@@ChristianFuchsBluesLove his tutorials. I felt like I was being a little unfaithful😊 Supposed to be working, but stopped by here for something exotic, and really enjoyed this Christian. Uncensored too😉❤
I’ve played your arrangement of Autumn Leaves (same progression obviously) many times and now totally get how you came up with that sound and embellishments for your solo section. Thanks!
Waow! Absolutely amazingly beautiful and you made it so simple! Your explanation crystal clear! Really loved it! It gives me hope! Thank you so very much!
C’est comme si tu m’avais dévoilé l’emplacement d’une mine d’or, je me sens riche … merci beaucoup Peux on venir te voir à Berlin . Je voyage avec mon chien mon piano dans la voiture ( tiroir coulissant) merci
You can NOT just like that call somebody else your GURU in front of my breaking heart!! We artists are sensitive personalities. Now it's a therapy session, again. 🥲
Love your content! You are a beacon of hope for all struggling pianists. By the way, I think the embellishment in question is called a „Doppelschlag“ in german (and was not invented by Keith Jarrett)😁
Do you plan to upgrade your old tutorials with green piano assistance? I would like to learn the blues ballad from your tutorial five years ago whuch doesn't have the green piano indicator.
Thank you Christian, I've been interested in this kind of style for some time and your explanations are really helpful. There is one problem though. I can't play those wide-spread chords because my hands are too slim, I can barely reach a ninth but not a tenth. For instance on the Am7, putting the 5th finger on A and the 2nd on the G above is already stressful, reaching the C with my thumb is simply impossible. Same for the Gmaj and F#dim. What would be the best solution, to play a different inversion, to leave out the highest or lowest note or maybe to hit the lowest note first and then jump up and play the remaining notes?
Under the umbrella of finicky : I played at a gig at a golf club reception - people stood with drinks in hand and ignored us ; an hour in a lady notices the music, turns to the band : "ssshhh," she intones - well made an impression I figured 😀
Nope, this line is such a standard melodic cliché, it was used a million times since the Gregorian Chants in the Middle Ages..It's almost like saying: "Oh, you played an Octave, you STOLE that from Bach!" ;-)
@@ChristianFuchsBlues Oh yeah, Bach... that famous cocktail harpsichord bar player from back in the day. I once heard he stole some embellishments from Couperin and Albinoni. They made him write the goldberg variations... 10 times. Backwards! With crossed arms. And toes.
🔥 Check out my free BAR PIANO COURSE! ua-cam.com/video/EvBFmC3K8Ug/v-deo.html
Fantastic lesson. Thanks Christian!🤗
Thank you so much Christian … as always, so very good lesson… love it… pls keep them coming😉
Some parts remind me of Keith Jarrett's Köln Concert. Thanks again, Christian, for this professional and inspiring lesson. Heinz
You are Magic!!! danke Master Christian
Pure Magic! Love it!
This is the tutorial I waited for. Wonderful and great fun. THANK YOU SOOOOOOO MUCH
Спасибо👍🤝
Viel dank bienfaiteur de l’humanité magnifique
Wow , great video!
Thanks, Tony! Hope you're doing good over there!
People, check out Tony's great student friendly Piano channel!
@@ChristianFuchsBluesLove his tutorials. I felt like I was being a little unfaithful😊 Supposed to be working, but stopped by here for something exotic, and really enjoyed this Christian. Uncensored too😉❤
That's a great lesson. Really a game changer for me. Thanks Christian 👍
Tony Winston showed up! Another great teacher.
Gorgeous! Many thanks Christian.
Love it.
Really enjoying these vids. Incredibly helpful musically, and ALSO very entertaining and funny. Great fun, thanks!
Another fine presentation!
Great!
Another winner Christian ! Love your honesty ' yeah I don't practice ..it comes from the soul man ....' 😂
This turorial made my (rainy) Sunday in Munich! Christian, your good mood is catching and the tutorial is great!
I’ve played your arrangement of Autumn Leaves (same progression obviously) many times and now totally get how you came up with that sound and embellishments for your solo section. Thanks!
You're the ideal student! Others should follow your example.
@@ChristianFuchsBlues Thank you for your kind words! I very much appreciate that.
this is right down my straße 👍🏻
Wow ! This sounds very nice and easy. I can't stop playing with this ! Thanks Christian.
Waow! Absolutely amazingly beautiful and you made it so simple! Your explanation crystal clear! Really loved it! It gives me hope! Thank you so very much!
Very nice Christian
C’est comme si tu m’avais dévoilé l’emplacement d’une mine d’or, je me sens riche … merci beaucoup
Peux on venir te voir à Berlin . Je voyage avec mon chien mon piano dans la voiture ( tiroir coulissant) merci
I like this very much!!
Sweet! 😊
Thank you,Chris. Alles Gute von Wuppertal,(by way of Oakland,California).🌹🌹⭐🌹🌹
I love this channel too, Brenda!
All the best back from Germany, by way of Berlin! 🌸 ( Is it really a Land der Eichen?)
@@TonyWinston hi Tony. Wishing you the Best ,my JazzBluesGuru.🌹⭐😎🌹
@@ChristianFuchsBlues The pioneering Funk and Blues chased most of them away to the suburbs😄
You can NOT just like that call somebody else your GURU in front of my breaking heart!! We artists are sensitive personalities. Now it's a therapy session, again. 🥲
Love your content! You are a beacon of hope for all struggling pianists. By the way, I think the embellishment in question is called a „Doppelschlag“ in german (and was not invented by Keith Jarrett)😁
Thank you! Doppelschlag, that's right, Must check if there is a patent registered on that....
It sounds really good Christian, 😊😊😊 it reminds me a bit of 🎸Still got the blues, solo, (Gary Moore)🎸
Well spotted! ( did a tutorial on that one, too! ) .
Bellissimo
Thanks!
Do you plan to upgrade your old tutorials with green piano assistance? I would like to learn the blues ballad from your tutorial five years ago whuch doesn't have the green piano indicator.
Thank you Christian, I've been interested in this kind of style for some time and your explanations are really helpful. There is one problem though. I can't play those wide-spread chords because my hands are too slim, I can barely reach a ninth but not a tenth. For instance on the Am7, putting the 5th finger on A and the 2nd on the G above is already stressful, reaching the C with my thumb is simply impossible. Same for the Gmaj and F#dim. What would be the best solution, to play a different inversion, to leave out the highest or lowest note or maybe to hit the lowest note first and then jump up and play the remaining notes?
In general, you would prefer to drop the middle voice. The highest for the left hand. Or the lowest in the right hand.
That makes sense, thanks a lot!@@ChristianFuchsBlues
I think that ornament is a mordant or a turn, isn't it? What's it called in German, by the way?
It's called Mordent. :-)
This is brilliant! But stop making me laugh, easy listening is serious stuff! 😂
Ah , if all elegance could be so effortless
Under the umbrella of finicky : I played at a gig at a golf club reception - people stood with drinks in hand and ignored us ; an hour in a lady notices the music, turns to the band : "ssshhh," she intones - well made an impression I figured 😀
Yep, playing functions isn't always the big breakthrough.. :-)
This figuration around 'c' seems to be s̵t̵o̵l̵e̵n̵ borrowed from Keith Jarrett's Koeln Concert... ^^
Nope, this line is such a standard melodic cliché, it was used a million times since the Gregorian Chants in the Middle Ages..It's almost like saying: "Oh, you played an Octave, you STOLE that from Bach!" ;-)
@@ChristianFuchsBlues Oh yeah, Bach... that famous cocktail harpsichord bar player from back in the day. I once heard he stole some embellishments from Couperin and Albinoni. They made him write the goldberg variations... 10 times. Backwards! With crossed arms. And toes.