Pues sí que hay una sucesión de las mismas notas de la primera parte de la melodía de Fly Me to the moon, jajaja. Me encanta Fauré, Kenny es uno de mis favoritos.
Fb as the root of an E7 chord? E# and F in the same G7 chord? (Plus a G# !!!) And in m. 41 we find an Fb and an E natch in the same Gb7 chord (with an F# in the bass) . . . these enharmonic misspellings are infuriating and make reading difficult.
Fantastic playing and transcription work. 👏
Thank you so much for the transcription! Excellent work!
Great solo from master pianist and nicely done!
Thank you for the gift of this wonderful transcription ! ❤
Simply beautiful work
Thank you for this helpful transcription. 🎹
Thank you for your fantastic transcription!!❤❤
Glad I discovered your page it’s so helpful 🙏🔥
Thank you ❤ So beautiful.
Merci beaucoup pour la vidéo et le PDF !!!!!
Many thanks! Great work!
Insane playing and transcription ! Bravo!
so grateful for the delight of music and pdf gorgeous!
Saw Kenny last year in Raleigh. Wow.
Just awesome
wow!!! great! more kenny barron, thanks a lot.
Great transcription.
Marvelous.
Really helpful! Thank you very much!
Grazie infinite 🥰🥰🥰
Bellissimo!
Thank you so much!
Thank you!!!🎉
very special, we need mors videos
Awsome!!!!
can hear some Petrucciani harmonies in it. Clearly Kenny was inspirational to him.
Fantastique transcription d'un pianiste génial merci beaucoup!!
Bar 14, beat 3, my toes always curl at that one.
Have even thought of stealing it (if only I could get myself to start practicing again 🙄)
bravo
3:01
Subscribed!
Could I request Eldar Djangirov's transcriptions? Take the A Train, Windows, etc.
BTW, Faures Piano Quintet in d minor, 3rd movement sounds very similar. ..ua-cam.com/video/T9lASiozqM8/v-deo.html
Pues sí que hay una sucesión de las mismas notas de la primera parte de la melodía de Fly Me to the moon, jajaja.
Me encanta Fauré, Kenny es uno de mis favoritos.
With respect, this is all over the place.
Ever check ✔️ out Barry Harris?
why would you say that? I think he has a beautiful phrasing and a very clear sound
I’m curious what you mean; could you elaborate?
Not everyone has the ear for it
Fb as the root of an E7 chord?
E# and F in the same G7 chord? (Plus a G# !!!)
And in m. 41 we find an Fb and an E natch in the same Gb7 chord (with an F# in the bass) . . . these enharmonic misspellings are infuriating and make reading difficult.
Could you tell me what bars these mistakes are in?