Wonderful playing. I love how well you make it all flow together. I just can't get enough of those chords. I love the Rubber Soul/Revolver era Beatles music so this is a real treat.
+Steven Morris Thanks a lot mate! It was actually a bit harder to make work on this because of the faster delay, but added reverb helps a bit. It was an incredible period for melodic invention, I love everything by them but I think you can tell something absolutely magical was happening by the time Rubber Soul came out!
This song is just so perfect and beautiful that altering ANY chords just detracts from the original. Its just one of those rare and beguilingly stunning works of art that is only comparable to the melodies of Mozart in western music. I still appreciate what you are playing but the alt chords just dont do it for me with Here There And Everywhere. It was still very well worked out and works great but I'm just a stickler when its the Beatles. I have adored them ever sinse my dad (God bless him) played them very often at home when I was just a toddler until he left when I was 13 yrs old. Now I am 45 and are learning more of their 300 songs on guitar. Its so much fun realising just how much genius went into their songs especially Rubber Soul and Revolver. Pls can you do ''Your Mother Should Know'' as I love the melody in the opening verses and pretty much all of it. Also love the B minor7th chord from out of nowhere on Penny Lane and then the downward modulation for chorus. And another fav is ''If I Fell'' with the four part barber shop harmony and the chromatic min/maj/maj resolves to A7 sus 4. The Beatles tended to do a chord sequence only once and then found some other chord structure where as a lesser professional composer/songwriter would milk every drop out of a sequence. Has there ever been anyone out there who's ability gets even close to Lennon/McCartney and also to some extent Harrison's...?
I'd have to disagree; I'm totally into transformations of works -- their existence doesn't detract from the original (I'm very fond of all the Beatles original arrangements too!) I'll probably return to this set of arrangements at some point in the future :)
Great sound!! I've looked for Steve Hill's information but could'nt figure out who he actually is. Do you have maybe such kind of data in your book? Thanks :)
Thanks mate! Honestly, I wish there was more information readily available. These sort of editions are notorious for dramatically downplaying the influence and importance of the arranger; he's practically a footnote, despite this book being entirely made of his works!
Thanks for your feedback! It's kind of weird that one can't find anything about him through googling. Did they provide at least his complete name? And please let me know if you find out more information. Best wishes and keep playing such jazz wonders!
Beautiful! Thanks.
Thank you, I'm glad you liked it! :)
Wonderful playing. I love how well you make it all flow together. I just can't get enough of those chords. I love the Rubber Soul/Revolver era Beatles music so this is a real treat.
+Steven Morris Thanks a lot mate! It was actually a bit harder to make work on this because of the faster delay, but added reverb helps a bit. It was an incredible period for melodic invention, I love everything by them but I think you can tell something absolutely magical was happening by the time Rubber Soul came out!
Muy buena interpretación. Justamente buscaba un ejemplo de este arreglo y me encantó.
Thank you kindly! :)
This song is just so perfect and beautiful that altering ANY chords just detracts from the original. Its just one of those rare and beguilingly stunning works of art that is only comparable to the melodies of Mozart in western music. I still appreciate what you are playing but the alt chords just dont do it for me with Here There And Everywhere. It was still very well worked out and works great but I'm just a stickler when its the Beatles. I have adored them ever sinse my dad (God bless him) played them very often at home when I was just a toddler until he left when I was 13 yrs old. Now I am 45 and are learning more of their 300 songs on guitar. Its so much fun realising just how much genius went into their songs especially Rubber Soul and Revolver. Pls can you do ''Your Mother Should Know'' as I love the melody in the opening verses and pretty much all of it. Also love the B minor7th chord from out of nowhere on Penny Lane and then the downward modulation for chorus. And another fav is ''If I Fell'' with the four part barber shop harmony and the chromatic min/maj/maj resolves to A7 sus 4. The Beatles tended to do a chord sequence only once and then found some other chord structure where as a lesser professional composer/songwriter would milk every drop out of a sequence. Has there ever been anyone out there who's ability gets even close to Lennon/McCartney and also to some extent Harrison's...?
I'd have to disagree; I'm totally into transformations of works -- their existence doesn't detract from the original (I'm very fond of all the Beatles original arrangements too!) I'll probably return to this set of arrangements at some point in the future :)
I enjoyed your piano cover of Here,There, Everywhere. I also play it on my channel. I use a fake book to play. Thank you for your music!
Thanks very much Frank, I'll have to check out your arrangement :)
this is excellent, can you send me the sheets music?
Cheers! The book it came from is listed in the video description if you want to chase it down yourself (I don't have easy access to scans any more).
Great sound!! I've looked for Steve Hill's information but could'nt figure out who he actually is. Do you have maybe such kind of data in your book? Thanks :)
Thanks mate! Honestly, I wish there was more information readily available. These sort of editions are notorious for dramatically downplaying the influence and importance of the arranger; he's practically a footnote, despite this book being entirely made of his works!
Thanks for your feedback! It's kind of weird that one can't find anything about him through googling. Did they provide at least his complete name? And please let me know if you find out more information. Best wishes and keep playing such jazz wonders!
I just checked the book again, and yes; Steve Hill. In tiny text on the inside front cover. What a shame.
Thanks mate!