so much listening to you and Peter for the past couple of years and this managed to solidify so much of it into 40 mins. Thanks.
I am seriously considering subbing to your courses I really like your friendly natural approach to teaching it keeps the mind interested and focused. I have seen this approach of developing secondary dominants and more with tritones etc but where I always stumble is often the melody note can sound off and I really then struggle to move forward. I think sometimes I make things harder for myself too because I forget to make my experiments rhythmic and it will not sound like music without some kind or timing.
10 місяців тому+5
7 minutes in, and I already love this!! From Spain, btw.
After the moo chord I was a little stuck in ambiguous tonality trying to follow along, maybe just my tastes need catching up. But then the modal interchange part solidified the vibe and WOW...just WOW thank you for this lesson!
Fantastic goldmine here, thank you! Indeed, the "moo" voicing is typically referred to in CCM and gospel circles as just a "drop 2" though I've learned from your lessons on drop x chords there's much more to the story in jazz. In any case, I can't wait to put some of this to use in church tomorrow!
You're genuinely such an inspiring teacher! As a musician with other-than-jazz origins, I've never used the bVI bVII quite like this before! I usually devolve back into either the cliché Picardy thing or just a VI-VII-i in the parallel minor key. (Please excuse any potentially odd semantics or improperly labeled chords, I'm still learning and not trying to show off haha)
Hey Adam, can you please do a GPS on how to make the "basic" stuff sound good, like what you do at the beginning 11:30 -> 12:30? It's just the starting point and sounds amazing but as a beginner I'm already lost lol.
Great class! Thank you, Adam! More and more Open Studio clips have been showing up in my yT feed which is good. Earlier yesterday I went to the website for the first time and posted some questions in a note on the website, like at 7 pm. Saturday. Then I woke up at 2 am Sunday and this class was in my feed completely relevant to what I asked 7 hours ago. (The AI mass surveillance state did something useful for once in its wretched life. Scary world but appreciated in this instance.)
0:59 all that is is a ii V I in F Major to get to the IV chord in C Major. The original groove you're implying is simply a "1 - 4" chord progression in C Major.
Does that cardigan work with that tee-shirt? The message seems to challenge all you're saying. Marvelous instruction and exercises! So many inspirational ideas! As I listen through again it occurs to me that someone could improvise over these exercises with another instrument, like a sax or a muted trumpet. Not to mention putting improvised bass parts to go with every one of these variations. Loving it! 😊
Not to seem ungrateful but I’d gladly pay for transcriptions of these live GPS sessions. Not that I can’t go through them and pick out these moves by ear with help from the overhead cam, but I just feel like there’s so many little tasty passing notes that I’d love to learn it all 😮💨
@@bluescanfly1981 i settled on an f#minor7 bar chord with a raised 6. It inverts to the same notes plus a maj7....not exactly the same mu voicing but nice voice leading
Guitar Mu chord voicings (1) Starting on low E string (so the 3rd of chord is on that string): 4X445X makes a nice E Mu Major chord. 3rd on bottom, and stacked fourths on top. Alternatively, you could do 4744XX or 47445X, like the guy above me suggested. OR if you want a Major7 Mu: 47444(4) (2) Starting on A string: X4X455 There’s a nice A Mu Major with stacked fourths Alternatively: X4745 so your tonic is an octave lower OR for a Major7 Mu: X47454 Happy Mu’ing! 🐮
@@aheadofmetal Awesome sauce. voice leading is the key aspect usually anyways - melody makes the song. My jazz pianist buddy loves his gorgeous 10 note voicings - I am like, yeah I 'll just play power chords and make sure the fifths are prominently doubled and parallel - wish i had both my thumbs readily available for voicing chords myself there too bud haha. What we usually do is i play the upper triad i.e Cmaj7 i play just Em.
so, do the Moo Two Drop 2, got it! Love this short clip but can't seem to find the 480-minute version with all the other keys, may have to work it out on my own :D - and thanks for the opening piano yoga!
This is all about major I - IV. But what about minor I IV ? I am not a music theory specialist, but for example Cm7 , the II would be a Dmin7b5 chord, where to put now the logic in movements etc. ? Just give me a hint. I am a guitarist, have little knowledge about "correct" piano voicing.
Nice! Figuring out how to solo in that way… so every dominant is a key change. It s weird that you walk the circle of fifths but for scales used on those chords it does not follow the same way on the circle.
I absolutely love the way this was structured - it went from "Oh, I can do that..." to "Oh, I can probably do that..." to "I better go practice that..." Brilliantly done.
I've learned more about theory - in a way that I can actually use it - from watching your videos for the last year or so, than I have in the last 20 years. At least.
I second that. These videos make it all click.
I hope to be able to see that one day
Totally true for me aswell
Exactly the same for me. I am French, my english is ok enough to follow OpenStudioJazz lessons, I just learn more in a few months so far than 15 years before
That's horrible 😢😂🎉
This lesson immediately places one into wanting to go back and review my own songs to see where the harmonies would have been greatly improved! 🎯♥️🎉🔥🤯💯👑
I love how you’ve broken down what sounds immensely complicated into bite sized pieces to make it understandable and something I can go off and explore. Thanks!🙏
I love how Adams sheer joy and love of music comes through and how thoroughly inspiring teh lessons are as a aresult
Absolutely love Adam's delivery of theory in this Guided Practice session.
This is the best video I have ever seen for "accompanying a singer", and it wasn't even meant for that purpose. Fabulous. I think Adam should do a video for Accompanying a singer. I don't think he has done one before.
Great video man. I’m a guitarist studying theory and it’s fun and informative playing with you
YOU are an excellent TEACHER!! Thanks for all of your help.
all I can say is thank you! You are by far the best tutors around here, loved the format of this live course!
I have been loving watching your videos belonging to real music and not to busy but almost just what music needs thanks for your input so great to hear those real composition s
I love this- I wish I had a better sense of the voicings used. Sometimes voicings are broken down like in the pretty shell chord voicing video.
Yeah that was great! Thanks for being so generous with your time and energy 🙏
A! Thank you.....I only have 9 Months of Piano from 50 years...I was in HS!! Yet watching you and Bob bring some Confidence! And Listening is JAZZ....playing as a Team! Keep on! Adam
Man I'm so glad I found your channel. I'm soaking in the content
That was a wonderful video, Adam. As others have already said, that took my understanding several big steps forward. Thank you so much.
Not usually one to comment on you tube but really amazing lesson. Learnt so much listening to you and Peter for the past couple of years and this managed to solidify so much of it into 40 mins. Thanks.
I am seriously considering subbing to your courses I really like your friendly natural approach to teaching it keeps the mind interested and focused.
I have seen this approach of developing secondary dominants and more with tritones etc but where I always stumble is often the melody note can sound off and I really then struggle to move forward. I think sometimes I make things harder for myself too because I forget to make my experiments rhythmic and it will not sound like music without some kind or timing.
7 minutes in, and I already love this!! From Spain, btw.
Bedankt
Just beautiful. The last n7 exemple with Eb "muu chord" break the bank 🤘 38:18
Wonderful harmony lesson Adam ! Thanks for sharing !
This is so Great, please Never stop!
Thanks!
After the moo chord I was a little stuck in ambiguous tonality trying to follow along, maybe just my tastes need catching up. But then the modal interchange part solidified the vibe and WOW...just WOW thank you for this lesson!
This is amazing! I’m gonna come back to this as soon as I can but I just wanted to say how great this is that your offering these live lessons
Thanks for the session, Adam! And, Drum Genius is too cool!
Fantastic goldmine here, thank you! Indeed, the "moo" voicing is typically referred to in CCM and gospel circles as just a "drop 2" though I've learned from your lessons on drop x chords there's much more to the story in jazz. In any case, I can't wait to put some of this to use in church tomorrow!
Everything in a nutshell! Beautifully explained, delivered, demonstrated ... so we can do it ourselves! THANKS!
You're genuinely such an inspiring teacher!
As a musician with other-than-jazz origins, I've never used the bVI bVII quite like this before! I usually devolve back into either the cliché Picardy thing or just a VI-VII-i in the parallel minor key.
(Please excuse any potentially odd semantics or improperly labeled chords, I'm still learning and not trying to show off haha)
Wonderful! Thank you, Adam. You presented this material so clearly. Very grateful for your help!
Thanks!
Incredible video! This broke down a wall for me. Been stuck for a while doing the same stuff. Thank you!!
Adam, you are a master and these videos are gems. Thanks a lot for this its incredibly insightful
excellent. Best wishes from Scotland
Hey Adam, can you please do a GPS on how to make the "basic" stuff sound good, like what you do at the beginning 11:30 -> 12:30? It's just the starting point and sounds amazing but as a beginner I'm already lost lol.
Love this. It would be so helpful for beginners if you added a keyboard above your hands that lights up the keys you’re playing
Adammmmmmm!!!!! So good man! Thank you as always!!!
Wonderful lesson! Would be great to have a lesson on how to play those in between notes/melodies off the chords !
I got an ad as soon as you said listen to your surroundings. I would call the chord at 29:10 a Bb11 rather than Bb7(sus4).
Which “Style” did you choose in “Drum-genius”?
Thank you Adam, that was brilliantly put together again.
All the best Ray
R&B/Funky/Hip Hop/D&B - Funky 05 - Zigaboo Modelisteon
@@emeka121Thank you 😊
Ouuuh ! I love that Lesson simple, Brilliant and great sounding...
Hello from Gastonia North Carolina😊
excellent concept for a deep dive lesson. Thanks a million
You're awesome.. and we all fall in love with you sir.. thank you so much
Thanks Adam! Mind blowing
Super great !! Thanx a lot for this one❤😄✌️💪
Great lesson , thankyou so much 🙂
Adam.....hahaha.....love it bro!!! You can tell you love what you do.
Really wonderful lesson! It’s helping to pull it all together. Thank you!
I definitely missed this class in OSP.
This lesson is so rich!! How would you call (degrees function) that Eb sus you tried at the end?
Great class! Thank you, Adam!
More and more Open Studio clips have been showing up in my yT feed which is good. Earlier yesterday I went to the website for the first time and posted some questions in a note on the website, like at 7 pm. Saturday. Then I woke up at 2 am Sunday and this class was in my feed completely relevant to what I asked 7 hours ago. (The AI mass surveillance state did something useful for once in its wretched life. Scary world but appreciated in this instance.)
Two words, Gold Mine🙏
Suuuweeeett! Thank you Adam. Love what you guys are doing!
I simply love 😘 the vibe. 👍
0:59 all that is is a ii V I in F Major to get to the IV chord in C Major. The original groove you're implying is simply a "1 - 4" chord progression in C Major.
Fantastic lesson
Just perfect lesson !... I learn so much from this channel 🤯
Could you possibly make a lesson about rythmic ? 😊
So good! 🙌
Does that cardigan work with that tee-shirt? The message seems to challenge all you're saying.
Marvelous instruction and exercises! So many inspirational ideas!
As I listen through again it occurs to me that someone could improvise over these exercises with another instrument, like a sax or a muted trumpet. Not to mention putting improvised bass parts to go with every one of these variations. Loving it! 😊
I wnjoyed this and learned something.
It sound crazy ✨Thank you SO much 💚
Not to seem ungrateful but I’d gladly pay for transcriptions of these live GPS sessions. Not that I can’t go through them and pick out these moves by ear with help from the overhead cam, but I just feel like there’s so many little tasty passing notes that I’d love to learn it all 😮💨
killer lesson Adam, (as usual only even moreso) moooooo
I could listen to this vamp all dam day! 💙
All this is great but what interest me is all those little fills and transitions Adam does between the chords, where do i learn that ?
Practice and facility with your instrument. Pulsing, trills, slips, scalar melodies, arps, etc.
❤ I love this Thanks!!!
Txs! Now I have at least 1 year of practice in front of me!
Adam, great session - thank you so much!
Quite informative and interesting
Enjoyed the Dennis Leary quote at the end. “Smoke ‘em if you got ‘em!”😂
Beautiful, thank you , please one question,what are those other chords and melody you added on the one chord ?
Loving this lesson
Love this! Learning so much!
So inspiring!
Awesome lesson
Great stuff!!!
Incredible, simply IN CRE DI BLE
I’m assuming you can also do this going from the Fmaj7 back to the C right?
Thank you!
Hi! I don't understand where the Am7 comes from? adding a ii to the moo? but Am7 it's the ii of G... im just missing that.
Great lesson. Im jealous of piano players. That Mu chord sounds so great and is difficult to find a good voicing on guitar....
I tried the typical cowboy D chord but let the top E be open (the 9th) and catch F# on the 4th fret of D string with pinky
@@bluescanfly1981 yup, but even im that inversion, hitting the 9 is tough if you want to take this concept to other keys....(at least for me)
@@bluescanfly1981 i settled on an f#minor7 bar chord with a raised 6. It inverts to the same notes plus a maj7....not exactly the same mu voicing but nice voice leading
Guitar Mu chord voicings
(1) Starting on low E string (so the 3rd of chord is on that string):
4X445X makes a nice E Mu Major chord. 3rd on bottom, and stacked fourths on top.
Alternatively, you could do 4744XX or 47445X, like the guy above me suggested.
OR if you want a Major7 Mu: 47444(4)
(2) Starting on A string:
X4X455
There’s a nice A Mu Major with stacked fourths
Alternatively: X4745 so your tonic is an octave lower
OR for a Major7 Mu: X47454
Happy Mu’ing! 🐮
@@aheadofmetal Awesome sauce. voice leading is the key aspect usually anyways - melody makes the song.
My jazz pianist buddy loves his gorgeous 10 note voicings - I am like, yeah I 'll just play power chords and make sure the fifths are prominently doubled and parallel - wish i had both my thumbs readily available for voicing chords myself there too bud haha.
What we usually do is i play the upper triad i.e Cmaj7 i play just Em.
Very cool! Thank you!!!
so, do the Moo Two Drop 2, got it! Love this short clip but can't seem to find the 480-minute version with all the other keys, may have to work it out on my own :D - and thanks for the opening piano yoga!
Great lesson
Didn't Realise Your TRI SUB Is Straight across on the CIRCLE of 5ths chart . 💯🤘💥
Hi) nice to see you🎉😊
This is all about major I - IV. But what about minor I IV ? I am not a music theory specialist, but for example Cm7 , the II would be a Dmin7b5 chord, where to put now the logic in movements etc. ? Just give me a hint. I am a guitarist, have little knowledge about "correct" piano voicing.
Very good
The second bar looks live a III- VI-II-V-I. If I move the bass to chord tones, I get a lot of colours.
Maybe in minor shift to relative major chords, Cmin7 -> Ebj7 , II step would be Fmin7 or F(2)/ A. ? haha ?!
Brilliant!
I don't understand why do you use the Ab maj7 ? How is that a modal interchange ? 🤔
Great stuff
Now I get why the circle of fiths is so important!
Brilliant lesson Adam. Top man!
Nice! Figuring out how to solo in that way… so every dominant is a key change. It s weird that you walk the circle of fifths but for scales used on those chords it does not follow the same way on the circle.
this is gold
Does anyone know which beat of "DrumGenius" he is using in this video?