Finally, Brünnhilde is a beauty matching her occupation, and not an elderly, somewhat "strong" lady. Thank you for the impressive art! Always, when I listen to this music, I think of my late wife. We both loved Wagner and have watched together half a dozen Rings live.
21:33 Cette verdion très fameuse, controversée et sublime est superbement servie par la Jones au timbre clair et à la voix large ..meme si je crains que sa voix ait dû le sentir passer... ne chante pas ce role qui veut....mais c'est superbe. Merci pour la video qui nous offre un contexte de saga héroïque qui marche bien tres bien même ! ❤😊
Unfortunate that the artist chose to use the rather aged voiced Gwyneth Jones who waited too long to take on this monumental role. One had to imagine the voice of Nilsson or Flagstad instead.
You are doing a GREAT work ! Siegfried forging his sword (sung by Jerusalem or Windgassen) must be a thrilling scene to illustrate like you do ! Die Frist ist um in Fliegende Hollander (London !!) can be great too !
You know it's AI when various warriors and figures have three arms and spaghetti spears! Apart from these odd glitches, there are a number of superb images in the video, so well done. The music, of course, is fabulous. I really wish a series of feature films could be realised of the Ring Cycle. Very achievable with current technology, though cost might be prohibitive. Seeing some of your imagery from this and other videos - Wotan's farewell especially - makes it easy to imagine how spectacular a cinema event it could be, especially filling an immense IMAX screen. But somebody better do it soon, I, for one, don't have many years left! 😂
I'm doing my best with the current state of technology. 5 years ago this video would have been impossible. In 5, 10, 20 years, who knows what will be possible. AI has its downsides but it also creates opportunities previously unimagined.
Cette musique est un délice pour abolir le déferlement des bruits et des images du quotidien et entrouvrir l'espace d’un ailleurs où contingences et représentations cèdent la place à l'immatérialité du sensible. La puissance expressive de l'architecture sonore rompt ici avec toute forme de transcription du réel pour s'attacher à l'extension d'un univers fabuleux dans lequel la couleur et le rythme des compositions constituent une expiration qui donne vie à l'exaltation 🧙♂🦹♀🧚♀
nice job, honest telling image are done with dall-e, but GREAT idea, giving us what the STUPID ACTUAL REGISTS cannot (or want not) give us anymore: epic scenes of mythologic strength....thank you, waiting for more
Wagner picked mythical settings so the message of his operas would be timeless. It's a shame opera houses today abandon all his stage directions because they feel the need to "update" it with their stupid productions.
@@moltovivace I never dreamed I would be trying to not laugh at a performance of Parsifal, but last time in San Francisco, good lord! There was a big ugly (paper mache') rock spinning in the back wall, and Kundry comes out of some sort of sarcophagus??? The newspaper critic explained (admiringly, like it was so hip) that the rock on the wall was a meteor (why?) and Kundry was birthed from a tulip! Seriously, people? ps before, I was privileged to hear Jorma Hynninin as the Fisher King, in a reasonable production.
Thank you, dear Molto Vivace! Oh my goddess, every time I hear and see this, my heart and sensuous imagination are ravished with the beauty and power and profundity and suggestiveness of Wagner's music-drama. The now fully human goddess rides through the "Flames of Destruction of the False Ego Perspective", to return to an eternal love with she (as I always imagine) who is her womanly soulmate called Siegfrieda. At the same time, our womanly world is stripped of crushing masculine capitalist power, and of a mindless lust for gold, and is therefore washed clean of so very many nasty, life-hating, and patriarchal elements. Such as patriarchal capitalist imperialism, and the extractive ravaging of our beautiful, sacred and natural world of Gaia. The mischief-making and teasing trio of Rhine Maidens are delightedly back in business! Giving guided tours of the hydroelectric damn (proprietors Wagner, Boulez and Chéreau); working as erotic services professionals during the late evening and early morning hours; and most importantly venerating and guarding the hyper-symbol of the glistening Rheingold, now safely ensconced once more in the liquid and vaginally embracing depths of the sacred Rhine. Thus these golden, scintillating, infinitely plastic, radiant and hyper-symbolic energies are also properly restored within our own individual sub-consciousness, and in the world-spanning collective womanly consciousness that permeates and animates all reality. Much like the supreme erotic energies of Shakti, which are made iconic in the form of our all protective and loving Kali Ma. And in the heavens, the narcissistic and vainglorious idiocy of Wotan's phallocratic palace is incinerated in a purging inferno, for all of womanity to witness and rejoice upon! Behold the inevitable and righteous downfall of a marbled triumph of cold and perverted masculinity, supposedly guarded and made impregnable by a horde of doubtful mercenaries, formed from heroes fallen in battle, who have been fucked back to life by the Valkyries. Et voila, an operatic mistress-piece written by Dr Rachel von Wagner, the arch music-drama feminist, and anti-patriarch, and Buddhist, and Kali worshipping Jungian of the 19th century. Who would have guessed? Any enlightened and woman-centred woman, that's who! Love andrea
Finally, Brünnhilde is a beauty matching her occupation, and not an elderly, somewhat "strong" lady. Thank you for the impressive art!
Always, when I listen to this music, I think of my late wife. We both loved Wagner and have watched together half a dozen Rings live.
After all, the lady is a goddess, an immortal!
Ich habe keine Worte, um zu beschreiben, wie großartig diese Musik ist, und danke für diese wunderbare Aufnahme!❤
Zuruck Vom Ring is truly the music of the Last Judgment
21:33 Cette verdion très fameuse, controversée et sublime est superbement servie par la Jones au timbre clair et à la voix large ..meme si je crains que sa voix ait dû le sentir passer... ne chante pas ce role qui veut....mais c'est superbe. Merci pour la video qui nous offre un contexte de saga héroïque qui marche bien tres bien même ! ❤😊
Unfortunate that the artist chose to use the rather aged voiced Gwyneth Jones who waited too long to take on this monumental role. One had to imagine the voice of Nilsson or Flagstad instead.
Wunderschön, haben Sie Dank !
You are doing a GREAT work ! Siegfried forging his sword (sung by Jerusalem or Windgassen) must be a thrilling scene to illustrate like you do ! Die Frist ist um in Fliegende Hollander (London !!) can be great too !
It was the curse of the one ring that bound the worlds gold that blinded Sigfried to Brunhild's love
Stunning images to go along with my favorite Götterdämmerung recording. This is like an early Christmas for me, thank you!
You know it's AI when various warriors and figures have three arms and spaghetti spears!
Apart from these odd glitches, there are a number of superb images in the video, so well done.
The music, of course, is fabulous.
I really wish a series of feature films could be realised of the Ring Cycle. Very achievable with current technology, though cost might be prohibitive. Seeing some of your imagery from this and other videos - Wotan's farewell especially - makes it easy to imagine how spectacular a cinema event it could be, especially filling an immense IMAX screen.
But somebody better do it soon, I, for one, don't have many years left! 😂
I'm doing my best with the current state of technology. 5 years ago this video would have been impossible. In 5, 10, 20 years, who knows what will be possible. AI has its downsides but it also creates opportunities previously unimagined.
@@moltovivace Yep. Just another tool in the artist's "paint-box", if utilised properly.
Cette musique est un délice pour abolir le déferlement des bruits et des images du quotidien et entrouvrir l'espace d’un ailleurs où contingences et représentations cèdent la place à l'immatérialité du sensible. La puissance expressive de l'architecture sonore rompt ici avec toute forme de transcription du réel pour s'attacher à l'extension d'un univers fabuleux dans lequel la couleur et le rythme des compositions constituent une expiration qui donne vie à l'exaltation 🧙♂🦹♀🧚♀
Sublime !
nice job, honest telling image are done with dall-e, but GREAT idea, giving us what the STUPID ACTUAL REGISTS cannot (or want not) give us anymore: epic scenes of mythologic strength....thank you, waiting for more
Wagner picked mythical settings so the message of his operas would be timeless. It's a shame opera houses today abandon all his stage directions because they feel the need to "update" it with their stupid productions.
@@moltovivace I never dreamed I would be trying to not laugh at a performance of Parsifal, but last time in San Francisco, good lord! There was a big ugly (paper mache') rock spinning in the back wall, and Kundry comes out of some sort of sarcophagus??? The newspaper critic explained (admiringly, like it was so hip) that the rock on the wall was a meteor (why?) and Kundry was birthed from a tulip! Seriously, people? ps before, I was privileged to hear Jorma Hynninin as the Fisher King, in a reasonable production.
absolutely amazing!
Keep it up, this is awesome work!
incredible graphics, I wish you could use AI to make the singing from these graphics
One day! A few years from now perhaps.
Thank you, dear Molto Vivace!
Oh my goddess, every time I hear and see this, my heart and sensuous imagination are ravished with the beauty and power and profundity and suggestiveness of Wagner's music-drama.
The now fully human goddess rides through the "Flames of Destruction of the False Ego Perspective", to return to an eternal love with she (as I always imagine) who is her womanly soulmate called Siegfrieda.
At the same time, our womanly world is stripped of crushing masculine capitalist power, and of a mindless lust for gold, and is therefore washed clean of so very many nasty, life-hating, and patriarchal elements. Such as patriarchal capitalist imperialism, and the extractive ravaging of our beautiful, sacred and natural world of Gaia.
The mischief-making and teasing trio of Rhine Maidens are delightedly back in business! Giving guided tours of the hydroelectric damn (proprietors Wagner, Boulez and Chéreau); working as erotic services professionals during the late evening and early morning hours; and most importantly venerating and guarding the hyper-symbol of the glistening Rheingold, now safely ensconced once more in the liquid and vaginally embracing depths of the sacred Rhine.
Thus these golden, scintillating, infinitely plastic, radiant and hyper-symbolic energies are also properly restored within our own individual sub-consciousness, and in the world-spanning collective womanly consciousness that permeates and animates all reality. Much like the supreme erotic energies of Shakti, which are made iconic in the form of our all protective and loving Kali Ma.
And in the heavens, the narcissistic and vainglorious idiocy of Wotan's phallocratic palace is incinerated in a purging inferno, for all of womanity to witness and rejoice upon!
Behold the inevitable and righteous downfall of a marbled triumph of cold and perverted masculinity, supposedly guarded and made impregnable by a horde of doubtful mercenaries, formed from heroes fallen in battle, who have been fucked back to life by the Valkyries.
Et voila, an operatic mistress-piece written by Dr Rachel von Wagner, the arch music-drama feminist, and anti-patriarch, and Buddhist, and Kali worshipping Jungian of the 19th century.
Who would have guessed? Any enlightened and woman-centred woman, that's who!
Love andrea
I wish I could send you pictures of my Wagnerian paintings. I think you might like them. I use acrylic paint as my medium.
@toddholmes----I wish I could see them too! Do you love the Ring as much as I do?
please do act one of rhinegold next and afterwards the entry of the gods into valhalla
I'm currently working on Parsifal Act II and the Meistersinger Prize song but I will get to them!
I sure hope so! Those are favorites too
Of mine
Who are these splendid paintings by?
They were generated with AI (Dalle-3)
the pictures are nice and all (specially the valhalla burning) but what happens with the face of Brunnhilda there??15:27 17:07
Its a problem with the AI software. Thankfully I figured out a fix for future videos (I think).
As famous as this production became, the singing and the orchestra are just fair.
... and what was on stage in that production looked nothing like these images!
If you think this is just 'fair', do better yourself...
@@EvanDickerson-ub5ge Get some ears, thank you!
Wonderful music; stupid story.