Pues sí que hay una sucesión de las mismas notas de la primera parte de la melodía de Fly Me to the moon, jajaja. Me encanta Fauré, Kenny es uno de mis favoritos.
Fb as the root of an E7 chord? E# and F in the same G7 chord? (Plus a G# !!!) And in m. 41 we find an Fb and an E natch in the same Gb7 chord (with an F# in the bass) . . . these enharmonic misspellings are infuriating and make reading difficult.
Thank you for the gift of this wonderful transcription ! ❤
Saw Kenny last year in Raleigh. Wow.
Fantastic playing and transcription work. 👏
Great solo from master pianist and nicely done!
Simply beautiful work
Glad I discovered your page it’s so helpful 🙏🔥
Thank you for your fantastic transcription!!❤❤
so grateful for the delight of music and pdf gorgeous!
Thank you so much for the transcription! Excellent work!
Thank you ❤ So beautiful.
Many thanks! Great work!
Thank you for this helpful transcription. 🎹
Just awesome
Marvelous.
wow!!! great! more kenny barron, thanks a lot.
Great transcription.
Merci beaucoup pour la vidéo et le PDF !!!!!
can hear some Petrucciani harmonies in it. Clearly Kenny was inspirational to him.
Awsome!!!!
Thank you!!!🎉
very special, we need mors videos
Fantastique transcription d'un pianiste génial merci beaucoup!!
Bar 14, beat 3, my toes always curl at that one.
Have even thought of stealing it (if only I could get myself to start practicing again 🙄)
bravo
With respect, this is all over the place.
Ever check ✔️ out Barry Harris?
why would you say that? I think he has a beautiful phrasing and a very clear sound
I’m curious what you mean; could you elaborate?
3:01
Subscribed!
Could I request Eldar Djangirov's transcriptions? Take the A Train, Windows, etc.
BTW, Faures Piano Quintet in d minor, 3rd movement sounds very similar. ..ua-cam.com/video/T9lASiozqM8/v-deo.html
Pues sí que hay una sucesión de las mismas notas de la primera parte de la melodía de Fly Me to the moon, jajaja.
Me encanta Fauré, Kenny es uno de mis favoritos.
Fb as the root of an E7 chord?
E# and F in the same G7 chord? (Plus a G# !!!)
And in m. 41 we find an Fb and an E natch in the same Gb7 chord (with an F# in the bass) . . . these enharmonic misspellings are infuriating and make reading difficult.
Could you tell me what bars these mistakes are in?