I feel like this is one of the most revolutionary and at the same time one of the most underappreciated synthesizers ever created :( I can't understand why it never gained more popularity.
I don't think it was because of the price. Instruments like the Fairlight, etc. also cost a lot of money and were therefore not affordable for the mainstream. Nevertheless, they find their buyers among professionals. The VL instruments have the "disadvantage" that the sounds are calculated mathematically and not with samples as usual. Therefore, without a lot of knowledge about it, you can't change hundreds of parameters to create new sounds. That was and is too time-consuming and the understanding is missing. Jean Michel Jarre didn't have a ready-made sound and had to experiment a lot in the '70s. 20 years later, folks were used to pressing buttons and selecting or editing from hundreds of sounds. That's not so easy with the VL devices. Therefore, the laziness of musicians was the death of mathematical sound synthesis. I would never give my VL1-m away again. Regards
I have an EX-5 and a software editor that allows me to manipulate all the parameters of the VL engine to create my own sounds. It is the most unique synth engine I've ever used, and I've used it to create sounds that I've never heard from any other synthesizer. I can only imagine what it would be like to play with the full engine in the VL1. My dream would be a modern VL engine with today's computing power and a comprehensive software editor.
Used this guy extensively, long ago...It really comes into its own when you attach a breath controller, The first time I used the shakuhachi patch, my eyes popped out of my head, it sounded...so...real....
these sounds are otherworldly and alien yet familiar & somewhat organic. very lovely. wish they still made it :( or any decent physical modeling synth for that matter.
just spent a day looking for a replacement for those metallic sounds and cant find anything, all physical modelers on the computer seem to completely ignore the VL1 for SOME reason
Incredible Japanese masterwork, this machine....perfect looks, perfect design, for those days so very unique. It was obvious from the start, the VL1 would reach only a small group of 'sound-lovers'. Wished all synths were built, standard, with these looks. How I hoped that every new synth on the market would have their strict 'own' sound...but how unfortunately!
Have owned my Yamaha vl1 ver2 since 1996.....busy replacing floppy drive and LCD....managed to find replacements for both....otherwise she is in perfect nick.....thanks for the Demo.
Thanks. At last a demo on which somebody is not only showing how nice these instruments are at modeling existing acoustic instruments. It's a pity they never released an affordable version of the VP1.
By the way. Love your channel! I often stumble over it when looking for rare instruments. Concerning the VP1: Could it have been Keyboards 01/94? Alas I never heard an audio demo but at least I still have a scan of the article. I did however own a Korg Z1 for some time and was able to do some rather interesting things with it. I did however find the models too restrictive. That might sound strange but because most models are rather confined to one instrument family ther eis litiel room for real interaction so I found it difficult to find "the instruments inbetween", so to speak. I have found the ultimate tool in the totally underrated Technics WSA1. It's partly based on sampling (all drivers are ROM samples) but it is so flexible that one harldy cares. Every time I hear a new instrument, analog or digital, hardware or VST I ask myself: Can it do something that the WSA cannot do for me? The answer is almost always: NO. Even today! It's really that deep. I can thoroughly recommend it. Maybe this link will interest you: www.brassee.com/instruments.html#starship_one And music made with it can be found here: www.brassee.com/electronicmusic.html#zamisdat
Hi, thanks! I have a CD from the German KEYS magazine, where Reinhold Heil demonstrates a VP1. Since then I would love to own one, but I'm afraid, I will never own one, because there are just about 2-3 units in existence.
Yeah, it's even rarer then a GX1 or DX1. Ah well, one can't own them all. I'd love to hear that demo though. Maybe you can contact me via the contact button on the main page of my website and send me a Dropbox link or whatever. I am quite sure I should also have some stuff you will not yet know.
Modeling technology has certainly moved on from '93, and the sounds coming out of this thing demonstrate that, but still. . .this was groundbreaking when it came out. It deserves its place in history. Also, I would kill for a synth that looks like that. I've always loved the style. Kind of like a 'Tony Stark meets Studio 54' vibe.
@@theboogieknight8279 I don't know how you can say they aged horribly. It's a synth, and it's a real instrument. It sounds as good or as bad as you can make it. Certainly better and more dynamic than any rompler. It also has this indescribable polish and sheen to the sound, probably because of the very high end for the time 20 bit converters.
I REALLY wish I hadn't watched this demo. I'd heard a little of the VL1 a while ago and was impressed. But THIS demo! I'm afraid this demo is going to cost me a lot of money (unless I can part-ex a grandchild or two). Truly beautiful demo of a synth I now REALLY want
Nice video. I recently bought a VL7, the monophonic version of the VL1. Not because of emulating existing real instruments, but to create new sounds of non-existing natural instruments. I wish there would be a software editor exist that gives me access to the hidden features and simplify the programming...
Cool - very interesting sound (almost makes you forget about the 2 voice polyphony) and very dynamic... Pity the big companies never went on with the virtual acoustic models though I guess samples are cheaper to put in hardware and easier to understand for players.
Your bang on, I can't stop laughing now... Looking at it just makes me think of it in a executive suite synth manner... Business man in 1st class lounge waiting for his aeroplane flight, playing the synth occasionally between sipping scotch & pick up the newspaper to check stock markets... If he has to ponder for moments, when the next chord progression inspiration hasn't yet come to mind for him... When his flight arrives for boarding, he has a synth sized brief case for it in one hand... & normal sized business brief case in the other. Lol
It obviously was too expensive to develop and quite few units were sold. Yamaha thought it was the wrong way, since sampling was easier and much more instruments were sold.
Sounds akin to NI Reactor. Especially the effects and grinding patches. Also, the design of the top surface must be the beginnings of the MOTIF series of keyboards which came along much later if I recall.
It's 2023 and judging by the Superbooth'23 physical modelling might be the next thing in both software and hardware. Not new, and not surprising, but welcomed nevertheless. It will probably make the VL1 even more expensive 😄
The first part seems to sound like some strange sea creature. I own five Yamaha synths. All overlooked and underrated, but the truth is, Yamaha, has made some amazing synths and this sounds awesome. I guess I'll never add one of these to my collection. but would love to. Why oh why don't synth manufacturers stick to winning formulas?. Roland are the same. I'll just have to drool and feel jealous. Why should this guy have all the synths it's not fair. Thank you for sharing and teasing.
There is no new synth sounds since late 80s and 90s to the present time because all sounds in this years are back to 70s and mid 80s so the latest synthesizer is in 1985 or 86
I am not sure. My Prophet 12 can probably do some unique sounds. If I can't do something new with 4 digital oscillators with modulatable waveshaping, and 16 modulation slots, I would be surprised. I have made sounds on it that I have never heard before - that doesn't mean no one else has though :) Also with some of the powerful software out there, I am sure new sounds can be done. Some of the software lets you program your own synth
In software yes during the late 1990s, and to run it you need Windows 98.... not sure if it runs on XP or not. If you search this title on Google, "Yamaha S-YXG100 PVL V1.11.49 - final" you will find the 8-voice polyphonic version of VL.
What a neat technique! Shame it was dead out of the water by being duophonic... Would maybe have made a nice rack or desktop module though! I wonder why they dropped this technique so hard...? With some more parameters and refining, this could have been pretty nice!
3k on ebay from Japan. Its good - but is it that good?! I seem to remember having an FX Unit from Yamaha around this time and that gave these awesome high-pitch distorted reverb sounds. Worth investigating??
@@AnalogAudio1 Where's all the sax, clarinet, oboe, trumpet with overblow, embouchure change all the stuff that VL does best? Listen to the clarinet here ... soundcloud.com/peter-walker-529252582/bounce Or Kats (a bit of a cheat since he worked with Yamaha on some of it) ua-cam.com/video/OYWxCrz3vmQ/v-deo.html
@@PeterWalkerHP16c Haha, it was on purpose... I wanted to show the electronic side of this instrument, not the wind presets heard all over the place. Finally it's a synthesizer...
@@AnalogAudio1 Not sure what's funny??? You can get in and change a gazillion parameters and create something from scratch. To my mind it's the wind and string stuff that make it _unique_ . Other sounds are a dime a dozen on the plethora of synths around. Surely you can't fail to be impressed by Kats demo? Each to his own I suppose.
Nice demo. Most demos I heard so far are mostly sax, trumpet... Woodwinds and so on. I know the synth was made for that. But I like the otherworldly sounds you play a lot more! 😊. How difficult is it to program /edit the sounds from trumpet to "Alien cries" 😉
Programming it, like actually programming it is almost impossible without the old mac editor. I would describe what the menu allows you to do as more like editing... you start with certain building blocks and you can mess with their parameters, like how much breath noise there is, or how big or small the resonating chamber of your virtual instrument is. Or how your string model gets plucked... You're stuck with settings like pressure, etc. Luckily someone had made a patch dump of what the mac editor was capable of, even when it comes to impossible instruments (like blowing into a string) so you have a lot to experiment with. It also has a fairly substantial effects section too which helps.
@@atarkus8 It's a shame Yamaha never put this architecture into anything halfway usable like Korg did with the MOSS expansion card for their workstations. Those things might not be the easiest to use, but you do at least get access to the entire architecture in a relatively readable format.
@@ozzyp97 It was probably too far ahead of its time in the early 90s. It would benefit from a modern UI. But I'm guessing that they also learned from the DX7 experience that 90% of users are content to play presets, and only a few are actually interested in making their own sounds from scratch.
Maybe this technology never took off, because emulating real instruments is not really a big deal when you already have had those real instruments for hundreds of years, and also have people who master playing them.
✅Request form for a new VL1 editor : mailchi.mp/imoxplus/vl1-editor-request ✅VL facebook group: facebook.com/groups/2588309261223429/ ✅Demosounds of VL70m being pushed to the level of VL1: soundcloud.com/rudy-verpaele-236350062/sets/vl-audio ✅Free VL1/7 Librarian video: ua-cam.com/video/TT3kUpg5uiA/v-deo.html ✅Free VL1/7 Librarian download: www.imoxplus.com/site/index.php/purchase/vl1-librarian-free
I know I'm going to sound like a twit, and this is six years old, but the whole "background cutout with disembodied fingers" thing doesn't work at all.
We've been lucky enough to find one in our vaults... maybe we should make a new video of example sounds?
Even better... start making them again ! 😀
Reface VL... Hmmmmmm?
yes please
I feel like this is one of the most revolutionary and at the same time one of the most underappreciated synthesizers ever created :( I can't understand why it never gained more popularity.
That and it required practice to really make it come alive...
I don't think it was because of the price. Instruments like the Fairlight, etc. also cost a lot of money and were therefore not affordable for the mainstream. Nevertheless, they find their buyers among professionals. The VL instruments have the "disadvantage" that the sounds are calculated mathematically and not with samples as usual. Therefore, without a lot of knowledge about it, you can't change hundreds of parameters to create new sounds. That was and is too time-consuming and the understanding is missing. Jean Michel Jarre didn't have a ready-made sound and had to experiment a lot in the '70s. 20 years later, folks were used to pressing buttons and selecting or editing from hundreds of sounds. That's not so easy with the VL devices. Therefore, the laziness of musicians was the death of mathematical sound synthesis.
I would never give my VL1-m away again. Regards
I have an EX-5 and a software editor that allows me to manipulate all the parameters of the VL engine to create my own sounds. It is the most unique synth engine I've ever used, and I've used it to create sounds that I've never heard from any other synthesizer. I can only imagine what it would be like to play with the full engine in the VL1. My dream would be a modern VL engine with today's computing power and a comprehensive software editor.
Used this guy extensively, long ago...It really comes into its own when you attach a breath controller, The first time I used the shakuhachi patch, my eyes popped out of my head, it sounded...so...real....
It still does! 👍😃
It sounded like eyes popping out of head?
I have it in my current setup with the breath controller it still holds up against the new stuff.
Your demos are the best!
Truly amazing sound, this was real progress in music technology.
Ce synthétiseur est vraiment un Synthétiseur avec un grand "S". Il sonne vraiment comme aucun autre, merci pour la démo !
these sounds are otherworldly and alien yet familiar & somewhat organic. very lovely. wish they still made it :( or any decent physical modeling synth for that matter.
I just saw one for sale for $5000
just spent a day looking for a replacement for those metallic sounds and cant find anything, all physical modelers on the computer seem to completely ignore the VL1 for SOME reason
Incredible Japanese masterwork, this machine....perfect looks, perfect design, for those days so very unique. It was obvious from the start, the VL1 would reach only a small group of 'sound-lovers'. Wished all synths were built, standard, with these looks. How I hoped that every new synth on the market would have their strict 'own' sound...but how unfortunately!
For those days???? What hardware can you buy today that can do this?
It not only sound good but also looks good.
Have owned my Yamaha vl1 ver2 since 1996.....busy replacing floppy drive and LCD....managed to find replacements for both....otherwise she is in perfect nick.....thanks for the Demo.
I'm absolutely in love with this synth. IRCAM inside!
When I hear that theremin-y sound. I think Isao Tomita. Yamaha is the most Japanese of synths. GX-1 is another great example.
ahead of its time. but i remember gina g - oh a just a little bit had a guy playing one of these on stage :D
casio vl1 and yamaha vl1 is a great combo
Like the Korg MS-20, Kawai MS-20 and the Solton MS-20... :-D
yeah, and Yamaha V50 and Yamaha V50.. -)
Thanks. At last a demo on which somebody is not only showing how nice these instruments are at modeling existing acoustic instruments. It's a pity they never released an affordable version of the VP1.
indeed... in a German magazine I heard demos on a CD, it sounded awesome!
By the way. Love your channel! I often stumble over it when looking for rare instruments.
Concerning the VP1: Could it have been Keyboards 01/94? Alas I never heard an audio demo but at least I still have a scan of the article.
I did however own a Korg Z1 for some time and was able to do some rather interesting things with it. I did however find the models too restrictive. That might sound strange but because most models are rather confined to one instrument family ther eis litiel room for real interaction so I found it difficult to find "the instruments inbetween", so to speak.
I have found the ultimate tool in the totally underrated Technics WSA1. It's partly based on sampling (all drivers are ROM samples) but it is so flexible that one harldy cares. Every time I hear a new instrument, analog or digital, hardware or VST I ask myself: Can it do something that the WSA cannot do for me? The answer is almost always: NO. Even today! It's really that deep. I can thoroughly recommend it.
Maybe this link will interest you:
www.brassee.com/instruments.html#starship_one
And music made with it can be found here:
www.brassee.com/electronicmusic.html#zamisdat
Hi, thanks! I have a CD from the German KEYS magazine, where Reinhold Heil demonstrates a VP1. Since then I would love to own one, but I'm afraid, I will never own one, because there are just about 2-3 units in existence.
Yeah, it's even rarer then a GX1 or DX1. Ah well, one can't own them all. I'd love to hear that demo though. Maybe you can contact me via the contact button on the main page of my website and send me a Dropbox link or whatever. I am quite sure I should also have some stuff you will not yet know.
P.S. Did you actually read the complete content of my earlier answer so including the stuff concerning the Korg Z1, Technics WSA1, etc.?
Modeling technology has certainly moved on from '93, and the sounds coming out of this thing demonstrate that, but still. . .this was groundbreaking when it came out. It deserves its place in history. Also, I would kill for a synth that looks like that. I've always loved the style. Kind of like a 'Tony Stark meets Studio 54' vibe.
Just what I thought. Had one and I loved it but the sounds have aged horribly. Best looking synth ever though!
It can still do crazy and creepy pretty well
@@annother3350 I just don't get how 25 years later they never released an update. There's been a huge increase in DSP power yet nothing...
@@theboogieknight8279 I don't know how you can say they aged horribly. It's a synth, and it's a real instrument. It sounds as good or as bad as you can make it. Certainly better and more dynamic than any rompler. It also has this indescribable polish and sheen to the sound, probably because of the very high end for the time 20 bit converters.
I REALLY wish I hadn't watched this demo.
I'd heard a little of the VL1 a while ago and was impressed.
But THIS demo! I'm afraid this demo is going to cost me a lot of money (unless I can part-ex a grandchild or two). Truly beautiful demo of a synth I now REALLY want
Nice to hear someone exploring the synthesis potential rather than just trying to imitate instruments.
Nice video. I recently bought a VL7, the monophonic version of the VL1. Not because of emulating existing real instruments, but to create new sounds of non-existing natural instruments. I wish there would be a software editor exist that gives me access to the hidden features and simplify the programming...
Thanks for the info. It seems I need to buy an old apple with OS9 to run the expert editor. But that's ok.
Christian's Sonic Spaces How much is VL7?
Have you looked into the Sound Quest vl1 Midi Quest editor?
why does it suck? should be cheap at least as far as standalone hardware goes
so that's the only difference -? stereo vs mono?
Cool - very interesting sound (almost makes you forget about the 2 voice polyphony) and very dynamic... Pity the big companies never went on with the virtual acoustic models though I guess samples are cheaper to put in hardware and easier to understand for players.
I love the sound! I want one of these!
d vibe (swe) Dream onnnnnn......dream onnnnnnnnnn >._.
Looking at its design, this synth is obviously missing a built-in coaster and ashtray for one's glass of scotch and cigar.
cupholder for my ice tea and a hand masager
Your bang on, I can't stop laughing now... Looking at it just makes me think of it in a executive suite synth manner... Business man in 1st class lounge waiting for his aeroplane flight, playing the synth occasionally between sipping scotch & pick up the newspaper to check stock markets... If he has to ponder for moments, when the next chord progression inspiration hasn't yet come to mind for him... When his flight arrives for boarding, he has a synth sized brief case for it in one hand... & normal sized business brief case in the other. Lol
Hahahaha on point
The reface VL is going to introduce a lot more people to these sounds, hopefully Yamaha has the guts to make it.
Never heard about this synth before, but damn it sure can produce some wonderful sounds that I'd never thing could be achieved on synthesizer.
It reminds me of the korg triton. I've got the prophecy but always wanted polyphony
Woah! Such a unique sounding synth. I might need to get one. ...or a vst emulation if that exists.
Reface VL, please!
What a great looking and sounding instrument!!! Amazing!
Avant garde, neat with the wood winds, still trying to produce some myself with instruments.
That keyboard would look great for today I like the design of it.
Wow this thing was bananas! Thx for sounds!
Yamaha how could you give up on something like this ?! Please please do a Reface VL
It obviously was too expensive to develop and quite few units were sold. Yamaha thought it was the wrong way, since sampling was easier and much more instruments were sold.
That very first sound... second part, sounds like part of the intro to OMDs 'talking loud and clear' no ?
don't know...
sounds similar but Probably a sample with the emulator II synth for that album and song if im right.
Sounds akin to NI Reactor. Especially the effects and grinding patches. Also, the design of the top surface must be the beginnings of the MOTIF series of keyboards which came along much later if I recall.
what is that song you are playing at 6:32 ????????
It's 2023 and judging by the Superbooth'23 physical modelling might be the next thing in both software and hardware. Not new, and not surprising, but welcomed nevertheless. It will probably make the VL1 even more expensive 😄
The first part seems to sound like some strange sea creature. I own five Yamaha synths. All overlooked and underrated, but the truth is, Yamaha, has made some amazing synths and this sounds awesome. I guess I'll never add one of these to my collection. but would love to. Why oh why don't synth manufacturers stick to winning formulas?. Roland are the same. I'll just have to drool and feel jealous. Why should this guy have all the synths it's not fair. Thank you for sharing and teasing.
If nothing else…It looks incredible…sounds pretty good too.
Very fitting for a horror movie.
It's THE horror synth. I wonder if Roland ever opened their SuperNatural acoustic engine to deeper editing we'd get VL1 reincarnate.
The Riven soundtrack was made with this
fantastic patches!
There is no new synth sounds since late 80s and 90s to the present time because all sounds in this years are back to 70s and mid 80s so the latest synthesizer is in 1985 or 86
I am not sure. My Prophet 12 can probably do some unique sounds. If I can't do something new with 4 digital oscillators with modulatable waveshaping, and 16 modulation slots, I would be surprised. I have made sounds on it that I have never heard before - that doesn't mean no one else has though :) Also with some of the powerful software out there, I am sure new sounds can be done. Some of the software lets you program your own synth
@Murada its a match made in heaven.
0:04 I’m sure that’s the sound used on The Ring when it shows the cursed VHS tape
Did they ever do a polyphonic version?
In software yes during the late 1990s, and to run it you need Windows 98.... not sure if it runs on XP or not. If you search this title on Google, "Yamaha S-YXG100 PVL V1.11.49 - final" you will find the 8-voice polyphonic version of VL.
this is a space machine and I'm feeling it..
I dig the sound of this one?
What a neat technique! Shame it was dead out of the water by being duophonic... Would maybe have made a nice rack or desktop module though!
I wonder why they dropped this technique so hard...? With some more parameters and refining, this could have been pretty nice!
@Jon Goat Which ones are you referring to?
3k on ebay from Japan. Its good - but is it that good?!
I seem to remember having an FX Unit from Yamaha around this time and that gave these awesome high-pitch distorted reverb sounds. Worth investigating??
Just add in a breath controller, MPE plus an updated CPU and memory then hold on.
Like the VL1 generally but not keen on the sloping side near the pitch-mod wheels
how much do you want for it?
Missed a golden opportunity to show what the VLs could really do.
Very Ho Hum demo.
But you can show us :-)
@@AnalogAudio1 Where's all the sax, clarinet, oboe, trumpet with overblow, embouchure change all the stuff that VL does best?
Listen to the clarinet here ...
soundcloud.com/peter-walker-529252582/bounce
Or Kats (a bit of a cheat since he worked with Yamaha on some of it)
ua-cam.com/video/OYWxCrz3vmQ/v-deo.html
@@PeterWalkerHP16c Haha, it was on purpose... I wanted to show the electronic side of this instrument, not the wind presets heard all over the place. Finally it's a synthesizer...
@@AnalogAudio1 Not sure what's funny??? You can get in and change a gazillion parameters and create something from scratch. To my mind it's the wind and string stuff that make it _unique_ . Other sounds are a dime a dozen on the plethora of synths around.
Surely you can't fail to be impressed by Kats demo?
Each to his own I suppose.
Great synth and demo!
thanks!
Nice demo. Most demos I heard so far are mostly sax, trumpet... Woodwinds and so on.
I know the synth was made for that. But I like the otherworldly sounds you play a lot more! 😊. How difficult is it to program /edit the sounds from trumpet to "Alien cries" 😉
Programming it, like actually programming it is almost impossible without the old mac editor. I would describe what the menu allows you to do as more like editing... you start with certain building blocks and you can mess with their parameters, like how much breath noise there is, or how big or small the resonating chamber of your virtual instrument is. Or how your string model gets plucked...
You're stuck with settings like pressure, etc. Luckily someone had made a patch dump of what the mac editor was capable of, even when it comes to impossible instruments (like blowing into a string) so you have a lot to experiment with.
It also has a fairly substantial effects section too which helps.
@@atarkus8 It's a shame Yamaha never put this architecture into anything halfway usable like Korg did with the MOSS expansion card for their workstations. Those things might not be the easiest to use, but you do at least get access to the entire architecture in a relatively readable format.
@@ozzyp97 It was probably too far ahead of its time in the early 90s. It would benefit from a modern UI. But I'm guessing that they also learned from the DX7 experience that 90% of users are content to play presets, and only a few are actually interested in making their own sounds from scratch.
it sounds cool, but it looks like my dad's old station wagon from 1975
YAMAHA VL1 & ENSONIQ VFX CD - go to the Hollywood studios 😎😎😎
Ah yes, the VL-1. When synthesisers cost as much as a brand new, very nice car.
sounds great, but i guess it's difficult to program.
I would rather say "modifying" a sound, not program. Modifying is similar like editing a SY77.
There was a VL software for windows 98. I think part of SW100XG or something
Film editor effekt box?
Maybe this technology never took off, because emulating real instruments is not really a big deal when you already have had those real instruments for hundreds of years, and also have people who master playing them.
Seems perfect for horror soundtracks and industrial music. Gonna add the VL-70m to my list because I will not be spending $2k on the VL-1, LOL.
Only VL-1 not the fantastic big brother VP-1 :-(
there are only 2-3 VP1 units in existence...
never heard of it wowser rooney
Now imagine controlling this synth with a Haken Continuum or Roli Seaboard...
It looks like it's trimmed with fine Cordovan leather..
YAMAHA : Mini - Teclado : VL 1 ;
New model : Lançamentos : diferenciados !!! Públicos Geral !!!
Fácil de Locomover ? ; É muito Prático !!! ; VL1 ; Parabéns !!! 😃😄😃😄💡💡💡👍👍👏👏👏👏
Had to find footage of this once I saw that RZA used these on a lot of Wu Tang projects. I'd like to have one but damn it costs more than my car lmao
For the price that they retail Kurzweils K2 aeries leave them for dead
Horror movie soundtrack: the synthesizer.
WHAT THE HELL IS THIS THING
I guess it's not popular because only few know how to use it. If I win a lottery, it will be one of my first purchases :)
Why could Yamaha not remake this?
it was not very succesful back then. Do you believe it would be today?
@@AnalogAudio1 Perhaps not, guess I just want one myself.
The EX5 has the very same engine
✅Request form for a new VL1 editor : mailchi.mp/imoxplus/vl1-editor-request
✅VL facebook group: facebook.com/groups/2588309261223429/
✅Demosounds of VL70m being pushed to the level of VL1: soundcloud.com/rudy-verpaele-236350062/sets/vl-audio
✅Free VL1/7 Librarian video: ua-cam.com/video/TT3kUpg5uiA/v-deo.html
✅Free VL1/7 Librarian download: www.imoxplus.com/site/index.php/purchase/vl1-librarian-free
meu Deus q máquina!
A cool synth... but hard to play. For a realistic sax you need months XD
I know I'm going to sound like a twit, and this is six years old, but the whole "background cutout with disembodied fingers" thing doesn't work at all.
I think it's great, that's the AnalogAudio1 style...
Man that thing looks like the dash on an old Chrysler Sebring. Its ugly, but it sounds cool
it looks great, a luxury synth :-)
dang they;re expensive $2,000.+
物理モデルの元祖…
Man.... what on earth did you smoke before making this video???
the monophonic Prophecy is better...
The virtual acoustic instruments are better on the VL1. But the Prophecy has more sound colours since it also has a virtual analogue model.
5:12 Incunabula vibes, but generally pretty dull demo I'm sorry
well, it's different :-)
If this guy knew what he was doing it could have been a good demo. He is crashing the car against the walls.
hahahaha LOL
You can't play!!!!
thank you
He plays fine. Where's your musical input?
I thought it sounded good
hahaha :-)