@@Darrigrande I always liked how the structure was performing and succeeding in these weird primate duels, and then it's all fucking lies and meaningless, anyway. Yep.
I saw this film when I was 15, I'm 60 now, and I remenber the candle lights, so real... for the first time in a movie...never fogot...Marisa Berenson eternal beauty
And so I run into Marissa and - I presume - her boyfriend at the time. It was one of those pointless New York parties. The moment I saw her come in I started playing the Sarabande (yes, I was the piano player hired for the gig). She got it. Immediately.
@@ernaniferreirafilho8420 My feeling, too. As much as I fantasized, we never became friends (lol). Still, the memory of that "Brunch Party" is just priceless (I guess, for everything else there's a VISA).
exactly my age now, and when I saw it when it first came out. I now bought three candelabras with 5 tall candles each, and sometimes light them all up late at night, and listen to music like this. it is amazing just how much they do light up a big room. it's wonderful. what has happened to elegance? Marisa was pure elegance in this
Nunca pensé amar tanto esta película. Es bellísima. Tres horas hermosas. Kubrick era un verdadero genio. Sabía que música poner. El realismo que impregna a sus películas es genial.
I watched this movie 6 years ago; it was a hard endeavor, my wife kept falling asleep so we had to watch it in small pieces of maybe half an hour each. I gotta watch it again alone and in one sprint to see how I feel about it now. Back in 2016 I absolutely loved it. So beautiful, so pungent, such a perfect pace (even if too slow for the Hollywood addict). I remembered it today because of the Sarabande Suite by Globus. And right now I'm thinking, there is something that bothers me about it. It's like Kubrick is picking apart everything that is beautiful about Europe and show it as sad, small, deceitful. I know Kubrick had quite uncommon political views, but still.
Sorry Patric. I'm German Boy in the 40's. Ich habe dieses Lied über Zehn Jahre lang gesucht und endlich gefunden. Es hat so was Epochales und Mystisches. Danke für's Hochladen.
De las 6 cámaras de fotos Hasselblad que la empresa alemana Carl Zeiss fabricó para la NASA para su misión Apollo 11 Kubrick se hizo con una de ellas...lo que le permitió grabar TODAS las escenas nocturnas con luz de velas!!!...un genio!!!
Deze film is het allermooiste ooit gemaakt Stanley kubrick was een kunstenaar hij bracht ryan o neil tot ongekende acteerprestaties in Deze film de film is nog beter en mooier dan spartacus
Enjoyed this movie immensely. I am currently working on Bach's Sarabande from his Partita in Bb major for piano. I will gladly consider this Sarabande by Handel my Ground Zero (so to speak). Thanks for the inspiration & great masterpiece Mr. Stanley Kubrick!
" Barry Lyndon " di Stanley Kubrick, é sicuramente uno dei Film più ARTISTICAMENTE BELLI, AFFASCINANTI E SUGGESTIVI, che siano mai stati realizzati nella Storia della Cinematografia Mondiale di TUTTI I TEMPI !!!
Que estilismo y oda a la belleza en cada secuencia y fotograma de la película, Stanley el mejor director de la historia llevo el cine a otra dimensión.
Me gusta mucho este tipo de música pero esta pieza en especial la busque porque la escuché en la serie narcos mexico,, saludos desde Guadalajara plebes
Paths of Glory with Kirk Douglas. Also a memorable film. I especially remember the scene in which a young German girl, after being mocked by rough French soldiers, sings a simple folk-song that brings them all to tears. I remember the tune but not the words. Sol la la sol, mi sol sol fa, sol si si la, fa la la sol, sol la si do sol, sol si si la, do si la sol la, sol fa sol mi. Can anyone identify?
This is NOT a Sarabande but a Folia passacaglia (aka Follia, Folies d'Espagne, etc.). The two may be related in terms of origin, rhythm and speed, but fundamentally, the Folia is set of variations on ground bass with a fixed harmonic progression, whereas a Sarabande has no fixed ground bass or fixed chord progressions (though, of course, a Sarabande can be a variation movement in and of itself). What you hear in "Barry Lyndon" is the fixed opening 16 bar rhythm and chord progression of the Folia. Normally, a set of variations on the Folia harmonic progress would ensue, but that is omitted in "Barry Lyndon", which only uses the first harmonized 16 bars or the basic Folia basso ostinato without harmonization played by the timpani alone at other spots in the movie's score. In a Folia chaconne one or more instruments play melodies or passages above a sequence of notes that are the harmonic foundation, which does not change (Folias for harpsichord also exist, of course, in which case one instrument can play the whole thing). That being said, the Folia is most often composed as a Chaconne (Ciaccona in Italian), in which the bass part itself is a series of variations on the harmonic sequence. Vivaldi's Trio Sonata Op. 1 No. 12 and the final movement from the Violin Partita in D minor by J.S. Bach are good examples. The reason for the preponderance of Folia chaconnes is that repeating exactly the same sequence of bass notes in a fixed harmonic scheme of a passacaglia can become tedious for the listener and limits what the composer can do with the material even if the composer allows the bass to modulate in its unchanged form (modulate = change from one key to another), especially considering the 16 bar length of the evolved Folia. With the above limitations, the Folia can also be composed as a Passacaglia, which is based on an unchanging sequence of bass notes repeated ad lib (aka basso ostinato), which, however, is exceedingly rare and is used by composers mostly in shorter pieces or sequences. Normally bassi ostinati range from one to eight bars or more with 4 - 16 or more notes per repetition, usually with a fixed harmonic progression, though not necessarily so (Buxtehudes famous "Canon" is a typical basic example of a basso ostinato that isn't a Folia). The Folia started out having 8 bars but developed into having 16 bars with fixed chord progressions of one chord per bar except for the cadential penultimate bar, with dotted rhythms (not always) and stress on the second beat in the triple meter in compositions from the high baroque and later.
I am not afraid to state my utter ignorance on the matter you have detailed. However, if Handel's Sarabande is in fact, not a Sarabande, why has nobody mentioned it before? After reading your comment and out of curiosity, I searched for articles which would detail how Handel's Sarabande is not actually a sarabande. If it wasn't actually a sarabande, surely there would be numerous articles pointing this out. I couldn't find a single one.
3 роки тому+6
So somehow you know more than Händel himself, who call this Sarabande. I'm no expert in classical music but there's that.
Gorgeous cinematography and memorable music but oh so painfully slow and boring. Yes. I'm sure Kubrick wanted to show it at a slower pace just like life back when it took 4 weeks to get mail across the Atlantic or when an appointment was sometime before the sun goes down since time was never of the essence, but dang I could have had a 4 course dinner before this moved 2 feet.
it's a simple story, and yes it takes a long time to tell it, it unfolds slowly and yes maybe he could have cut it down a bit, but it's still a masterpiece. I kind of thought the same thing when I first saw it but my guess is if you just relax and watch it on a dark rainy night with zero distractions, watch it again, and maybe again, you will appreciate the slowness of it more. Even if you wait 5 years, then watch it again, I'm sure you will love it. I"ve seen it maybe 15 times, each time I think ok that's the last time, I don't need to ever see that again, but then I do and I still love it.
My favourite movie of all time. Now 66yrs old ... I just adore it.
Is a masterpiece!
@@Darrigrande I always liked how the structure was performing and succeeding in these weird primate duels, and then it's all fucking lies and meaningless, anyway. Yep.
Very under appreciated, I think. Decidedly Ryan O'Neal's best picture.
I saw this film when I was 15, I'm 60 now, and I remenber the candle lights, so real... for the first time in a movie...never fogot...Marisa Berenson eternal beauty
It was natural lighting, so it was very literally "so real!" Nothing more real in cinema, ancient or modern.
And so I run into Marissa and - I presume - her boyfriend at the time. It was one of those pointless New York parties. The moment I saw her come in I started playing the Sarabande (yes, I was the piano player hired for the gig). She got it. Immediately.
@@NYCBG oh Meu Deus , play the piano for a goddess ... what a privilege .
@@ernaniferreirafilho8420 My feeling, too. As much as I fantasized, we never became friends (lol). Still, the memory of that "Brunch Party" is just priceless (I guess, for everything else there's a VISA).
exactly my age now, and when I saw it when it first came out. I now bought three candelabras with 5 tall candles each, and sometimes light them all up late at night, and listen to music like this. it is amazing just how much they do light up a big room. it's wonderful. what has happened to elegance? Marisa was pure elegance in this
Un stanley Kubrick dans toute la beauté et la puissance de son art : tout simplement un chef d’œuvre
Nunca pensé amar tanto esta película. Es bellísima. Tres horas hermosas. Kubrick era un verdadero genio. Sabía que música poner. El realismo que impregna a sus películas es genial.
Dans ce film, chaque image ressemble à un tableau de maître !
Vero !
RIP Ryan O'Neal 😢😢😢😢
One of the greatest films ever made!!!!
Pure expression du génie de Stanley Kubrick
Superb movie. I missed it when it first came out, preoccupied with graduate school and getting married. Apologies to all for my displaced priorities.
Je suis la seule à être là parce que c'est la musique des avis d'obsèques en Martinique ? Vos souvenirs ont l'air moins sombres que le mien 🥲
Oui, effectivement mes souvenirs sont plus lumineux. Désolé si sans le vouloir j'ai réveillé une douleur. Beaucoup d'Amour pour vous 🌹🌹🌹
Incredible movie, incredible soundtrack.
I love Barry Lindon so much and music 🎶 too...
I watched this movie 6 years ago; it was a hard endeavor, my wife kept falling asleep so we had to watch it in small pieces of maybe half an hour each. I gotta watch it again alone and in one sprint to see how I feel about it now. Back in 2016 I absolutely loved it. So beautiful, so pungent, such a perfect pace (even if too slow for the Hollywood addict).
I remembered it today because of the Sarabande Suite by Globus. And right now I'm thinking, there is something that bothers me about it. It's like Kubrick is picking apart everything that is beautiful about Europe and show it as sad, small, deceitful. I know Kubrick had quite uncommon political views, but still.
Suite pour clavecin N°4 de Haendel.
Un très bon choix de musique pour une œuvre à la fois grandiose et remarquable.
Master Stanley Kubrick R.I.P.
Great and Timeless Work
Since first time I saw this movie I got hooked with this Handel sarabande song. Too noble and sorrowful and tragic. I do loved it too much.
Barry Lyndon esta entre las 10 mejores pelçiulas de todos los tiempos. y...así es...no puedo cambiar eso. Perdon ....es la mejor.
Many Thanks for your Upload..
I love this Music...Epochal.
Sorry Patric. I'm German Boy in the 40's.
Ich habe dieses Lied über Zehn Jahre lang gesucht und endlich gefunden.
Es hat so was Epochales und Mystisches.
Danke für's Hochladen.
Colonna sonora di un film indelebile💖
De las 6 cámaras de fotos Hasselblad que la empresa alemana Carl Zeiss fabricó para la NASA para su misión Apollo 11 Kubrick se hizo con una de ellas...lo que le permitió grabar TODAS las escenas nocturnas con luz de velas!!!...un genio!!!
Les frissons de la tête au pied...
Superbe
an incredible masterpiece by Stanley Kubrick and one of my favourite movies and incredible score
Adore this movie...and this piece of music is just sublime.❤
I saw it When I was a child. Since tren my Favorite movie. A máster piece
Some shots in that video are from The Duellists ( Ridley Scott ) and Marie-Antoinette ( Sofia Coppola ), not Barry Lyndon.
A great and true masterpiece
Extraordinario film y musica inolvidable
Отличный фильм.2 раза смотрел.Мой любимый режиссёр.
Тоже 2 раза смотрел ,уверен ничего подобного больше не снимут(
Deze film is het allermooiste ooit gemaakt Stanley kubrick was een kunstenaar hij bracht ryan o neil tot ongekende acteerprestaties in Deze film de film is nog beter en mooier dan spartacus
Enjoyed this movie immensely. I am currently working on Bach's Sarabande from his Partita in Bb major for piano. I will gladly consider this Sarabande by Handel my Ground Zero (so to speak). Thanks for the inspiration & great masterpiece Mr. Stanley Kubrick!
" Barry Lyndon " di Stanley Kubrick, é sicuramente uno dei Film più ARTISTICAMENTE BELLI, AFFASCINANTI E SUGGESTIVI, che siano mai stati realizzati nella Storia della Cinematografia Mondiale di TUTTI I TEMPI !!!
Gran película del inmenso Kubrick. La fotografía es inigualable
Beautiful movie,one of the best movies ever made.A poem made with sublime video and music!
la sarabande de haendel ça fait parti du film une belle découverte
Que estilismo y oda a la belleza en cada secuencia y fotograma de la película, Stanley el mejor director de la historia llevo el cine a otra dimensión.
Oggi sarebbe inimmaginabile un film di tale bellezza.... ormai e' diventata una societa'" che apprezza il lusso ma non ha interesse per la bellezza
Wonderful music and Wonderful film .
Beautiful, powerful, emotion evoking piece of music.
Le chef d'oéuvre d'une vie l'aboutissement d'une pensée...
I always think the percussionist is really enjoying himself or herself on this - check out the timpani!
Beautiful music💦 Beautiful picture💘
Beautiful Comment 😊😊😊
Beautiful
Me gusta mucho este tipo de música pero esta pieza en especial la busque porque la escuché en la serie narcos mexico,, saludos desde Guadalajara plebes
A masterpiece
Amazing movie. Hollywood need old directors to save her.
Inesauribile Barry, basta pensare a come ha saputo "reinventarsi" ogni volta per non arrendersi di fronte alle avversità..
Son meilleur film après les sentiers de la gloire selon moi
Pour moi, c'est son chef d'oeuvre. J'adore Également les sentiers de la Gloire ❤️❤️❤️
Paths of Glory with Kirk Douglas. Also a memorable film. I especially remember the scene in which a young German girl, after being mocked by rough French soldiers, sings a simple folk-song that brings them all to tears. I remember the tune but not the words. Sol la la sol, mi sol sol fa, sol si si la, fa la la sol, sol la si do sol, sol si si la, do si la sol la, sol fa sol mi. Can anyone identify?
Merci pour le partage
Avec Plaisir 😊
Creo hay una influencia visual de Reynolds,ingles,y Fragonard,frances.Muy muy muy buena!
tous ces films sont extra au magic stanley
This is NOT a Sarabande but a Folia passacaglia (aka Follia, Folies d'Espagne, etc.). The two may be related in terms of origin, rhythm and speed, but fundamentally, the Folia is set of variations on ground bass with a fixed harmonic progression, whereas a Sarabande has no fixed ground bass or fixed chord progressions (though, of course, a Sarabande can be a variation movement in and of itself). What you hear in "Barry Lyndon" is the fixed opening 16 bar rhythm and chord progression of the Folia. Normally, a set of variations on the Folia harmonic progress would ensue, but that is omitted in "Barry Lyndon", which only uses the first harmonized 16 bars or the basic Folia basso ostinato without harmonization played by the timpani alone at other spots in the movie's score.
In a Folia chaconne one or more instruments play melodies or passages above a sequence of notes that are the harmonic foundation, which does not change (Folias for harpsichord also exist, of course, in which case one instrument can play the whole thing). That being said, the Folia is most often composed as a Chaconne (Ciaccona in Italian), in which the bass part itself is a series of variations on the harmonic sequence. Vivaldi's Trio Sonata Op. 1 No. 12 and the final movement from the Violin Partita in D minor by J.S. Bach are good examples. The reason for the preponderance of Folia chaconnes is that repeating exactly the same sequence of bass notes in a fixed harmonic scheme of a passacaglia can become tedious for the listener and limits what the composer can do with the material even if the composer allows the bass to modulate in its unchanged form (modulate = change from one key to another), especially considering the 16 bar length of the evolved Folia.
With the above limitations, the Folia can also be composed as a Passacaglia, which is based on an unchanging sequence of bass notes repeated ad lib (aka basso ostinato), which, however, is exceedingly rare and is used by composers mostly in shorter pieces or sequences. Normally bassi ostinati range from one to eight bars or more with 4 - 16 or more notes per repetition, usually with a fixed harmonic progression, though not necessarily so (Buxtehudes famous "Canon" is a typical basic example of a basso ostinato that isn't a Folia). The Folia started out having 8 bars but developed into having 16 bars with fixed chord progressions of one chord per bar except for the cadential penultimate bar, with dotted rhythms (not always) and stress on the second beat in the triple meter in compositions from the high baroque and later.
I am not afraid to state my utter ignorance on the matter you have detailed. However, if Handel's Sarabande is in fact, not a Sarabande, why has nobody mentioned it before? After reading your comment and out of curiosity, I searched for articles which would detail how Handel's Sarabande is not actually a sarabande. If it wasn't actually a sarabande, surely there would be numerous articles pointing this out. I couldn't find a single one.
So somehow you know more than Händel himself, who call this Sarabande. I'm no expert in classical music but there's that.
Благодарю за развернутое,подробное разъяснение.Браво!
Well, the question is not if it is or not. The music is Sarabande from Haendel. That's it.
Blah Blah Blah Blah !
Chef-d'œuvre ;)
O mais belo filme de todos os tempos
Special spetacular super super super super super super super 🍒🍒
Du béton armée 👍👍👍👍👍👍👍👍👍👍
❤️
Le jour de ma mort pour rendre importante le moment alors que...
Influencia pictorica,exactamente
Obra maestra.
Name : Handel's Sarabande
Подскажите похожие фильмы,пожалуйста.
Who else wants to claim satisfaction in a duel? :D
Меня сюда привел Евгений Викторович Жаринов
Şarkıyı dinlerken klipte yamacın İdris koçavalıyı vurucağı sahne gelicek sandım
0:30 scene is from Ridley Scott’s The duellists, not Barry Lyndon
Il va falloir revoir vos classique ou revoir Barry Lyndon
@@PatrickBadel1964 Il a parfaitement raison cette image vient des Duellistes pas de Barry Lindon
Comme l'image a 2:37 qui est extrait du film Marie Antoinette et pas Barry Lyndon
@@lolaveronese Yes, the movie directed by Sofia Coppola, with Kirsten Dunst in the role of the Queen of France.
当時の世界の人口は、10億人 1750年頃から産業革命の時代
フランダースの犬のネロとアルプスの少女ハイジを、思い出す、時代は同じぐらいかな。
le Maxo
0:30 esa escena no la vi.
name of the movie ?
Barry Lyndon
😀😃😄😁😆😅🙃
La morte e la vita a braccetto
2:37 ???
Gorgeous cinematography and memorable music but oh so painfully slow and boring. Yes. I'm sure Kubrick wanted to show it at a slower pace just like life back when it took 4 weeks to get mail across the Atlantic or when an appointment was sometime before the sun goes down since time was never of the essence, but dang I could have had a 4 course dinner before this moved 2 feet.
it's a simple story, and yes it takes a long time to tell it, it unfolds slowly and yes maybe he could have cut it down a bit, but it's still a masterpiece. I kind of thought the same thing when I first saw it but my guess is if you just relax and watch it on a dark rainy night with zero distractions, watch it again, and maybe again, you will appreciate the slowness of it more. Even if you wait 5 years, then watch it again, I'm sure you will love it. I"ve seen it maybe 15 times, each time I think ok that's the last time, I don't need to ever see that again, but then I do and I still love it.
😐
La música es sublime, este video no.
❤