HOW TO MASTER THE PASSAGGIO
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- Опубліковано 1 жов 2020
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I'm trained in jazz voice and one teacher did work with me on passagio, although she didn't call it that. I'm learning from you about the importance of the pharyngeal space. Giving attention to this this and to the jaw relaxation part is really opening up my sound and my confidence. Thanks so very much, Freya!
Thank you, Freya! I am revisiting your video presence! I'm a longtime professional singer, now having taken a lesson with a colleague. Your knowledge is wide and easy to understand.
Thank you so much!! I have needed this tip for all my life! 😍
Beautiful!!!
Needs work! Thanks, Freya! 🎼 🎶 🎵 💖✨
Oh my! You're so pretty! I love your tips!!!
Wow!!! That was absolutely great. You were just superrrrb Freya at 7.46 to 8.05 mins. Awesome!!!
Yes I am always keen in smooth transitions. Its always a serious topic whenever I am planning a song. I have to identify the places I will have to transit and then work on those lines or phrases separately, rehearse them alot and then go for the final recordings.
My goodness you are AMAZING!! The content was edible and your voice is delectable!!
Yo sis
, great information and thank you for sharing
This is so helpful
This video is worth gold. Took classical singing more seriously this past year and although this is something we had to work on diligently this past year (and still is a problem zone for me), I have never really understood anatomically what happens at that point of passaggio. Especially, since I am studying medicine I am a person who resonates with more anatomical/physical explanations. So this video really helps me understand much better what's going on. Thank you so much and greetings from Germany!
Thanks Freya , you're the first person I go to when I need to understand something about singing 😊.
Great video! Freya beats the rest of the competition hands down!
Hi, Freya.. thank u so much for this video..
To be honest this is my first time to hear (watching) about 'passaggio'.. so, from your video I came to know about 'passagio'
This is really helpful..
🙆🏽♀️💙 *sending virtual love*
You are amazing 😍😍😍😍😍😍
Thanks. So helpful!!
Wonderful video! You are amazing. :)
Thank you for the video and knowledge! 🥹🙏❤️ I'm currently learning how to drive and I can immediately draw a connection with the passaggio to the clutch when needed to switch gears. It's a LOT easier and smoother to switch gears when at a lower speed etc :)
Thank you for this video and information! It is very encouraging. I also saw your other video on this topic with the demonstrations of working through the shift and sliding the voice. If you have any more guidance on this, I would be interested. God be with you.
thank you so much
Thanks teacher
I feel you can notice these strategies mentioned to master the passagio in Disney songs sung by female characters. Especially 'Part of your World' in The Little Mermaid and 'I See the Light' in Tangled. Sing like you're a Disney princess!
Wow, that was very impressive little display of vocal agility btw 07:36-08:05 - One take??
Love that show goes from singing straight into regular chat lol.
Hi Freya Please make a video on Indian Bollywood singer to analyse her voice ? Where are her head ,chest and mixed voice while singing long pitched songs.
If you want an example, hear or react to this song... Nightwish "Shoemaker"... The incredible Floor Jansen sing in the passagio the end of the song... And it's awesome...
A beautiful song with incredibly talented singer and musicians!
Hello Freya, Fantastic information. I've been gleaming from your knowledge for a while. Thank you. You really know your stuff.
Do you have any exercises on how to hold open the entire pharynx area?
Danke schön, Freya! This video is incredibly timely as I’m working on a song that suddenly flips from chest to falsetto (Hamilton - “You’ll Be Back”). My vocal coach keyed the song down, so the flip is in the low part of my falsetto and has been very frustrating. Now I better understand why.
Excellent song!!
You can’t go on ?
So... Here a list of my problem when i singing:
1. I don't know if i sing in healthy way (sometimes i can sing for a long time without hurting my neck but sometime it hurt)
2. I don't know what kind of voice when i hit note above C4. I don't know if it in mix, head voice, or falsetto?
3. I always see any video about head voice vs falsetto, but i can't understand 100% the difference. Once i understand a little and try to sing, i still can't determine if my voice in head voice or falsetto?
4. I have poor breath/support because i have an asthma when i was a kid (around 4-5 y.o) but it got treated quickly but i can still feel the effect (my breath duration/? is shorter than all of my friend in choir)
5. My family told me that i have a bad singing voice :'))
1. Work on breath support and releasing tension. Good breath support eliminates neck tension and reduces tension in other areas aswell.
2. If you hear a break and a switch to a lighter tone, It is headvoice.
(Different voice teachers have different definitions it shouldnt matter too much as long as you understand what they mean when they mention these registers)
3. Falsetto is just a high breathy voice whilst headvoice is a stronger high voice. If you're higher register sounds flutey and airy then its falsetto. If it sounds strong with a clear tone; it is headvoice.
4. Breath support can be improved. Despite having asthma, i believe that you can still expand your lung capacity and strengthen your breathing muscle (diaphragm). This might, in theory; reduce asthma symptoms but i would consult a doctor just to be sure.
5. I bet that your family are not vocal coaches. If they were they would know that there is no such thing as a bad voice instead there is the trained voice and the untrained voice.
Listen buddy, when i started singing my family didnt believe that these "weird" vocal exercises would do anything. Yet i stuck to it, it has been almost 2 years of serious singing and now my family sometimes asks me for vocal advice and recently my brother asked if i could teach his eager friend how to sing better.
My point is; who cares what your family thinks! Your vocal cords are muscles and muscles can be stengthened; the more you strengthen your voice, the better you will sound.
Remember that you have to start believing that you voice is good and it can be improved. You have to believe in yourself before ANYONE will believe in you.
I think you can do it, just dont slack off. 30 minutes - 1hr daily or 5 times a week (everyday except weekends or however you want to do it) is great.
If you're serious, you'll do it. Good luck
The smartest teacher I've ever seen
A
Thank you so much for the video. I have never had a vocal lesson but I could understand and feel the difference between the chest voice and the head voice. A question...Is there a note that doesn't seem to be either "voice"? Too much pressure in the chest voice but not enough muscle for the head voice?
I never really tried to sing even though I played music publicly and could have. Mostly because it felt like I was hitting this passagio anytime I tried. I can sing powerful low notes when I'm in the shower, and can hold a tune, but if I try to ascend from a point or descend from a point I lose about an octave to a dead zone of making noise like a zombie. Watching this video once and getting your understanding of it almost completely solved that issue. I always just thought my vocal cords were trashed from being a colicky baby.
HI Freya!!
Thank you for your video!!
I wanted to ask you two questions, if I may.
I've been to your website and started the 7days to support and also downloaded your tracking sheet.
First, the tracking sheet says '# to reach your goal' for example. How does one know how to assess what is a realistic timeframe to reach x goal?
Second, I'm only on day one of the 7days to support, but I wanted know if at the end of 7days, if one would keep doing the same exercises after you complete to course or would one move onto more advanced support techniques or is one just done - done as long as one retains (and uses) the lessons learned in the lessons?
I hope those questions made sense.
Thanks you for all you do!
Yaaaaaayyyyyyy!!!! This video has vietsub!!!!!!
🙏🏻🙏🏻🙏🏻🙏🏻🙏🏻🙏🏻🙏🏻🙏🏻🙏🏻
Yes,you are....
I'm just here bc I'm a baritone trying to sing Lost In The Wilderness
My vocal range, to my knowledge, is D2-D6. I'm currently trying to increase my chest vocal range, after which I can move onto building head voice, and then mixed voice. I've been following Ken Tamplin's UA-cam videos on how to build your voice step by step. His methods are truly remarkable and they work, and in his words "the exercises are based around bel-canto (beautiful singing) techniques". His methods work, but I am afraid that despite his methods being bel-canto (opera) based, I might not achieve such operatic voice. My main issue though, is diaphragmatic support, I never seem to get it right.
Freya, angel in disguise, can you teach us once more, as thoroughly as you can, how to support singing (I know diaphragmatic support is hard to explain). Also can you walk us through the entire process of improving your voice according to your own experience, meaning, after we have developed our chest register, then do we move onto bringing the head voice down, or firstly building it as robust as we can and the bringing it down.
Furthermore, when I'm strengthening my head voice or bringing it down to meet my chest voice (mixed voice), do I have to do exercises for my chest also despite having already built it robust, to prevent chest register's atrophy?
Ken and Freya would make an unbeatable team!
@@kevinmoores8603 both are stationed for around bel canto
👍
What exactly can we do?
Very helpful! I have had such trouble with my happily-high voice when trying to sing songs loudly that i end up sounding like a yodelling country singer-- there's a little gap of air while my vocal cords readjust, i guess, and it goes from the forceful low register to the easier, airier, prettier high notes.
Have found i can push up to a middle G (G4) in "chest register" while singing an ascending note series; while going down to lower notes, can sing in my "head register" down to the D4. But usually it's right in the middle, at E or F, where something has to change. Curses on the melodies that linger right around those four notes, D to G! Sometimes i just fail completely.
I have found that a breathier, gentler, unforced style, as you display in the middle of this video, really helps. But one question (anyone please answer): How can i do that while keeping any volume? It's all very well for singing to myself quietly, or singing with a microphone; but when i need to be heard without amplification, it's all a shouting (chest voice) transitioning with a little yodel thing to the higher screaming (head voice). Help!
Thank you!
Did you get this figured out? Freya has a good video entitled something like “there is no mixed voice” where she talks about how to navigate between registers. I have a similar difficulty. Sometimes I will take a note in the middle (like E) and sing it consecutively in chest and then head register and try to get them to sound as similar as possible. It helps to record yourself. It is possible to make the two sound pretty similar with practice.
@@DrJoshGuitar Thank you! I will look into the video you mention. Your idea of singing a passagio note consecutively in the different registers makes sense. Also, i have found (weirdly embarrassing to admit) that if i pretend i'm some other singer whose style i know or like, for some reason i can glide through the trouble in "their" voice. But usually only if it's their song and i am used to singing it. For instance, Neil Young glides over my passagio trouble areas smoothly, and if i sing his songs, i can, too. How to transfer that smoothness to other songs, and in my own voice, not someone else's!
Question: so if i practice scales should i be do it less breathie, stronger, like you did in the second example, even if my voice break in the passaggio, and with time it will break less?
I wonder why don't mention singing in mix, so that you don't have to approach this break/ flip from one register to another, you just learn how to smoothly pass it through (it's singing in mix), there are excercises for that, it's all about vocal cords shape
Cool i got the idea, but how am i soposed to achive this. Just singing breathy? Are there excersices? Anything?
My voice is either or, low or too high, I don't know how to control my vocals AT ALL. I WISH I HAD A VOCAL COACH.
Early *-*
Are you saying if you are going into bridge you can go into a breathy or lighter vouce?? Im confuseddddd
Me too, it seems so. This kinda stuff 4:08 i can do in a quiet room but what about when im singing with band or even with backround music or in front of the audience?
😂😂😂😂
Amator
Why can't you actually demonstrate HOW the larynx tilts?
So what was this? Lol. This was supposed to explain how to master it. Not just give second hand information that you can find on the Internet as well.
Your eyes are distracting me ma'am. They are gorgeous👀